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13 Rue Madeleine (Original photograph from the 1946 film)

13 Rue Madeleine (Original photograph from the 1946 film)

by Henry Hathaway (director); John Monks Jr., Sy Bartlett (screenwriters); James Cagney, Annabella, Richard Conte, Frank Latimore (starring)

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N.p.: N.p., 1946. Vintage reference photograph from the 1946 film, showing actors James Cagney and Blanche Yurka. A head spy discovers one of his agents-in-training is a German mole, but decides not to arrest the man, instead feeding him false information in hopes of misleading the Nazis. Shot on location in Quebec, Canada, and Boston, Massachusetts. 10 x 8 inches. Near Fine.
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20,000 Men a Year (Original screenplay for the 1939 film)

20,000 Men a Year (Original screenplay for the 1939 film)

by Alfred E. Green (director); Lou Breslow, Owen Francis (screenwriters); Randolph Scott, Preston Foster, Margaret Lindsay (starring)

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Los Angeles: Twentieth Century-Fox, 1939. Final script for the 1939 film. With a single manuscript pencil notation on the front wrapper. A commercial pilot grounded for reckless flying decides to start his own flying school, which becomes the profitable hub of a new government-funded civilian pilots' training program. Blue titled wrappers, noted as FINAL on the front wrapper, rubber-stamped copy No. 13 and production No. 1856, dated August 22, 1939. Distribution page present, with receipt intact. Title page present, with credits for screenwriters Lou Breslow and Owen Francis. 158 leaves, with last page of text numbered 152. Mimeograph duplication, rectos only, with blue revision pages throughout, dated variously between 8/28/39 and 9/19/39. Pages Near Fine, wrapper Very Good plus with some minor tears and yapping to the right edge, bound internally with three gold brads.
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20,000 Men a Year (Original post-production screenplay for the 1939 film)

20,000 Men a Year (Original post-production screenplay for the 1939 film)

by Alfred E. Green (director); Lou Breslow, Owen Francis (screenwriters); Randolph Scott, Preston Foster, Margaret Lindsay (starring)

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Los Angeles: Twentieth Century-Fox, 1939. Post-production Continuity and Dialogue script for the 1939 film. With a single manuscript pencil notation on the front wrapper. A commercial pilot grounded for reckless flying decides to start his own flying school, which becomes the profitable hub of a new government-funded civilian pilots' training program. Blue titled wrappers, noted as CONTINUITY & DIALOGUE on the front wrapper, dated October 23, 1939. Title page present, with credits for director Alfred E. Green, screenwriters Lou Breslow and Owen Francis, and various other members of the cast and crew. 150 leaves, with last page of text numbered 149. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Very Good plus with some yapping to the lower edges, bound with two gold brads.
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77 Sunset Strip: 5: The Conclusion [Five (Part Five)] (Original screenplay for the 1963...

77 Sunset Strip: 5: The Conclusion [Five (Part Five)] (Original screenplay for the 1963 television episode)

by Tony Bennett, Jacques Bergerac, Richard Conte, Brian Keith (starring); William Conrad (director); Harry Essex (screenwriter)

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Burbank, CA: Warner Brothers, 1963. Draft script for the fifth episode of season six of the 1958-1964 television series. The series followed Stu and Jeff, a pair of womanizing, wisecracking private investigators. In this episode, Stu heads to Tel Aviv to uncover a Nazi art-smuggling plot. Set in Paris and Tel Aviv. White titled self-wrappers, dated July 2, 1963. Approximately 71 leaves, not numbered. Mimeograph duplication, rectos only, with revision pages throughout, dated variously between June 28, 1963 and July 2, 1963. Pages Near Fine, wrapper Very Good plus, bound with a staple. Pagination available upon request.
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77 Sunset Strip: The Gang's All Here (Original teleplay script for the 1962 television episode)

77 Sunset Strip: The Gang's All Here (Original teleplay script for the 1962 television episode)

by James Komack (director, screenwriter); Efrem Zimbalist Jr, Edd Byrnes, Louis Quinn, Jacqueline Beer, Sammy Davis Jr. (starring)

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Burbank, CA: Warner Brothers Television, 1962. Revised Draft script for the Episode 41 of Season 4 of the television series. Copy belonging to Sammy Davis Jr, who played the cashier and Kid Pepper in this episode, with his signature on the first page, and annotations in manuscript ink and pencil throughout. Two private investigators work on the south side of the Sunset Strip, next to Dean Martin's actual nightclub, Dino's Lodge. Each episode was an hour long and featured two hardboiled detectives and an aspiring PI working next door as a valet. The actor's first appearance in a show that hewed so closely to his "Rat Pack" persona (though he had appeared in a few other television dramas and Westerns as early as 1952). Set in Los Angeles. Bound in a homemade sewn binding with a card wrapper, black endpapers, and binding sealed with tan paper tape. Title page present, dated March 1, 1962, noted as Revised. 147 leaves, with last page of text numbered 71. Mechanical duplication, with green, blue,… Read More
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99 and 44/100% Dead (Original screenplay for the 1974 film)
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99 and 44/100% Dead (Original screenplay for the 1974 film)

by John Frankenheimer (director); Robert Dillon (screenwriter); Richard Harris, Edmond O'Brien, Bradford Dillman (starring)

