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The 400 Blows (Original French poster for the 1959 film)

The 400 Blows (Original French poster for the 1959 film)

by François Truffaut (director, screenwriter); Marcel Moussy (screenwriter); Jean-Pierre Léaud (starring)

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Paris: Les Films du Carrosse, 1959. Original French Grande poster for the 1959 film. Poster design by Boris Grinsson. Truffaut's auspicious debut, winner of Best Director at Cannes, nominated for the Palme d'Or, and also nominated for a Best Original Screenplay Oscar the following year. 47 x 62 inches. Linen backed and rolled. Bright and Fine. Capitaine 207. Warren, Vol. 1, p. 159.
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The 400 Blows [Les 400 Coups] (Two original photographs from the set of the 1959 French film)
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The 400 Blows [Les 400 Coups] (Two original photographs from the set of the 1959 French film)

by François Truffaut (director, screenwriter); Jean-Pierre Léaud, Albert Remy, Claire Maurier (starring)

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N.p.: N.p., 1959. Two vintage reference photographs from the set of the 1959 French film, both showing director François Truffaut on the set. Annotations in manuscript pencil relating to cropping on the versos, and one with a provenance stamp. Truffaut's auspicious debut, a semi-autobiographical tale of a young boy's estrangement from his family and school, leading him into a life of petty crime and culminating in trouble with the law. Winner of Best Director at Cannes and nominated for the Palme d'Or. Set and shot on location in Paris, France. 7 x 5 inches. Near Fine. Criterion Collection 5. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000.
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The 400 Blows [Les Quatre Cents Coups] (Original photograph of François Truffaut and Guy...
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The 400 Blows [Les Quatre Cents Coups] (Original photograph of François Truffaut and Guy Decomble from the set of the 1959 film)

by François Truffaut (director, screenwriter); Andre Dino (photographer); Marcel Moussy (screenwriter); Jean-Pierre Léaud, Albert Remy, Claire Maurier (starring)

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Paris: les Films du Carrosse, 1959. Vintage borderless reference photograph, with bottom margin, of François Truffaut and Guy Decomble on the set of the 1959 film. "Les Quatre Cents Coups" and "Telerama" stamps on verso. Truffaut's auspicious debut, winner of Best Director at Cannes, nominated for the Palme d'Or, and also nominated for a Best Original Screenplay Oscar the following year. Set in and shot on location in Paris, France. 6.75 x 5 inches. Near Fine. Criterion Collection 5. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000.
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Alphaville (Original French poster for the 1965 film)

Alphaville (Original French poster for the 1965 film)

by Jean-Luc Godard (director, screenwriter); Eddie Constantine, Anna Karina, Akim Tamiroff (starring)

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Paris: Athos Films, 1965. Vintage French moyenne poster for the 1965 film. The influence of "Alphaville" as the first crime film to be set in a sci-fi context cannot be underestimated, and even the film's legitimate proteges, such as "Blade Runner," don't quite capture its strange sexuality. Shot on location in Paris. 23 x 30 inches, folded. Light manuscript pencil notation to the verso, else Near Fine. Criterion Collection 25. Godard, Histoire(s) du cinema. Grant US. Rosenbaum 1000.
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Alphaville (Original photograph from the 1965 film)

Alphaville (Original photograph from the 1965 film)

by Jean-Luc Godard (director, screenwriter); Eddie Constantine, Anna Karina, Akim Tamiroff (starring)

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N.p.: N.p., 1965. Vintage borderless reference photograph from the 1965 film, showing actor Eddie Constantine. Jean-Luc Godard's neo-noir foray into science fiction, following a secret agent in a dystopian future who is assigned to kill the machine intelligence that rules over a fascist state. Shot on location in Paris. 5 x 7.25 inches. Near Fine. Criterion Collection 25. Rosenbaum 1000. Grant US. Godard, Histoire(s) du cinema.
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Alphaville (Original photograph from the 1965 French film)

Alphaville (Original photograph from the 1965 French film)

by Jean-Luc Godard (director, screenwriter); Georges Pierre (photographer); Eddie Constantine, Anna Karina, Akim Tamiroff (starring)

