Search Results: Prints from Leopolis Volodymyr Dmyterko

Leipzig: C. G. Boerner, 1905 8vo (22 cm) and smaller bound together in half cloth and marbled paper (binding slightly rubbed). Including: 1) C. G. Boerner (Leipzig), List 25, 1905: William Hogarth (22 pp); 2) C. G. Boerner, List 26, 1905: Rembrandt van Rijn (10 pp); 3) C. G. Boerner, List 20, 1904: Daniel Chodowiecki (8 pp); 4) James Rimell & Son (London), Catalogue of Engravings, Etchings, and Drawings, No. 186, 1903 (44 pp); 5) Hugo Helbing (Munich), Katalog 43: Albrecht Dürer (6 pp); 6) Franz Meyer (Dresden), XXX. Kunst-Lager-Katalog, 1905 (157 pp); 7) Franz Meyer, Kupferstiche, Radierungen, Holzschnitte (80 pp); 8) G. Hess (Munich), Kupferstiche, Radirungen, Farbstiche, Schabkunstblatter, Holzschnitte, Litographien (92 pp); 9) J. Halle (Munich), Katalog einer werthvollen Kupferstich-sammlung (44 pp); 10) Kunst-Antiquariat von S. Kende (Vienna), Katalog XXI, 1896 (53 pp); 11) Gilhofer & Ranschburg (Vienna), Katalog 68 (168 pp); 12) Ferdinand Schöningh (Osnabrück), Katalog 54 (76 pp).

Atwepen Open / Rijksmuseum Amsterdam, 1999 4to (31 cm), 400 pp. Publisher's cloth and dust jacket. The catalogue of an exhibition "Van Dyck -- un graveur touché par la grâce" held in Plantin-Moretus Museum in Antwerp in 1999 and in Rijksmuseum in Amsterdam in 2000.

Atwepen Open / Rijksmuseum Amsterdam, 1999 4to (31 cm), 400 pp. Laminated wrappers. The catalogue of an exhibition held in Plantin-Moretus Museum in Antwerp in 1999 and in Rijksmuseum in Amsterdam in 2000.

Warszawa: Muzeum Narodowe w Warszawie, 1999 4to (27 cm), 300 pp. Publisher's laminated wrappers. In Polish and English. Ars mitologica: the reception of the Greek myths. The catalogue of an exhibition in National Museum in Warsaw.

[Paris]: R. Ackermann's 101 Strand London, 1820 Chromolithograph or colored lithograph 25 x 35.5 cm.

Padova: Bottega delle Arti, 2009 4to (29.5 cm), [4], 47 pp. Laminated wrappers with flaps.

Frankfurt: Mattheus Merian, 1702 Engraving 30 x 32 cm (folding centerfold, some foxing). The view and the plan of the fortress of Roses on the shore of the Gulf of Roses in Catalonia. Mattheus Merian's engraving from the "Theatrum Europeum" showing the 1645 siege of Roses by French troops during the Catalan Revolt.

Stuttgart: H. G. Gutenkunst's Kunst-Auction, 1873 Two parts in one volume 8vo (22 cm), 29 pp, XII, 446 pp; X, 247 pp. Cont. half cloth and marbled boards, original printed wrappers bound in (binding slightly rubbed et extremities, toning of paper inside, few leaves loose). Auction catalogues of the sales of the print collection of Count Giacomo Durazzo (1717-1794). His extensive collection encompassed both books and prints and continued to expand even after his demise. In 1784, Bodoni printed a catalog of his print collection titled "Descrizione della raccolta di stampe di S. E. il sig. conte Jacopo Durazzo." The Gutekunst auction house in Stuttgart conducted the sale of the print collection in two parts, on 19 November 1872 and 20 May 1873. The price list of the first sale is bound before the first part, while the second part is priced throughout in contemporary hand.

Paris: Ch. Bosse, 1931 4to (25.5 cm), portrait, [6], 558 pp, with 30 illustrations on 26 plates (1 folding). Contemporary half-morocco, top edge gilt. A fine copy of the bibliography of Gustave Doré, encompassing illustrations, drawings, sculpture, engravings, and lithographs.

Home Farm: Colin & Charlotte Franklin, 1977 4to (32 cm), 73 pp, 16 full page color plates. Publisher's cloth. Price list loosely inserted. A study of color printing with some items offered for sale, including the Chiaroscuro collection and the Ploos van Amstel Collection

Paris: A. D. Martinez, 1999 8vo (20.5 cm), 46 pp. Printed wrappers (wrappers slightly rubbed, creased at the upper fore-corner, a collector's stamp on the half-title). Frédéric-Hillemacher (1811-1886) was a Belgian engraver. This is the second edition of his catalogue of Jean-Pierre Norblin de La Gourdaine's etchings, featuring illustrations. The first edition was published in 1848. The catalogue describes 93 etchings, with all but one being illustrated.

