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Almost Summer [High School] (Original screenplay for the 1978 film)

Almost Summer [High School] (Original screenplay for the 1978 film)

by Martin Davidson (director, screenwriter); Judith Berg, Sandra Berg, Marc Reid Rubel (screenwriters); Bruno Kirby, Lee Purcell, John Friedrich, Didi Conn (starring)

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Universal City: Universal Studios, 1976. First Draft script for the 1978 film, here under the working title "High School," with a faint manuscript pencil annotation of the release title on the front wrapper. Several high school students plot revenge and backstabbing over the course of a hotly debated election for class president. The only Motown Productions feature to not feature primarily African American characters. A precursor to the popular coming of age films of the 1980s. Shot on location in Los Angeles. Green titled wrappers, noted as FIRST DRAFT SCREENPLAY on the front wrapper, dated November 26, 1976. Title page present, with credits for screenwriters Judith Berg, Sandra Berg, Martin Davidson, and Marc Rubel. 132 leaves, with last page of text numbered 131. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with three gold brads. McPadden, Teen Movie Hell.
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The Amboy Dukes (First Edition in paperback)

The Amboy Dukes (First Edition in paperback)

by Irving Shulman

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New York: Avon Books, 1948. First Edition. No. 169. First Edition in paperback. Not to be confused with the later film tie-in edition. Basis for the 1949 film "City Across the River," directed by Maxwell Shane. Very Good plus in wrappers, with spine creasing and a newsstand stamp on the rear wrapper. Holroyd, p. 83.
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April Love (Collection of 7 British front-of-house cards from the 1957 film)
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April Love (Collection of 7 British front-of-house cards from the 1957 film)

by Henry Levin (director); George Agnew Chamberlain (novel); Winston Miller (screenwriter); Pat Boone, Shirley Jones, Dolores Michaels, Arthur O'Connell (starring)

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London: Twentieth Century-Fox, 1958. Collection of 7 vintage full-color British front-of-house cards from the 1958 UK release of the 1957 US film. Based on George Agnew Chamberlain's 1941 novel, "The Phantom Filly," about a juvenile delinquent and his stay at a run down Kentucky ranch. Eventually he gains an interest in all things mechanical, including the hot sports car owned by a neighboring young woman. A story set and shot in Kentucky. 8 x 10 inches. Faint creasing overall, else Near Fine.
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April Love (Original post-production synopsis for the 1957 film)

April Love (Original post-production synopsis for the 1957 film)

by Henry Levin (director); George Agnew Chamberlain (novel); Winston Miller (screenwriter); Pat Boone, Shirley Jones, Dolores Michaels (starring)

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Los Angeles: Twentieth Century-Fox, 1957. Vintage post-production Synopsis for the 1957 film. Based on the 1941 novel "Phantom Filly" by George Agnew Chamberlain. Troubled teen, Nick (Pat Boone), is forced to live and work on his uncle's Kentucky farm where he falls in love in their pretty neighbor Liz (Shirley Jones). Set in and shot on location in Lexington, Kentucky. Self-wrappers integral with title page, noted as Synopsis. Four leaves, with last page of text numbered 6. Mimeograph duplication, rectos only. Pages Very Good plus with light foxing and edgewear, bound with single staple in upper left corner.
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Archive of six original photographs of student musical groups at Druid Junior High School
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Archive of six original photographs of student musical groups at Druid Junior High School

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Baltimore: N.p., 1951. Archive of six vintage black and white photographs of students at Druid Junior High School 137 in Baltimore, including five showing students gathered in the music classroom, and one showing what appears to be a Christmas nativity recital. Four photographs dated variously between 1949 and 1951 in manuscript ink annotation to the bottom margin, and two photographs undated, with no annotations. The photographs broadly document young African American students cheerfully posing with various instruments, and three show an older man who appears to be the class music teacher standing to the far left. Three photographs 10 x 8 inches, one photograph 10 x 7.5 inches, one photograph 10 x 7 inches, and one photograph 7 x 5 inches. Generally Very Good, with moderate creasing, edgewear, and fading throughout.
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Are Parents People? (Original publicity photograph of Florence Vidor from the 1925 film)

Are Parents People? (Original publicity photograph of Florence Vidor from the 1925 film)

by Florence Vidor, Betty Bronson, Adolphe Menjou (starring); Malcolm St. Clair (director); Frances Agnew, Alice Duer Miller (screenwriters)

