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347
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347

by PICASSO, Pablo

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New York: Random House / Maecenas Press, 1970. In fine condition save some light wear to the folding case. Two large oblong folios (12 x 16 inches). 22 pp. 347 plates. Original linen-backed gilt-decorated cloth in original purple velvet lined folding case. FIRST EDITION. The title refers to the 347 engravings that Picasso made at Mougins from March 16 to October 5, 1968. "Neither Dürer, Rembrandt nor Daumier—all admittedly great and productive printmakers—approaches Picasso either in mastery of the wide variety of graphic techniques or in sheer outpouring of ideas or images Never has there been a sustained achievement equal to that captured in these pages. All the prints included here were produced in an incredibly short time, always with superb mastery of the medium. Viewed in toto, these images, dreams and visual poems by the greatest artist of our time seem almost limitless. There is no point in comparing Picasso to other artists; he stands Olympian and alone. Though not himself immortal,… Read More
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80 Portraits de Flaubert

80 Portraits de Flaubert

by ADAM-TESSIER, Maxime

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[Paris]: Musées de Sens, Éditions du Linteau, 2002. 4to. 139, [2] pp. Black-and-white illustrations, deluxe issue with original etching. Text and plates laid loose as issued in original printed wrappers, red printed chemise and slipcase. Fine. FIRST EDITION, LIMITED DELUXE ISSUE, number 1 of 60 copies with an original etching by Gilles Narrey signed in pencil, from an edition of 700 copies.
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Anitigüedades Mejicanas Falsificadas: Falsificacion y Falsificadores
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Anitigüedades Mejicanas Falsificadas: Falsificacion y Falsificadores

by BATRES, Leopoldo

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Used - Large folding plates are torn at the attachment, else a very good copy; light wear to binding
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Mexico: Fidencio S. Soria, nd. Large folding plates are torn at the attachment, else a very good copy; light wear to binding. 4to. 30 pages. 63 plates, with two large folding plates. Brown cloth, original printed wrappers bound in.
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The Boy's King Arthur. Sir Thomas Malory's History of King Arthur and His Knights of the Round Table

The Boy's King Arthur. Sir Thomas Malory's History of King Arthur and His Knights of the Round Table

by LANIER, Sidney, editor

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Used - Joints and spine bands rubbed, owner's name on frony flyleaf
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New York: Charles Scribner's Sons, 1937. Joints and spine bands rubbed, owner's name on frony flyleaf. 4to. 321pp. Color plates by N. C. Wyeth. Early 20th-century blue half morocco, spine gilt, top edges gilt.
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Chansons de France depuis le quinzième siècle jusqu'á nos jours
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Chansons de France depuis le quinzième siècle jusqu'á nos jours

by BODENHEIM, Nelly

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Used - A very-good plus copy, the front cover with fading and pale tidemark at bottom, some intermittent and unobtrusive foxing
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Amsterdam: Mason d'editions "De Spieghel, 1946. A very-good plus copy, the front cover with fading and pale tidemark at bottom, some intermittent and unobtrusive foxing. 8vo. 43, [1] pages. Black silhouettes by Nelly Bodenheim. Original quarter black cloth, pink pictorial boards. A charming series of songs, illustrated with silhouettes. Bodenheim was born in Amsterdam where she was trained at the Rijksacademie voor Beeldende Kunsten in Amsterdam, and then she followed lessons from the painter Jan Veth. Her illustrations (often for children's books) were generally black & white silhouettes but she is also known for color lithography.
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The Complete Angler or the Contemplative Man's Recreation Being a Discourse of Rivers Fish-Ponds...
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The Complete Angler or the Contemplative Man's Recreation Being a Discourse of Rivers Fish-Ponds Fish and Fishing

by WALTON, Izaak (1593-1683), Charles COTTON (1630-1687), and Harris NICOLAS, editor

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Used
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London: William Pickering, 1836. 2 volumes, 4to (270 x 180 mm; 105/8 x 71/8 in.). Half-titles, titles printed in red and black, 61 steel engravings in two states, many printed on india paper. Contemporary dark green morocco by Hering, wide borders gilt, fish tool cornerpieces gilt, spines in 6 compartments with 5 raised bands, gilt-lettered in two, fish tool gilt in the rest, edges gilt. Some occasional spotting; some light wear, spines somewhat dry and slightly darkened. Provenance: William George Prescott (1800-1865) British banker (bookplate); Alfred Harmsworth, 1st Viscount Northcliffe (1865-1922) British newspaper and publishing magnate (bookplate). DELUXE EXTRA-ILLUSTRATED LARGE-PAPER COPY, WITH THE ADDITION OF A SECOND SUITE OF PLATES, nearly all on india paper on thick paper mounts. First Nicolas edition. This deluxe issue is enhanced by the addition of a second suite of plates, nearly all on india paper on thick-paper mounts. "One of the best, possibly the very best of ... [the 146 editions… Read More
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Corpus inscriptionum Latinarum: Priscae latinitatis monumenta epigraphica ad archetyporum fidem...
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Corpus inscriptionum Latinarum: Priscae latinitatis monumenta epigraphica ad archetyporum fidem exemplis lithographis repraesentata

