Search Results: Poetry from Exquisite Corpse, Booksellers

Hoshour Gallery, Albuquerque, 1988. Book. Illus. by Robert Therrien. Very Good. Loose Pages in Slipcase. 32 numbered but loose folded sheets plus two more (title page and index of images), cased in a two part yellow paper covered board slipcase. One of 1500 unsigned/unnumbered trade edition copies. Texts by Creeley and the publisher are in English. Texts by Butor, in French. Spine of slipcase is sunned, with a loss of the lower left corner of the paste-down image by Therrien on the cover of the slipcase. There is a two inch vertical scuff on the front of the slipcase with some light rubbing. Else, the interior is clean and free of markings. Designed by Eleanor Caponigro. Inventive and handsome collaboration between poet, prose writer, and visual artist..

Graphic Ways Publishing, Buena Park CA, 2002. Book. Fine Condition. Cloth. Stated First Edition.. 107 pp., 85 large format black and white photographs. Light scuffing to the dustjacket cover, otherwise a fine copy. Dustjacket is protected with a mylar cover..

Faksimileutgå, 1989. Book. Near Fine. Wrappers. 63 pages. Minor soiling and wear to the covers and edge. Illustrated wraps. Text is in Swedish. List of Contents..

Peter Blum Edtions, New York NY, 1999. Book. Fine Condition. Cloth. Unpaginated (60 pp.), the book consists of thirteen etchings by Alex Katz and a poem by Robert Creeley. First edition. From an edition of 1,500 copies..

Suhrkamp Verlag, Frankfurt am Main, 1968. Book. Fine Condition. Cloth. 126 pp.. Minor discoloration to the white dustjacket cover. Tan cloth with gilt stamped letters to the spine. Dustjacket is protected with a mylar cover. Text is in German. Includes list of contents..

Kelsey Street Press, Berkeley CA, 1976. Book. Very Good. Wrappers. 48 pages. Paperback. Text in English. There is a bit of scuffing to the white covers, otherwise fine. An anthology of poetry including illustrations. Some of the poets included: Denise Taylor, Misha Berson, Laura Beausoleil, Patricia Dienstfrey, Rena Rosenwasser, Roswell Spafford, et. al..

The Menil Collection, Houston TX, 2002. Book. Fine Condition. Brochure. Slim brochure. 8 pages. Very slim paperback pamphlet/brochure with a single poem by the poet, staple bound with stiff gray printed covers. This poem was commisioned by The Menil Collection, Houston to accompany the exhibition "Agnes Martin: The Nineties and Beyond" from February 1-May 26, 2002..

1:2:3, Sweden, 2008. Book. Near Fine. Cloth. Signed By Artist. 120 pages. 46 color reproductions. Hardcover bound in black paper covered board binding with gold stamping on spine and front cover. Upper right front corner of the front cover is bumped, but otherwise appears to be in fine condition. Signed by the photographer on the first pink page of small images. Poems in both Swedish and English..

Pantile Press, New York, 1970. Book. Fine Condition. Wrappers. 48 pages of text, with a number of pages of line drawings that are interspersed, but not paginated. Paperback, bound in stiff illustrated paper covers. Some faint tanning to the top edge, consistent with age. Else, the binding is tight with an uncreased spine, the edges of the covers are sharp, and the interior is free of markings. Finely printed on full rag paper with deckled edges. One of the early Houston Modernists demonstrating her facility with words and images simultaneously..

Vallechi, Firenze, 1979. Book. Very Good. Wrappers. 188 pages. Square format paperback, bound in stiff illustrated paper covers. Texts in Italian. Some wear to the covers and edges, with more to the crown of the spine, where there is also a small tear. Published on the occasion of the exhibition held from December 15, 1979-January 12, 1980. Heavily illustrated in black and white.

Gagosian Gallery, New York, 1993. Book. Fine Condition. Wrappers. 24 pp., 7 duotone illustrations. Poetry by Robert Creeley, paintings by Francesco Clemente. Aside from a touch of shelf wear to the black edge, a fine copy with an uncreased spine and a clean, unmarked interior. From an edition of 2000 copies..

