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ABC's Wide World of Mystery: The Deadly Volley (Original screenplay for the 1975 television episode)

ABC's Wide World of Mystery: The Deadly Volley (Original screenplay for the 1975 television episode)

by Margaret Armen (screenwriter); Beverly Garland, Marian McCargo, William Beckley (starring)

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Los Angeles: American Broadcasting Company [ABC], 1974. First Draft script for the 1975 episode "The Deadly Volley" from the television series "The Wide World of Mystery," first aired on January 27, 1975. An unliked professional tennis team owner is nearly murdered and the team members are all suspects. Blue titled wrappers. Title page present, dated 10/10/74, noted as SECOND DRAFT, with credits for screenwriter Margaret Armen. 92 leaves, with last page of text numbered 88. Mimeograph duplication, with pink and blue revision pages throughout, dated 10/10/74 and 10/11/74. Pages Fine, wrapper Near Fine, bound with two gold brads.
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Abbott and Costello Meet Frankenstein (Original publicity photograph from the 1948 film)

Abbott and Costello Meet Frankenstein (Original publicity photograph from the 1948 film)

by Charles Barton (director); Robert Lees, Frederic I. Rinaldo, John Grant (screenwriters); Bud Abbott, Lou Costello, Lon Chaney Jr., Bela Lugosi (starring)

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Universal City: Universal Pictures, 1948. Vintage publicity photograph from the 1948 film, showing actors Bud Abbott and Lou Costello facing off against Lon Chaney Jr., Bela Lugosi, and Glenn Strange (as the Wolf Man, Dracula, and Frankenstein's monster, respectively). Freight handlers come across the remains of Frankenstein's monster, and soon find themselves caught in a battle between Dracula, who seeks to resurrect the monster, and the Wolf Man, who wishes to thwart Dracula. The first of several horror-comedy films facing off Abbott and Costello against Universal monsters, preceding "Abbott and Costello Meet the Invisible Man" (1951), "Abbott and Costello Meet Dr. Jekyll and Mr. Hyde" (1953), and "Abbott and Costello Meet the Mummy" (1955). 10 x 8 inches. Near Fine.
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Alien (Original photograph of Ridley Scott and Sigourney Weaver from the set of the 1979 film)

Alien (Original photograph of Ridley Scott and Sigourney Weaver from the set of the 1979 film)

by Ridley Scott (director); David Giler (producer); H.R. Giger (concepts); Tom Skerritt, Sigourney Weaver, Veronica Cartwright, Harry Dean Stanton (starring); Jerry Goldsmith (composer)

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Los Angeles: Twentieth Century-Fox, 1979. Vintage borderless photograph from the set of the 1979 film. Featuring director Ridley Scott and Sigourney Weaver looking over the script. One of the greatest science fiction/horror films ever made, based on an original story by screenwriter Dan O'Bannon and Ronald Shusett, and the auspicious debut of Ridley Scott. Ridley's franchise is so rich in themes and expandability that it has generated five sequels of comparable (or nearly comparable) artistic merit. The infamous "chest bursting" scene paved the way for future horror films to feature gore in more imaginative ways (but also caused viewers to vomit in theaters upon its initial release). 8 x 10 inches. Fine condition.
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Alien (Original photograph of Ridley Scott on the set of the 1979 film)

Alien (Original photograph of Ridley Scott on the set of the 1979 film)

by Ridley Scott (director); Dan O'Bannon, Walter Hill, David Giler (screenwriters); H.R. Giger (effects); Sigourney Weaver, Tom Skerritt, Veronica Cartwright, Harry Dean Stanton (starring)

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N.p.: N.p., 1979. Vintage borderless reference photograph of director Ridley Scott with a camera crew on the set of the 1979 film. One of the greatest science fiction/horror films ever made, a franchise so rich in themes and expandability that it has generated three sequels and two prequels of comparable (or nearly comparable) artistic merit. The infamous "chest bursting" scene paved the way for future horror films to feature gore in more imaginative ways (but also caused viewers to vomit in theaters upon its initial release). Returning home from a mission, the crew of the spacecraft Nostromo is awakened by the ship's computer to answer a distress signal from a nearby planet. The rescue team discovers a bizarre pod field with pods housing unseen terror. Winner of an Academy Award for Best Effects. 10 x 8 inches. About Fine. National Film Registry. Ebert II.
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Alien (Original photograph of Ridley Scott, Derek Vanlint, and H.R. Giger on the set of the 1979...

