Search Results: Prints - American - 20th Century from Alan Wofsy Fine Arts

Sante Fe, N.M.: Los LLanos Gallery, 1979.. Lithograph for the 12 Aug 1979 exhibition. 58.5 x 44.5 cm. (23 x 17.5 in). Signed by artist in pencil near bottom. Mild toning; else NF.

New York: Kennedy Gallery/Gehenna Press, 1970. Distributed graphics by Alan Wofsy Fine Arts.. Etching in black on BFK Rives paper. From Titus Andronicus portfolio. 32 x 20 cm. One of 200 signed and numbered impressions from the Kennedy Galleries, New York, edition. Signed and numbered in pencil. Fern & O'Sullivan, 593.

New York: Kennedy Gallery/Gehenna Press, 1970. Distributed graphics by Alan Wofsy Fine Arts.. Etching in black on BFK Rives paper. From Titus Andronicus portfolio. 33 x 20 cm. Signed and numbered in pencil. Fern & O'Sullivan, 586. One of 200 signed and numbered impressions from the Kennedy Galleries, New York, edition.

New York: Kennedy Gallery/Gehenna Press, 1973. Distributed graphics by Alan Wofsy Fine Arts.. Woodcut printed in black on Japanese paper. From Othello portfolio. 32 x 18 cm. One of 200 signed and numbered impressions. Fern & O'Sullivan, 624.

New York: Kennedy Graphics, 1971. Distributed graphics by Alan Wofsy Fine Arts.. Lithograph. Edition of 160 on BFK Rives paper. 79 x 53 cm. Signed and numbered in pencil. Fern & O'Sullivan, 599.

New York: Kennedy Graphics, 1970. Distributed graphics by Alan Wofsy Fine Arts.. Lithograph printed in black on BFK Rives paper. Moby Dick suite. 17 x 11.5 inches. Edition of 200. Signed and numbered in pencil. Fern & O'Sullivan, 569.

New York: Kennedy Graphics, 1965. Distributed graphics by Alan Wofsy Fine Arts.. Photo-silkscreen in black and umber for Human Relations Portfolio. Signed and numbered in crayon. Printed on Japan paper by Meriden Gravure Co. Sheet size: 21 7/8 x 16 3/4 inches. Image size: 13 1/8 x 9 5/8 inches. Edition of 300 signed & numbered impressions. Prescott, 102.

1912.. Later printing of the 1912 etching. 185 x 226 mm. Morse, no. 155. Unique printer's proof from the second printing of not more than 10 impressions from 1986. Initialed and annotated by the artist's widow, Helen Farr Sloan. With the printer's dry stamp of Stephen Sholinsky. Printed on Rives. Sheet size 335 x 355mm. Letter of authenticity from the printer, Stephen Sholinsky.

New York: Kennedy Graphics, 1970. Distributed graphics by Alan Wofsy Fine Arts.. Original color lithograph. One of 100 signed and numbered prints on handmade Arches paper. 20.5 x 15.5 inches. In Arches sleeve with printed title.

1976.. Etching, 11 x 8.5". Signed, dated and numbered "6/50" both in the plate and at bottom in pencil. Good.

New York: Kennedy Graphics, 1970. Distributed graphics by Alan Wofsy Fine Arts.. Original color lithograph. One of 100 signed and numbered prints on handmade Arches paper. 20.5 x 15.5 inches. In Arches sleeve with printed title.

New York: Letter Edged in Black Press, 1968.. [12] pp. "Art Brut" drawings and irrational writings done on six sheets of coarse brown paper towels. Folded once down middle, as issued. There seems to be very little known about Princess Winifred and most of the information there is is unverifiable. What is certain is that she was an inmate in a mental asylum (either Buyberry near Baltimore or Byberry in Philadelphia) and created her work, drawings and random writings, on brown paper hand towels during the 1940s through to the 1960s. Her true name, birth, death and nationality all appear to be unknown. From SMS: A Collection of Multiples, No. 4, August 1968.

New York: Kennedy Graphics, 1974. Distributed graphics by Alan Wofsy Fine Arts.. Lithograph in five colors on Vélin d’Arches paper. Native American series. Image: 61 x 85 cm. Paper: 73.6 x 104.1 cm. Edition of 100. Signed and numbered by artist. Fern & O'Sullivan, 636.

New York: Kennedy Graphics, 1974. Distributed graphics by Alan Wofsy Fine Arts.. Lithograph in seven colors on Vélin d'Arches paper. Image: 104.1 x 54.6 cm. Paper: 105 x 75 cm. Edition of 200. Signed and numbered by artist. Fern & O'Sullivan, 637. This is one of 15 original prints published by Kennedy Graphics by different artists to commemorate the 1976 Olympics. They were published in 1974 and then reproduced as posters for the 1976 Olympics.Baskin wrote about this work: "The athlete is caught up in the great struggle of the Olympiad – ruminating on the endless stress, the pushing on, that last puissant drive is the breaking point . . . "

New York: Kennedy Graphics, 1982. Distributed graphics by Alan Wofsy Fine Arts.. Lithograph in five colors on Velin d’Arches paper. 30 x 27.5 cm. Fern & O'Sullivan, 681.

1966.. Lithograph. 311 x 305 mm.Printed in colors. Signed, dated and numbered 11/20 in pencil, lower margin From the collection of the Sylvan Cole Gallery. Flint, no. 270. Spotting in blank areas, lithographic ink.

1915.. 1986 printing of the 1915 etching. 252 x 302 mm. Morse, no. 173. Unique printer's proof from the second printing of not more than 10 impressions. Initialed and annotated by the artist's widow, Helen Farr Sloan. With the printer's dry stamp of Stephen Sholinsky. Printed on Rives. Sheet size 355 x 425 mm. Letter of authenticity from the printer, Stephen Sholinsky.

New York: Kennedy Gallery/Gehenna Press, 1973. Distributed graphics by Alan Wofsy Fine Arts.. Woodcut printed in black on Japanese paper. 1973. From Gehenna Press Othello portfolio. 31.25 x 17.25 cm. One of 200 pencil signed and numbered impressons. Fern & O'Sullivan, 625.

New York: Kennedy Graphics, 1959. Distributed graphics by Alan Wofsy Fine Arts.. Wood engraving. Signed in pencil. 30 x 34 cm (9.2 x 13.9 cm in the plate). Fern & O'Sullivan, 378.

New York: Kennedy Graphics, 1951. Distributed graphics by Alan Wofsy Fine Arts.. Wood engraving printed in orange on Sekishu paper. Signed in pencil. Bestiary series. Image size: 5.5 x 3.8 cm. Paper size: 25.3 x 24 cm. Fern & O'Sullivan, 100.