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1957 Cannes Film Festival (Collection of 16 original photographs)
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1957 Cannes Film Festival (Collection of 16 original photographs)

by Manciet, Pierre, and L. Mirkine (photographers)

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Nice: Self published, 1957. Sixteen vintage photographs from the 1957 Cannes Film Festival. On the versos of 11 photos is a rubber-stamp for photographer "L. Mirkine," photographer "Pierre Manciet" on the versos of remaining 5, and names corresponding to the image subjects on the versos in manuscript ink. Housed in a manila envelope with "Festival 1957 Cannes" on the recto in manuscript ink. The collection features images of Jean Cocteau (in the arms of Ann Heywood and June Laverick as he talks to James Robertson Justice), Patricia Smith, Izolda Izvitskaya, Roman Karmen, Don Murray, Grigoriy Chukhray, Oleg Strizhenov, Jacqueline Pagnol, Giuletta Masina, Eleanor Rossi Drago, Nadia Gray, Nicole Berger, Maurice Ronet, Melina Mercouri, William Wyler, Maëa Flohr, Mylene Demongeot, and John Kitzmiller, among others. The 1957 festival marked it's tenth anniversary, prominent jurors included André Maurois, Jean Cocteau, Marcel Pagnol, Michael Powell, Dolores del Río, Claude Aveline, and Alberto… Read More
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The 400 Blows (Original French poster for the 1959 film)

The 400 Blows (Original French poster for the 1959 film)

by François Truffaut (director, screenwriter); Marcel Moussy (screenwriter); Jean-Pierre Léaud (starring)

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Paris: Les Films du Carrosse, 1959. Original French Grande poster for the 1959 film. Poster design by Boris Grinsson. Truffaut's auspicious debut, winner of Best Director at Cannes, nominated for the Palme d'Or, and also nominated for a Best Original Screenplay Oscar the following year. 47 x 62 inches. Linen backed and rolled. Bright and Fine. Capitaine 207. Warren, Vol. 1, p. 159.
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The Ape Woman [La donna scimmia] (Original photograph from the 1964 film)

The Ape Woman [La donna scimmia] (Original photograph from the 1964 film)

by Marco Ferreri (director, screenwriter); Rafael Azcona (screenwriter); Ugo Tognazzi, Annie Girardot (starring)

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Italy: Compagnia Cinematografica Champion, 1964. Vintage borderless press photograph from the set of the 1964 film. Shown is Annie Giarardot (the "ape woman" in the film) in a dressing room with two other semi-clothed, "normal" women, conveying an immediate irony as she looks up at her husband (Ugo Tognazzi) standing in the doorway. With the stamps of both the French Dalmas and Italian Publifoto photo agencies on the verso. Inspired by the real life story of Julia Pastrana, who suffered from a condition that caused excessive hairiness, and was exhibited in a freak show and mummified after her death by her husband/manager. Nominated for the Palme d'Or at Cannes. 8.25 x 10.5 inches. Near Fine with a touch of rubbing to the edges and slight curl.
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The Appointment (Original photograph from the set of the 1969 film)

The Appointment (Original photograph from the set of the 1969 film)

by Sydney Lumet (director); James Salter (screenwriter); Omar Sharif, Anouk Aimee (starring)

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Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1969. Vintage reference photograph from the 1969 film. Anouk Aimee walks down a Rome street toward the camera, while director Sydney Lumet and crew look on. With a printed mimeo snipe on the verso. Lumet was nominated for a Palme d'Or at Cannes for the film, about a man who becomes suspicious that his new wife is really a high priced escort. Set and shot on location in Italy. 8 x 10 inches. Near Fine.
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Barton Fink (Original photograph of John Turturro and the Coen brothers on the set of the 1991 film)

Barton Fink (Original photograph of John Turturro and the Coen brothers on the set of the 1991 film)

by Joel Coen (director, screenwriter); Ethan Coen (screenwriter); John Turturro, John Goodman, Judy Davis, Michael Lerner (starring)

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Los Angeles: Twentieth Century-Fox, 1991. Vintage reference photograph of director-screenwriters Joel and Ethan Coen and actor John Turturro having a conversation between takes on the set of the 1991 film. One of the more ambitious films in the Coen brothers' oeuvre, a nuanced comedy about Hollywood, success, and the interaction between intellectuals and "the common man." Based largely on the experiences of playwright and erstwhile screenwriter Clifford Odets. Winner of the Palme d'Or, Best Actor, and Best Director awards at the 1991 Cannes Film Festival, and nominated for three Academy Awards in 1992. 10 x 8 inches. Near Fine. Grant US.
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The Buttercup Chain (Original screenplay for the 1970 film)

