Search Results: PHOTOGRAPHY from Riverrun Books & Manuscripts

Germany: 032c, 2017. Softcover. A fine copy. 10.75 x 8 inches. 285 pages. Quarter cloth; wrappers. Iron-on version of the cover laid-in. With "West Berlin 1980s" by Michael Schmidt.

Jiazazhi, 2014. New in shrinkwrap. 8vo. 168 pages. Cloth-backed boards. FIRST EDITION, number 263 of 500 copies.

Rochester: Visual Studies Workshop, 1974. Title with a few soft creases and soil-marks, occasional light wear to corners, generally clean and fresh. Title and 29 photographs, prints, and mixed-media pieces, either full sheet or on mounts, each signed by the artist either on recto or verso. Each 14 x 11 inches (or smaller and mounted). Number 39 of 75 copies. The artists include Skip Atwater, L. Myers, S. Moore, Elsa C. Voelcker, Laddy Kite, F. Duffy, Paul Ginsberg, Gail De Loach, L. Blacklow, Joan Lyons, Jonathan Morse, Greg Taylor, David Greene, Eve Cohen, Steve Foote, Frank Pflaumer, J. Morse, Gunther Cartwright, Alan Winer, Erik Sundance, A, Rosen, Tad Goodale, and other artists. The Visual Studies Workshop was founded by Joan Lyons in 1971 and has been a crucible for experimentation ever since. The Workshop has published over 450 titles. Scarce: not in OCLC.

New York: Pantheon, 1947. A near-fine copy in a good jacket with splits and losses along spine, chips along sheet edges. 8vo. 100 photos by Stein. Original red cloth; dust jacket. First edition.

Zurich: Edition Stemmle, 1994. 4to. Black-and-white and color photographs. Original cloth; dust jacket. A near-fine copy, the jacket with slightest of shelfwear. FIRST EDITION. The Hungarian-born Berko was a pioneer of modern color photography, a photojournalist in pre-war Europe and India, and a renowned portraitist.

London: IDEA, 2015. A near-fine copy with a small bit of soiling on the rear wrapper. 4to. White printed wrappers. FIRST EDITION, one of 300 copies, inscribed by Willy Vanderperre.

Italy: Drusticamente, 2017. First edition, warmy inscribed to a curator on the back cover. Number 98 of 450 copies. A fine copy. 9 x 6.5 inches. 12 pages. Profusely illustrated in black-and-white. Accordian form, loose as issued in printed wrappers.

New York: Robert Mann Gallery, 1997. Hardcover. New in shrinkwrap. 10 x 9 inches. 49 pages. Pictorial boards. First edition, one of 1000 copies. With an essay by Sheryl Conkelton and 36 duotone plates. Published on the occasion of the 1997 exhibition at Robert Mann Gallery.

New York: Robert Mann Gallery, 1992. Softcover. New. 10 x 8.75 inches. 55 pages. Pictorial wrappers. First edition, one of 1000 copies. Brief texts by Robert Sobieszek, James L. Enyeart, Carl Chiarenza, Henry Holmes Smith, and Harold Rosenberg. Includes over 40 black and white images.

Boston: Little, Brown and Company, 1982. A fine copy in a near-fine jacket, the spine faded as usual, and with a few small chips at edges.. 11.25 x 9.75 inches. 282 pages. With a foreword by James L. Enyeart and with a lengthy text by Carl Chiarenza. Includes 74 duotones and 198 halftones. Original brown cloth; pictorial dust jacket. First edition. Inscribed by Carl Chiarenza on the title-page.

Boston: Little, Brown and Company, 1982. A fine copy in a near-fine jacket, the spine faded as usual, and with a few small chips at edges.. 11.25 x 9.75 inches. 282 pages. With a foreword by James L. Enyeart and with a lengthy text by Carl Chiarenza. Includes 74 duotones and 198 halftones. Original brown cloth; pictorial dust jacket. First edition, signed by Siskind on the printed presentation page, designating copies signed for The Presidents Club of the University of Arizona Foundation.