Alien (Original photograph of Ridley Scott, Derek Vanlint, and H.R. Giger on the set of the 1979 film)

by Ridley Scott (director); Dan O'Bannon, Walter Hill, David Giler (screenwriters); H.R. Giger (effects); Sigourney Weaver, Tom Skerritt, Veronica Cartwright, Harry Dean Stanton (starring)

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N.p.: N.p., 1979. Vintage borderless reference photograph of director Ridley Scott with cinematographer Derek Vanlint on the set of the 1979 film, with artist H.R. Giger looking on in the background. One of the greatest science fiction/horror films ever made, a franchise so rich in themes and expandability that it has generated several sequels and prequels. Returning home from a mission, the crew of the spacecraft Nostromo is awakened by the ship's computer to answer a distress signal from a nearby planet. The rescue team discovers a bizarre pod field with pods housing unseen terror. Winner of an Academy Award for Best Effects. 10 x 8 inches. About Fine. National Film Registry. Ebert II.
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Alligator II: The Mutation [The Return] (Original screenplay for the 1991 film)
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Alligator II: The Mutation [The Return] (Original screenplay for the 1991 film)

by Jon Hess (director); Curt Allen (screenwriter); Joseph Bologna, Dee Wallace, Richard Lynch, Woody Brown (starring)

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N.p.: Golden Hawk Entertainment, 1990. Revised Draft script for the 1991 film. Copy belonging to actor Joseph Bologna, with his manuscript pencil and ink annotations throughout, and various production materials, including cast and crew contact sheets, bound in before the script. A huge alligator begins to prey on the inhabitants of a small town with a vast, labyrinthine sewer and drainage system. Sequel to the 1980 film "Alligator," directed by Lewis Teague. Shot on location in Echo Park and Los Angeles. Green titled wrappers. Title page present, dated March 18, 1990, with credits for screenwriter Curt Allen and story credits to Brandon Chase. 123 leaves, with last page of text numbered 107. Xerographic duplication, rectos only, with rainbow revision pages throughout, dated variously between 3/18/90 and 4/23/90. Pages Near Fine, wrapper Near Fine, bound with two gold brads.
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Altered States (Collection of ten original photographs from the 1980 film)
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Altered States (Collection of ten original photographs from the 1980 film)

by Ken Russell (director); Paddy Chayefsky writing as Sidney Aaron (screenwriter, novel); William Hurt, Blair Brown, Bob Balaban, Charles Haid (starring)

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Burbank, CA: Warner Brothers, 1980. Collection of ten vintage black and white borderless studio still photographs from the 1980 film. Based on screenwriter Paddy Chayefsky's 1978 novel. Director Ken Russell's first American film, itself an "altered state" during production. Russell was constantly inebriated on the set, and had the actors mumble their lines in protest against Chayefsky's script. Chayefsky was subsequently banned from the set, and denounced the film even before production began. Edward Jessup (William Hurt, in his film debut) is a Harvard professor whose studies of the limits of human consciousness inevitably lead him down a strange and horrible path, from early experiments with a sensory deprivation tank to participation in Mexican Ayahuasca ceremonies. Set in Boston, shot on location in New York, California, Massachusetts, and Mexico. 9.5 x 7.5 inches. Near Fine.
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Altered States (Archive of film ephemera and materials relating to director Ken Russell circa...
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Altered States (Archive of film ephemera and materials relating to director Ken Russell circa 1980-1981)