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France: Athos Films / Chaumiane / Filmstudio, 1965. Vintage borderless reference photograph from the 1965 French film. With the stamp of still photographer Georges Pierre on the verso. Jean-Luc Godard's neo-noir foray into science fiction, following a secret agent in a dystopian future who is assigned to kill the machine intelligence that rules over a fascist state. Shot on location in Paris. 10 x 8 inches. Near Fine. Criterion Collection 25. Rosenbaum 1000. Grant US. Godard, Histoire(s) du cinema.
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The American Cinema (Signed First Edition)
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The American Cinema (Signed First Edition)

by Andrew Sarris

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New York: E.P. Dutton, 1968. First Edition. First Edition. One of 1500 copies printed. INSCRIBED by Andrew Sarris on the front endpaper. Very uncommon to find signed. The book that introduced the key French New Wave concept of auteur theory to America-a line of thinking that places a film director (rather than the producer, studio, screenwriters, or actors) as the author of a film. The publication sparked an immediate and long-lasting debate between Sarris and film critic Pauline Kael, a topic which continues to engender debate to this day. Fine in a Near Fine, lightly rubbed dust jacket.
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Antoine and Colette, from the anthology film Love at Twenty (Four original photographs from the...
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Antoine and Colette, from the anthology film Love at Twenty (Four original photographs from the 1962 film)

by François Truffaut (director, screenwriter); Jean-Pierre Léaud, Marie-France Pisier, Patrick Auffay (starring)

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N.p.: N.p., 1962. Four vintage borderless studio still photographs from the 1962 film. Rare. "Love at Twenty" is anthology film on the titular theme by five filmmakers, Shintaro Ishihara, Marcel Ophuls, Renzo Rossellini, François Truffault, and Andrzej Wajda, united with a score by Georges Delerue and photographs of Henri Cartier-Bresson. Truffaut's short is the second of five films which follow his alter-ego, Antoine Doinel (Jean-Pierre Léaud). The films in the Antoine Doinel series are "The 400 Blows" (1959), "Antoine and Colette" (1962), "Stolen Kisses" (1968), "Bed and Board" (1970), and "Love on the Run" (1979). Antoine, now aged 17, falls in love for the first time to the lovely Colette (Marie-France Pisier), whose feelings, though tender, are not reciprocated. Set in and shot on location in Paris. 8 x 10 inches. Near Fine. Criterion Collection 185.
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Band of Outsiders [Bande à Part] (Two original photographs of Jean-Luc Godard on the set of the...
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Band of Outsiders [Bande à Part] (Two original photographs of Jean-Luc Godard on the set of the 1964 film)

by Jean-Luc Godard (director); Dolores Hitchens (novel, screenwriter); Anna Karina, Daniele Girard, Louisa Colpeyn (starring)

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N.p.: N.p., 1964. Two vintage borderless reference photographs from the 1964 French film, both showing director Jean-Luc Godard sitting with a camera in the open trunk of a convertible. Based on Dolores Hitchens' 1958 novel "Fools' Gold." A young woman convinces two men to help her steal a large stash of money from her aunt. An outrageous and comical crime film and a classic of French New Wave cinema, later described by director Jean-Luc Godard as "'Alice in Wonderland' meets Franz Kafka." Shot on location in Paris. 9.5 x 7.25 inches, with wide bottom margins. Near Fine. BFI 549. Criterion Collection 174. Godard, Histoire(s) du cinema. Grant France. Rosenbaum 1000. Spicer France.
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Band of Outsiders [Bande a Part] (Original photograph from the 1964 film)

Band of Outsiders [Bande a Part] (Original photograph from the 1964 film)

by Jean-Luc Godard (director); Dolores Hitchens (novel, screenwriter); Anna Karina, Daniele Girard, Louisa Colpeyn (starring)

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N.p.: N.p., 1964. Vintage borderless reference photograph from the 1964 film. Based on Dolores Hitchens' 1958 novel "Fools' Gold." A young woman convinces two men to help her steal a large stash of money from her aunt. An outrageous and comical crime film and a classic of French New Wave cinema, later described by director Jean-Luc Godard as "'Alice in Wonderland' meets Franz Kafka." Shot on location in Paris. 9.5 x 7.25 inches. Near Fine. BFI 549. Criterion Collection 174. Godard, Histoire(s) du cinema. Grant France. Rosenbaum 1000. Spicer France.
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Band of Outsiders [Bande à Part] (Original photograph from the 1964 film)
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Band of Outsiders [Bande à Part] (Original photograph from the 1964 film)

by Jean-Luc Godard (director); Anna Karina, Daniele Girard, Louisa Colpeyn (starring); Dolores Hitchens (novel, screenwriter)

