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Abby and the Girls (Original screenplay for an unproduced film)

Abby and the Girls (Original screenplay for an unproduced film)

by Blanche Hanalis (screenwriter)

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N.p.: N.p., 1970. Revised Draft script for an unproduced film. Single annotation in manuscript ink on page 106. Searching for deeper meaning in her life, a single mother with three daughters decides to research and write a book on sex, much to the chagrin of her friends and family. Set in Big Sur. Blue titled wrappers. Title page present, noted as Revised, with credit for screenwriter Blanche Hanalis. 164 leaves, with last page of text numbered 161. Xerographic duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound with two gold brads.
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About Mrs. Leslie (Original six sheet poster for the 1954 film)

About Mrs. Leslie (Original six sheet poster for the 1954 film)

by Daniel Mann (director); Vina Delmar (novel); Ketti Frings, Hal Kanter (screenwriters); Shirley Booth, Robert Ryan, Marjie Millar (starring)

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Los Angeles: Paramount Pictures, 1954. Vintage six sheet poster for the 1954 film. Based on the 1950 novel by Vina Delmar. Boarding house owner Mrs. Vivien Leslie (Shirley Booth) reminisces on her affair with the secretive George Leslie (Robert Ryan) and their annual retreats at an Big Sur. Set in Beverly Hills, California. 80 x 80.5 inches. Four panels, folded as issued. About Very Good overall, silverfish damage to center right of top left panel with loss along crease, splitting in creases and some small closed tears at the extremities.
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Adam's Rib (Original photograph from the 1949 film)

Adam's Rib (Original photograph from the 1949 film)

by George Cukor (director); Ruth Gordon, Garson Kanin (screenwriters); Spencer Tracy, Katharine Hepburn (starring)

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N.p.: N.p., 1949. Vintage reference photograph of Will Wright, Katharine Hepburn, and Spencer Tracy from the 1949 film. "Jacques Moreau" collection stamp and two "Metro-Goldwyn-Mayer France, Inc." stamps on verso. For many, this sixth entry in the Hepburn-Tracy canon was the peak for the duo, a non-stop, brainy battle-of-the-sexes gabfest that epitomized the two at their very best. Written by Ruth Gordon and Garson Kanin, the same writing team who produced "Pat and Mike" the following year. Nominated for an Academy Award for Best Screenplay. Set in and shot on location in New York City and Newtown, Connecticut. 8 x 10 inches. Very Good plus, with light creasing to corners. National Film Registry. Rosenbaum 1000. Byrge & Miller, The Screwball Comedy Films: A History and Filmography (1934-1942).
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The Affairs of Cellini [The Firebrand] (Original photograph from the 1934 film)

The Affairs of Cellini [The Firebrand] (Original photograph from the 1934 film)

by Gregory La Cava (director); Bess Meredyth (screenwriter); Edwin Justus Mayer (play); Constance Bennett, Fredric March, Frank Morgan, Fay Wray (starring)

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Beverly Hills, CA: 20th Century Pictures / United Artists, 1934. Vintage studio still photograph from the 1962 film, here advertised under working title, "The Firebrand." Based on the 1945 play by Edwin Justus Mayer. A duke and duchess both have their eyes on other people, but do not want the other to know. 8 x 10 inches. Very Good plus, with one small tear to the top left corner and a small chip missing from the top right corner.
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Against a Crooked Sky (Original screenplay for the 1975 film)

Against a Crooked Sky (Original screenplay for the 1975 film)

by Earl Bellamy (director); Douglas C. Stewart, Eleanor Lamb (screenwriters); Richard Boone, Stewart Petersen, Henry Wilcoxon (starring)

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N.p.: N.p., 1970. Draft script for the 1975 film, copy belonging to actor Gordon Hanson, with his name, his character's name, and the page numbers on which his character appears, in manuscript ink on the top right of the front wrapper, with a single annotation in manuscript ink of a check on page 69, where the character first appears. When a mysterious, hidden Indian tribe kidnaps the eldest daughter of a pioneer family, it is up to the eldest son to try and rescue her. Shot on location in Moab, Arches National Park, and Dead Horse Point State Park, Utah. Pink titled wrappers. Title page present, dated October 23, 1970, with credits for screenwriters Douglas Stewart and Eleanor Lamb. 106 leaves, with last page of text numbered 105. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads.
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The American Parade (Original photograph from the 1974-1976 television mini-series)

The American Parade (Original photograph from the 1974-1976 television mini-series)

by Susan B. Anthony (subject); Mary Tyler Moore (narrator); Vinnette Carroll, Leora Dana, Geraldine Fitzgerald, Maeve McGuire (starring); Jack Kuney (director); Eve Merriam (screenwriter)