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Los Angeles: Twentieth Century-Fox, 1973. Final Draft script for the 1974 neo-noir film. A satirical neo-noir following a professional hit man who is contracted by a local mob boss to take out the competition, but soon finds himself the target of several personal attacks in retaliation. Shot on location in Seattle, Washington and Silver Springs, Florida. Blue titled wrappers, noted as FINAL and copy No. 332 on the front wrapper, dated JUNE 8, 1973. Title page present, dated June 8, 1973, noted as FINAL, with credits for screenwriter Robert Dillon. 135 leaves, with last page of text numbered 129. Mimeograph duplication on eye-rest green stock, rectos only, with rainbow revision pages throughout, dated variously between 8/1/73 and 9/10/73. Pages Near Fine, wrapper Near Fine, bound with two gold brads. Spicer US Neo-Noir.
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Above The Law (Original screenplay for the 1988 film)

Above The Law (Original screenplay for the 1988 film)

by Steven Seagal, Pam Grier, Henry Silva, Ron Dean, Daniel Faraldo, Sharon Stone (starring); Andrew Davis (director, screenwriter); Steven Seagal, Steven Pressfield, Ronald Shusett (screenwriters)

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Burbank, CA: Warner Brothers, 1987. First Draft script for the 1988 film. Steven Seagal's debut role as Nico Toscani, an Italian-American ex-CIA agent and martial arts expert working for the Chicago police force. What begins as a drug trafficking investigation soon reveals the CIA's involvement in an international weapons-trade operation. Nico goes to great lengths to stop Zargon (Henry Silva), the corrupt CIA agent behind it all. Shot on location in O'ahu and Chicago. Orange titled studio wrappers, noted as First Draft on the front wrapper, dated March 4, 1987, with credits for screenwriters Steven Pressfield, Ronald Shusett, Andrew Davis, and Steven Seagal. Title page present, dated March 4, 1987, noted as First Draft, with credits for for screenwriters Steven Pressfield, Ronald Shusett, Andrew Davis, and Steven Seagal. 110 leaves, with last page of text numbered 107. Photocopy, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads.
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Aftermath (Original treatment script for an unproduced film)

Aftermath (Original treatment script for an unproduced film)

by Michael Sloan (screenwriter)

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N.p.: N.p., 1970. Treatment script for an unproduced film. A barfly witnesses a bank robbery and getaway, making him the inadvertent target of the gang members responsible for the crime. Red titled wrappers, with a die cut title window in the British style. Title page present, noted as original treatment, with credit for screenwriter Michael Sloan. 49 leaves, with last leaf of text numbered 48. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound internally with two silver brads.
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Air America (Original screenplay for the 1990 film)

Air America (Original screenplay for the 1990 film)

by Mel Gibson, Robert Downey Jr., Nancy Travis, Ken Jenkins (starring); Roger Spottiswoode (director); John Eskow, Richard Rush (screenwriters); Christopher Robbins (author)

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Los Angeles: Carolco / IndieProd, 1989. Draft script for the 1990 film. Based on the 1979 nonfiction novel by Christopher Robbins, which chronicled the CIA's business of transporting weapons and supplies to Cambodia, Laos, and South Vietnam during the Vietnam War. A man loses his pilot's license but has a chance to get it back if he agrees to work for "Air America," a company soon revealed to be an arms-dealing front for the CIA. Set in Vietnam, shot on location in Thailand, California, and England. White generic studio wrappers. Title page present, dated May 16, 1989, with credits for screenwriter John Eskow. 128 leaves, with last page of text numbered 127. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound internally with two gold brads.
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Airport 1975 (Three original photographs from the 1974 film)
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Airport 1975 (Three original photographs from the 1974 film)

by Jack Smight (director); Arthur Hailey (novel); Don Ingalls (screenwriter); Charlton Heston, Karen Black, George Kennedy (starring)