The Buttercup Chain (Original screenplay for the 1970 film)

by Robert Ellis Miller (director); Janice Elliott (novel); Peter Draper (screenwriter); Hywel Bennett, Leigh Taylor-Young, Jane Asher, Sven-Bertil Taube (starring)

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London: Columbia British Productions, 1969. Draft script for the 1970 British film. Cinematographer Douglas Slocombe's name written and underlined in manuscript ink on the title page, as well as an encircled "71" in red manuscript marker. Based on Janice Elliott's 1967 novel about cousins born on the same day to twin sisters. Inseparable and maybe in love they agree to find suitable romantic partners for each other. Nominated for the Palme d'Or. Set in and shot on location in England, Spain and Sweden. ornamental embossed titled wrapper. Title page present, dated 1969, with credits for screenwriter Peter Draper and novelist Janice Elliott. PAGES leaves, with last page of text numbered 111. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound internally with three flat metal brads.
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Christian de la Maziere at Cannes and Referendum Cinematographique film festivals (Archive of...
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Christian de la Maziere at Cannes and Referendum Cinematographique film festivals (Archive of original correspondence and film ephemera)

by [Christian de la Maziere] [Cinedis]

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Cannes, France: Cinedis, 1959. Archive of correspondence and film ephemera from representatives at Cinedis and UniFrance Films regarding Christian de la Maziere, briefly the impresario of press relations (and former Waffen-SS soldier) at Cinedis, detailing his participation at the 1959 Cannes Film Festival and at a few Referendum Cinematographique festivals in Vichy. Represented in the archive are 27 leaves, several being checklists detailing in manuscript ink and pencil the names of various film stars and their corresponding hotel stays during the 1959 Cannes festival, notably the Carlton Hotel (several leaves of the hotel's stationery), the Martinez, the Montfleury, and the Majestic. On Cinedis parchment, Maziere is stated as the presenter of Renato Castellanis' women's prison exploitation film, .".and the Wild, Wild Women" ('L'Enfer dans la ville"), and on Francinex parchment (Italian language) as presenting the same film in lieu of Georges Cravenne, a head official at Cinedis. Also included are… Read More
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East of Eden (Collection of four original photographs depicting a fight sequence from the 1955 film)
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East of Eden (Collection of four original photographs depicting a fight sequence from the 1955 film)

by James Dean (starring); Elia Kazan (director); John Steinbeck (novel); Paul Osborn (screenwriter); Raymond Massey, Julie Harris, Jo Van Fleet (starring)

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Burbank, CA: Warner Brothers, 1955. Four vintage reference photographs from the 1955 film, together depicting a fight sequence involving James Dean and Julie Harris. Based on the 1952 novel by John Steinbeck, about two brothers who struggle for the attentions and favor of their deeply religious, emotionally troubled father. Winner of Best Dramatic Film at Cannes, and nominated for the Palme d'Or. Actress Jo Van Fleet would go on to win a Best Supporting Actress Oscar, and the film was nominated for three more Academy Awards, including Best Director, Best Screenplay, and the first ever posthumous acting nomination in Academy history for Dean's lead performance. Set and shot on location in Monterey and Salinas, California. 10 x 8 inches. Slightly faded, else Near Fine. National Film Registry. Rosenbaum 1000. Scorsese, A Personal Journey Through American Movies.
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Easy Rider (Original photograph from the 1969 film)
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Easy Rider (Original photograph from the 1969 film)

by Dennis Hopper (director, screenwriter, starring); Peter Sorel (photographer); Terry Southern (screenwriter); Peter Fonda (screenwriter, starring); Jack Nicholson (starring)

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Culver City, CA: Columbia Pictures, 1975. Studio still photograph of Peter Fonda and Dennis Hopper from the 1969 film, issued for a 1975 re-release. "Les Archives du 7 Art" label on verso. About as close to the very start of the New Hollywood era as can be imagined. "Easy Rider" had its world premiere at Cannes, on May 8, 1969. It would not debut in the US until July 1969, in a significantly edited form. Nominated for two Academy Awards for Best Screenplay and Best Supporting Actor for Jack Nicholson. Nominated for the Palme d'Or. 8 x 10 inches. Near Fine.
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Exotica (Original portrait photograph of director Atom Egoyan from the 1995 film)

Exotica (Original portrait photograph of director Atom Egoyan from the 1995 film)

by Atom Egoyan (director, screenwriter); Johnnie Eisen (photographer); Bruce Greenwood, Elias Koteas, Mia Kirshner (starring)