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N.p.: N.p., 1925. Vintage linen-backed borderless publicity photograph of actress Florence Vidor from the 1925 film. A wealthy couple's teenage daughter discovers her parents are planning to divorce, and pretends to be in love with a foolish actor in order to reunite them. 7.25 x 9.25 inches. Faintly toned near the left edge, else Near Fine.
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Be My Guest [Be My Guest] (Original screenplay for the 1965 film)
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Be My Guest [Be My Guest] (Original screenplay for the 1965 film)

by Lance Comfort (director, producer); Lyn Fairhurst (screenwriter); David Hemmings, David Healy, Jerry Lee Lewis (starring)

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London: Three Kings Films, 1964. Draft script for the 1965 film. With several substantive manuscript emendations to dialogue throughout. A British "teen" comedy, with a title that borrows the title (and spirit) of Conrad Hilton's 1957 autobiography. A family inherits a seaside hotel and has trouble filling it up until their son's rock group begins bringing in the crowds. One of several British films from the mid-sixties which offered the added inducement of a guest appearance by "The Killer," Jerry Lee Lewis (who had more success in the UK than the USA after marrying his teenage cousin in 1958). Magenta titled wrappers with a die-cut title window in the British style. Title page present, dated 6-11-64 in manuscript pencil, with credits for screenwriter and composer Fairhurst. 108 leaves, mechanical duplication on eye-rest green stock, with pink revision pages throughout, dated 23.11.64. Pages Near Fine, wrapper Near Fine bound internally with two silver brads.
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Beat Girl (Six original photographs from the 1960 film)
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Beat Girl (Six original photographs from the 1960 film)

by Edmond T. Greville (director); Dail Ambler (screenwriter); David Farrar, Noelle Adam, (starring)

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N.p.: N.p., 1960. Collection of six vintage reference photographs from the 1960 British film. Resentful of her father's new Parisian wife, a teenage girl attempts to wreck the marriage with the help of her English beatnik friends. An early appearance by actress Gillian Hills, who went on to enjoy a successful career as a ye-ye pop singer in France. Set in London, shot on location in London and Kent. 10 x 8 inches. Near Fine.
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The Big Night (Collection of eight original photographs from the 1960 film)
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The Big Night (Collection of eight original photographs from the 1960 film)

by Sidney Salkow (director); Ric Hardman (screenwriter); Randy Sparks, Venetia Stevenson, Dick Foran, Jesse White (starring)

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Los Angeles: Paramount Pictures, 1960. Collection of eight vintage studio still photographs from the 1960 film. Seven with dealer stamps on the verso. Not to be confused with the 1950 film of the same name. A group of teenagers find a briefcase of money, leading to discord and consternation about what to do with the cash. 10 x 8 inches. Near Fine.
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Black Girl (Original oversize poster for the 1971 off-Broadway play)

Black Girl (Original oversize poster for the 1971 off-Broadway play)

by J.E. Franklin (playwright); Shauneille Perry (director); Arthur French, Minnie Gentry, Leslie Uggams (starring)

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New York: Theatre De Lys, 1971. Vintage oversize poster for the 1971 off-Broadway play, which played at the Theatre de Lys in New York on June 17, 1971 and played for 247 performances before closing on June 6, 1972. Winner of the Drama Desk Award for Best Play of the 1971-72 season. Originally broadcast on PBS for an episode of the WGBH Boston televison series "On Being Black" during the 1968-1969 season, before being produced by the New Federal Theatre at St. Augustine's Church, directed by noted playwright and stage director Shauneille Perry. After playing to full houses and rave reviews the play then moved to the Theatre de Lys on June 17, 1971. The first major stage production of a play by Franklin. Following the production at the Theatre de Lys the play then toured Baltimore, Washington DC, Chicago, and Detroit. In 1972 the play was made into a feature film directed by Ossie Davis and starring Brock Peters, Claudia McNeil, and Leslie Uggams. An episodic coming-of-age story of a young African… Read More
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Black Leather Barbarians (First Edition in paperback)

Black Leather Barbarians (First Edition in paperback)

by Pat Stadley; Barye Phillips (cover art)