Norfolk, CT: Robin Hill Studios, 2005. A near-fine copy with a few small spots to jacket. 4to. Color photographs. Original cloth; printed dust jacket.

Santa Fe: Amon Carter Museum; The Center for American Places, 2007. First edition. A near fine copy with some light rubbing on dust jacket. 9.75 x 11 inches. 176 pages. Profusely illustrated in color. Original cloth; printed dust jacket. "Wind, water, and molten rock constantly tear apart and resculpt the natural world we live in, and people have always struggled to create structures that will permanently establish their existence on the land. Frank Golhke has committed his camera lens to documenting that fraught relationship between people and place, and this retrospective collection of his work by John Rohrbach reveals how people carve out their living spaces in the face of constant natural disruption. An acclaimed master of landscape photography, Golhke explores in Accommodating Nature how people configure the places where they live, work, and commune, both on an everyday level and in the aftermath of catastrophic destruction. Whether a ranch house anchored fast on an endless Texas plain, the… Read More

New York and London: Cheim & Reid / Timothy Taylor, 2010. A fine, clean copy. Folio (12.5 x 10 inches). Duotone photographs. Printed wrappers. One of 1000 copies. The catalogue for the dual exhibition held in 2010 by Cheim & Reid in New York and Timothy Taylor in London.

Mabou, Nova Scotia, 1995. In very good condition, a few small bumps to board edges, and light toning to sheets, generally a clean copy of a scarce ephemeral item. 12.75 x 9.5 inches. [40] pages. 24 black-and-white photos by Robert Frank. Original pictorial boards with images by Frank. Text in Italian. A lookbook of jackets made by Alberto Aspesi, shot in a casual, informal manner by Frank in Nova Scotia. Rare.

Stockholm: Wetterling Gallery, 2007. Fine internally, the wrappers and sheets lightly bowed. 4to (10.75 x 8.75 inches). 97 pages. 13 color portraits (and one self-portrait). Printed wrappers. Published to accompany the exhibition at Wetterling Gallery, 27 November 2007 to 12 January 2008. Photographer Timothy Greenfield-Saunders' portraits of American soldiers injured in the Iraq war. The exhibition presented thirteen soldiers and their stories. Quite uncommon: WorldCat/OCLC locates only one copy.

New York and London: Harcourt, Brace, 1979. Oblong 4to. Illustrated with black-and-white photographs. Original black cloth; pictorial dust jacket. A very good copy in a worn jacket with some nicks/tears/creases at edges. FIRST EDITION.

New York: Aperture, 1994. A fine copy with some light wear and scratches on the jacket. 11.5 x 11 inches. 123 pages. Cloth; dust jacket. Signed by author on front free endpaper. "In the course of his extraordinary career as a photo-journalist, Eugene Richards has seen many faces of America. From years of poignant, often riveting and sometimes controversial reporting, both on and off assignment, comes Americans We. In turn tender, funny, disturbing, and sublime, Richards's photographs and writing cohere like poetic verse. His talent for rendering the very essence of contemporary life has never before been so discernable, whether depicting a Memorial Day parade, the birth of a child, an inmate on death row, or a farm couple threatened with foreclosure. From darkness and light Richards forges a vivid and idiosyncratic portrait of the American experience.

New York: Aperture, 1969. Crease along spine, some minor soiling to wrappers, internally fine. Oblong. Printed wrappers. First revised and enlarged edition, including all 83 of Frank's seminal images and Kerouac's introduction that was included in the first American edition. With the usual Grossman Publishers' label on the rear panel.

Boston; New York; London: Bulfinch Press, 1994. Minor toning to lower front wrapper, generally fine. 8.5 x 10.75 inches. 361 pages. Original wrappers. "This monograph presents a complete overview of the work of Hungarian photograher Andre Kertesz (1894-1985), one of the masters of modern photography. Author Pierre Borhan covers three essential periods of Kertesz's work: Hungary (1912-1925), France (1925-1936) and the United States (1936-1985). A full section is devoted to his famous distortions and another to his colour works. Each section is prefaced by a critical text written by an international specialist" (The Publisher).