Photographers from Royal Books, Inc.

N.p.: N.p., 1945. Two vintage double weight photographs, one showing of MGM still photographer Bert Lynch and his wife Bonnie, with "Columbia Pictures Photo by Joe Walters" stamp on the verso (Walters was a Paramount still photographer), and one portrait photograph of Bonnie Lynch, both lovingly inscribed in holograph ink by Bonnie to Bert, circa 1945. In the… Read more

Paris: Films A2, 1987. Three vintage oversize studio photographs from French release of the 1987 French/Swiss/Canadian co-production. Co-directed by acclaimed photographer and filmmaker Robert Frank (his only feature length fiction film) and acclaimed wirter Rudolph Wurlitzer, who wrote the screenplay, "Candy Mountain" is a musician's road movie, heavily influenced by the lives of Frank and Wurlitzer, and… Read more

Manchester: Factory Records, No. FAC235, 1988. First Edition. First Edition. Issued privately by The Hacienda club in Manchester to friends of the establishment, a flip-book (or "manual video") illustrated by avant-garde filmmaker and conceptualist Robert Breer and photographer Wiliam Wegman, bound such that the book slants to the left to enable easy flipping. On the front wrapper, in brightly… Read more

Paris: William Morris Agency, 1950. ry Good Plus overall, with faint foxing and slight curling.

Gottingen: Steidl, 2002. First Edition. First Edition. SIGNED by the photographer on the title page. 49 full page, four-color plates. A series of images taken in and around Tunbjork's hometown and other middle-class enclaves in Sweden, capturing simultaneously the familiarity of the every-man as well as the underlying uniqueness rarely attributed suburban sprawl. Fine… Read more

N.p.: N.p., 1990. Double weight photograph of Frank Sinatra and Dean Martin, circa 1960s. Struck by the photographer Jim Marshall circa 1990s, with his stamp and holograph identification number on the verso. As a photographer for both record labels and magazines such as "Rolling Stone," Jim Marshall was one of the most prolific and influential chronicles of… Read more

N.p.: N.p., 1967. Double weight photograph of an appropriately blissed out Brian Jones, a cooly aloof Nico, and a typically scary and intense Dennis Hopper (staring straight at the camera), taken at the Monterey Pop Festival in June 1967. Struck by photographer Jim Marshall circa 1990s, with his stamp, holograph identification number, and annotations identifying the subjects and location… Read more

N.p.: N.p., 1990. Photograph of Miles Davis from 1971, cracking a rare smile while in a dressing room, trumpet in hand. Struck by photographer Jim Marshall circa 1990s, with his stamp, holograph identification number and date on the verso. As a photographer for both record labels and magazines such as "Rolling Stone," Jim Marshall was one of… Read more

N.p.: N.p., 1947. Vintage borderless press photograph of American actress Linda Darnell with French actress Simone Simon during a visit to France by former in 1947. With the AGIP agency stamp of photographer Robert Cohen and a French-language mimeo snipe on the verso. 6 x 5.25 inches. Near Fine.

Paris: Centre Cultural Americain, 1978. Original two sided poster for an exhibition held at the Centre Cultural Americain in Paris from December 7, 1978 through January 13, 1979 by noted film still photographer Bob Willoughby. INSCRIBED by him on the front to his neighbors: "Deirdre [and] Michael / with all good wishes / Bob Willoughby." Full provenance available. … Read more

Oxford, UK: Museum of Modern Art Oxford, 2001. First Edition. First Edition. Nineteen photographers, including Lee Friedlander, Robert Frank, Jeff Wall, Garry Winogrand, juxtaposed in celebration of the latter half of 20th century street photography. Essays by Kerry Brougher and Russell Ferguson. Fine and unread in wrappers.

New York: powerHouse Books, 2003. First Edition. First Edition. 105 tritone plates, previously unpublished and hand selected by the photographer. A collection of Helen Levitt's previously unpublished street photography taken in New York City. Fine and unread in a Fine dust jacket.

Philadelphia: University of Pennsylvania Press, 1988. First Edition. First Edition. REVIEW COPY, with publisher's slip laid in. A jarring look at the runaway children of Seattle's street culture, as commissioned by LIFE magazine in 1983. Mary Ellen Mark and reporter Cheryl McCall follow the lives of several disenfranchised youths, including a prostitute, a dumpster diver, and a… Read more

Chigago, IL: University of Chicago Press, 2007. First Edition. First Edition. SIGNED and dated in the year of publication by the photographer on the half title page. A gripping photo essay of journalist Ashley Gilbertson's coverage of the Iraq War. Jacket very lightly rubbed, else Fine and unread in a Fine dust jacket.

Houston, TX: Random House / Times Books, 1987. First Edition. First Edition. Joel Sternfeld's cross country road trip told from the back of a Volkswagen camper. A stunningly warm and uniquely American array of landscapes. Fine and unread in a Near Fine dust jacket. Jacket moderately faded at the spine panel, and lightly rubbed at the extremities.… Read more

New York: Harry N. Abrams, 1966. First Edition. First Edition. 153 duotone plates. Contains 179 pages of beautiful photogravure illustrations and photos by Van der Elsken, documenting the artist's 14-month tour around the world. Text printed on brown textured paper. Fine and unread in a Very Good plus dust jacket. Fine and unread in a Very Good… Read more

San Francisco: Straight Arrow, 1973. First Edition. First Edition. 108 pages of duotone plates, covering the Northern California suburban sprawl of the 1960's and 1970's. Very Good plus in pictorial wrappers. Some light rubbing and creasing to the wrappers, and offsetting to the front wrapper at the verso.

Millerton, NY: Artspace Press / Castelli Graphics / Aperture Press, 1980. First Edition. First Edition. One of 3,000 copies. 102 black and white plates, all taken in and around the ski resort town of Park City, Utah during the late 1970's. Near Fine in a Very Good plus dust jacket. Some very light fading to the board… Read more

Washington, DC: National Gallery of Art / Callaway Editions, 1983. First Edition. First Edition. 73 tritone plates. The quintessential work of Alfred Stieglitz, including essays by Sarah Greenough and Juan Hamilton. Fine and unread in beige cloth boards in a Near Fine dust jacket. Some very light foxing to the jacket's rear panel, and light fading at… Read more

New York: The Museum of Modern Art, 2010. First Edition. First Edition. 462 reproduction plates. A posthumous study of Henri Cartier-Bresson's black and white photography. Jacket very lightly rubbed, else Fine and unread in a Fine dust jacket.