Harper Collins Publishers, New York, 1992. Book. Fine Condition. Cloth. Slim volume, unpaginated (26 pages) with illustrations by Barry Moser. Poem by Henry Treece..

Zurbaran Ediciones, Buenos Aires, 1995. Book. Fine Condition. Cloth. Red cloth hardcover binding in tight, excellent condition with gold stamped title brightly preserved on cover and spine. Paper dustjacket shows minimal wear to the extremities, but is now encased in a Mylar protective cover. A beautiful presentation of the two-part epic poem by Argentine poet José Hernández (1834-1886) about the Gaucho, or cowboy, Martin Fierro. Illustrated magnificently by paintings and drawings that bring to life the rustic ranch culture of 19th century Argentina. 214 pages, with text in Spanish.

Ateliê Editorial, 2005. Book. Fine Condition. Cloth. 423 pp. A gift inscription written by Ivan Teixeira on the ffep. A Poesia Aguda do Engenhoso Fidalgo Manuel Botelho de Oliveira por Ivan Teixeira. Text is in Portuguese..

Perishable Press, Mt. Horeb, WI, 1993. Book. Illus. by Henrik Drescher. Fine Condition. Wrappers. Signed by Author(s). Small format paperback book of off color limericks (really, are there any other kind worth publishing?!) coupled with appropriately perverse line drawings by Henrik Drescher, and impeccably published by the master of the letterpress, Walter Hamady. The center cluster of pages remain uncut. Copy number 88 in a limited edition of 150, numbered, signed, and dated in pencil by Hamady on the colophon..

Editorial Castalia, Madrid, 1969. Book. Very Good. Cloth. V. I, 722 pp., V. II, 538 pp., V. III, 734 pp. Tres volúmenes. Some minor bumps to the corners, slight pull to the ffeps, center. Previous owner's bookplate to the front paste-down. Chipping, minor soiling and wear to the dustjacket cover (mostly volume one). Dustjacket is protected with a mylar cover. Each volume, grey cloth with gilt letters to the spine. Indices..

Self Published, 1973. Book. Near Fine. Loose Pages in Envelope. Inscribed by Author(s). 17 loose pages in a string-tied folder. Poems in English. Warmly inscribed by the poet to his parents in black on the limitation page. Number 4 in a limited edition of 90. Some sunning and light wear to the outside of the folder. Otherwise, the cards inside are in fine condition. Fourteen poems, each on a separate loose card..

The Glassell School of Art of the Museum of Fine Arts, Houston, 1988. Book. Fine Condition. Staple-bound Wrappers. 43 pages. Oblong format paperback, staple bound with stiff printed paper covers. Texts in English. 16 black and white illustrations. Minimal shelf and handling wear, but essentially in crisp, sharp, bright and clean condition. Published on the occasion of the exhibition from January 22-February 25, 1988. Collaborative pairings of Houston based writers with Houston based artists including Gael Stack with Olive Hershey, Robin Utterback with Richard Howard, Derek Boshier with Edward Hirsch, James Surls with Cynthia Macdonald, George Krause with Rosellen Brown, Lucas Johnson with Susan Prospere, Jim Love with Donald Barthelme, and more..

Lucini Libri, Italy, 1996. Book. Fine Condition. Wrappers. Signed by Author(s). Signed and limited small volume of 61 poems. Crisp, tight, possibly unread softcover book, bound with printed gray paper French fold covers. Numbered 83/300. Frontispiece illustration reproduced in color by the poet's husband, Irwin Kremen..

Loujon Press, Tucson, 1968. Book. Fair. Cloth. 191 pages. Hardcover. Texts in English. Illustrated. Brown foxing stains to the covers. Else, the binding is secure, the interior clean and free of markings. A major work of printing/binding with significant contributions by Allan Kaprow, Charles Bukowski, Denise Levertov, Lwrence Durrell, Kenneth Rexroth, Thomas Merton, Harold Norse, David Antin, Allison Knowles, Jean Cocteau, Ray Johnson, Al Hansen, and many others. Included is an extended tribute to Kenneth Patchen by a number of authors. This significant bindery and printing house suffered a devastating flood, causing this issue to be their last. But it is a staggering work of beauty by writers and artists who captured the soul of the era..