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The 10th Victim [La Decima Victima] (Four original photographs featuring Ursula Andress from the...
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The 10th Victim [La Decima Victima] (Four original photographs featuring Ursula Andress from the 1965 film)

by Elio Petri (director, screenwriter); Robert Sheckley (short story); Tonino Guerra, Giorgio Salvioni, Ennio Flaiano (screenwriters); Marcello Mastroianni, Ursula Andress, Elsa Martinelli (starring)

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N.p.: N.p., 1965. Four vintage borderless photographs from the 1965 film. Two studio still photographs of Ursula Andress on (production designer) Piero Poletto's striking minimalist set, and two compilation fashion photographs of Andress in costume, bookending (Costume Designer) Giulio Coltellacci's concept drawings. Two photographs with "La Decima Victima" stamp on verso. An international cult classic based on the 1953 short story "Seventh Victim" by Robert Sheckley. Sheckley wrote the novelization of the film in 1956, and two sequels "Victim Prime" and "Victim" in 1987 and 1988, respectively. The worldwide, officially sanctioned "Big Hunt" is the world's most popular television show, giving those inclined to violence, and those in search of celebrity, a chance to act as "hunter" and "victim." The games top two assassins, Caroline Meredith (Andress) and Macello Poletti (Marcello Mastrianni), who may be in love, are pitted against each another. A descendant of Richard Connell's "The Most Dangerous… Read More
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11 Harrowhouse (Original screenplay for the 1974 film)
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11 Harrowhouse (Original screenplay for the 1974 film)

by Aram Avakian (director); Jeffrey Bloom (screenwriter); Charles Grodin, Candice Bergen, James Mason, Trevor Howard (starring)

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Beverly Hills, CA: EK / United Artists, 1974. Early Draft British script for the 1974 British heist film. Based on Gerald Browne's 1972 novel, adapted by Charles Grodin. Howard Chesser (Grodin) is a diamond merchant supervising the cutting of a large and rare diamond. When the diamond is stolen, he is blackmailed and pulled into a jewel heist at 11 Harrowhouse. Set in London, shot there on location and in Warwickshire, England. Burnt orange titled wrappers. Title page present, noted as Revised Screenplay, with credits for screenwriter Bloom. 130 leaves, with last page of text numbered 129. Mechanical duplication. Pages and wrapper Near Fine, bound with two gold brads. Lee, The Heist Film.
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12 [Twelve] to the Moon (Original screenplay for the 1960 film)

12 [Twelve] to the Moon (Original screenplay for the 1960 film)

by David Bradley (director); DeWitt Bodeen (screenwriter); Tom Conway, Ken Clark (starring)

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Los Angeles: Luna Productions, 1959. Shooting Final script for the 1960 film. A low-budget space exploration film, about a spaceship carrying a multinational group of scientists, engineers, and researchers to the moon, where they discover an entire civilization of peace-loving extraterrestrials. Though working with a pitiable budget, the producers at Luna Productions managed to hire noted cameraman John Alton, then nearing the end of his career. Alton worked on every manner of film, but is best remembered for his work in film noir, salient examples being "Hollow Triumph" (1948), "The Amazing Mr. X" (1948), "The Big Combo" (1955), and a number of important noir entries by director Anthony Mann. Red titled wrappers, noted as SHOOTING FINAL on the front wrapper, dated March 31, 1959. Title page present, dated March 31, 1959, with credits for screenwriter Bodeen, story writer/producer F. O. Gebhardt, director Bradley, and associate producer Fox. 104 leaves, mimeograph duplication. Pages about Fine,… Read More
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13 Hours by Air (Original photograph of Mitchell Leisen, Myrna Loy and John Howard from the...