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N.p.: N.p., 1964. Vintage borderless reference photograph from the 1964 French film, showing Pierre Brasseur and Anna Karina reading a newspaper together. Stamp specific to the French release of the film on the verso. Based on Dolores Hitchens' 1958 novel "Fools' Gold." A young woman convinces two men to help her steal a large stash of money from her aunt. An outrageous and comical crime film and a classic of French New Wave cinema, later described by Godard as "'Alice in Wonderland' meets Franz Kafka." Shot on location in Paris. 9.5 x 7.25 inches, with wide bottom margin. Near Fine. BFI 549. Criterion Collection 174. Godard, Histoire(s) du cinema. Grant France. Rosenbaum 1000. Spicer France.
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Bay of Angels [La Baie des Anges] (Three original photographs from the 1963 film)
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Bay of Angels [La Baie des Anges] (Three original photographs from the 1963 film)

by Jacques Demy (director, screenwriter); Raymond Cauchetier (photographer); Jeanne Moreau, Claude Mann, Paul Guers (starring)

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N.p.: N.p., 1963. Three vintage reference photographs from the 1963 film, two borderless photographs of Jeanne Moreau and Claude Mann, and one photograph of Jacques Demy and Moreau on the set of the film. One with provenance stamp of film scholar and author "Jean-Pierre Berthome" on verso. A young bank employee, Jean, encouraged by his friend to try gambling, decides to vacation in Nice, where he meets and begins an affair with the beautiful Jackie, a gambling addict whose addiction masks an emptiness and despair. Set in and shot on location in Alpes-Maritimes, Val-d'Oise, and Paris, France and Monte Carlo, Monaco. 2) 8.75 x 7 inches, 1) 8 x 10 inches. One with faint creasing, else Near Fine. Criterion Collection 715.
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Bed and Board [Domicile Conjugal] (Original photograph from the 1970 film)

Bed and Board [Domicile Conjugal] (Original photograph from the 1970 film)

by François Truffaut (director, screenwriter); Claude de Givray, Bernard Revon (screenwriters); Jean-Pierre Léaud, Claud Jade, Hiroko Berghauer, Barbara Laage (starring)

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Paris: Les Films du Carrosse, 1970. Vintage borderless photograph from the set of the 1970 film. With credits and Cinestar agency stamps, and "Cinestar" in manuscript ink on the verso. The fourth in Truffaut's five film series about the character Antoine Doinel. Christine (Clause Jade) and Antoine Doinel (Jean-Pierre Léaud) are expecting their first child when Antoine has an affair with a woman he meets in a business meeting at his new job after a period of unemployment. Shot on location in Paris France. 7.25 x 5.25 inches. Near Fine. Criterion Collection 187.
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Birds in Peru [Les oiseaux vont mourir au Perou] (Original photograph from the 1968 French film)
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Birds in Peru [Les oiseaux vont mourir au Perou] (Original photograph from the 1968 French film)

by Romain Gary (director, screenwriter); Jean Seberg, Maurice Ronet, Pierre Brasseur, Danielle Darrieux (starring)

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N.p.: N.p., 1968. Vintage borderless reference photograph from the 1968 French film. With manuscript ink annotations and stamp of photographer Gerard Cossevin on the verso. While hiding out on a Peruvian island, an emotionally numb young woman has sex with a group of sailors on a beach. Meanwhile, her wealthy husband and his strange chauffeur search for her, to no avail. One of the first films to receive an X rating from the MPAA, purportedly written by director Romain Gary about his marriage to actress Jean Seberg. Shot on location in Mauritania. 9.5 x 7 inches. Near Fine. Bier, p. 723.
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Breathless [À bout de souffle] (Two original photographs of Jean Seberg from the 1960 film)
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Breathless [À bout de souffle] (Two original photographs of Jean Seberg from the 1960 film)

by Jean-Luc Godard (director, screenwriter); Jean Seberg, Jean-Paul Belmondo (starring)

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Paris: N.p., 1960. Two vintage borderless photographs from the 1960 film, both showing actress Jean Seberg. One with a mimeo snipe on the verso. Jean-Luc Godard's first feature film, with a treatment by François Truffaut, arguably the most important film of the French New Wave. Original French photographs from the film are scarce. One photograph 9.25 x 7.25 inches, one photograph 7.25 x 9.5 inches. Very Good plus, with light wear on the bottom right corner.
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Breathless (Two original photographs of Jean-Luc Godard at work on the 1960 film)
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Breathless (Two original photographs of Jean-Luc Godard at work on the 1960 film)

by Jean-Luc Godard (director); Jean Seberg, Jean-Paul Belmondo (starring); Philippe R. Doumic (photographer)

