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1904. From Douze Lithographs Originales de Pierre-Auguste Renoir. Lithograph. Delteil 39; second and last state. Image: 7 x 7 . Margins: 13 x 10. Signed in the plate. With deckled edge.
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CLAUDE RENOIR, LA TETE BAISSÉE
by RENOIR, PIERRE AUGUSTE (1841-1919)
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A EUGÈNE DELACROIX
by FANTIN-LATOUR, HENRI (1836-1902)
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- As published in L'Artiste
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Lithograph. As published in L'Artiste, 1892. Hediard 93 ii/ii. Prov. Maroni, Lugt 1506. Image: 7¼ x 5½. Margins: 10¼ x 7½.
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LE MODÉLE HONNÊTE: A Momsieur de Comte de Stroganoff
by MOREAU, J.M., LE JEUNE (1741-1814) and Simonet
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1770. Boucher 34. Engraving After the painting by Pierre-Antoine Baudouin. Image: 18¼ x 13½. Trimmed to the platemark .A Momsieur de Comte de Stroganoff. Conseler Prive, Chambellan Actuel de La Majeste Imp.de toutes Russies les Chevalier des Ordres de l'Aigle Blanc de St. Stanislav and de Ste. Anne.
Boucher 34. Engraving. After the painting by Pierre-Antoine Baudouin. Image: 18¼ x 13½. Trimmed to the platemark.
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O THE ROAST BEEF OF OLD ENGLAND,The Gate of Calais
by HOGARTH, WILLIAM (1697-1764)
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1749. Engraving. Paulson 180ii/ii. Image: 13¾ x 17¼. With large margins. Hogarth appears on the left with sketchbook in hand. A satirical view of the English Gate at Calais, lampooning the French for their devotion to fashion and the Roman Catholic Faith. Hogarth had visited Calais in 1748,
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PORTRAIT OF LOUIS VALTAT: From Douze Lithographs Originales de Pierre-Auguste Renoir.
by RENOIR, PIERRE AUGUSTE (1841-1919)
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- 50 on Japan From Douze Lithographs Originales de Pierre-Auguste
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Lithograph from Douze Lithographs Originales de Pierre-Auguste Renoir. Lithograph. Pub. 1919. From the edition of 50 lithographs on Japan, aside from the larger edition, deckled edge on top and left side, right and bottom has a cut side. D. 38; Stella 38, Roger-Marx 13.Image 11 3/4 x 10 1/4. (298mm x 230mm). Margins:14 ¼ x 10 ¼. (360mm 260mm). Foxing. This portrait of the close friend of Renoir, Louis Valtat, is a relaxed representation of the artist at 35 years of age. He was a painter and printmaker who influenced the Fauve movement.
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PORTRAIT OF BARLACH II
by PANKOK, OTTO
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1943. Woodcut. Z.W.H. 176. Ed. of 50. Signed in pencil. Printed on heavy Bütten paper with deckled edge. 19 3/8 x 13.
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