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11 Harrowhouse (Original screenplay for the 1974 film)
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11 Harrowhouse (Original screenplay for the 1974 film)

by Aram Avakian (director); Jeffrey Bloom (screenwriter); Charles Grodin, Candice Bergen, James Mason, Trevor Howard (starring)

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Beverly Hills, CA: EK / United Artists, 1974. Early Draft British script for the 1974 British heist film. Based on Gerald Browne's 1972 novel, adapted by Charles Grodin. Howard Chesser (Grodin) is a diamond merchant supervising the cutting of a large and rare diamond. When the diamond is stolen, he is blackmailed and pulled into a jewel heist at 11 Harrowhouse. Set in London, shot there on location and in Warwickshire, England. Burnt orange titled wrappers. Title page present, noted as Revised Screenplay, with credits for screenwriter Bloom. 130 leaves, with last page of text numbered 129. Mechanical duplication. Pages and wrapper Near Fine, bound with two gold brads. Lee, The Heist Film.
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The 39 Steps (Original photograph from the 1959 film)

The 39 Steps (Original photograph from the 1959 film)

by Ralph Thomas (director); John Buchan (novel); Frank Harvey (screenwriter); Kenneth More, Taina Elg, Brenda de Banzie (starring)

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Los Angeles: Twentieth Century-Fox, 1959. Vintage studio still photograph from the 1959 British film. Based on John Buchan's 1915 novel. A diplomat returns to his home in London, where he becomes involved in a corrupt, international organization of secret agents intending to sell government secrets relating to weapons resources. Set and shot on location in England and Scotland. 10 x 8 inches. Very Good plus, with pinholes to the corners.
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80,000 Suspects (Collection of 91 photographs from the 1963 film)
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80,000 Suspects (Collection of 91 photographs from the 1963 film)

by Val Guest (director, screenwriter); Trevor Dudley Smith (novel); Claire Bloom, Richard Johnson, Yolande Donlan, Cyril Cusack (starring)

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London: J. Arthur Rank Film Distributors / Rank Organisation, 1963. Collection of 91 vintage black-and-white (and 1 double weight) still photographs from the 1963 UK film. Daily Express rubber stamp on the verso of the double weight still. Includes several candid shots on the set. Richard Johnson stars as a doctor who arrives in the city of Bath, where a smallpox epidemic has begun. Dealing with the virus would be more than enough, but he also finds himself contending with a failing marriage. Story set in Somerset, England, shot on location. 7.5 x 9.5 inches (some slightly smaller or larger), with no borders as issued. About Near Fine.
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99 Women in 3D (Original treatment script for an unproduced film)

99 Women in 3D (Original treatment script for an unproduced film)

by Peter Welbeck (screenwriter)

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Nassau, Bahamas: Film Accounting Services, 1982. Treatment script for an unproduced film. A proposed reboot of the 1969 film "99 Women" (also written by Peter Welbeck), with the same plot, but now in 3D. A woman arrives at a penal colony on an island, where she is controlled by a cruel lesbian who oversees all the prison's functions. Black blank wrappers with die cut title window in the British style. Title page present, dated February 6, 1983, with credits for screenwriter Peter Welbeck. 13 leaves, with last leaf of text numbered 11. Mechanical duplication. Pages Near Fine, wrapper Near Fine bound internally with two silver brads.
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Absolute Beginners (Original screenplay for the 1986 film musical)
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Absolute Beginners (Original screenplay for the 1986 film musical)

by David Bowie (starring); Julien Temple (director); Richard Burridge, Christopher Wicking, Don Macpherson (screenwriters); Colin MacInnes (novel); Eddie O'Connell, Patsy Kensit (starring)

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London: Palace [Absolute Beginners] Limited, 1985. Final Draft script for the 1985 musical film. Single manuscript ink annotation to the title page. Based on the 1959 novel. A rock musical set in London during the late 1950s, following two former lovers on their parallel paths to fame. David Bowie, an acquaintance of director Julien Temple, agreed to write a single for the film if he could also play the part of flashy ad executive Vendice Partners, resulting in the hit single "Absolute Beginners." Goldenrod untitled wrappers with a die-cut title window in the British style. Title page present, dated 9th May 1985, noted as Final Draft, with credits for director Julien Temple, screenwriters Richard Burridge, Christopher Wicking, and Don Macpherson, and additional dialogue credits to Terry Johnson. 124 leaves, with last page of text numbered 123. Xerographic duplication, rectos only. Pages Fine, wrapper Near Fine, bound with two gold brads.
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Across The Bridge (Original UK poster for the 1957 British film noir)