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Los Angeles: CBS, 1974. Vintage reference photograph of actress Geraldine Fitzgerald from, "We the Women," Episode 1, Season 1 of the 1974-1976 television mini-series. With mimeo snipe affixed to the verso promoting the broadcast of the episode on Sunday March, 17 1974. A documentary fiction series made to celebrate the 1976 bicentennial, and a photograph centered on Susan B. Anthony. This episode addresses women's fight for suffrage in the United States, and is narrated by Mary Tyler Moore. 7 x 9 inches. Near Fine.
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The Amistad (Original screenplay for an unproduced film)
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The Amistad (Original screenplay for an unproduced film)

by Betty Price Powell (screenwriter)

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Inglewood, CA: B.P. Powell, 1979. Draft script for an unproduced film, 1979. One copied annotation on title page corrected and adding contact phone number and one annotation in script, in manuscript ink, adding character name before dialogue. Based on the 1839 trial of Joseph Cinque and 44 African Mende men, on charges of murder and piracy after staging a revolt on the slave ship La Amistad, represented by former President John Quincy Adams, and bolstering the abolitionist movement. Set in New Haven, Connecticut. Green untitled wrappers. Title page present, dated 1979, with credits for screenwriter Betty Price Powell. 121 leaves, with last page of text numbered [125]. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads.
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Anchors Aweigh (Original photograph of Gene Kelly and Frank Sinatra from the 1945 film)

Anchors Aweigh (Original photograph of Gene Kelly and Frank Sinatra from the 1945 film)

by Frank Sinatra, Gene Kelly (starring); George Sidney (director); Isobel Lennart (screenwriter); Kathryn Grayson, Jose Iturbi (starring)

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Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1945. Vintage studio still photograph from the 1945 film, showing actors Gene Kelly and Frank Sinatra with then-child actor Dean Stockwell. A pair of sailors on shore leave in Hollywood help a would-be film star make it big. The first of three films to pair Sinatra and Kelly, followed by "Take Me Out To The Ball Game" and "On the Town" (1949). Set and shot on location in Hollywood. 10 x 8 inches. Very Good plus, evenly toned, with light creasing at the corners.
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Anchors Aweigh (Original photograph of Gene Kelly and Frank Sinatra from the 1945 film)
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Anchors Aweigh (Original photograph of Gene Kelly and Frank Sinatra from the 1945 film)

by Frank Sinatra, Gene Kelly (starring); George Sidney (director); Isobel Lennart (screenwriter); Kathryn Grayson, Jose Iturbi (starring)

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Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1945. Vintage borderless reference photograph from the 1945 film, showing actors Gene Kelly and Frank Sinatra. Printed mimeo snipe affixed to the verso, along with the stamp of Cinema International Corporation. From the archive of film historian and author Joel Finler. A pair of sailors on shore leave in Hollywood help a would-be film star make it big. The first of three films to pair Sinatra and Kelly, followed by "Take Me Out To The Ball Game" and "On the Town" (1949). Set and shot on location in Hollywood. 8 x 10 inches. Very Good plus, lightly edgeworn.
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Anywhere I Wander (Original treatment script for an unproduced film)

Anywhere I Wander (Original treatment script for an unproduced film)

by Ethel Tyne (screenwriter)

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N.p.: N.p., 1970. Treatment script for an unproduced film. A successful doctor suffers a mental breakdown due to her survivor's guilt after being the only member of her family to survive the Holocaust. She becomes obsessed with a man four years older than her, whom she met previously in a refugee camp in France. Set in New York. Red untitled wrappers. Title page present, with credit for screenwriter Ethel Tyne. 28 leaves, with last leaf of text numbered 27. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound internally with a silver prong.
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Are Parents People? (Original publicity photograph of Florence Vidor from the 1925 film)

Are Parents People? (Original publicity photograph of Florence Vidor from the 1925 film)

by Florence Vidor, Betty Bronson, Adolphe Menjou (starring); Malcolm St. Clair (director); Frances Agnew, Alice Duer Miller (screenwriters)

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N.p.: N.p., 1925. Vintage linen-backed borderless publicity photograph of actress Florence Vidor from the 1925 film. A wealthy couple's teenage daughter discovers her parents are planning to divorce, and pretends to be in love with a foolish actor in order to reunite them. 7.25 x 9.25 inches. Faintly toned near the left edge, else Near Fine.
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Babes in Arms (Original photograph from the 1939 film)

