Search Results: Punk from Division Leap, ABAA

np: Sound of Pig, nd. C60 audio cassette with title rubberstamped in red on sticker to each side, with pink insert, housed in a snap case. With zine - 5 1/2 x 8 1/2", [14] pp, photomechanically reproduced on rectos only and stapled once at the upper left hand corner, with information on each band. Industrial and avant-garde comp featuring Savage Republic, Schlafengarten, HAters, Sleepless Knights, Dreamhouse, The Psychological Warfare Brank, Theatre of Ice, Smersh, Girls on Fire, F/i, Chris Gross, Abstact Belief, and Youth Hostel. Great comp. Casette visually nm, spot play tested and plays fine. Insert vg++ with a touch of the usual fading. Snapcase scuffed. Zine fine. Scarce with the zine.

Austin: Austin Vanguard, 1977. 4to, tabloid format, single sheet of newsprint folded once; offset printed in two colors. The first and only issue of one of the first, if not the first, punk fanzine published in the state of Texas. No attribution is given, but the zine is believed to be the work of Nick West, who would go on to edit Sluggo, one of the greatest art zines of the late 70's. The phrase "Someday All the Adults Will Die" emblazoned on the cover summed up many of the beautiful contradictions of early American punk. folded once, with some minor toning else fine.

San Francisco: Blank Expression, 1986. 4to, [8] pp. [incl. covers], saddle-stapled. Unnumbered issue of this San Francisco fanzine, featuring interviews with Flying Color and General Public, and reviews of a Savage Republic show in LA, etc. OCLC locates no holdings. Minor creasing to tips else fine.

Willamantic, CT: De-Evolutionary Times, 1981. 4to, [25] pp, photo-mechanically reproduced. Side-stapled. A remarkable early 80's connection between the poetry and post-punk zine scenes, this little known post punk fanzine edited by the poets George Butterick, and Ed Kaplan. A fascinating zine, dense and text heavy with no illustrations other than the front and back covers. As well as ton of record reviews, this issue also features in depth interview wtih the Buzzcocks and Athletico Spizz. Staples a bit oxidized, back cover with a long vertical tear separating it from the lower two staples, but still holding to upper staple. Good only, but scarce - we didn't know that this zine even existed until ten minutes ago. OCLC locates holding at only two institutions.

Madrid: Laboratorio Informal de Actividades Diversas, 1984. 8vo, [40] pp. incl. covers, saddle-stapled wraps. Fourth issue of this avant-garde zine out of Madrid. With contributions from Inma Marcos, Xavier Sabater, Rosa Heredia, Elisenda S. Bernal, Cristina Caballero, and Akoduras. Near fine with some minor toning to extremities.

Los Angeles, 1984. 8 1/2 x 11" flyer, offset litho on white paper stock. Original flyer for this 1984 show by Tones on Tail in Los Angeles, at Music Machine. With Bonemen of Barumba opening. Fine.

Hanover, Germany: Klarschlamm, 1986. First edition. One of 500 numbered copies. 4to, 32 pp. incl. covers, photo-mechanically reproduced on various colors of paper stock. Text entirely in German. Seventh issue of the German punk fanzine, featuring great layout, typography and some original photography of German gigs. With a section of artwork by Paul Spencer, and pieces on The Swans, Dead Kennedys, English scene report (in German) by Jeff Threat, a photo page with snapshots of Public Enemy, Smarties et al. Very good.

France: Association Théatre Accidental, 1983. 4to, 20 pp. including covers, saddle-stapled wraps. Illustrated with drawings, comics and photographs. One of 500 copies. Text in French. Superb French avant-garde music fanzine with lots of great graphic art and comics, which was related to the Antenne accidentelle show on Radio-Tele Chatenay. This issue features a fantastic interview with Jeffrey Lee Pierce of the Gun Club (in French) which we've never seen before, 2 pages of fanzine reviews, the comic strip Xudule Annee O by Drederic & guillaume Libert, Videomania, and more. Scarce. OCLC locates holdings at only one location worldwide, The Bibliotheque Nationale. Fine.

France: Association Théatre Accidental, 1983. 4to, 24 pp. including covers, saddle-stapled wraps. Offset printed with a full page drawing in orange paint to back cover, with a rubberstamp. Illustrated with drawings, comics and photographs. One of 500 copies. Text in French. Superb French avant-garde music fanzine with lots of great graphic art and comics, which was related to the Antenne accidentelle show on Radio-Tele Chatenay. Includes material on the Residents, Foggy Eyes, Blurt, Don Cherry, Ed Blackwell, Crass Tropical Corridor etc. Scarce. OCLC locates holdings at only one location worldwide, The Bibliotheque Nationale. Very good with some bleed through from the drawing at back cover.

Los Angeles: [Independent Projects Press], 1986. 4 x 5 7/8" card, printed by letterpress on chipboard by Bruce Licher at the Independent Project Press. Postcard announcing the 1986 show, with Radwaste and Fourwaycross. Fine.

Np: Independent Project Press, 1985. 4 1/4 x 6" postcard, letterpress printed in three colors on thick card stock by Bruce Licher. Postcard announcing two shows by Savage Republic and Psi-Com in 1985, the first at Mabuhay Gardens, with the Fontanelles opening, and the second at Club Culture, with the Fontanelles and Camper van Beethoven. Fine.

Atlanta, 1994. 2 1/8 x 8 3/4" ticket, letterpress printed in silver on black chipboard. Beautifully designed and printed by Bruce Licher of Independent Project Press. An unused ticket for the 1994 festival which boasted a remarkable line up - AMM, Faust, Tony Conrad, Jim O'Rourke, Zeena Parkis, Thurston Moore, Keiji Haino, Michael Morley of the Dead C. et al. Fine.

Sedona, AZ: Licher Art & Design, 2005. First edition. Sheet of nine stamps, offset printed on gummed stock and perforated paper, and housed, along with a detachable postcard, in a letterpress-printed folder in two colors on manila tag board stock. Fine.

San Francisco, 1981. 8 1/2 x 11" sheet, vintage xerox in b/w. The original flyer for this 1981 performance by the San Francisco avant garde dance troupe, who was associated with Voice Farm. Near fine with a short nick to lower margin and some minor handling creases.

Los Angeles: Desolation Center, 1984. 2 1/2 x 3" perforated ticket, letterpress printed on chipboard by Bruce Licher. With printer's "sample" rubberstamp to verso. Very good with a small tackhole and stain to right margin.

Warminster, PA: Constant Cause, 1980. 16mo, [8] pp, including covers. Offset printed on yellow textured paper. Mini-comic zine distriuted by Constant Cause. Fine.

Los Angeles: LACE & Anticlub, 1985. 6 x 6" ticket, letterpress printed on thick card stock by Bruce Licher at Independent Project Press. An unused ticker for the event, one of SRL's landmark machine performances, entitled "Extremely Cruel Practices: Survival Research Laboratories Offers a Series of Events Designed to Instruct Those Interested in Policies That Correct or Punish." The event was presented by Los Angeles Contemporary Exhibitions and Anticlub. Fine.

London: Vague, 1993. 4to, illustrated wraps. English Psychogeography, Stewart Home returning from the Art Strike, etc. Fine.