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Museum of the Bargello: Guide to the Collections.

By Bruna Tomasello.

Florence, Italy Editrice Giusti di Becocci and SCALA, 1991. Paperback First Edition (1991), unstated. Very Near Fine in Wraps: shows only the most minute indications of use: just a hint of wear to extremities; the very mildest rubbing to the panels; former owner's address label affixed to the upper corner of the inside of the front cover; the binding leans ever so slightly off square, but remains perfectly secure; the text is clean. Free of creases to the panels. Free of creases to the backstrip. Free of creased or dog-eared pages in the text. Free of any underlining, hi-lighting or marginalia or marks in the text. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome, nearly-new copy, structurally sound and tightly bound, showing very minor flaws only. Bright and Clean. Corners Sharp. Very close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 4to. (10.5 x 7.15 x 0.35 inches). 128 pages. Profusely illustrated with photographs in color. Introduction by Giovanna Gaeta Bertela, Director of the Museum. Translated by Anthony Brierley. Language: English. Weight: 19.1 ounces. First Edition (1991), unstated. Paperback: Pictorial Wraps.

$24.50

M : The Man Who Became Caravaggio.
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M : The Man Who Became Caravaggio.

By Peter Robb .

New York, NY Henry Holt: Picador USA, 2001. Paperback First Edition Thus (2001), First Printing indicated by a complete numerical sequence. First Edition Thus (2001), First Printing indicated by a complete numerical sequence. Very Near Fine in Wraps: shows only very slight tanning to pages; else flawless; the binding is square and remains perfectly secure; the text is clean. Free of creases to the panels. Free of creases to the backstrip. Free of creased or dog-eared pages in the text. Free of any underlining, hi-lighting or marginalia or marks in the text. Free of ownership names, dates, addresses, notations, inscriptions, stamps, or labels. A handsome, nearly--new copy, structurally sound and tightly bound, showing a single, unobtrusive flaw. Bright and Clean. Corners Sharp. Very close to 'As New'. NOT a Remainder. NOT a Book-Club Edition. NOT an Ex-Library copy. 8vo. (8.25 x 5.5 x 1.25 inches). 592 pages. Language: English. Weight: 1 pound, 3 ounces. Trade Paperback.

$10.00

Art and Identity in Oceania.
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Art and Identity in Oceania.

By Allan Hanson and Louise Hanson (Editors).

Honolulu, HI University of Hawai'i Press, 1990. Hardcover First Edition USA (1990), so stated. First printing indicated by a complete numerical sequence. First Edition USA (1990), so stated. First printing indicated by a complete numerical sequence. Very Good+ in Very Good DJ: The Book shows indications of very careful use: just a touch of wear to extremities; numerous smudges to the bottom edge of the text block and a small, very faint smudge to the fore-edge, which also shows a small coffee-like stain; former owner's name at the upper front paste-down endpaper; the binding is square and secure; the text is clean. Free of creased or dog-eared pages in the text. Free of any underlining, hi-lighting or marginalia or marks in the text. A handsome, close to-new copy, structurally sound and tighly bound, showing very mild wear and some minor cosmetic flaws. Close to 'As New'. The DJ shows wear and chipping to the head and heel of the backstrip; a couple of tiny nicks to the bottom edge of the rear panel; mild rubbing also to the rear panel; unclipped; mylar-protected. Shows some wear and chip loss in spots, but in overall appearance remains quite attractive. NOT a Remainder, Book-Club, or Ex-Library. Squarish 8vo. (9.5 x 8.25 x 1.15 inches). viii, 315 pages. Language: English. Weight: 2 . pounds, 7.5 ounces. Hardback with DJ.

$29.40

Early Medieval Book Illumination.

By Carl Nordenfalk.

