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20,000 Bikinis Under the Sea (Original screenplay for an unproduced film)

20,000 Bikinis Under the Sea (Original screenplay for an unproduced film)

by Norman Maurer (writer)

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Hollywood: Self published, 1960. Treatment script for an unproduced film called "20,000 Bikinis Under the Sea." Maurer rose to some popularity after his brief stint as a comic book artist, notably for "Three Stooges" titles and the first 3-D comics, "Three-Dimension Comics," featuring Mighty Mouse. He also married Joan Howard, daughter of Stooge Moe Howard, and this association led him to managing the Stooges after their contract with Columbia, producing seven Stooge films as well as the television series, "The New 3 Stooges" (1965). An interesting take on beach party phase during the 1960s, where an inventor develops a sustainable way to live underwater. He eats, drinks, and gets married, all underwater. Gray titled wrappers. Title page present, undated, with a credit for writer Maurer. 45 leaves, with last page of text numbered 44. Mimeograph duplication. Pages and wrapper Very Good plus, bound with two gold brads.
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2001: A Space Odyssey (Original pressbook for the 1968 film)

2001: A Space Odyssey (Original pressbook for the 1968 film)

by Stanley Kubrick (director, screenwriter); Arthur C. Clarke (screenwriter)

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Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1968. Vintage pressbook for the 1968 film. The director's sprawling, science fiction epic traces the evolution of human intelligence under the influence of an unspecified alien force. The film's high scientific accuracy, coupled with bleeding-edge special effects and minimal use of dialogue, make "2001" universally recognized as one of the most influential films ever made. Winner of an Academy Award for Best Special Effects, and nominated for three others including Best Director. Set variously in the desert, in space, in deep space, and on the astral plane. Shot on location in Scotland, England, Arizona, and Utah. 8.75 x 11.75 inches. 20 pages, side stapled. Very Good, moderately rubbed, with faint soil and wear on the bottom right corner of the front wrapper. National Film Registry.
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4 [Four] for Texas (Two original photographs from the 1963 film)
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4 [Four] for Texas (Two original photographs from the 1963 film)

by Robert Aldrich (director, screenwriter); Teddi Sherman (screenwriter); Frank Sinatra, Dean Martin, Anita Ekberg, Ursula Andress, Charles Bronson, Victor Buono (starring)

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Burbank, CA: Warner Brothers, 1963. Two vintage studio still photographs from the 1963 film, showing actors Frank Sinatra, Dean Martin, Anita Ekberg, and Ursula Andress. With cropping annotations in manuscript pencil on the verso, along with a provenance stamp. Two sharpshooters duel over a large amount of cash carried by a railway official, and eventually settle their differences by opening a casino. Shot on location in Mojave and Cantil, California. 10 x 8 inches. Near Fine. Pitts 1422.
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4 for Texas [Two for Texas] (Original screenplay for the 1963 film)
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4 for Texas [Two for Texas] (Original screenplay for the 1963 film)

by Robert Aldrich (director, screenwriter); Teddi Sherman (screenwriter); Frank Sinatra, Dean Martin, Anita Ekberg, Ursula Andress, Charles Bronson, Victor Buono (starring)

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Burbank, CA: Warner Brothers, 1963. Estimating Script for the 1963 film. Two sharpshooters duel over a large amount of cash carried by a railway official, and eventually settle their differences by opening a casino. An iconic Rat Pack film. Shot on location in Mojave and Cantil, California. Tan studio wrappers, noted as Estimating Script on the front wrapper, dated March 18, 1963. Distribution page present, with receipt intact. Title page present, dated 3-18-63, with credits for screenwriters Teddi Sherman and Robert Aldrich. 121 leaves, with last page of text numbered 119. Mimeograph duplication on yellow stock, rectos only. Pages Near Fine, wrapper Very Good plus, bound internally with two gold brads. Pitts 1422.
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77 Sunset Strip: 5: The Conclusion [Five (Part Five)] (Original screenplay for the 1963...