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Universal City, CA: Universal Pictures, 1974. Collection of 3 vintage black-and-white studio still photographs from the 1974 film. Sequel to the 1969 hit "Airport," which clinched 9 Academy Award nominations and received one for best actress. After a midair collision wipes out the crew of a Boeing 707, ground control must find a way to guide the disabled plane to safety. This midair disaster film inspired the 1980 parody "Airplane," starring Leslie Nielsen. Set in DC and California, shot on location in California, Utah, DC, and Virginia. 8 x 10 inches and 10 x 8 inches. Near Fine.
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The Anderson Tapes (Original banner poster for the 1971 film)

The Anderson Tapes (Original banner poster for the 1971 film)

by Sidney Lumet (director); Frank Pierson (novel, screenwriter); Sean Connery, Dyan Cannon, Martin Balsam, Alan King (starring)

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Culver City, CA: Columbia Pictures, 1971. Vintage US silkscreen banner poster for the 1971 film. Based on Frank Pierson's 1970 novel, about an ex-con who initiates a cascade of chaos when he decides to rob his upscale apartment building. Actor Christopher Walken's feature film debut, as well as a breakthrough role for Sean Connery, who was previously stuck being typecast as James Bond. Shot on location in New York. 82 x 24 inches. Rolled. About Near Fine with no restoration, a few old splashes near the edges, some rubbing and scratches, three small closed tears in margins and light creases, otherwise quite bright and unfaded. Lee, The Heist Film. Spicer US Neo-Noir.
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Angel III: The Final Chapter (Original screenplay for the 1988 film)

Angel III: The Final Chapter (Original screenplay for the 1988 film)

by Tom DeSimone (screenwriter, director); Mitzi Kapture, Mark Blankfield, Maude Adams, Richard Roundtree (starring)

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Los Angeles: Angel III Productions, 1987. Third Draft script for the 1988 film. Copy belonging to Transportation Coordinator Lawrence J. Romanoff with his ownership signature in manuscript ink on the front wrapper, and his annotations throughout. The third film in the "Angel" series, following "Angel" in 1984 and "Avenging Angel" in 1985. A now-adult Molly takes a photo of a woman who happens to be her mother. Through her mother, she learns she has a sister who is in danger and Molly becomes Angel again to find her Set in New York City, shot on location in New York City and Los Angeles. Light blue titled wrappers. Title page present, noted as Third Draft, with credits for Tom DeSimone. 109 leaves, with last page of text numbered 104. Xerographic duplication, rectos only, with rainbow revision pages throughout, dated variously between 9/21/87 and 10/19/87. Pages Near Fine, wrapper Good, bound with two gold brads. Vinegar Syndrome 299.
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Arabella (Original screenplay for an unproduced film)

Arabella (Original screenplay for an unproduced film)

by Stephen Kandel (screenwriter)

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N.p.: N.p., 1966. Draft script for an unproduced film. Note laid in from agent Paul Kohner to Mel Tucker, dated June 23, 1966. A group of Nazis steal a truck of gold during the war, eventually hiding it in a cave on the Portuguese coast. Years later, a group of thieves begin looking for the loot. Set in Portugal. Blue titled wrappers. Title page present, with credits for screenwriter Stephen Kandel. 156 leaves, with last page of text numbered 154. Mimeograph duplication, rectos only. Pages Very Good plus, wrapper Very Good, with a portion neatly cut from bottom right corner of front wrapper, clearly as issued, to reveal a quote from Lewis Carroll on the first leaf (see image). Bound internally with two gold brads.
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Assault on a Queen (Complete set of eight original color photographs from the 1966 film)
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Assault on a Queen (Complete set of eight original color photographs from the 1966 film)

by Jack Donohue (director); Jack Finney (novel); Rod Serling (screenwriter); Frank Sinatra, Virna Lisi, Anthony Franciosa (starring)

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Los Angeles: Paramount Pictures, 1966. Complete set of eight vintage color studio still photographs from the 1966 film. Based on Jack Finney's 1959 novel. A group of adventurers pull up a World War II submarine and plan to use it to rob the RMS Queen Mary, a large cruise liner. Set in the Bahamas. 10 x 8 inches. One with light wear and pinholes to the corners, else Near Fine.
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At Sword's Point [The Sons of the Three Musketeers] (Original photograph from the 1952 film)

At Sword's Point [The Sons of the Three Musketeers] (Original photograph from the 1952 film)

by Alexandre Dumas (novel); Cornel Wilde, Maureen O'Hara, Robert Douglas, Gladys Cooper (starring); Lewis Allen (director); Aubrey Wisberg, Jack Pollexfen (screenwriters)

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Santa Monica, CA: RKO Radio Pictures, 1952. Vintage studio still photograph from the 1952 film, showing actors Blanche Yurka, Cornel Wilde, Alan Hale Jr., and Dan O'Herlihy. Loosely based on Alexandre Dumas' 1844 novel, following the adventures of the children of the original Three Musketeers. Set in France. 10 x 8 inches. Near Fine.
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Aton (Original screenplay for an unproduced film)