Babes in Arms (Original photograph from the 1939 film)

by Busby Berkeley (director, choreographer); Richard Rogers, Lorenz Hart (play); Jack McGowan, Kay Van Riper (screenwriters); Mickey Rooney, Judy Garland (starring)

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Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1939. Vintage photograph from the 1939 film musical, based on the 1937 Rogers and Hart Broadway musical play of the same name. With a printed snipe on the verso, along with the stamp of Culver Pictures photo bureau, a date stamp of "Dec 1939," and manuscript annotations regarding layout. Rooney and Garland sing "God's Country" from the finale of the musical, in a scene spoofing Franklin and Eleanor Roosevelt and the FDR's fireside chats. This scene was cut from the film after Roosevelt's death, and believed lost until it was rediscovered and restored in 1990s. Rooney received a Best Actor nomination for his role in the film. 10 x 8 inches. Very Good. Pinholes to the corners, with pinholes at the corners and light wear to the margins. Hirschhorn, p. 167.
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Baglady (Original treatment script for an unproduced film)

Baglady (Original treatment script for an unproduced film)

by Lindsay Flickinger (screenwriter)

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N.p.: N.p., 1980. Original Treatment script for an unproduced film. The wife of a wealthy Los Angelean developer realizes that her mother has become homeless, and has been living on the street for six months after having lost the money her husband left her when he died. The discover forces the developer to realize that the "under-utilized" area he was seeking to raze and rebuild will displace low-income people already in distress, and he rethinks his plans. Title page present, with credits for screenwriter Lindsay Flickinger. 19 leaves, with last leaf of text numbered 18. Xerographically duplicated. Pages Near Fine, lacking wrapper bound with a staple.
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Baxter, Vera Baxter (Original photograph from the 1977 French film)

Baxter, Vera Baxter (Original photograph from the 1977 French film)

by Marguerite Duras (director, screenwriter); Delphine Seyrig, Gerard Depardieu (starring)

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N.p.: N.p., 1977. Vintage oversize borderless double weight reference photograph from the 1977 French film, showing actress Delphine Seyrig. With the stamp of M.K. 2 DIFFUSION Films on the verso. A desperately unhappy woman reflects on the relationships in her life, beginning with her marriage to her womanizing husband, who has forced her into prostitution as a means of paying off his gambling debts. 12 x 9.5 inches. Very Good plus overall.
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Belles on Their Toes (Original screenplay for the 1952 film)

Belles on Their Toes (Original screenplay for the 1952 film)

by Henry Levin (director); Phoebe Ephron, Henry Ephron (screenwriters); Frank Gilbreth Jr., Ernestine Gilbreth Carey (novelists); Jeanne Crain, Myrna Loy, Debra Paget, Jeffrey Hunter (starring)

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Los Angeles: Twentieth Century-Fox, 1951. Revised Final Draft script for the 1952 film. Copy belonging to Robert Arthur, who played Frank Gilbreth Jr., with his name on the front wrapper in manuscript pencil. Based on Frank Gilbreth Jr. and Ernestine Gilbreth Carey's autobiographical novel and a sequel to the movie "Cheaper by the Dozen," this film follows the life of the Gilbreth family when the patriarch of the family, Frank Gilbreth Sr., passes away. Their mother struggles to make ends meet and eventually finds help in her children and romance finds her daughters, who rapidly approach adulthood. Shot on location in Santa Monica, California. Salmon titled wrappers, noted as Revised Final on the front wrapper, rubber-stamped copy No. 19 and production No. 414, dated August 19, 1951. Distribution page present, with receipt removed. Title page present, dated August 17, 1951, noted as Revised Final, with credits for screnwriters Phoebe and Henry Ephron. 122 leaves, with last page of text numbered… Read More
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Ben-Hur: A Tale of the Christ (Original photograph from the 1925 film)

Ben-Hur: A Tale of the Christ (Original photograph from the 1925 film)

by Fred; Niblo B. Reeves Easton (directors); Lew Wallace (novel); June Mathis, Bess Meredyth, Carey Wilson (screenwriters); Ramon Novarro, May McAvoy, Betty Bronson, Francis X. Bushman, Carmel Myers (starring)

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Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1925. Vintage reference photograph from the 1925 film, showing actors Claire McDowell, Ramon Novarro, and Kathleen Key. Based on the 1880 novel. Jewish prince Ben-Hur is sent to prison at the behest of his childhood friend Messala as a result of a mishap during a Roman parade. Through sheer will, Ben-Hur endures hard labor and slavery in prison and, once released, vows revenge on Messala. The most expensive silent film, with a budget of $3.9 million. Shot on location in Italy and California. 10 x 8 inches. Very Good plus, with light edgewear and faint toning to the border. National Film Registry. Godard, Histoires de cinema.
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Berkeley Square (Original screenplay for the 1933 film)