13 Hours by Air (Original photograph of Mitchell Leisen, Myrna Loy and John Howard from the preview party of the 1936 film)

by Mitchell Leisen (director); Frank Mitchell Daze (short story); Bogart Rogers (short story, screenwriter); Fred MacMurray, Joan Bennett, Zasu Pitts (starring)

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Los Angeles: Paramount Pictures, 1936. Vintage press photograph of Mitchell Leisen, Myrna Loy, and John Howard from the preview party at Leisen's house for the 1936 film. Mimeo snipe on verso. What should be a routine transcontinental flight from New York to San Francisco is complicated by its shady passengers, which include three jewel thieves, a strange nobleman, and a beautiful socialite. Shot on location in Alhambra, California and Beaver Dam, Wisconsin. 10 x 8 inches. Near Fine.
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3 Women (Three original photographs of actress Janice Rule from the 1977 film)
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3 Women (Three original photographs of actress Janice Rule from the 1977 film)

by Robert Altman (director, screenwriter); Shelley Duvall, Sissy Spacek, Janet Rule, Robert Fortier (starring)

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N.p.: Lions Gate Films, 1977. Three vintage studio still photographs of actress Janice Rule from the 1977 film. Director Robert Altman's experimental, dreamlike masterwork about three ethereal, fractured women, originally overlooked but later celebrated. Featuring brilliant performances from Shelley Duvall as the self-deluded, socially maladroit Millie, Rule as the mysterious pregnant painter Willie, and Sissy Spacek as the young, timid, and fawning Pinky. Nominated for the Palme d'Or. Set in a small California desert town, and shot on location in Palm Springs, Thousand Palms, and Desert Hot Springs, California. 8 x 10 inches. Near Fine.
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3 Women [Three Women] (Two original photographs of Shelley Duvall and Janet Rule from the 1977 film)
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3 Women [Three Women] (Two original photographs of Shelley Duvall and Janet Rule from the 1977 film)

by Robert Altman (director, screenwriter); Shelley Duvall, Sissy Spacek, Janet Rule, Robert Fortier (starring)

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N.p.: N.p., 1977. Two vintage borderless reference photographs of Janet Rule and Shelley Duvall from the 1977 film. One photograph with a British stamp on the verso, and both photographs with manuscript annotations in pencil and ink on the versos. From the archive of film historian and author Joel Finler. Director Robert Altman's experimental, dreamlike masterwork about three ethereal, fractured women, originally overlooked but later celebrated. Featuring brilliant performances from Duvall as the self-deluded, socially maladroit Millie, Rule as the mysterious pregnant painter Willie, and Sissy Spacek as the young, timid, and fawning Pinky. Nominated for the Palme d'Or. Set in a small California desert town, and shot on location in Palm Springs, Thousand Palms, and Desert Hot Springs, California. 10 x 8 inches. Near Fine. Criterion Collection 230. Ebert III.
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30 (Original screenplay for the 2000 television movie, signed by cast and crew)

30 (Original screenplay for the 2000 television movie, signed by cast and crew)

by Noah Baumbach (screenwriter); Thomas Schlamm (director); Joanna Going, Sabrina Grdevich, Carlos Jacott, Heidi Schanz, Eric Stoltz (starring)

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Beverly Hills, CA: Imagine Entertainment, 1999. Final Draft script for the 2000 television pilot, which originally aired on NBC on February 14. Copy belonging to costume designer Molly Maginnis, warmly INSCRIBED on the title page by members of the cast and crew, including screenwriter Noah Baumbach and actors Joanna Going, Sabrina Grdevich, Carlos Jacott, Heidi Schanz, and Eric Stoltz. From the collection of costume designer Molly Maginnis. An early, darkly comic screenwriting effort from Academy Award-nominated filmmaker Noah Baumbach, best known for "Kicking and Screaming" (1995), "The Squid and the Whale" (2005), and "Marriage Story" (2019), following a group of friends struggling to adapt to life as adults. Set and shot on location in Los Angeles. Title page integral with front wrapper, noted as FINAL DRAFT, dated 4/29/99, with credits for screenwriter Noah Baumbach and director Thomas Schlamme. 61 leaves, with last page of text numbered 55. Xerographic duplication on yellow stock, rectos… Read More
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The 30-Foot Bride of Candy Rock [The Thirty-Foot Bride of Candy Rock] (Original photograph from...