Aton (Original screenplay for an unproduced film)

by Irving A. Greenfield (novel); Paul Young (screenwriter)

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N.p.: Kings Road Productions, 1970. Draft script for an unproduced film. Based on the 1975 novel by Irving A. Greenfield, about early man and his struggles. Named for the one of the many gods worshipped by the people living in the Mesopotamian Valley. Set in the Mesopotamian Valley. Brown untitled wrappers. Title page present, with credits for screenwriter Paul Young, and author Irving A. Greenfield. 123 leaves, with last page of text numbered 118. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound internally with three gold brads.
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Attack on the Iron Coast (Original screenplay for the 1968 film)

Attack on the Iron Coast (Original screenplay for the 1968 film)

by Paul Wendkos (director); Herman Hoffman (screenwriter); Lloyd Bridges, Andrew Keir, Sue Lloyd, Mark Eden (starring)

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Beverly Hills, CA: Oakmont Productions / United Artists, 1966. Draft script for the US release of the UK film. Copy belonging to Lloyd Bridges (presumed), with his name in manuscript ink on the front wrapper verso. Based on a story by John Champion. Major Wilson (Bridges) is readying his troops for the journey across the English channel to invade Normandy, with memories of disastrous previous missions haunting him. Captain Franklin (Keir), a British officer, opposes the plan and has a personal vendetta against Wilson. The two are brought together when Franklin is slated to command the mine sweepers that transport Wilson's troops. Set in France, shot on location in London, England. Tan titled wrappers, rubber-stamped copy No. 3, dated November 29, 1966. Title page present, dated November 29, 1966, with credits for screenwriter Hoffman and story writer Champion. 122 leaves, with last page of text numbered 120. Mimeograph duplication. Pages and wrapper Near Fine, bound with two gold brads.… Read More
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The Avengers: The Rotters (Original photograph from the 1968 television show)
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The Avengers: The Rotters (Original photograph from the 1968 television show)

by Robert Fuest (director); Dave Freeman (screenwriter); Patrick Macnee, Linda Thorson, Gerald Sim, Jerome Willis (starring)

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London: Associated British Corporation, 1968. Vintage reference photograph from Season 7 Episode 15 of the 1968 British television series, which originally aired on December 16, showing actress Linda Thorson (as Agent Tara King), held hostage at Wainwright Timber Industries, making no attempt to escape a leg shackle. With a printed mimeo snipe affixed to the verso, along with manuscript pencil and ink annotations regarding layout, and two stamps specific to the French airing of the episode. "The Avengers" aired from 1961 to 1969, and followed secret agent Dr. David Keel (Ian Hendry), and his bevy of assistants as they battle the British criminal element. Shot on location in Buckinghamshire and Hertfordshire, England. 8 x 10 inches. Near Fine.
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Batman: Mask of the Phantasm (Original screenplay for the 1993 film, actor Dick Miller's working...
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Batman: Mask of the Phantasm (Original screenplay for the 1993 film, actor Dick Miller's working copy)

by Mark Hamill, Dana Delaney, Kevin Conroy, Stacy Keach (starring); Eric Radomski, Bruce Timm (directors); Alan Burnett, Paul Dini, Martin Pasko, Michael Reaves (screenwriters)

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Burbank, CA: Warner Brothers, 1992. Revised Draft script for the 1993 film. Copy belonging to actor Dick Miller, with his manuscript ink annotations underlining lines to several pages, and with a letter to Miller from casting and voice director Andrea Romano regarding the project. From the estate of Dick Miller. Based on the 1992-1995 television show "Batman: The Animated Series." The first original theatrical film produced by Warner Brothers Animation, and the first film in the DC Animated Universe superhero film franchise. Self wrappers. Title page present, dated 11/04/92, noted as Rev. Draft, with credits for screenwriters Alan Burnett, Paul Dini, Martin Pasko, and Michael Reaves. 138 leaves, with last page of text numbered 119. Xerographic duplication, rectos only. Pages Near Fine, bound with a black clasp to the top edges.
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Below the Belt (Three original photographs from the 1980 film)
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Below the Belt (Three original photographs from the 1980 film)

by Robert Fowler (director, screenwriter); Rosalyn Drexler (novel); Sherry Sonnet (screenwriter); Regina Baff, John C. Becher, James Gammon (starring)

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N.p.: Aberdeen, 1980. Three vintage black-and-white reference photographs from the 1980 film. Based on Rosalyn Drexler's 1972 novel "To Smithereens." A scrappy sports arena waitress is scouted by a wrestling promoter, who believes she has what it takes to become a champion. 10 x 8 inches. Near Fine, with faint wear to the corners.
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