Search Results: Art & Design from Books Again, Inc.

Atlanta: Mythic Imagination Institute, 2004. First Edition. Hardcover. Fine/fine. Hardcover, exhibition catalog with 20 artists featured. SIGNED by Charles Vess at the page of his own art contribution. A fine unused copy in pictorial covers. No dust jacket as issued. No remainder marks.

Valle Crucis: Dancingfish Press, 2005. First Edition. Hardcover. Near fine/near fine. Hardcover, illustrated, 107 pp. A lightly used near fine copy with clean contents and tight binding in a near fine dust jacket (small scratch on rear panel).

NP: Betty Foy Sanders, 2002. First Edition. Hardcover. Fine/fine. Hardcover, illustrated, 225 pp. INSCRIBED and signed by Sanders to Dick Yarborough, noted Atlanta journalist. "To Dick....From one Artist to Another". In a shaky hand I presume this inscription was made close to the end of her life. A fine tight copy in a fine unflawed dust jacket which is now protected in an archival cover.

Seattle: Portland Press / Abrams, 2011. First Edition. Hardcover. Fine. Limited Edition, 1/500 numbered copies (#416) SIGNED by Chihuly on a prelim page, with clamshell box. The book is fine with no flaws. The box has a damp stain to the front and rear and its spine is sunned.

Pittsburgh: Mellon Institute, 1937. No statement of edition. Paperback. Near fine. Paperbound, 38 pp, illustrated. A lightly used near fine copy with clean contents and solid binding.

Atlanta: Frabel Art Studio, ND. Presumed First edition. Paperback. Near fine. Paperback, illustrated with color photos, unpaginated. Nicely INSCRIBED and signed in 2007 by Frabel inside front cover. A lightly used near fine copy with clean contents and tight binding.

Boston: Little, Brown & Co., 1983. 2nd Printing. Hardcover. Very good +/very good. Hardcover, illustrated. SIGNED by O'Kelley on the title page. Non authorial gift inscription on verso of front endpaper, else a clean and tight very good plus copy in a very good dust jacket (spine is sunned) which is now protected in an archival cover.

Boston: Little, Brown & Co., 1983. 2nd printing. Hardcover. Very good +/good. Hardcover, illustrated. SIGNED by O'Kelley on the title page. A very good plus copy with clean contents and tight binding in a good dust jacket which is bright and attractive but with significant foxing to the verso (not visible from the front). Now protected in an archival cover.

Boston: Bulfinch / Little, Brown, 1989. First Edition. Hardcover. Fine/fine. First Printing, hardcover, illustrated. Briefly INSCRIBED and signed by the author on the half title page. A fine copy in a fine unflawed dust jacket which is now protected in an archival cover.

Boston: Little, Brown & Co., 1991. First Edition. Hardcover. Very good/good. First printing, hardcover, illustrated. SIGNED by O'Kelley on the title page. Non authorial gift inscription on verso of front endpaper, light foxing to half title page, still a very good copy with clean contents and tight binding in a good dust jacket (some moderate wear to the front panel). Now protected in an archival cover.

Savannah: Compass Publishing, 1995. Second Printing. Hardcover. Near fine/fine. Hardcover, illustrated by Ellis. SIGNED by Ellis on the half title page. Five non-authorial gift inscriptions on the verso of the dust jacket, (not visible unless jacket is removed), else a lightly used near fine copy with clean contents and tight binding in a fine unflawed dust jacket which is now protected in an archival cover.

Atlanta: Sumida, 2001. First Edition. Hardcover. Fine. Hardcover, illustrated with color plates, 192 pp. Nicely INSCRIBED and signed by Karp on the title page in 2002. Light vertical crease along fore edge of pg. 13, else a fine tight copy in glossy pictorial covers. No dust jacket as issued.

Washington DC: Arthur M. Sackler Gallery / Smithsonian, 1989. First Edition. Hardcover. Near fine/near fine. First Printing, hardcover, illustrated, 396 pp. Head of spine is bumped, still a tight lightly used near fine copy in a near fine dust jacket which is now protected in an archival cover. No remainder marks.

Nishi-Nippon Shinbun / Fukuoka Art Museum, 1992. Presumed First edition. Paperback. Fine. Paperbound, text in Japanese and English, illustrated in color. Printed name of Furukawa and dated in 1992 along with Hanafusa-San on front endpaper. Not certain who signed this but it kind of looks like an autography.A fine copy in cream colored wrappers.