by Ken Russell

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N.p.: N.p., 1981. Archive of materials relating to director Ken Russell. Most material undated, circa 1980-1981, with much relating to the release of Russell's 1980 film "Altered States." Collection includes one postcard and two letters on Russell Films letterhead, all written by Russell to a Richard Barfield. Also in the collection are a cassette tape in a case with an adhesive label reading "Altered States 135080 Indian Music," a small newspaper clipping from an unknown source regarding audience reception of the film, a program for the film's release, and the front and back wrappers of a March 1981 issue of "Starlog" magazine with a cover story about the anticipated release of the film. Also included are a gate pass and a visitor pass for The Burbank Studios, with the visitor pass filled out for Barfield. In the postcard, postmarked October 6, 1980, Russell expresses his gratitude that Barfield had written to him regarding the successful reception of early screenings for "Altered States" by… Read More
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...And Now the Screaming Starts (Collection of 8 photographs from the 1973 film)
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...And Now the Screaming Starts (Collection of 8 photographs from the 1973 film)

by Roy Ward Baker (director); David Case (novel); Roger Marshall (screenwriter); Peter Cushing, Herbert Lom, Ian Ogilvy, Stephanie Beacham (starring)

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London: Amicus Productions, 1973. Collection of 8 vintage black-and-white still photographs from the 1973 UK film, based on the novel "Fengriffen" by David Case. The ghost and severed hand of a 18th century servant terrorizes the descendant of the nobleman who maimed him, along with the descendant's new wife. A darker and more serious film than the typical Amicus horror films of the era. A story shot on location in the UK. 8 x 10 inches. Photos slightly wavy, Near Fine.
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Angel Heart (Original photograph from the 1987 film)
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Angel Heart (Original photograph from the 1987 film)

by Alan Parker (director, screenwriter); William Hjortsberg (novel); Terry O'neill (photographer); Mickey Rourke, Robert De Niro, Lisa Bonet, Charlotte Rampling, Stocker Fontelieu (starring)

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Los Angeles: Carolco, 1987. Vintage photograph of Alan Parker and Mickey Rourke on the set of the 1987 film, sporting the fashions of the day. With manuscript annotations and agency stamp on the verso. Private detective Harold Angel (Mickey Rourke) is hired by a mysterious Louis Cyphre (Robert De Niro) to track down the whereabouts of a popular singer, Johnny Favorite. The search brings Angel to New Orleans where each person he contacts promptly meets their death, leading him to realize the presence of supernatural forces surrounding the investigation. Shot on location in New York and Louisiana. 8 x 10 inches. Near Fine. Grant Worlwide. Spicer US Neo-Noir.
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Arachnophobia (Original screenplay for the 1990 film)
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Arachnophobia (Original screenplay for the 1990 film)

by John Goodman, Julian Sands, Jeff Daniels, Harley Jane Kozak (starring); Frank Marshall (director); Don Jakoby, Wesley Strick (screenwriters)

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Los Angeles: Amblin Entertainment, 1989. Revised Draft script for the 1990 film. Copy belonging to an unidentified cast or crew member, with annotations in manuscript ink on the title page and page 96. Script pages periodically watermarked with production code "ARA 0093" as called for with Amblin scripts from this era. A large, venomous spider is inadvertently transported from the jungles of Venezuela to a small town in California, where it soon mates with a local spider, producing thousands of deadly spiders that threaten to take over the nation. Set and shot on location throughout California, in Los Angeles, Paso Robles, and Pasadena, and in Estado Bolívar, Venezuela. Self wrappers. Title page present, dated December 28, 1989, noted as Revised, with credits for screenwriters Don Jakoby, Al Williams, Wesley Strick, and Stephen Metcalfe. 165 leaves, with last page of text numbered 121. Xerographic duplication, rectos only, with rainbow revision pages throughout, dated variously between 1/9/90… Read More
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The Attic Expeditions (Two original screenplays for the 2002 film, housed in a production binder...
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The Attic Expeditions (Two original screenplays for the 2002 film, housed in a production binder belonging to costume designer Judith Brewer Curtis)

by Seth Green, Jeffrey Combs, Ted Raimi, Alice Cooper (starring); Jeremy Kasten (director, screenwriter); Rogan Russell Marshall (screenwriter)