The 30-Foot Bride of Candy Rock [The Thirty-Foot Bride of Candy Rock] (Original photograph from the 1959 film)

by Sidney Miller (director); Rowland Barber, Arthur A. Ross (screenwriters); Lou Costello, Dorothy Provine, Gale Gordon, Jimmy Conlin (starring)

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Culver City, CA: Columbia Pictures, 1959. Vintage reference photograph from the 1959 film, showing actor Lou Costello giving a more than suggestive shower to Dorothy Provine, his new gargantuan girlfriend. A rare appearance of Lou Costello without Bud Abbott, wherein a junk collector and inventor accidentally turns his girlfriend into a giantess. Shot on location at Iverson Ranch in Los Angeles. 10 x 8 inches. Near Fine.
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4 [Four] for Texas (Original contact sheet from the 1963 film)

4 [Four] for Texas (Original contact sheet from the 1963 film)

by Robert Aldrich (director, screenwriter); Teddi Sherman (screenwriter); Frank Sinatra, Dean Martin, Anita Ekberg, Ursula Andress, Charles Bronson, Victor Buono (starring)

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Burbank, CA: Warner Brothers, 1963. Vintage contact sheet from the 1963 film, showing six images of actors Frank Sinatra and Anita Ekberg during filming. Two sharpshooters duel over a large amount of cash carried by a railway official, and eventually settle their differences by opening a casino. Shot on location in Mojave and Cantil, California. 11 x 6.75 inches. Near Fine. Pitts 1422.
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4 [Four] for Texas [Two for Texas] (Original photograph of Dean Martin and Ursula Andress from the 1963 film)

by Robert Aldrich (director, screenwriter); Teddi Sherman (screenwriter); Frank Sinatra, Dean Martin, Anita Ekberg, Ursula Andress, Charles Bronson (starring)

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Burbank, CA: Warner Brothers, 1963. Vintage studio still photograph of Dean Martin and Ursula Andress from the 1963 film. Gambling, wenching, and struggles for control define this iconic Rat Pack film, with a stellar supporting cast including Victor Buono, Charles Bronson, Anita Ekberg, and Ursula Andress. Set in Galveston, Texas, shot on location in Red Rock Canyon and Mojave, California. 8 x 10 inches. Light edgewear and a small bruise in bottom right margin, else Near Fine.
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4 [Four] for Texas (Two original photographs from the 1963 film)
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4 [Four] for Texas (Two original photographs from the 1963 film)

by Robert Aldrich (director, screenwriter); Teddi Sherman (screenwriter); Frank Sinatra, Dean Martin, Anita Ekberg, Ursula Andress, Charles Bronson, Victor Buono (starring)

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Burbank, CA: Warner Brothers, 1963. Two vintage studio still photographs from the 1963 film, showing actors Frank Sinatra, Dean Martin, Anita Ekberg, and Ursula Andress. With cropping annotations in manuscript pencil on the verso, along with a provenance stamp. Two sharpshooters duel over a large amount of cash carried by a railway official, and eventually settle their differences by opening a casino. Shot on location in Mojave and Cantil, California. 10 x 8 inches. Near Fine. Pitts 1422.
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4 for Texas [Two for Texas] (Original screenplay for the 1963 film)
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4 for Texas [Two for Texas] (Original screenplay for the 1963 film)

by Robert Aldrich (director, screenwriter); Teddi Sherman (screenwriter); Frank Sinatra, Dean Martin, Anita Ekberg, Ursula Andress, Charles Bronson, Victor Buono (starring)