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Paris: N.p., 1960. Two vintage photographs of director Jean-Luc Godard, dark sunglasses and cigarette accounted for, reviewing still photographs for his 1960 film, "A bout de souffle." Shot by Philippe R. Doumic. Both photographs with Godard's name stamped in blue on the verso. Both photos 5 x 7 inches. Fine.
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Bulletin Edition Speciale (Archive of press material and film reviews for Cinedis)
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Bulletin Edition Speciale (Archive of press material and film reviews for Cinedis)

by [Cinedis]

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Paris: Cinedis, 1962. Archive of press material and film reviews for the Parisian distributor and press and film agency, Cinedis, representing a four-year span from the company notable for its associations with French New Wave filmmaking. Text in French. Included in the archive are two 2-ring binders, noted on the spine of one as "Bulletin Informations Cinedis," and one with paper label affixed to the spine, "Cinedis Informations Service de Presse." The binders are full of press bulletins detailing film credits and synopses, reviews, and star biographies. Several loose leaves have annotations in manuscript ink, most again detailing the respective film's credits and synopses, and carbon typescripts with corrective annotations, mimeograph synopses on Cinedis parchment, and several examples of film review sections of French newspapers from 1962. Several films are represented, highlights include "Calypso" (1958), "Adorable Sinner" (1959), "European Nights" (1959), "Fate of a man" (1959), "Rue de Paris"… Read More
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Claire's Knee [Le Genou de Claire] (Original pressbook for the 1970 film)

Claire's Knee [Le Genou de Claire] (Original pressbook for the 1970 film)

by Eric Rohmer (director, screenwriter); Jean-Claude Brialy, Aurora Cornu, Beatrice Romand (starring)

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Paris: Les Films du Losange, 1970. Vintage pressbook for the 1970 film. Director Eric Rohmer's first color film, in which mountainous backdrops and varying tones play a significant visual role. In a notedly minimal narrative, a newly married diplomat becomes infatuated with a lovely young acquaintance, specifically, with the girl's knee. His desire to touch her knee becomes the driving force behind the film. Two pages, 9.5 x 12.5 inches. Near Fine with pin holes to the corners. Criterion Collection 347.
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Cleo from 5 to 7 (Four photographs from the 1962 film)
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Cleo from 5 to 7 (Four photographs from the 1962 film)

by Agnes Varda (director, screenwriter); Liliane de Kermadec (photographer); Corinne Marchand, Antoine Marchand (starring)

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Paris: Cine Tamaris / Rome Paris Films, 1962. Four vintage black-and-white still photographs from the 1962 French film. Agnes Varda is an important and influential French director, writer, and artist whose work uses both documentary style realism and experimental film techniques to explore issues of feminism and social justice. A colleague of Alain Resnais and other Rive Gauche filmmakers, her early work, including this film, prefigures stylistically the French New Wave, and is today considered very much a part of it. Varda was nominated for the Palme d'Or for "Cleo from 5 to 7," her second feature film, about a female pop singer whose spends two adventurous and winsome hours on her own and talking to friends while awaiting the results of a biopsy. Set and shot on location in Paris. 8 x 10 inches. Near Fine. Edges lightly toned.
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Cleo from 5 to 7 (Photograph featuring four images from the 1962 film)
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Cleo from 5 to 7 (Photograph featuring four images from the 1962 film)

by Agnes Varda (director, screenwriter); Corinne Marchand, Antoine Bourseiller, Dominique Davray (starring)

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Paris: Cine Tamaris, 1962. Vintage oversize double weight single photograph of four studio still images from the 1962 film. "CINE VOG FILMS S.A." and "CLEO DE 5 A 7" stamps on the verso. Told more or less in real time, the story of a pop singer trying to distract herself from worry while awaiting the results of a biopsy. Nominated for the Palme d'Or. Set and shot on location in Paris. 9.25 x 11.75 inches. Very Good plus, some creasing and curling, pinholes, primarily in corners repaired with paper tape on the verso. Rosenbaum 1000. Ebert IV. Criterion Collection 73.
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