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Los Angeles: Tse Tse Fly Productions, 2001. Two Final Draft scripts for the 2002 film. Scripts belonging to costume designer Judith Brewer Curtis, with her annotations in manuscript ink throughout, and housed in her production binder with wardrobe test photographs and ephemera relating to costuming for the film. Binder includes an eight page shooting schedule, an eight page continuity breakdown, four pages of Curtis' xerographically duplicated costume design sketches, and 29 Polaroid wardrobe test shots. An amnesiac wakes up in an asylum for the criminally insane, discovering that he has been found guilty of murdering his girlfriend-a crime he does not recall. As his fellow inmates begin showing up dead, he begins to wonder if the murder is somehow linked to the asylum's sinister director. Shot on location in Los Angeles. Final Draft, no revisions: Title page present, undated, noted as Final Draft, with credits for screenwriters Jeremy Kasten and Rogan Russell Marshall. 111 leaves, with last… Read More
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Bacchanales sexuelles [Tout le monde il en a deux] (Collection of five original photographs from...
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Bacchanales sexuelles [Tout le monde il en a deux] (Collection of five original photographs from the 1974 French film)

by Jean Rollin directing as Michel Gentil (director, screenwriter); Natalie Perrey (screenwriter); Joelle Coeur, Brigitte Borghese, Marie-Pierre Castel, Catherine Castel (starring)

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N.p.: Nordia Films, 1974. Collection of five vintage borderless reference photographs from the 1974 erotic horror film. A young woman watching over her cousin's house is mistakenly kidnapped by a crazed sex cult. Jean Michel Rollin Roth Le Gentil, more commonly known as Jean Rollin, had gained notoriety (and some scandal) with his early French vampire films "Le Viol du Vampire" (1968), "La Vampier Nue" (1970), "Le Frisson des Vampires" (1970), and "Requiem pour un Vampire" (1971). When beginning production on his first non-vampire film "La Rose de Fer" (1973) he found himself in need of funding and began making adult sex films, which he continued to direct under a variety of pseudonyms through the mid-1980s. 5 x 7 inches. Very Good plus. Bier, p. 973.
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Bad (Four original photographs from the 1977 film)
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Bad (Four original photographs from the 1977 film)

by Andy Warhol (producer); Stefania Casini (starring); Jed Johnson (director); Pat Hackett, George Abagnalo (screenwriters); Carroll Baker, Lawrence Tierney, Perry King, Susan Tyrrell (starring)

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N.p.: N.p., 1977. Four vintage borderless small-format reference photographs from the 1977 film. Printed mimeo snipes in German affixed to the versos. A beauty salon owner moonlighting as the secret leader of a group of hit women allows a young male drifter to join her group on a trial basis. Set and shot on location in New York. 7 x 5 inches. Near Fine.
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Bad Ronald (Signed First Edition)

Bad Ronald (Signed First Edition)

by Jack Vance writing as John Holbrook Vance

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New York: Ballantine Books, 1973. First Edition. First Edition, a paperback original. SIGNED by the author (as Jack Vance) on the title page. Uncommon to find in this condition, and quite scarce signed. Basis for the classic 1974 made for television horror film, directed by Buzz Kulik and starring Scott Jacoby, Dabney Coleman, and Kim Hunter. A shy teenager accidentally kills a fellow student who is mocking him, and with the help of his mother, hides in a spare room in their house. One thing leads to another. About Fine and unread in wrappers.
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The Beast With Five Fingers and Other Tales (First edition, publisher's file copy)
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The Beast With Five Fingers and Other Tales (First edition, publisher's file copy)