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Burbank, CA: Warner Brothers, 1963. Estimating Script for the 1963 film. Two sharpshooters duel over a large amount of cash carried by a railway official, and eventually settle their differences by opening a casino. An iconic Rat Pack film. Shot on location in Mojave and Cantil, California. Tan studio wrappers, noted as Estimating Script on the front wrapper, dated March 18, 1963. Distribution page present, with receipt intact. Title page present, dated 3-18-63, with credits for screenwriters Teddi Sherman and Robert Aldrich. 121 leaves, with last page of text numbered 119. Mimeograph duplication on yellow stock, rectos only. Pages Near Fine, wrapper Very Good plus, bound internally with two gold brads. Pitts 1422.
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40 karatow [40 Carats] (Original Polish poster for the 1973 film)

40 karatow [40 Carats] (Original Polish poster for the 1973 film)

by Milton Katselas (director); Leonard Gershe (screenwriter); Liv Ullmann, Edward Albert, Gene Kelly (starring)

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Poland: ZRF, 1974. Original Polish A2 poster, circa 1974, for the 1973 US film. Artwork by Jerzy Flisak. 15.75 x 23.25 inches. Near Fine.
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8 1/2 [Otto e mezzo] (Original photograph of Claudia Cardinale from the 1963 film)
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8 1/2 [Otto e mezzo] (Original photograph of Claudia Cardinale from the 1963 film)

by Federico Fellini (director); Claudia Cardinale, Marcello Mastroianni, Anouk Aimée (starring); Paul Ronald (photographer); Tullio Pinelli, Ennio Flaiano, Brunello Rondi (screenwriters)

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N.p.: N.p., 1963. Vintage borderless reference photograph from the 1963 Italian film, showing actress Claudia Cardinale. Director Federico Fellini's avant-garde, autobiographical masterpiece, about an aging Italian director who begins to retreat into his memories and fantasies while attempting to make his latest film. Winner of the Academy Award for Best Foreign Language Film, and nominated for three other awards, including Best Original Screenplay and Best Director. Set and shot on location in Rome. 9.5 x 7 inches. Near Fine. Criterion Collection 140. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000. Schrader 15. Scorsese, My Voyage to Italy.
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8 1/2 [Otto e mezzo] (Original photograph of Marcello Mastroianni on the set of the 1963 film)

8 1/2 [Otto e mezzo] (Original photograph of Marcello Mastroianni on the set of the 1963 film)

by Federico Fellini (director); Tullio Pinelli, Ennio Flaiano, Brunello Rondi (screenwriters); Claudia Cardinale, Marcello Mastroianni, Anouk Aimee (starring)

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N.p.: N.p., 1963. Vintage borderless reference photograph from the set of the 1963 film, showing actor Marcello Mastroianni between takes, with a camera crew and scaffolding in the background. Federico Fellini's avant-garde, autobiographical masterpiece, about an aging Italian director who begins to retreat into his memories and fantasies while attempting to make his latest film. Winner of the Academy Award for Best Foreign Language Film, and nominated for three other awards, including Best Original Screenplay and Best Director. Set and shot on location in Rome. 7.25 x 9.5 inches. About Fine. Criterion Collection 140. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000. Schrader 15. Scorsese, My Voyage to Italy.
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8 1/2 [Otto e mezzo] (Original photograph from the set of the 1963 film)
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8 1/2 [Otto e mezzo] (Original photograph from the set of the 1963 film)

by Federico Fellini (director); Claudia Cardinale, Marcello Mastroianni, Anouk Aimée (starring); Tullio Pinelli, Ennio Flaiano, Brunello Rondi (screenwriters)

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N.p.: N.p., 1963. Vintage oversize borderless reference photograph from the 1963 Italian film, showing director Federico Fellini capturing a scene with Marcello Mastroianni. Mimeo snipe on the verso, along with the copyright stamps of Lynx, NPS, and Roma Press Photo services, and a credit for photographer Velio Cioni. Fellini's avant-garde, autobiographical masterpiece, about an aging Italian director who begins to retreat into his memories and fantasies while attempting to make his latest film. Winner of the Academy Award for Best Foreign Language Film, and nominated for three other awards, including Best Original Screenplay and Best Director. Set and shot on location in Rome. 8.25 x 10.75 inches. Very Good plus, with moderate wear at the bottom right corner. Criterion Collection 140. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000. Schrader 15. Scorsese, My Voyage to Italy.
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8 1/2 [Otto e mezzo] (Original photograph of Federico Fellini on the set of the 1963 film)