by RITSCHL, Friedrich

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Used - Inkstamp on title, plate 34 separated from guard, some light wear at sheet edges, somehat shaken and leaned, but overall a clean
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Berlin: Georg Reimer, 1862. Inkstamp on title, plate 34 separated from guard, some light wear at sheet edges, somehat shaken and leaned, but overall a clean copy in original condition. Large folio (580 x 410 mm; 22.5 x 16 inches). vii, [2], [2]-127 pages. 96 lithographs mounted on guards, of which 12 double-page, and two tri-fold. Publisher's cloth-backed boards, untrimmed. FIRST EDITION, of the first volume in the 'Corpus Inscriptionum Latinarum': "The most extensive corpus of Latin inscriptions is the Corpus Inscriptionum Latinarum (CIL). Initiated by Theodor Mommsen in 1853, its first volume was published a decade later, and new parts of the corpus are still being prepared and published over 150 years later... From the start, it had the ambitious aim of publishing all Latin inscriptions, as an extension of the project initiated in 1815 by the Royal Prussian Academy of Sciences for publishing all Greek classical inscriptions as Corpus Inscriptionum Graecarum" (Cambridge Manual of Latin Epigraphy).
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A Critical Inquiry into Antient Armour
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A Critical Inquiry into Antient Armour

by MEYRICK Samuel Rush

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Used - Hinges tender, and some light wear to bindings, some intermittent spotting, but generally a very handsome and well-preserved set
Edition
First edition
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London: Robert Jennings, 1824. First edition. Hinges tender, and some light wear to bindings, some intermittent spotting, but generally a very handsome and well-preserved set. Three volumes, 4to (373 x 268 mm). 80 engraved plates, of which 70 are hand-colored, with historiated hand-colored initials for each chapter throughout. Contemporary grey calf, blind-tooled borders, spines with gilt bands and red leather lettering-pieces, all edges gilt. Provenance: Jasper Hall (bookplate); Henry J. B. Clements (bookplate, sold Sotheby's 1 November 1966, lot 975). One of the first works to view the subject of ancient arms and armor from an historical perspective. "This most superb archeological work is animated with numerous novelties, curious and historical disquisitions, and brilliant and recondite learning... Plates as fine as the monuments of Westminster Abbey. Really and truly the work is admirably executed, and deserves every eulogy" (Edinburgh Review, quoted in Lowndes). Includes a glossary of military… Read More
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Débauché (deuxième planche). Cover for: Catalogue d'Affiches artistiques françaises...
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Débauché (deuxième planche). Cover for: Catalogue d'Affiches artistiques françaises étrangères. Estampes

by TOULOUSE-LAUTREC, Henri de (1864-1901)

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Paris: [Imprimerie Henon for] A. Arnould, 1896. 8vo (380 x 275 mm). 32 black-and-white plates. Pictorial wrappers with Toulouse-Lautrec's lithograph [second state, with letters], folded as issued; glassine; morocco-backed chemise, slipcase. Minor splits to the spine, otherwise in very good condition. Provenance: from the Collection of Arthur & Charlotte Vershbow, purchased from Valette, 1977. Toulouse-Lautrec's provocative lithograph shows an anonymous French prostitute with Maxime Dethomas, the artist's close friend and fellow artist. Débauché (deuxieme planche) is a crayon, brush, and spatter lithograph printed in three colors from three stones. Despite this reduced palette, the print is filled with impact, most notably in the juxtaposition of the countenances of the two subjects. Arnould's sale catalogue promotes a collection of posters, and illustrates examples by Toulouse-Lautrec, Steinlen, Beardsley, Mucha, and other artists. Peter Wick, Toulouse-Lautrec Book Covers and Brochures, no. 10. W.… Read More
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Eloise in Paris

Eloise in Paris

by THOMPSON, Kay

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Used - A very good copy in a bright jacket, price-clipped. Child's ownership name and date in year of publication on front endpaper
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New York: Simon & Schuster, 1957. A very good copy in a bright jacket, price-clipped. Child's ownership name and date in year of publication on front endpaper. Folio. Illustrated by Hilary Knight. Original cloth; dust jacket. FIRST EDITION, first printing.
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Emblemata cum privilegiis

