Search Results: Art History and Criticism from Crane's Bill Books

London: Thames & Hudson in association with the Serpentine Gallery and De Montfort University, 1999. First Edition . Self-Wraps. Fine/No Jacket (Paperback). 8vo. 238 pp., 49 illustrations, 22 in color. A Fine copy, nearly As New.

Baden-Baden: Woldemar Klein, 1963. Boards. Fine/Very Good. 12mo. 18 pp. + 12 plates in color. A lovely copy with bottom edges of boards just a bit rubbed. Jacket clean and attractive but sunned and lightly scuffed at spine, lightly worn at head and heel of spine and folds, with one short closed tear at rear upper edge. Der Silberne Quell 62. In German.

Santander, Spain: Nocapaper, 2017. 1st Edition . Wrappers. As New/Near Fine. 8vo. 117 pp., color illus. Presentacion: Manuel Olveira. Exhibition, MUSAC, Museo de Arte Contemporaneo de Castilla y Leon. Spanish text with English translation. As New in very lightly edgeworn jacket.

New York: E. P. Dutton & Co., 1971. 1st Edition . Cloth. Near Fine/Good. 8vo. 347 pp., b&w illustrations throughout. Important collection of essays on the avant-garde of the sixties, including Pop Art, Lettrism, Field Painting, Kinetics, Light Sculpture, etc. Edges of boards and page edges sunned, top edge a bit dusty. Jacket Good only (significantly rubbed overall, with a few chips and scuffs, two punctures at rear).

Hoechst Marion Roussel, 1995. 1st Edition . Cloth. Good/Good. 4to. Inscribed and signed by the author. xv, 100 pp., color plates. Edicion Conmemorativa. Prologo por Victor Hugo Rascon Banda, Introduccion por Federico Ortiz Quesada. Portrayals of Sor Juana by early and recent artists. Corners of boards bumped, small faint dampstain at upper corner of front board, page edges just a bit tanned; two jagged tears at upper edge of one leaf have been somewhat untidily repaired. Jacket shelfworn and lightly scuffed, lightly dustsoiled, edgeworn, bumped at head and heel of spine and folds. In Spanish.

New York, 1972. No Binding. Very Good. 4to. Unbound folded leaves with three-hole punch as issued, pp. 117-[140], b&w illus. A well-illustrated five-page interview by Judith Goldman. Also Thomas B. Hess on Barnett Newman's "Notes" and Benjamin A. Rifkin on Rembrandt. Judith Goldman (ed.). Head and heel of spine and corners lightly bumped.

Stanford, CA: Stanford University Press, 1989. Cloth. Very Good/Fair. 4to. xvi, 269 pp., 83 b&w illus. Wear at head and heel of spine and corners of boards, top edge dusty. Jacket faded at spine, worn, bumped and creased at edges and folds, with numerous small chips and tears at edges, a bit of sticker residue on spine.

Mantova: Corraini Editore, 2003. Self-Wrappers. As New. 16mo. 79 pp. Italian with French and English translations (by Isobel Butters Caleffi and Annie Pissard Mirabel respectively). Originally published in 1961 in a limited edition.

San Diego, CA: Discursive and Curatorial Productions, Visual Arts Department Research Initiative, University of California, 2013. Stapled Wraps. Near Fine. 8vo. 78 pp., illus., including a folded loose plate reproducing a document by Robert Smithson. Produced in conjunction with the exhibition Subterranea, and issued as Unweave Issue 3, January 2014. Contributions by Elizabeth D. Miller, Melinda Guillen, Aurora Tang, Julia Bryan Wilson, Dominic Paul Miller, Jill Magid, John C. Welchman, Artemisa Clark, Kristen Gallerneaux, and Tim McDonough, including considerations (written and visual) of Smithson, Ana Mendieta and Mike Kelley. Tiny closed tear at upper edge of front cover, otherwise Fine, nearly As New.

New Haven and London: Yale University Press, 2007. Cloth. Good/Good. 8vo. xi, 288 pp., 35 plates, many in color. A would-be Very Good copy with head of spine and corresponding top of jacket spine heavily bumped, hence Good only; upper corner of rear board very slightly bumped, jacket sunned at spine and lightly handled and egeworn.