London: John & Edward Bumpus Ltd., 1912 8vo (23 cm), 2 front., [8], 112 pp, 24 plates interleaved with tissue paper. Contemporary vellum backed boards, top edge gilt, fore- and bottom-edge untrimmed (binding slightly stained, toning of the last leaf). XVIIIth Century French Book-Illustrators series. The study of Pierre-Philippe Choffard (1731-1809), a renowned French draughtsman and engraver, is presented in this comprehensive volume. The book includes detailed chapters on Choffard's life and artistic achievements, providing insights into his contributions to the world of art. Additionally, a catalogue of the best-known books illustrated by Choffard is meticulously compiled. Printed at the esteemed Chiswick Press, known for its dedication to quality printing, this book ensures a fitting presentation of Choffard's remarkable legacy.

Dover Publications, 1963 4to (31 cm), 346 pp. Laminated wrappers (wrapper slightly rubbed at extremities, collector's stamp at the top of the half-title). "Albrecht Dürer was a master in various media, but it was in woodcut design that his creative genius reached its highest expression. Here are all of his extant woodcuts, a collection of over 300 great works containing all the familiar cuts long treasured by the world's art lovers. An introduction by Campbell Dodgson and a 34-page textual guide to the plates by Dr. Willi Kurth discuss the evidence and controversies surrounding the authenticity of each work, citing the opinions of all the important Dürer scholars; they also furnish the reader with the historical background of the cuts and of Dürer's life and times -- from the years of apprenticeship in Nuremberg to the last works of 1520-1528." (from the blurb)

Dover Publications, 2000 4to (28 cm), XVIII, 235 pp. Laminated wrappers (front wrapper slightly creased, collector's stamp top of the half-title, pencil notes of auction prices of some etchings). "Albrecht Dürer's 96 engravings, six etchings, and three dynamic drypoints are counted among his finest and best-known works. In the present edition, by means of shooting in most instances directly to lithographic film from the finest impressions, the engravings, where possible, have been printed so that even under a magnifying glass Dürer's exact lines can be seen. Likewise, except in a very few cases, the sizes have been kept exactly to the originals, complete with border-lines where indicated. Walter L. Strauss has prepared the commentary for this edition with references to major catalogs, a summary of the statements of earlier commentators, and background material on the engravings, on Dürer, and on the subjects of the works." (from the blurb)

Kodansha International, 1982 8vo (24 cm), 95 pp. Laminated wrappers. The first book in the series which gather together the full panorama of ukiyo-e, from its inception in early genre paintings to the versatile genius of such masters as Hiroshige. The little-known ukiyo-e of the last years of the Edo period show a striking change in style when compared with earlier works. This new style (iki) consisted in an elaboration of details, use of brighter colors, a distortion in the body form of the women of the bijin-ga, and a general trend toward realism and heaviness of atmosphere

Moscow: Centrpoligraf, 2003 4to (29 cm), [4], 236 pp. Published laminated printed boards. In Russian. Facsimile reprint of original edition published in 1903.

London: H. Grevel and Co., 1906 8vo (22 c,), XVII, [1], 312, 6 pp. Publisher's white and olive cloth, gilt-lettered spine and front board, top edge gild (cloth frayed on front hinge but firm, binding slightly foxed, toning of paper of the half-title and the last leaf, occasional foxing). A very good copy of the third and definitive edition of a history of engraving and etching. Revised by Max Lehrs and translated from German by Martin Hardie. It includes chapters on Engraving in Germany up to the time of Dürer, Engraving in Italy up to the middle of the 16th century, Engraving in Germany from the death of Dürer to the end of the 16th century, Dutch and Flemish Engraving, Engraving in France, Engraving in Italy during the 17th and 18th centuries, Engraving in England and the development of mezzotint, Engraving in Germany during the 17th and 18th centuries, Engraving in Spain, and Colour prints. The text is accompanied by 131 illustrations.

Paris: Gihaut frères, 1840 Lithograph 30 x 23.5 cm (some foxing). Tatarian women from Baydar in Crimea. In 1837–38 Count Anatoly Nikolaievich Demidov organized a scientific expedition of 22 scholars, writers and artists to southern Russia and the Crimea. Its results were published as "Voyage dans la Russie méridionale et la Crimée" (4 volumes 1840–1842) which included 100 lithographs by French illustrator and lithographer Auguste Raffet.

Neriton, 2011 4to (29 cm), 409 pp, 53 plates. Laminated wrappers with flaps (collector's blind stamp on title). In Polish.
Książka jest pierwszym w literaturze przedmiotu opracowaniem podejmującym tytułowy temat. Kompleksowemu omówieniu podstawowych zagadnień towarzyszą wnioski natury ogólnej i próba odpowiedzi na pytania: o rolę grafiki w Polsce i jej status; o jej specyfikę i związki z przeciętnym obrazem produkcji graficznej w Europie; o wygląd strony artystycznej, technicznej i ocenę estetyczną rycin. Autorka stara się również dociec, kim byli twórcy dzieł graficznych i ich odbiorcy oraz gdzie znajdowały się główne ośrodki rytownictwa w Rzeczypospolitej.

Mary & Leigh Block Gallery, 1993 4to (28.5 cm), XII, 204 pp. Printed wrappers and dust jacket (minor shelf-wear, bookplate). Published in connection with an exhibition of the same title on view at the Mary and Leigh Block Gallery, North-Western University May 6 - June 27, 1993.