Berkeley Square (Original screenplay for the 1933 film)

by Frank Lloyd (director); Sonya Levien (screenwriter); John L. Balderston (playwright, screenwriter); Leslie Howard, Heather Angel, Valerie Taylor, Irene Brown (starring)

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Los Angeles: Fox Film, 1933. Revised Shooting Final script for the 1933 film. Based on the Broadway play by John L. Balderston, an American (Howard) sails to England to marry his cousin, follow the American victory in the war of independence. 149 years later, his descendent with the same name, also played by Howard,inherits his house in England and finds his diary which magically transports him back to his forebear's era, where he must adapt to an earlier period with its own customs. This film was believed lost until it was rediscovered in the 1970s. Nominated for one Academy Award for Best Actor. Set in England. Green titled wrappers, noted as Revised Shooting Final on the front wrapper, dated April 11, 1933. Title page present, noted as Final Revised Shooting Script, with credits for playwright John L. Balderston, screenwriters Sonya Levien, and John L. Balderston, chief camerman Ernest Palmer, sound engineer Joseph E. Aiken, art director William Darling, dialogue director George Hadden,… Read More
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Big Hearted Herbert (Original photograph from the 1934 film)

Big Hearted Herbert (Original photograph from the 1934 film)

by William Keighley (director); Lillie Hayward, Ben Markson (screenwriter); Sophie Kerr, Anna Steese Richardson (playwright); Aline MacMahon, Guy Kibbee, Patricia Ellis, Helen Lowell, Phillip Reed (starring)

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Burbank, CA: Warner Brothers, 1934. Vintage studio still photograph from the 1934 film. Based on the 1934 play by Sophie Kerr and Anna Steese Richardson. A shopkeeper ruins his daughter's engagement with his bad attitude. His wife gets revenge by vowing to embarrass him in front of his customers. 8 x 10 inches. Very Good.
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Black Girl (Original oversize poster for the 1971 off-Broadway play)

Black Girl (Original oversize poster for the 1971 off-Broadway play)

by J.E. Franklin (playwright); Shauneille Perry (director); Arthur French, Minnie Gentry, Leslie Uggams (starring)

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New York: Theatre De Lys, 1971. Vintage oversize poster for the 1971 off-Broadway play, which played at the Theatre de Lys in New York on June 17, 1971 and played for 247 performances before closing on June 6, 1972. Winner of the Drama Desk Award for Best Play of the 1971-72 season. Originally broadcast on PBS for an episode of the WGBH Boston televison series "On Being Black" during the 1968-1969 season, before being produced by the New Federal Theatre at St. Augustine's Church, directed by noted playwright and stage director Shauneille Perry. After playing to full houses and rave reviews the play then moved to the Theatre de Lys on June 17, 1971. The first major stage production of a play by Franklin. Following the production at the Theatre de Lys the play then toured Baltimore, Washington DC, Chicago, and Detroit. In 1972 the play was made into a feature film directed by Ossie Davis and starring Brock Peters, Claudia McNeil, and Leslie Uggams. An episodic coming-of-age story of a young African… Read More
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Bolero (Original screenplay for the 1934 film)

Bolero (Original screenplay for the 1934 film)

by George Raft, Carole Lombard, Sally Rand (starring); Wesley Ruggles (director); Horace Jackson, Kubec Glasmon, Carey Wilson, Ruth Ridenour (screenwriters)

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Hollywood: Paramount Pictures, 1933. Revised Final Script for the 1934 pre-Code film musical. A stylish Paramount musical that, unlike so many others from its time, came with a great storyline. George Raft rises from coal mine laborer to top dancer in prewar Europe. While weaving his way through romantic entanglements (including a fling with Sally Rand, who performs her famous fan dance here), he secures his own nightclub, at which point he meets the real love of his life, Carole Lombard (after asking her to audition in her underwear in his hotel room). A pre-Code gem that seems almost to have been designed to push the censors' buttons, simultaneously one of the raciest and moodiest "A" musicals produced by this studio. Tall self-wrappers as issued, stamped FILE COPY and RETURN TO SCRIPT DEPT. / PARAMOUNT PICTURES, INC., on the front wrapper, rubber-stamped production No. 171, and dated November 8, 1933. Manuscript pencil notation at the top left corner reading, "P 980." Credits on the front… Read More
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