77 Sunset Strip: 5: The Conclusion [Five (Part Five)] (Original screenplay for the 1963 television episode)

by Tony Bennett, Jacques Bergerac, Richard Conte, Brian Keith (starring); William Conrad (director); Harry Essex (screenwriter)

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Burbank, CA: Warner Brothers, 1963. Draft script for the fifth episode of season six of the 1958-1964 television series. The series followed Stu and Jeff, a pair of womanizing, wisecracking private investigators. In this episode, Stu heads to Tel Aviv to uncover a Nazi art-smuggling plot. Set in Paris and Tel Aviv. White titled self-wrappers, dated July 2, 1963. Approximately 71 leaves, not numbered. Mimeograph duplication, rectos only, with revision pages throughout, dated variously between June 28, 1963 and July 2, 1963. Pages Near Fine, wrapper Very Good plus, bound with a staple. Pagination available upon request.
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Adam and 6 Eves (Two original photographs from the 1962 film)
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Adam and 6 Eves (Two original photographs from the 1962 film)

by John Wallis (director); Lawrence Donner (screenwriter); Randy Brent, Gabrielle Bnett, Marianne Bennett, Shelly Forbes, Leigh Sands, Lorraine Sheldon, Barbara Stanley (starring)

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N.p.: Desert, 1962. Two vintage borderless reference photographs from the 1962 sexploitation film. With manuscript ink annotations on the verso identifying the film's title. A gold prospector lost in the desert encounters an oasis with several women wandering around in the nude. One photograph 9.5 x 7 inches, one photograph 7 x 9.5 inches. Near Fine.
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Advise and Consent (Original photograph from the 1962 film)

Advise and Consent (Original photograph from the 1962 film)

by Otto Preminger (director, producer); Allen Drury (novel); Wendell Mayes (screenwriter); Henry Fonda, Charles Laughton, Franchot Tone, Lew Ayres (starring)

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Culver City, CA: Columbia Pictures, 1962. Vintage borderless studio still photograph from the 1962 film. Stamped production No. 63-83 on the verso and on the bottom right corner of the recto. Based on Allen Drury's Pulitzer Prize-winning political shocker of 1959 (but detached from the novel's Cold War agenda), about how American government functions in a free society. Set in Washington, DC, and shot on location there. 10 x 8 inches. Very Good plus overall, with a short closed tear to the left edge. Scorsese, A Personal Journey Through American Movies.
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Advise and Consent (Collection of 20 original photographs from the 1962 film)
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Advise and Consent (Collection of 20 original photographs from the 1962 film)

by Otto Preminger (director, producer); Allen Drury (novel); Wendell Mayes (screenwriter); Henry Fonda, Charles Laughton, Franchot Tone, Lew Ayres (starring)

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Culver City, CA: Columbia Pictures, 1962. Collection of 20 vintage borderless studio still photographs from the 1962 film. Based on Allen Drury's Pulitzer Prize-winning political shocker of 1959 (but detached from the novel's Cold War agenda), about how American government functions in a free society. Set and shot on location in Washington, DC. 10 x 8 inches. Near Fine, some with light wear to the corners. Scorsese, A Personal Journey Through American Movies.
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The Affair at Carson's Creek (Original screenplay for an unproduced television film)

The Affair at Carson's Creek (Original screenplay for an unproduced television film)

by Jack Lewis (screenwriter)

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N.p.: N.p., 1960. Draft script for an unproduced television film. With the name "ILSE LAHN," a reader for the Paul Kohner Agency, in manuscript ink annotation on the front wrapper. Bandit Samuel Thaddeus Tartar arrives in town, injured from a gunfight, forcing his mother to admit that she has lied about his profession for years to preserve both of their reputations. Screenwriter Jack Lewis was best known for "The Amazing Transparent Man" (1960) and for his prolific work in Western films, such as "Outlaw Gold" (1950), "Whistling Hills" (1951), and "Black Eagle of Santa Fe" (1965). Set in the American West. Mustard yellow generic Paul Kohner Talent Agency card wrappers. Title page present, with credits for screenwriter Jack Lewis. Rear wrapper stamped No. 555 on the lower edge of the recto. 75 leaves, with last page of text numbered III-21. Carbon typescript, rectos only. Pages Very Good plus, wrapper Very Good plus, bound with two gold brads.
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Affairs Within Walls [Kabe no naka no himegoto] (Original photograph of Kôji Wakamatsu on the...