Emblemata cum privilegiis

by MACCIO, Paolo (circa 1570-1640)

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Used
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Bologna: Clemens Ferronius, 1628. 4to (199 x 141 mm). Roman and italic type. Engraved title within typographical border, dedicatory plate of the Madonna and Child, and 81 engraved emblematic illustrations in text, all surrounded by typographic borders. Contemporary limp vellum. Internal hole in G4 affecting text. Provenance: Lomace Le Patrice (early signature on front free endpaper; contemporary shelfmark in ink on title); from the Collection of Arthur & Charlotte Vershbow, purchased from Emil Offenbacher, 1960. FIRST EDITION of this charming emblem book. The fine engravings are the work of Bolognese engravers Oliviero Gatti (b. circa 1595), who designed 52 of the emblems, and Giovanni Battista Coriolano (circa 1587-1649), who signed the title and 26 emblems. Both were pupils of Giovanni Luigi Valesio. The remaining engravings are by Agostino Parisini after designs by Florio Maccio, a pupil of Ludovico Carracci. Quotations from Greek and Latin classics and a short Italian poem accompany the 81… Read More
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Estroflessione [Original Multiple in white plastic]. Accompanied by the book: Enrico Castellani...
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Estroflessione [Original Multiple in white plastic]. Accompanied by the book: Enrico Castellani Pittore

by CASTELLANI, Enrico; Vicenzo AGNETTI

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Used
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Milan: Achille Mauri, 1968. Thermoformed plastic multiple: 11.75 x 11.75 inches; 30 x 30 cm. Some minor age darkening at the edges, generally in fine condition, without cracks or abrasions. The book: 44 pages. Text by Vincenzo Agnetti. In Italian, French, and German. Photographs by Giorgio A. Colombo, Franco Angeli, Ugo Mulas, and Uliano Lucas. Original printed wrappers. Both enclosed in original publisher's printed cardboard box. One of 1000 copies of this multiple and catalogue, issued together in 1968 by Mauri. The multiple shares the characteristic play with light and shade created by Castellani's monochrome painted canvases stretched over nails. "Enrico Castellani strives for immateriality, to the point that even the paint materials lose their physical-empirical, sensual character, a means of emphasizing the intended otherness of the pictorial object. Castellani does not operate with concrete cultural references or archaic, mythical metaphors, for he is more concerned with creating… Read More
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The Fables of Aesop, and Others, with Designs on Wood
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The Fables of Aesop, and Others, with Designs on Wood

by BEWICK, Thomas; AESOP

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Used - A very good copy, internally clean and fresh, joints restored and with some light wear to binding
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Newcastle: E. Walker for T. Bewick and Son, 1818. A very good copy, internally clean and fresh, joints restored and with some light wear to binding. 8vo. xxiv, 376 pages. 188 fable cuts and 136 tailpieces in text. Contemporary English polished calf, the sides and spines decorated in blind and gilt, marbled edges, by Whitehead and Sons, Leeds (with their ticket on pastedown). A handsome copy of Bewick's extensively and exquisitely illustrated fables. Roscoe 45.
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Fabulae, in Latin and Italian. Translated and edited by Accio Zucco
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Fabulae, in Latin and Italian. Translated and edited by Accio Zucco

by AESOP (circa 620-564 BCE)

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Used
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Venice: Manfredus de Bonellis de Monteferrato, 1492. 4to (211 x 145 mm). 70 (of 72) leaves, a2.7 supplied in facsimile. Gothic type, 40-41 lines, initial spaces with printed guide letters. 64 (of 66) woodcuts within any of five decorative historiated frames; a single woodcut initial. Modern russet morocco. Some spotting and soiling. Provenance: Giambattista Giorno (early ownership inscription); some early marginalia at end, and a few early ink outlines of animals; sold by Philip Hofer to Arthur and Charlotte Vershbow in 1967. Bonellis' first edition of Aesop's Fables, illustrated with a superb series of woodcuts that were in part based on the first Venetian series, used by Bernardinus Benalius in his 20 November 1487 edition (GW 431, only a single imperfect copy known). "The book is charmingly illustrated; the designs being redrawn and improved from those in the Venice Aesop of 1487. There is so much artistic freedom in the treatment of the cuts, that they are fully entitled to be regarded as new and… Read More
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Full and By. Being a Collection of Verses by Persons of Quality in Praise of Drinking
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Full and By. Being a Collection of Verses by Persons of Quality in Praise of Drinking

by MARQUIS, Don; Christopher MORLEY; Cameron ROGERS; Edward A. WILSON

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Used - Some light soiling to spine, generally in fine, bright condition. Without the slipcase
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Garden City: Doubleday, Page, 1925. Some light soiling to spine, generally in fine, bright condition. Without the slipcase. Folio (30 x 22.5 cm). 153, [1] pages. Original double-page color lithograph by Wilson signed in pencil (tissue guard preserved) and full-page color illustrations by Wilson throughout. Quarter vellum paper, brown boards, gilt, top edges gilt, others untrimmed. First edition, deluxe limited issue, number 93 of 250 copies signed by Rogers, Wilson, Marquis and Morley and with an original lithograph. A collection of poems in praise of drink.
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The Granny Alphabet