by William Fryer Harvey

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London: J.M. Dent and Sons, 1928. First Edition. First Edition. Publisher's file copy, with a label marking it as such tipped-in on the front pastedown, and blindstamped "FILE COPY" on the front flyleaf. Basis for the 1946 film noir directed by Robert Florey and starring Peter Lorre, Victor Francen, Andrea King, and Robert Alda. Near Fine, lacking the scarce dust jacket. Spine faintly faded, with faint foxing to the page edges and light offsetting to the endpapers.
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The Beast with Five Fingers (Original photograph of Robert Florey and Peter Lorre on the set of...
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The Beast with Five Fingers (Original photograph of Robert Florey and Peter Lorre on the set of the 1946 film)

by Peter Lorre (starring); Robert Florey (director); Curt Siodmak (screenwriter); Mac Julian (photographer); W.F. Harvey (story); Robert Alda (starring)

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Burbank, CA: Warner Brothers, 1946. Vintage reference photograph of director Robert Florey arranging a shot with actor Peter Lorre on the set of the 1946 film. Printed mimeo snipe affixed to the verso, along with a Warner Brothers stamp, the stamp of photographer Mac Julian, and a provenance stamp. Based on the 1919 short story by W.F. Harvey. A wealthy, disabled pianist with an interest in the occult is found murdered in his Italian villa, leading local villagers to suspect evil forces involved in his death. Peter Lorre's final film for Warner Brothers, ending a five-year involvement. 10 x 8 inches. Near Fine. Grant UK. Selby UK. Spicer UK.
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The Beast with Five Fingers (First UK Edition)
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The Beast with Five Fingers (First UK Edition)

by William Fryer Harvey

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London: J.M. Dent, 1928. First Edition. First Edition, preceding all others. A collection of stories, the title story being the basis for the 1946 film noir starring Robert Alda and Peter Lorre. About Fine, lacking the dust jacket, with a touch of fading to the backstrip and some offsetting on the endpapers. In a custom green quarter-leather clamshell box. The Dark Page I: 1940-1949, p. 136.
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Beetlejuice (Original photograph from the 1988 film)

Beetlejuice (Original photograph from the 1988 film)

by Tim Burton (director); Warren Skaaren (screenwriter); Michael Keaton, Alec Baldwin, Geena Davis, Winona Ryder, Catherine O'Hara (starring)

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Los Angeles: The Geffen Company, 1988. Vintage studio still photograph from the 1988 film, showing actor Alec Baldwin. A shy married couple are killed in a freak road accident, and find themselves reborn as ghosts, unable to leave their former home. Unfortunately, the house is sold to a family of unbearable yuppies, prompting the ghosts to hire a devious poltergeist to drive the family out. Set in the fictional town of Winter River, Connecticut, and shot on location in East Corinth, Vermont. 8 x 10 inches. Near Fine.
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Between the Devil and the Deep Blue Sea (Original screenplay for an unproduced film)

Between the Devil and the Deep Blue Sea (Original screenplay for an unproduced film)

by Unknown

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N.p.: N.p.. Draft script for an unproduced film. A twisted vision of the beginnings of a post-apocalyptic world, which starts with a plane exploding over southern Sweden. Soon everyone is a peninsular town begins getting sick with the same illness, which the doctor has never seen before. As soon as he calls the county medical examiner about it, the area is quarantined and shut off from information. Riots begin on both sides on the quarantine as more and more people die in the small town. General debauchery, chaos and fervent religiosity reign supreme in the final days of the town, left to die while, unbeknownst to the government, some sneak out to Denmark to seek help via scuba diving and laugh when someone takes their picture and offers them money for the shot. Set in Sweden. Blue titled wrappers with no credit for the screenwriter. 84 leaves, with last page of text numbered 84. Mechanical duplication. Pages Very Good plus, wrapper Very Good plus bound with staples.
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