8 1/2 [Otto e mezzo] (Original photograph of Federico Fellini on the set of the 1963 film)

by Federico Fellini (director); Claudia Cardinale, Marcello Mastroianni, Anouk Aimée (starring); Tullio Pinelli, Ennio Flaiano, Brunello Rondi (screenwriters)

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N.p.: N.p., 1963. Vintage oversize borderless reference photograph from the 1963 Italian film, showing director Federico Fellini looking into a mirrored tabletop, while a crew member makes adjustments to a camera. Mimeo snipe on the verso, along with the copyright stamps of Lynx and Roma Press Photo services, and a credit for photographer Velio Cioni. Fellini's avant-garde, autobiographical masterpiece, about an aging Italian director who begins to retreat into his memories and fantasies while attempting to make his latest film. Winner of the Academy Award for Best Foreign Language Film, and nominated for three other awards, including Best Original Screenplay and Best Director. Set and shot on location in Rome. 11 x 8.25 inches. Near Fine. Criterion Collection 140. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000. Schrader 15. Scorsese, My Voyage to Italy.
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99 and 44/100% Dead (Original screenplay for the 1974 film)
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99 and 44/100% Dead (Original screenplay for the 1974 film)

by John Frankenheimer (director); Robert Dillon (screenwriter); Richard Harris, Edmond O'Brien, Bradford Dillman (starring)

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Los Angeles: Twentieth Century-Fox, 1973. Final Draft script for the 1974 neo-noir film. A satirical neo-noir following a professional hit man who is contracted by a local mob boss to take out the competition, but soon finds himself the target of several personal attacks in retaliation. Shot on location in Seattle, Washington and Silver Springs, Florida. Blue titled wrappers, noted as FINAL and copy No. 332 on the front wrapper, dated JUNE 8, 1973. Title page present, dated June 8, 1973, noted as FINAL, with credits for screenwriter Robert Dillon. 135 leaves, with last page of text numbered 129. Mimeograph duplication on eye-rest green stock, rectos only, with rainbow revision pages throughout, dated variously between 8/1/73 and 9/10/73. Pages Near Fine, wrapper Near Fine, bound with two gold brads. Spicer US Neo-Noir.
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Abbott and Costello Meet Captain Kidd (Original photograph of Bill Shirley and Fran Warren from...

Abbott and Costello Meet Captain Kidd (Original photograph of Bill Shirley and Fran Warren from the 1952 film)

by Charles Lamont (director); Howard Dimsdale, John Grant (screenwriters); Bud Abbott, Lou Costello, Charles Laughton, Hillary Brooke, Bill Shirley (starring)

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Burbank, CA: Warner Brothers, 1952. Vintage reference photograph of actors Bill Shirley and Fran Warren from the 1952 film. Two workers at an inn are accidentally handed a map to Captain Kidd's treasure on Skull Island. They are able to use this as leverage to get onto the captain's ship, where they undergo a variety of humorous adventures. Set in Tortuga, Haiti. 8 x 10 inches. Very Good plus.
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Abbott and Costello Meet Captain Kidd (Original photograph from the 1952 film)

Abbott and Costello Meet Captain Kidd (Original photograph from the 1952 film)

by Charles Lamont (director); Howard Dimsdale, John Grant (screenwriter); Bud Abbott, Lou Costello, Charles Laughton, Hillary Brooke, Bill Shirley (starring)

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Burbank, CA: Warner Brothers, 1952. Vintage reference photograph from the 1952 film. Two workers at an inn are accidentally handed a map to Captain Kidd's treasure on Skull Island. They are able to use this as leverage to get onto the captain's ship, where they undergo a variety of humorous adventures. Set in Tortuga, Haiti. 8 x 10 inches. Near Fine.
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