Search Results: ART / Sculpture from Iron Engine

Softcover. 312 pages including a Bibliography. Text in English. Illustrated with color and black & white photographs. Essays include: "Adriaen de Vries: Imperial Sculptor" by Frits Scholten; "Adriaen de Vries in the Workshop of Pompeo Leoni" by Rosemarie Mulcahy; "Adriaen de Vries and Classical Sculpture" by Lars Olof Larssen; "Sweden's capture of the Sculptures by Adriaen de Vries" by Gorel Cavalli-Bjorkman; "Adriaen de Vries Bronze Technique" by Francesca G. Bewer; "Colour and Lustre: The Surfaces of Adriaen de Vries's Bronzes" by Uwe Heithorn; "The Drawings of Adriaen de Vries and their Place in the History of Sculptors' Drawings" by Thomas Dacosta Kaufmann and "Adriaen de Vries, a History of His reputation" by Lars Olof Larssen. The Catalogue, by Frits Scholten and Thomas Dacosta Kaufmann, with color photographs includes a background and explanatory essay for each entry. Light edge wear to covers with a very small touch of a slant to the spine.

Softcover with dust jacket. 36 pages. Illustrated with black & white photographs.

172 pages. Large format hardcover with dust jacket. Exhibition catalog. Color photographs, chronology. Includes the 11 page essay "Monument as Provocateur: The Art of Albert Paley" by Carter Ratcliff. Light wear at bottom of spine.

Paperback. Very Good +. Softcover. 296 pages. Nicely produced volume with many full page plates. Main text to accompany the plates by Christian Klemm. Also includes the essays: "Giacometti and Surrealism" by Anne Umland; "Phenomenon and Imagination' by Tobia Bezzola. Also includes a Slected Bibliography and a Chronology. Touch of light edge wear to covers.

Regents of University of California, 1967. paperback. Very Good with some light edgewear, a pen mark crossing out the name of one contributing museum in the . 80 p. Oblong. Illustrations throughout with a few in color. Essays include the seventeen page "Alexander Archipenko, Life and Work," by Wight and "The Drawings and Prints," a four page essay by Donald Karshan.

Boston, Massachusetts: New York Graphic Society, 1975. First Edition. hardcover. Very Good. Light corner wear to cloth covered book./Very Good. Light wear at the upper jacket corners.. 278 p. Black & white photographs throughout. Index, Bibliography, including an extensive bibliographic listing of exhibition catalogs.

New York: Harry N. Abrams, Inc., Publishers, 2004. Paperback. Near Fine. Softcover. 196 pages. Numerous articles. Interviews. Nicely illustrated throughout.

Hardcover with dust jacket. 120 pages. Color photographs. Still in shrink wrap.

North Adams, Massachusetts: Massachusetts Museum of Contemporary Art, 2008. First printing. Hardcover. Very Good. Cloth. Oblong. Color plates. 64 pages. Includes the nine page essay "Art With a Purpose: The Continuing Saga of Anselm Kiefer," by Mark Rosenthal. little indentation or bump near the lower fore-edge corner of the front panel. Else Fine.

New York: Mitchell-Innes & Nash, 2005. paperback. Very Good. One corner bumped.. 28 p. Oblong. Includes a five page essay by Pachner titled "Abstraction: Then and Now." Color plates. Chronology.

Chicago: Richard Gray Gallery, 1989. paperback. Very Good with some wear on the spine.. 18 p. Includes a small one-page commentary by Caro and six full-page, color photographs.

Trade paperback, 200 pages. Illustrated. Lower fore-edge corner of the front cover has wear.

Princeton, New Jersey: Princeton University Press, Bollingen Series XXXV , 1969. Second edition. Hardcover. Very Good/very good. Hardcover with dust jacket. 152 text pages including an Index. Also includes 225+ black & white photographic plates. General light edge wear. Dust jacket is price-clipped.

Softcover. 64 pages. Illustrated exhibition catalog including full-page color photographs. Text consists of excerpts from a variety of essays. Text in English. General light edge wear.

Missing the dust jacket. Cloth. 75 pages. First printing. Illustrated with color and black & white photographs. Published to accompany an exhibition from December 4, 2002 to February 1, 2003 at Salander-O'Reilly Gallery in New York. Includes the essays "The History of Bernini's Fountain of the Moor" by Charles Avery; "Bernini and the Model for The Fountain of the Moor" by Mark S. Weil; and "The Technical Study of a Terracotta Model of The Moor" by Anthony Sigel.

Singapore: National University of Singapore, 1999. First edition. Paperback. Near Fine. 79 pages. Softcover with French flaps. Essay by Sheares woth color reproductions of sculptures and drawings. Also includes a ten page interview with the artist.

Washington, D.C.: Editions Ariel, 2001. First Edition. hardcover. Good./Good.. 94 p. Cloth. First printing. Signed by John Van Alstine in silver ink on the front-free endpaper. Hardcover book has rubbing on the corners. Dust jacket is rubbed at the bottom of the spine.

Washington DC: Editions Ariel, 2000. First printing. Hardcover. Very Good/very good. Oblong. Cloth. 96 pages. Includes an essay by Nicholas Capasso and an Interview with Van Alstine and Glenn Harper. Color photographs throughout. This copy signed and dated (2000) on the title page by the sculptor John Van Alstine. Some shelf rubbing on the lower edge and upper edge corners.

Softcover. 61 pages including a chronology and a brief introductory note by Jennewein. Black & white photographs in 8 1/2 x 11 inch format. Issued as part of the American Sculptors Series. Small prior owner sticker on inside of front cover.

Hardcover exhibition catalog. 208 pages. Illustrated with color and black & white photographs. Includes the essays "Time, Space, and Moving Forms: Alexander Calder -- Beyond the Beautiful" by Stephanie Barron; "Sensability and Science" by Jed Perl; "Calder's Hello Girls: History of a Commission" by Ilene Susan Fort; "Traveling Through Time and Space: Calder in Brazil" by Aleca Le Blanc; and "Calder's Public Art as Civic Sculpture: The Realization of a Modernist Ideal" by Harriet F. Senie. Back cover has some soiling at the upper fore-edge corner and a small spot near the bottom edge.