Search Results: ART from First Folio

Berlin: Nuebabelsberg Akademische Verlagesellschaft Athension, 1918. Paper age toned, cover bright and tight.. Two volumes. Illustrated, including tipped-in color plates. 4to. Blue cloth with titles and striking designs in gilt and black.

New York: Crown Publishers, 1985. Sixth printing. Fine in d.j.. Sixth printing. Oblong 4to. xii, 192p. Illustrated throughout in color. "Georgia O'Keeffe's career has spanned much of the history of modern art in America. Here are over a hundred paintings, many rarely exhibited or reproduced, photographs of O'Keeffe at various stages in her life, photographs of the landscapes that inspired her, and a text richly documented with letter and interviews. This material, combined with Jan Castro's insightful criticism, reveals O'Keeffe's legacy as an artist and the force of her intriguing personality." (Jacket blurb).

New York: Abrams, 1984. Fine in d.j.. Oblong folio. 296p. Illustrated in color. Gilt-titled brown cloth.

Albuquerque: University of New Mexico Press, 1993. First edition. Faint foxing to top edge, else fine in d.j.. First edition. Quarto. xvi, 285p. Illustrated. Silver-titled blue cloth.

New York: The Pushpin Group, 1987. As new in original envelope. Quarto. (12" X 10"). 34p in die cut color printed wrapper in the shape of a train engine. Illustrated throughout in color on various papers.

Munich: Albert Langen, 1920. VG. Illustrated. Folio. Gilt-titled brown paper over yellow cloth. Catalogue Raisonne for the period covered.

New York: George Braziller, 1984. First American edition. Fine in VG dust jacket with little wear. First American edition. Folio. 29p. 119 color illustrations. Reproduces to scale the entire album in the Louvre. Oatmeal cloth with black spine titles and artist's name in blind on upper cover. "The album of Jacopo Bellini, now located in the Louvre, is one of the outstanding legacies of the Venetian Renaissance to have survived to the modern day. The majestic drawings constitute a seminal collection of the artist's pivotal contributions to the formation of an indigenous Venetian Renaissance style of the mid-fifteenth century. "The complete album presented here for the first time, in full color, reproduced to scale and in the order the authors believe the artist himself determined. The pioneering study of Professors Bernhard Degenhart and Annegrit Schmitt finally allow us to appreciate the full meaning and enormous importance of Jacopo Bellini's disegno in the Renaissance." (Jacket blurb).

(New York): Limited Editions Club, 1987. Copy no.12 of 750 copies Signed by Roberto Juarez and John Hersey. Fine in slipcase. Owner'sblind stamp on rear flyleaf. Copy no.12 of 750 copies Signed by Roberto Juarez and John Hersey. Folio. xvi, 104p. Illustrated by Roberto Juarez with seven full-page monochrome etchings. Printed at Wild Carrot Letterpress on mould-made paper. Bound in quarter black morocco with gilt spine titles, the covers of red silk.

New York: Rizzoli, 1978. Fine in d.j. and cardboard slipcase. 304p. Folio. Silver-titled blue cloth. Illustrated throughout. Translated by Michael Taylor.

London: Alexandria Press, 1988. Some foxing spots to text block edge, else about fine in VG- d.j.. Quarto. 416p. Illustrated in color and black and white. Gilt-titled brown cloth.

n.p.: Editions Andre Sauret et Editions Michele Trinckvel, 1992. First edition. As new in dust jacket and slipcase. First edition. Large quarto. 247p. Illustrated in color and black and white. Tan cloth with titles in black on spine and upper cover.

Chicago: Predictable Press, 1991. First edition. Book fine, fragile dust wrapper wrinkled. First edition. Folio. Unpaged. Reproduces Riech's drawings in black and white. Gilt-titled white boards with drawings on upper and lower covers. SIGNED BY JON REICH.

New York: Alfred A. Knopf, 1987. First edition. One-inch slpit to inner hinge paper, else fine in near fine dust jacket with very trifling edge wear. First edition. Square folio. Unpaged. Illustrated in full color. Light gray cloth with silver spine titles and silver design on upper cover.

New York: Scribner's, 1929. Limited to 750 copies. About fine.. Limited to 750 copies. 242p. Illustrated. 4to. Gilt-titled tan over green cloth.

New York: Hastings House, 1946. First edition. Minor wear, VG+ in fair d.j.. First edition. viii, 180p. Foreword by Monroe Wheeler. Introduction by Jean Charlot. Text in Spanish and English. 143 pages of illustrations in black and white. Tan cloth with red spine titles. Signed in pencil by artist Letterio Calapai (1902-1993).

London: Chatto and Windus, 1908. Inner hinge papers cracked due to vellum warp, but a stunning book.. xiv, 288p. + ads. Illustrated. Bound in full vellum and gilt after an example by Roger Payne, t.e.g., marbeled endpapers.

[New York]: Horace Liveright, 1930. No. 358 of 525 copies signed by Hubert david and Theodore Dreiser. Uncut and unopened. Slight wear, fine in worn slipcase. No. 358 of 525 copies signed by Hubert david and Theodore Dreiser. Tall folio. Unpaged. Hand set by Paul J. Wienes and printed at the press of August Gauthier. Twenty plates with accompanying text on the facing versos. Black cloth spine over gold and silver foil boards.

New York: Whitney Museum of American Art, 1933. First edition. Fine in soiled d.j. with one closed tear. Housed in slipcase of marbled boards.. First edition. [viii], 225p, 72 plates. 4to. Tan cloth with titles in brown.

Cambridge: Harvard University Press, 1982. Printed for the National Gallery of Art, Washington DC. Fine in slipcase.. Printed for the National Gallery of Art, Washington DC. Two volumes. Illustrated. 4to. White and terra-cotta cloth.

New York: The Art Institute of Chicago and Harry N. Abrams, Inc, 1989. First edition. Minor spotting to top edge of text block, else fine in fine dust jacket. First edition. Quarto. 552p. Illustrated in black and white and color. Bound in black-titled white cloth. "Universal Art Limited Editions... is a thorough study of the activities of ULAE up to the time of Tatyana Grosman's death. It includes... brief biographical essays by Esther Sparks about each of the artists who made prints there, accompanied by selected colorplates and halftones of important prints, and a complete catalogue of all prints made there during the years covered by the volume... There is a section for the works of each artist, with the prints listed chronological order of publication, and complete documentation for each print... that may be useful to curators and collectors." (Jacket blurb).