Across The Bridge (Original UK poster for the 1957 British film noir)

by Graham Greene (novel); Ken Annakin (director); Albert Clarke (photographer); Guy Elmes, Denis Freeman (screenwriter); Rod Steiger (starring)

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London: The Rank Organization, 1957. Original British quad poster for the 1957 British film noir A low budget British film noir that brought Rod Steiger across the ocean in order to put his formidable character acting skills into what became a critically praised film. Shot in Spain (but represented as Mexico), "Across the Bridge" expands on Graham Greene's short story, bringing more specifics to the author's intentionally empirical outline. Steiger plays a crooked businessman on the run who steals a man's passport in order to hide out in Mexico, only to discover that the passport belongs to a wanted political assassin. 30 x 40 inches. Near Fine. Phillips US. Spicer US.
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Act of Treason (Original screenplay for an unproduced film)

Act of Treason (Original screenplay for an unproduced film)

by Lillian Hellman (play); Guy Elmes (screenwriter)

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London: John C. Mather / Ben Arbeid, 1970. Draft script for an unproduced British film called "Act of Treason," written by Guy Elmes, based on Lillian Hellman's adaptation of Emmanuel Robles' 1948 play, "Montserrat." Screenwriter Elmes also wrote for films like "Bad Blonde" (1953), "Across the Bridge" (1957), "Pontius Pilate" (1962), "the Invincible Six" (1970), and "White Fang" (1973). Robles' play opened in Paris in 1948, a story about the civil war in Venezuela during the early 1800s, where a Spanish officer commits treason and joins the Venezuelan revolutionaries. Guy Elmes is a screenwriter, primarily known for his work in writing the original story and screenplay for "A Nightingale Sang in Berkeley Square" (1979). Gray blank wrappers with die cut title window in the British style. Title page present, with credits for screenwriter Guy Elmes, playwright Lillian Hellman, and producer Ben Arbeid. 123 leaves, with last page of text numbered 121. Mechanical duplication. Pages Near Fine, wrapper… Read More
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Action for Slander (Original photograph from the 1937 film)

Action for Slander (Original photograph from the 1937 film)

by Tim Whelan (director); Mary Borden (novel); Miles Malleson, Ian Dalrymple (screenwriter); Clive Brook, Ann Todd, Margaretta Scott, Arthur Margetson, Ronald Squire (starring)

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Beverly Hills, CA: London Film Productions / United Artists, 1937. Vintage reference photograph from the 1937 film. With one provenance stamp on the verso. Based on the 1937 novel by Mary Borden. A man accuses the man who is having an affair with his wife of cheating during a card game. 10 x 8 inches. Very Good plus.
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Action of the Tiger (Five British front-of-house cards from the 1957 film)
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Action of the Tiger (Five British front-of-house cards from the 1957 film)

by Terence Young (director); James Wellard (novel); Robert Carson and Peter Myers (screenwriters); Van Johnson, Martine Carol, Herbert Lom, Gustavo Rocco (starring)

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London: National Screen Service / MGM, 1957. Five vintage full-color British front-of-house cards from the 1957 English-American film. Based on James Wellard's 1955 novel, about an American contraband runner approached by a French woman to help rescue her brother from Albania where he is being held as a political prisoner. With Sean Connery in an early supporting role, his first with director Young before their collaborations on several James Bond films. Shot on location in Greece and Spain. 8 x 10 inches. A few light bruises, and a large chunk from 1 still, else Near Fine.
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Adam and Nicole [Erotic Inferno, The Will] (Original screenplay for the 1975 film)
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Adam and Nicole [Erotic Inferno, The Will] (Original screenplay for the 1975 film)

by Trevor Wrenn (director); Jonathan Gershfield (screenwriter); Chris Chittell, Jenny Westbrook, Michael Watkins (starring)

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London: English Film Company Limited, 1975. Draft script for the 1975 film, here under the working title "The Will," with single annotation in manuscript ink of copy number "24" on first page. One of the better known British sexploitation films of the 1970s, having been the subject of a 1975 episode of BBC program "Man Alive" (season 9, episode 24 "Xploitation"), as well as having been one of three British sex films viewed by moral reformer Lord Longford. A pair of greedy brothers are summoned to their father's estate after his death, but are instructed not to enter the house until the reading of the will, and are forced to stay instead with servants Adam and Nicole, in a cottage on the grounds. Green titled wrappers, dated January 1975. 96 leaves, with last page of text numbered 95. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound internally with two flat metal brads.
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Africa: Texas Style (35 original photographs from the 1967 film)
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Africa: Texas Style (35 original photographs from the 1967 film)

by John Mills Hugh O'Brian (starring); Andrew Marton (director); Andy White (screenwriter); Tom Nardini, Adrienne Corri (starring)