Affairs Within Walls [Kabe no naka no himegoto] (Original photograph of Kôji Wakamatsu on the set of the 1966 film)

by Kôji Wakamatsu (director); Chûsei Sone, Takao Yoshizawa (screenwriters); Hiroko Fujino, Kazuko Kanô, Aya Mine (starring)

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Tokyo: Wakamatsu Production, 1966. Vintage borderless reference photograph from the 1966 pink film, showing director Kôji Wakamatsu helping arrange a half-nude actress' towel. Studio stamp specific to the film's German release on the verso. One of the first pink films to be shown outside Japan, about a voyeuristic, disaffected young student who observes his neighbors through a telescope. 5 x 7 inches. Near Fine.
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The Agony and the Ecstasy (Original photograph of Charlton Heston from the 1965 film)

The Agony and the Ecstasy (Original photograph of Charlton Heston from the 1965 film)

by Charlton Heston (starring); Carol Reed (director); Irving Stone (novel); Philip Dunne (screenwriter); Rex Harrison, Diane Cilento (starring)

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Los Angeles: Twentieth Century-Fox, 1965. Vintage studio still photograph of Charlton Heston from the 1965 film. The film follows the quarrels between Michelangelo and Pope Julius II over the painting of the Sistine Chapel. It was nominated for five Academy Awards, including Best Cinematography and Best Art Direction. Shot on location in Italy. 8 x 10 inches. Fine.
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The Alamo (Original screenplay for the 1960 film)
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The Alamo (Original screenplay for the 1960 film)

by John Wayne (director, starring); James Edward Grant (screenwriter); Richard Wildmark, Laurence Harvey, Frankie Avalon (starring)

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Hollywood: Batjac Productions, 1960. Draft script for the 1960 Western film. John Wayne's directorial debut, dramatizing the 1836 Battle of the Alamo, starring Wayne as Davy Crockett. Nominated for seven Academy Awards. Shot on location in Brackettville, Texas. Cream titled wrappers. Title page present, undated. 159 leaves, with last page of text numbered 156. Xerographic duplication on eye-rest green stock, rectos only, with blue, pink, and yellow revision pages throughout, dated variously between 7/21/59 and 9-21-59. Pages Near Fine, wrapper Very Good plus, with a small splash on the front wrapper, bound internally with three gold brads. In a custom green quarter-leather clamshell box. Pitts 43.
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The Alfred Hitchcock Hour: The Star Juror (Original screenplay for the 1963 television episode)
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The Alfred Hitchcock Hour: The Star Juror (Original screenplay for the 1963 television episode)

by Alfred Hitchcock (host); Dean Jagger, Will Hutchins, Burt Mustin (starring); Francis Didelot (novel); Herschel Daugherty (director); James Bridges (screenwriter)

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Universal City: Shamley Productions / Universal Studios, 1963. Revised Draft script for the 24th episode of season one of the 1962-1965 television anthology series. The episode originally aired on March 15, 1963, on CBS. Single annotation in manuscript pencil on the cast page, indicating a character. Based on Francis Didelot's 1963 novel "The Seventh Juror," about a killer who serves on the jury for the man who has been wrongly accused of the murder. The series was originally named "Alfred Hitchcock Presents," which aired on CBS and NBC from 1955 to 1962. The show was renamed in 1962, with episodes expanded from 25 minutes to 60 minutes. Self wrappers. Title page present, dated 1/23/63, noted as Revised, with credits for screenwriter James Bridges and novelist Francis Didelot. 62 leaves, with last page of text numbered 59. Spirit duplication on blue stock, rectos only. Pages Near Fine, partially bound with a single staple.
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Alice's Restaurant (Two original photographs from the 1969 film)
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Alice's Restaurant (Two original photographs from the 1969 film)

by Arlo Guthrie, Patricia Quinn, James Broderick, Pete Seeger (starring); Arthur Penn (director, screenwriter); Venable Herndon (screenwriter)

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Beverly Hills, CA: United Artists, 1969. Two vintage studio still photographs from the 1969 film, both showing Tina Chen and Arlo Guthrie. Based on Guthrie's 1967 folk protest song, a narrative loosely based on Guthrie's own experiences being jailed for littering and later using the record of his arrest to escape the Vietnam draft. Set and shot on location in New York and Massachusetts. 10 x 8 inches. Near Fine.
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All Men are Apes! (Original screenplay for the 1965 film, copy belonging to screenwriter Charles...
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All Men are Apes! (Original screenplay for the 1965 film, copy belonging to screenwriter Charles E. Mazin)

by Joseph P. Mawra (director); Charles E. Mazin, Barnard L. Sackett (screenwriters); Stephanie de Passe, Grace Lynn, Mark Ryan (starring)