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N.p.: Alliance International, 1995. Vintage portrait matte photograph of director Atom Egoyan from the 1995 film. Bruce Greenwood, depressed and grieving over the loss of his child, is obsessed with Mia Kirshner, a young stripper at an upscale strip club, whose ex-boyfriend, Elias Koteas, the club's MC, still jealously pines for her. Nominated for the Palme d'Or. Set in and shot on location in Toronto. 8 x 10 inches. Near Fine. Ebert III. Grant US. Rosenbaum 1000.
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The Exterminating Angel (Original screenplay for the 1962 film, annotated throughout by Buñuel)
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The Exterminating Angel (Original screenplay for the 1962 film, annotated throughout by Buñuel)

by Luis Buñuel (director, screenwriter); Silvia Pinal, Jacqueline Andere, Jose Baviera, Augusto Benedico (starring)

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N.p.: N.p., 1962. Draft script for the 1962 film. With director Luis Buñuel's manuscript pencil and ink annotations throughout noting changes and additions to dialogue, and the name of Russian-American director Victor Stoloff in manuscript ink on the front of the folder housing the script. Stoloff was associated with Buñuel during Buñuel's brief sojourn in America, and is interviewed in the 2000 documentary "Buñuel in Hollywood." Included with the script is an English translation of Buñuel's revisions. An impossibly rare script for Buñuel's masterpiece, and the penultimate film the director made in Mexico. An incisive, eerie, surrealist comedy about a group of bourgeois guests at a dinner party who realize they inexplicably cannot leave the house. Nominated for the Palme d'Or at Cannes. Set and shot on location in Mexico. Tall, lacking wrappers and title page, housed in a light blue folder. 94 leaves, with last page of text numbered 94. Mimeograph duplication, rectos only. Pages Near Fine,… Read More
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The Flesh [La Carne] (Original double weight photographs from the 1991 film)

The Flesh [La Carne] (Original double weight photographs from the 1991 film)

by Marco Ferreri (director, screenwriter); Gianfranco Salis (photographer); Liliane Betti, Massimo Bucchi, Paolo Costella (screenwriters); Sergio Castellitto, Francesca Dellera (starring)

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Italy: MMD, 1991. Vintage borderless double weight photograph from the 1991 film. With a stamp on the verso identifying the film and photographer. A black comedy in which a divorced man falls for a beautiful woman, who uses magic to turn him into a sex slave. He doesn't seem to mind, until she gets bored and wants to leave him, and the things take a darker turn. Nominated for the Palme d'Or at Cannes. 11.75 x 7.5 inches. Light creasing to the corners, else Near Fine.
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The Go-Between (Original photograph of Joseph Losey and Dominic Guard on the set of the 1971 film)

The Go-Between (Original photograph of Joseph Losey and Dominic Guard on the set of the 1971 film)

by Joseph Losey (director); L.P. Hartley (novel); Harold Pinter (screenwriter); Julie Christie, Alan Bates, Dominic Guard, Margaret Leighton (starring)

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London: EMI Films, 1971. Vintage borderless double weight photograph of director Joseph Losey filming a scene on location in Norwich with actor Dominic Guard, with cast and crew members looking on. With two printed mimeo snipes affixed to the verso. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey, following "The Servant" (1963) and "Accident" (1967). Set and shot on location in Norfolk, England. 10 x 7 inches. Near Fine. Vogel, Film as a Subversive Art.
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The Go-Between (Original photograph from the set of the 1971 film)

The Go-Between (Original photograph from the set of the 1971 film)

by Joseph Losey (director); L.P. Hartley (novel); Harold Pinter (screenwriter); Julie Christie, Alan Bates, Dominic Guard, Margaret Leighton (starring)

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London: EMI Films, 1971. Vintage borderless reference photograph of director Joseph Losey, actor Dominic Guard, and crew members on the set of the 1971 film. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey, following "The Servant" (1963) and "Accident" (1967). Set and shot on location in Norfolk, England. 10 x 8 inches, with a wide bottom margin. About Near Fine, slightly wavy on the bottom edge. Vogel, Film as a Subversive Art.
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The Go-Between (Original photograph of Joseph Losey and Michael Redgrave on the set of the 1971...

The Go-Between (Original photograph of Joseph Losey and Michael Redgrave on the set of the 1971 film)

by Joseph Losey (director); L.P. Hartley (novel); Harold Pinter (screenwriter); Julie Christie, Alan Bates, Dominic Guard, Margaret Leighton (starring)

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London: EMI Films, 1971. Vintage borderless double weight photograph of director Joseph Losey, actor Michael Redgrave, and a camera crew on the set of the 1971 film. With a printed mimeo snipe affixed to the verso, along with a provenance stamp. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey, following "The Servant" (1963) and "Accident" (1967). Set and shot on location in Norfolk, England. 10 x 8 inches, with a wide bottom margin. Near Fine. Vogel, Film as a Subversive Art.
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Identification of a Woman [Identificazione di una donna] (Three original photographs from the...
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Identification of a Woman [Identificazione di una donna] (Three original photographs from the 1982 Italian film)

by Michelangelo Antonioni (director, screenwriter); Gerard Brach, Tonino Guerra (screenwriters); Tomas Milian, Daniela Silverio, Christine Boisson (starring)