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New York: Signet / New American Library [NAL], 1960. First Edition. No. S1863. First Edition in paperback, preceded by the hardcover edition published by Bobbs-Merrill. Very Good plus in wrappers, lightly toned on the edges and spine. Holroyd, p. 518.
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Blue Heaven (Original screenplay for an unproduced film)

Blue Heaven (Original screenplay for an unproduced film)

by Maxine Herman (screenwriter)

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Los Angeles: Paramount Pictures, 1988. Third Draft for an unproduced film. Mike is an unruly teenage boy who gets sent to a psychiatric hospital after being charged with stealing a car. Gray untitled wrappers. Title page present, dated November 4, 1988, noted as Third Draft, with credits for screenwriter Maxine Herman.125 leaves, with last page of text numbered 124. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound internally with three gold brads.
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Born to Be Wild [Katie] (Original screenplay for the 1995 film)
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Born to Be Wild [Katie] (Original screenplay for the 1995 film)

by John Gray (director); Paul Young, John Bunzel (screenwriters); Wil Horneff, Helen Shaver, Peter Boyle, John C. McGinley, Marvin J. McIntyre (starring)

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Culver City, CA: Outlaw, 1994. Revised Draft script for the 1995 film, here under the working title "Katie." Copy belonging to a crew member, with their manuscript ink and pencil annotations throughout, both editorial and substantive in nature. Laid in with the script is a typed letter dated 16 May 1994, addressed to the crew member from producer Jeffrey Silver, introducing the script. A teenage boy plans and executes the liberation of a caged gorilla named Katie who can communicate through sign language. Gray generic Outlaw Productions wrappers. Title page present, dated April 24, 1994, noted as Work In Progress, with credits for screenwriters Paul Young, John Bunzel, and John Gray. 114 leaves, with last page of text numbered 113. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound internally with three gold brads.
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Boulevard Nights (Original screenplay for the 1979 film)

Boulevard Nights (Original screenplay for the 1979 film)

by Richard Yniguez, Danny De La Paz, Marta DuBois, James Victor (starring); Michael Pressman (director); Desmond Nakano (screenwriter)

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Venice, CA: A Tony Bill / Bill Beneson Production, 1978. Revised Draft script for the 1979 film, with rainbow revisions. Copied annotations throughout striking top right corner, revising revision dates, and adjusting dialogue. Danny De La Paz, in his first screen appearance, portrays Chuco, a Chicano low-rider and member of the 11th Street gang, whose older brother Raymond, played by Richard Yniguez, is a former gang member trying to find a way to get Chuco out, before tensions rise to a full-on gang war between the 11th Street gang and rival gang Varrio Grande Vista (V.G.V.). Shot entirely on location in the Mexican American community of East Los Angeles, "Boulevard Nights" employed the local Chicano community both as extras and assisting behind the scenes. Actual gang members were utilized to advise the lead actors, as well as portraying members of the fictional V.G.V. and 11th Street gangs. According to a 1979 Los Angeles Times article, assistant director Ramiro Jaloma called it a… Read More
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Bound Girl of Cobble Hill (Signed First Edition)
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Bound Girl of Cobble Hill (Signed First Edition)

by Lois Lenski

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New York: Frederick A. Stokes, 1938. First Edition. First Edition. With a first issue jacket priced at $2.00 on the front flap. Nicely INSCRIBED by the author on the half-title page, beginning with a nice illustrated floral doodle: "[flourish] Signed especially for Margaret Paradise by the author-artist Lois Lenski / October 1938." Margaret Paradise was a Connecticut schoolgirl in 1938, with the nickname "Peter" Paradise, that name neatly written on the front endpaper verso. The Newberry Award-winning author's second historical novel, the story of a mistreated but resourceful servant girl bound to work in a Connecticut tavern after her father dies in the Revolutionary War. Black and white illustrations throughout. Very Good in a Very Good plus dust jacket. Moderate lean, else boards and text are clean. Jacket is bright, with a few nicks at the extremities.
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Bye Bye Birdie (Original photograph of Janet Leigh on the set of the 1963 film)
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Bye Bye Birdie (Original photograph of Janet Leigh on the set of the 1963 film)

by Janet Leigh, Dick Van Dyke, Ann-Margret, Maureen Stapleton (starring); George Sidney (director); Irving Brecher (screenwriter); Michael Stewart (play)