The Granny Alphabet

by WALKER, Tim; Kit HESKETH-HARVEY; Lawrence MYNOTT

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Used - A fine copy
ISBN 13
9780500544266
ISBN 10
0500544263
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$45.00
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New York: Thames & Hudson, 2013. A fine copy. Two volumes, 4to. Original pictorial boards; slipcase. FIRST EDITION.
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HORAE, use of Rome, in Latin. Horae in Laudem beatissimae virginis Mariae, ad usum Romanum
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HORAE, use of Rome, in Latin. Horae in Laudem beatissimae virginis Mariae, ad usum Romanum

by HORAE

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Used - From the Collection of Arthur & Charlotte Vershbow
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Paris: Regnault and Claude Chaudiére, 1549. From the Collection of Arthur & Charlotte Vershbow. 4to (230 x 158 mm). Collation: a-y8. 176 leaves. Roman types, printed in red and black. Ruled in red. Renaissance woodcut title-border of termini and festoons, printers' device (Colines' Time with his scythe); 14 FULL-PAGE WOODCUTS, combining illustration and architectural frame on a single block, from the Tory atelier (perhaps Jacquemin Woeiriot, three blocks signed with the Lorraine cross, four others similarly signed in the prior Colines state); every text-page within a four-block woodcut or metalcut border, repeated throughout: 12 are outline borders in Geoffroy Tory's Italianate style, 8 black arabesque borders in the niello manner. Binding: contemporary Parisian gold-tooled calf over pasteboard, the sides decorated to a complex design of intersecting curved double fillets, with gouges and open tools, the ribbons painted black, green and white à la cire, name of the original owner, IANE… Read More
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Het Begin en den Ingang van alle Menschen in de Wereld, of Aanmerkingen. Translated from French...
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Het Begin en den Ingang van alle Menschen in de Wereld, of Aanmerkingen. Translated from French to Dutch by Gerard Goris Leyden

by BOURGEOIS, Louise

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Used
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Leyden: Andries Dyckhuysen, 1707. 8vo (153 x 97 mm). Engraved allegorical title and four engraved plates. (Some soiling and wear at sheet edges.) Contemporary vellum (worn). The Edward Tufte copy, with his book label. First Dutch edition, after the original French edition of 1658. Bourgeois was a French Royal midwife to Maria de Medici and authored several works on the subject. Pregnancy and birth are being described, as are medical explanations of miscarriage, infertility and illnesses that occur during pregnancy. The four plates show 26 figures representing the various stages of fertilization and development in the womb. A pupil of French physician and obstetrician Ambroise Pare, Bourgeois introduced and organized a professional method for the instruction and education of midwifes for the first time. Waller 1364.
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La Chèvre-Feuille
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La Chèvre-Feuille

by HUGNET, Georges

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Condition
Used - Some light soiling to wrappers, offsetting at end from bookmark
Edition
Number 366 of 500 numbered copies on Lafuma from an edition of 5
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Paris: Robert-J. Godet, 1943. Number 366 of 500 numbered copies on Lafuma from an edition of 531. Some light soiling to wrappers, offsetting at end from bookmark. 4to (282 x 222mm). Six plates by Pablo Picasso. With the Paul Eluard inserted leaf. Printed wrappers. With the very rare wrap-around band with printed text: "Une jour la Chèvre-Feuille me déclara: ‘Vous écrivez en vers libres parce que c'est plus facile.'" With printed slip pasted on colophon: "Les exemplaires numérotés de 226 à 525 ont été souscrits par Guy Le Prat, Éditeur.
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Le Cornet à dés

Le Cornet à dés

by JACOB, Max

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Condition
Used - A fine copy
Edition
From the Bart Auerbach Collection
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Paris: nrf, 1948. From the Bart Auerbach Collection. A fine copy. Small folio. Original pictorial tan wrappers, lettered in black, untrimmed, glassine dust wrapper and publisher's yellow board slipcase. Copy no. 212 of 380 copies. Illustrated with 113 woodcuts by Jean Hugo. (BA).
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