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Grunwald, Germany: Concorde Film, 1982. Collection of three vintage borderless reference photographs from the German release of the 1982 Italian film. With mimeo snipes on the verso. Antonioni's rarely discussed final feature, and one of his greatest achievements. A recently divorced director pursues a new relationship with a younger woman, who he imagines could play the leading role in his next film. She quickly vanishes and he embarks on a search to find her, sparking up a series of romances with other women. Winner of the 35th Anniversary Prize at the 1982 Cannes Film Festival. Shot on location in Venice and Rome. 9.5 x 7 inches. Near Fine. Criterion Collection 585.
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Identification Of A Woman [Identificazione Di Una Donna] (Original screenplay for the 1982 film)

Identification Of A Woman [Identificazione Di Una Donna] (Original screenplay for the 1982 film)

by Michelangelo Antonioni (director, screenwriter); Gerard Brach, Tonino Guerra (screenwriters); Tomas Milian, Daniela Silverio, Christine Boisson, Lara Wendel, Veronica Lazar (starring)

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Rome: Iterfilm, 1982. Agency draft script in English for the 1982 Italian film. Antonioni's rarely discussed final feature, and one of his greatest achievements. Niccolo (Tomas Milian), a recently divorced movie director pursues a new relationship with a younger woman, Mavi (Daniela Silverio), who he imagines could play the leading role in his next film. She quickly vanishes and he embarks on a search to find her, sparking up a series of romances with other women. Winner of the 35th Anniversary Prize at the 1982 Cannes Film Festival. Shot on location in Venice and Rome. Blue untitled agency wrappers. Title page present, with credits for director Michelangelo Antonioni. 91 leaves, with last page of text numbered 82. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound internally with three gold brads. Criterion Collection 585.
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In the Presence of a Clown (Three photographs from the set of the 1997 television movie)
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In the Presence of a Clown (Three photographs from the set of the 1997 television movie)

by Igmar Bergman (director, screenwriter); Boje Ahlstedt, Marie Richardson, Erland Josephon, Pernilla August (starring)

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Stockholm: Sveriges Television [SVT], 1997. Three vintage color still photographs showing Ingmar Bergman on the set of his 1997 Swedish television movie, which also screened at the 1998 Cannes Film Festival as part of the Un Certain Regard section. Two patients at a mental hospital attempt to make and market a film. 8.75 x 5.75 inches. Fine.
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Lancelot of the Lake [Lancelot du lac] (Original oversize photograph from the set of the 1974 film)
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Lancelot of the Lake [Lancelot du lac] (Original oversize photograph from the set of the 1974 film)

by Robert Bresson (director, screenwriter); Jacques Henri Lartigue (photographer); Luc Simon, Laura Duke Condominas, Humbert Balsan (starring)

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N.p.: N.p., 1974. Vintage oversize borderless reference photograph of Robert Bresson on the set of the 1974 film, one of the film's jousting sequences. Jacques Henri Lartigue credit printed on verso. Bresson's bloody take on the King Arthur legend was an expansion of the aesthetic he had already developed, where the violence that was once implied became a reality-though certainly still quite surreal. Shot on location in Noirmoutier-en-L'Ile, France. 11.75 x 8 inches. Very Good plus, with some creasing and wear to extremities. Rosenbaum 1000.
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Les amants de Teruel (Collection of 16 original still photographs for the 1962 film)
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Les amants de Teruel (Collection of 16 original still photographs for the 1962 film)

by Raymond Rouleau (director, screenwriter); Rene-Louis Lafforgue (screenwriter, starring); Ludmilla Tcherina, Milko Sparemblek, Milenko Banovitch (starring)

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Paris: Cinedis, 1962. Collection of 16 vintage borderless single weight film stills for the 1962 French musical film. Featured are several stunning images of actress Tcherina as Isa, Duchess of Teruel. Brief numerical annotations on the versos in manuscript pencil. Belgian actor-director Rouleau's rarely seen drama was the opening film at the 15th annual Cannes Film Festival, winner of the festival's Technical Grand Prize, and nominated for a Palme d'Or. Of note is the film's cinematographer Claude Renoir, whose other credits include "Serenade" (1940), "Madame Butterfly" (1954), "Barbarella" (1968), and "The Spy Who Loved Me" (1977). Isa is a dancer in a troupe of poor traveling comedians who perform in public; she stars as the Duchess of Teruel, unhappily married and in love with a poor man who inevitably commits suicide, resulting in Isa's nervous breakdown. 7 x 9.25 inches. Very Good plus overall, with moderate curling, light edgewear, a handful with slight discoloration.
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