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N.p.: N.p., 1963. Vintage reference photograph of actress Janet Leigh, in a brunette wig, relaxing on the set of the 1963 film. Stamps of The Associated Press and Le Parisien on the verso. Based on the 1960 Tony Award winning stage musical of the same name with a book by Michael Stewart, lyrics by Lee Adams and music by Charles Strouse. An unsuccessful pop songwriter is convinced he can make his fortune if he can get recently drafted rock and roll star Conrad Birdie on the Ed Sullivan show to kiss his high school girlfriend goodbye. Nominated for 2 Academy Awards. 7 x 9 inches. Near Fine. Godard, Histoire(s) du cinema.
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Campus Call (Original screenplay for an unproduced film, circa 1980s)
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Campus Call (Original screenplay for an unproduced film, circa 1980s)

by William Byron Hillman (screenwriter)

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N.p.: N.p., 1980. Draft script for an unproduced film. Manuscript ink annotations to the title page and page 82. A teen comedy about a serious young girl who moves with her widowed father from Toronto to California, where she quickly becomes immersed in her high school classmates' hijinks. Set in Toronto and California. Self wrappers. Title page present, undated, with credits for screenwriter William Byron Hillman. 133 leaves, with last page of text numbered 132. Xerographic duplication, rectos only. Pages Very Good plus, with first leaf separated from the binding, bound with two gold brads.
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Christiane F. [Christiane F. - Wir Kinder vom Bahnhof Zoo] (Original photograph of David Bowie...

Christiane F. [Christiane F. - Wir Kinder vom Bahnhof Zoo] (Original photograph of David Bowie from the 1981 film)

by David Bowie (starring); Uli Edel (director); Kai Hermann, Horst Reick (book); Natja Brunckhorst, Thomas Haustein (starring)

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N.p.: N.p., 1981. Vintage borderless reference photograph from the 1981 film, showing David Bowie performing onstage. Based on the 1978 book "Wir Kinder vom Bahnhof Zoo" ("We Children from Zoo Station") by Kai Hermann and Horst Rieck, in turn based on the sordid experiences of teenage runaway and heroin addict Christiane Vera Feischerinow. The Bowie performance used in the film actually took place in New York City, intercut with audience footage taken from an AC/DC concert in Germany. Set in west Berlin, shot on location in west Berlin and New York. 9.5 x 7 inches. Near Fine. Carlson and Connolly, Destroy All Movies.
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Christiane F. [Christiane F. - Wir Kinder vom Bahnhof Zoo] (Collection of ten original...
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Christiane F. [Christiane F. - Wir Kinder vom Bahnhof Zoo] (Collection of ten original photographs of Natja Brunckhorst from the 1981 film)

by David Bowie, Natja Brunckhorst, Thomas Haustein (starring); Uli Edel (director); Kai Hermann, Horst Reick (book)

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N.p.: N.p., 1981. Collection of ten vintage borderless reference photographs from the 1981 film, all showing actress Natja Brunckhorst. Based on the 1978 book "Wir Kinder vom Bahnhof Zoo" ("We Children from Zoo Station") by Kai Hermann and Horst Rieck, in turn based on the sordid experiences of teenage runaway and heroin addict Christiane Vera Feischerinow. Set in West Berlin, shot on location in West Berlin and New York. 9.5 x 7 inches. About Fine. Carlson and Connolly, Destroy All Movies.
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Collection of five original photographs of African American schoolchildren in Baltimore, 1945-1967
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Collection of five original photographs of African American schoolchildren in Baltimore, 1945-1967

by [Claiborne Studio] [Capitol Photo Service]

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Baltimore: N.p., 1967. Collection of five vintage black and white photographs of African American schoolchildren in Baltimore, including three matte-finish and two glossy, dated variously between 1945 and 1967. One photograph mounted on stiff cardboard, with faint manuscript pencil annotations to the top left corner, noting the names of students in the shot. Included in the collection is one photograph dated May 20, 1945, noted as the class portrait for St. Cyprian's First Communion Class, with the insignia of Capitol Photo Service to the bottom right corner. Also included are two class portraits credited to Claiborne photography studio, one dated 1949, the other dated 1967. The two remaining photographs in the set show children during class performances-one capturing a girls' dance recital, the other showing a group of children onstage, apparently during a birthday party scene, with many children in whimsical costumes. Photographs approximately 10 x 8 inches. Generally Very Good plus to Very… Read More
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