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New York: Charles E. Mazin, 1965. Draft script for the 1965 sexploitation film, ribbon copy typescript, with three carbon typescript pages, copy belonging to screenwriter Charles E. Mazin, with "Mazin's copy" written on title label on front of folder, and title page on Mazin's letterhead, with profuse annotations in manuscript pencil and marker throughout. Laid in are over two dozen pages, hand written, ribbon copy typescript, and carbon typescript, of revisions, reel breakdowns, voice over dialogue, and four various manuscript pages, most with annotations in manuscriptic pencil and ink. From behind prison bars, a woman tells her life's tale, beginning with stealing her mother's boyfriends, early lesbian dalliances, working as a stripper, her run-ins with a gangster, and finally, a burlesque act with a gorilla. Set in and shot on location in Greenwich Village, New York. Title page present, with credits for screenwriters Charles E. Mazin and Barnard L. Sackett. 48 leaves, with last page of text… Read More
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Angelets (Original treatment script for an unproduced television series)

Angelets (Original treatment script for an unproduced television series)

by Marcia Borie (screenwriter); Charles Bronson (story)

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N.p.: N.p., 1968. Treatment script for an unproduced television series. An elite team of beautiful, highly educated young women work in tandem with an international hotel chain to provide services for guests upon request-whether that be a dining date, private hostess, tennis partner, interpreter, or whatever "the busy traveler far away from home" needs. Red untitled card wrappers. Title page present, dated 3/29/68, with credits for screenwriter MARCIA BORIE and story credits to CHARLES BRONSON. 20 leaves, with last page of text numbered 19. Carbon typescript on onionskin stock, rectos only. Pages Very Good plus, wrapper Very Good, bound with three gold brads.
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Apache Uprising (Original screenplay for the 1965 film)

Apache Uprising (Original screenplay for the 1965 film)

by R.G. Springsteen (director); Max Lamb (novel, screenwriter); Harry Sanford (novel, screenwriter); Rory Calhoun, Lon Chaney, Jr., Richard Arlen, DeForest Kelley (starring)

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Hollywood: Paramount Pictures, 1965. Draft script for the 1965 film. Two men attacked by Apaches try to warn nearby settlers of an imminent Apache attack, but are rebutted by unbelievers and a group of stagecoach robbers. When the stagecoach then suffers an Apache attacked mid-robbery, the two men must attempt to survive the attack themselves. Pale green titled wrappers, rubber stamped as copy No. 27 and noted as production No. 20039, dated May 25, 1965, with credits for writers Lamb and Sanford. Front wrapper integral with the title page, as issued. 109 leaves on pale green stock, mimeograph duplication. Pages Fine, wrapper Near Fine, bound with two gold brads.
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The Appointment (Collection of nine original photographs from the 1969 film)
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The Appointment (Collection of nine original photographs from the 1969 film)

by Sidney Lumet (director); Antonio Leonviola, James Salter (screenwriters); Omar Sharif, Anouk Aimee (starring)

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Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1969. Collection of nine vintage reference photographs from the 1969 film. With a mimeo snipe to the verso, along with a stamp noting production No. 69-148. A man's suspicion that his wife is moonlighting as a high-priced escort leads to the destruction of their relationship. Set and shot on location in Italy. 10 x 8 inches. Near Fine.
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Arabella (Original screenplay for an unproduced film)

Arabella (Original screenplay for an unproduced film)

by Stephen Kandel (screenwriter)

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N.p.: N.p., 1966. Draft script for an unproduced film. Note laid in from agent Paul Kohner to Mel Tucker, dated June 23, 1966. A group of Nazis steal a truck of gold during the war, eventually hiding it in a cave on the Portuguese coast. Years later, a group of thieves begin looking for the loot. Set in Portugal. Blue titled wrappers. Title page present, with credits for screenwriter Stephen Kandel. 156 leaves, with last page of text numbered 154. Mimeograph duplication, rectos only. Pages Very Good plus, wrapper Very Good, with a portion neatly cut from bottom right corner of front wrapper, clearly as issued, to reveal a quote from Lewis Carroll on the first leaf (see image). Bound internally with two gold brads.
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Around the World with Nothing On [Lust for the Sun] (Collection of 16 original photographs from...
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Around the World with Nothing On [Lust for the Sun] (Collection of 16 original photographs from the 1963 film)

by Arthur Knight (director); Brigette Baum, Cindy Courtland, Carole Wilson (starring)

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N.p.: Advent Film Productions, 1963. Collection of 16 vintage studio still photographs from the 1963 film. Housed in the original brown paper envelope. One of only two productions from Advent Film, the other being Arnold Louis Miller's 1962 release "Nudes of All Nations." Before the rise of sexploitation films in the late 1960s, the "nudie" film was produced, featuring documentary-style directing, with scenes shot at various nude camps around the world, primarily in Europe and the US. 10 x 8 inches. About Near Fine.
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