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Los Angeles: Paramount Pictures, 1967. Collection of 35 vintage, borderless, double weight, reference photographs from the 1967 US-UK co-production. Seven photographs with images of director Andrew Marton, actors, and crew on the set. A British rancher hires two American cowboys to oversee his Kenyan estate. Basis for the American television show "Cowboy in Africa," starring Chuck Connors, which ran on ABC during the 1967-1968 season. Set and shot on location in Kenya. 8 x 10 inches. Very Good plus to Near Fine.
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Agent 8 3/4 [Hot Enough for June] (Original British front-of-house card from the 1964 film)

Agent 8 3/4 [Hot Enough for June] (Original British front-of-house card from the 1964 film)

by Sylva Koscina Dirk Bogarde (starring); Ralph Thomas (director); Lionel Davidson (novel); George Courtney Ward (photographer); Lukas Heller (screenwriter); Robert Morley, Leo McKern (starring)

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London: Rank Organisation, 1964. Vintage full-color still British front-of-house card from the 1964 UK film. Base on the Lionel Davidson novel, "Night of Wenceslas" (1960), about a man who gets caught up in Cold War espionage, in a romantic spy-spoof. 8 x 10 inches. Very Good plus, with pinholes at the corners, and a few moderate creases.
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Alfie Darling (Original photograph from the 1976 film)

Alfie Darling (Original photograph from the 1976 film)

by Ken Hughes (director, screenwriter); Bill Naughton (novel); Alan Price, Jill Townsend, Paul Copley, Joan Collins (starring)

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London: National Screen Service / EMI, 1976. Vintage full-color still photograph from the 1976 UK film. Based on Bill Naughton's 1970 novel, sequel to his 1966 play, "Alfie" (basis for the 1966 film starring Michael Caine), starring Alan Price as the womanizing Alfie, galavanting until he meets the equally charged Abby (Jill Townsend). Shot on location in England and France. 8 x 10 inches. Near Fine.
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Alfie (Original photograph from the 1966 film)

Alfie (Original photograph from the 1966 film)

by Lewis Gilbert (director); Bill Naughton (play, screenwriter); Jack Dooley (photographer); Michael Caine, Shelley Winters, Millicent Martin, Jane Asher (starring)

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Hollywood: Paramount Pictures, 1966. Vintage borderless photograph from the set of the 1966 UK film, showing actor Michael Caine in conversation with director Lewis Gilbert. Printed mimeo snipe affixed to the verso. From the archive of film historian and author Joel Finler. Based on Bill Naughton's 1966 play, about a young, working class chauffeur who decides to change his womanizing behavior after a tuberculosis diagnosis. Set and shot on location in London. 10 x 8 inches. Near Fine, lightly age toned.
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Alfie (Two original photographs from the 1966 film)
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Alfie (Two original photographs from the 1966 film)

by Lewis Gilbert (director); Bill Naughton (play, screenwriter); Jack Dooley (photographer); Michael Caine, Shelley Winters, Millicent Martin, Jane Asher (starring)

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Hollywood: Paramount Pictures, 1966. Two vintage black-and-white borderless still photographs from the 1966 UK film. Press photos, with cropping annotations in the British style (millimeters) on the verso of one still, and a stamp on the verso of the other still. Based on Naughton's 1966 play, about a young man from the working classes of sexy, swinging 1960s London, Alfie (Caine in his first starring role), who is a confident, charming ladies' man, whose appetites for sex are met in the fun-loving Ruby (Winters). Director Gilbert breaks the fourth wall in this film, with Caine directly addressing the camera in attempt to gain sympathy from the audience (a technique later used by Gilbert in "Shirley Valentine," 1989). Gilbert also addressed the then-taboo issues of pregnancy and abortion in candid style. Set in London, shot on location there and in Middlesex, England. 8 x 10 inches, borderless. About Near Fine.
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The Amateur Gentleman (Original screenplay for the 1936 film)

The Amateur Gentleman (Original screenplay for the 1936 film)

by Thornton Freeland (director); Clemence Dane (screenwriter); Jeffrey Farnol (novel); Douglas Fairbanks Jr., Elissa Landi, Gordon Harker (starring)

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London: Criterion, 1935. Shooting script for the 1936 film. Based on the 1913 novel. When a former boxing champion turned innkeeper is wrongly accused of stealing jewelry from wealthy guests staying at the inn, his son travels to London and impersonates an aristocratic gentleman in order to prove his father's innocence and catch the true thief. Orange titled wrappers. Title page present, noted as Shooting Script, with credits for screenwriter Clemence Dane. 235 leaves, with last page of text numbered 230. Mimeograph duplication, rectos only. Pages Very Good, wrapper Very Good, with foxing and edgewear, side stapled.
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The Angry Silence (Original photograph from the 1960 film)

The Angry Silence (Original photograph from the 1960 film)

by Guy Green (director); Laurence Ridley (photographer); Michael Craig and Bryan Forbes (screenwriters); Richard Attenborough, Pier Angeli, Bernard Lee, Oliver Reed (starring)

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London: British Lion Film Corporation, 1960. Vintage black-and-white still photograph from the 1960 UK film. Cropping annotations to the both sides of the still. A quintessential anti-union film of the 1950s, about a man's dilemma when he refuses to participate in a wildcat strike at a factory. Violence brings the other dissenters together, but he is shunned in his apprehension, and ignored while he attempts to maintain his right as a individual to dissent from the group. 8 x 10 inches. Very Good plus, with slight a few light creases.
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Anna Karinena (Original photograph from the 1961 television movie)

Anna Karinena (Original photograph from the 1961 television movie)

by Sean Connery. Claire Bloom, Jack Watling (starring); Rudolph Cartier (director); Leo Tolstoy (novel); Donald Bull (screenwriter); Marcelle Maurette (play)

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London: British Broadcasting Corporation [BBC], 1961. Vintage studio still photograph from the 1961 television movie adaptation. Snipe stamped to the verso. Television adaptation of Leo Tolstoy's classic novel detailing the doomed romance between two Russian socialites. This version starring Claire Bloom as Anna Karenina and Sean Connery as Count Alexis Vronsky. Set in Russia, shot on location in London. 8 x 10 inches. Very Good plus, with extensive annotations to the verso.
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Anna Karenina (Original photograph of Orson Welles, Julien Duvivier, and Henri Alekan on the set...
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Anna Karenina (Original photograph of Orson Welles, Julien Duvivier, and Henri Alekan on the set of the 1948 film)

by Julien Duvivier (director); Leo Tolstoy (novel); Jean Anouilh, Guy Morgan(screenwriters); Vivien Leigh, Ralph Richardson, Kieron Moore, Sally Ann Howes (starring)

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London: British Lion, 1948. Vintage reference photograph of director Julien Duvivier and cinematographer Henri Alekan in conversation with Orson Welles on the set of the 1948 film, at London Film Studios in Shepperton. With manuscript ink annotations on the verso regarding layout and identifying the figures in the photograph. Based on the 1877 novel, wherein a young woman's loveless marriage leads her to begin an affair with a dashing Czarist officer. Welles visited England in 1948 to discuss his 1949 film "The Third Man" with producer Alexander Korda, who also served as the producer for Duvivier's "Anna Karenina." Although Duvivier arguably achieved a lesser degree of lasting fame than many of his contemporaries, the director was held in high esteem by Welles and fellow Hollywood greats Ingmar Bergman, Michael Powell, and John Ford. Set in Russia. 10 x 8 inches. Near Fine.
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Anna Karenina (Original screenplay for the 1948 film)
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Anna Karenina (Original screenplay for the 1948 film)

by Julien Duvivier (director, screenwriter); Leo Tolstoy (novel); Jean Anouilh, Guy Morgan (screenwriters); Vivien Leigh, Ralph Richardson, Kieron Moore, Sally Ann Howes (starring)

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N.p.: N.p., 1948. Draft script for the 1948 British film. Copy belonging to production manager Mickey Delamar, with his name in manuscript pencil to the title page, and his manuscript annotations throughout. With revision pages laid in throughout the script, along with a distribution receipt signed by Delamar, and with a reference photograph from the film, showing actors Vivien Leigh and Ralph Richardson. Delamar worked as a producer, production manager, and assistant director on over 30 films, and was active in the film industry for four decades. His credits include Charlie Chaplin's "A King in New York" (1957), Francois Truffaut's "Fahrenheit 451" (1966), and Terence Young's "Mayerling" (1968). Based on the classic 1877 novel by Leo Tolstoy, about how all happy families are alike, but each unhappy family is unhappy in its own way. Set in St. Petersburg. Black titled wrappers. Title page present, with credits for novelist Tolstoy, and screenwriters Jean Anouilh, Julien Duvivier, and Guy… Read More
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