New York, NY Rizzoli International Publications, 1988. Paperback Reprint Edition (1988); First Printing Thus, so stated. Very Near Fine in Wraps: shows only the most minute indications of use: just a hint of wear to extremities; the mildest rubbing to the panels. The binding is square and secure; the text is clean. Free of creases to the panels. Free of creases to the backstrip. Free of creased or dog-eared pages in the text. Free of underlining, hi-lighting, notations, or marginalia. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome, very near-to-new copy, structurally sound and tightly bound, showing the mildest wear and unobtrusive cosmetic flaws. Bright and Clean. Corners sharp. Very close to 'As New'. After thirty years, still has that pleasant "New Book' scent. REMAINDER, showing a small rubber-stamped star and a line at the bottom edge. NOT a Book-Club or Ex-Library. Squarish 4to. (10.8 x 9.3 x 0.5 inches). 145 pages. 61 Full-Page Color Plates. Language: English. Weight: 29.5 ounces. Reprint Edition (1988); First Printing Thus, so stated. This book was first published by Skira in 1957 as part of a larger production: "Early Medieval Painting"; this is the first Paperback Edition. Paperback: Pictorial Wraps. Publisher: Rizzoli (March 15, 1988) Language: English ISBN-10: 0847809501 ISBN-13: Package Dimensions: 10.7 x 9.2 x 0.6 inches Shipping Weight: 1.8 pounds

$21.76

German Expressionist Sculpture.

By Stephanie Barron (Curator).

Los Angeles, CA Los Angeles County Museum of Art, 1983. Paperback First Edition Thus (1983), not directly stated, but First Printing indicated by a complete numerical sequence. First Edition Thus (1983), not directly stated, but First Printing indicated by a complete numerical sequence. Very Good+ to Near Fine in Wraps: shows indications of very careful use: just a touch of wear to front corner tips and a faint crease near the upper front corner; mild rubbing to wrapper covers; faint sunning to the blue background field of the backstrip (the gilt titles thereon remain clearly legible); the binding leans ever so slightly, but remains perfectly secure; the text is clean. Free of creases to the backstrip. Free of creased or dog-eared pages in the text. Free of underlining, hi-lighting, notations, or marginalia. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome, close-to-new copy, structurally sound and tightly bound, showing very mild wear and a couple of unobtrusive cosmetic flaws. Bright and Clean. After twenty years, still has that pleasant "New Book' scent. Very close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 4to. (11.75 x 8.9 x 0.65 inches). 224 pages. Profusely illustrated, mostly in black & white, but a few color plates. Richly illustrated with colour plates, accompanied by scholarly texts and documentary sources. Includes: Alexander Archipenko, Ernst Barlach, Max Beckmann, Rudolf Belling, Conrad Felixmuller, Otto Freundlich, Herbert Garbe, Otto Gutfreund, Erich Heckel, Paul Rudolf Henning, Oswald Herzog, Bernhard Hoetger, Joachim Karsch, Ernst Ludwig Kirchner, Karl Knappe, George Kolbe, Kathe Kollwitz, Wilhelm Lehmbruck, Gerhard Marcks, George Minne, Albert Muller, Emil Nolde, Max Pechstein, Hermann Scherer, Egon Schiele, Karl Schmidt-Rottluff, Martel Schwichtenberg, Franz Seiwert, Renee Sintenis, Milly Steger, Christoph Voll, William Wauer, and Ossip Zadkine. Edited by Barbara Einzig, Lynn Dean, and Andrea P.A. Bellotti. Language: English. Weight: 2 pounds, 4 ounces. Paperback: Pictorial Wraps. Catalogue of an exhibit organized by the Los Angeles County Museum of Art and also held at the Hirshhorn Museum and Sculpture Garden and at Kunsthalle Köln.

$14.70

Art Chronicles, 1954-1966.

By Frank O'Hara .

New York, NY George Braziller: Venture Books, 1975. Hardcover First Edition (1975); probably a later printing, as we can find no statement of First Edition. EXTENSIVE MARGINALIA and a few words underlined here and there IN INK. Else, Very Good+ in Very Good+ DJ: Both book and DJ show indications of very careful use. The Book shows just a touch of soiling and foxing to the bottom edge near the front corner tip; the binding leans ever so slightly, but remains secure. Free of creased or dog-eared pages in the text. Free of ownership names, dates, addresses, notations, inscriptions, stamps, or labels. A handsome copy; structurally sound and tightly bound, showing a spot of wear - and of course the marginalia - but overall bright and clean. The DJ shows only a touch of wear to the extremities: mild overall rubbing; the price has not been clipped. A 1" closed tear at the top edge of the rear panel. Attractive and intact. Not far from "As New". NOT a Remainder, Book-Club, or Ex-Library. 4to. (10.25 x 7.65 x 0.8 inches). 165 pages. Profusely illustrated in black & white. Language: English. Weight: 27.5 ounces. First Edition (1975); probably a later printing, as we can find no statement of First Edition. Hardback with DJ. Essays on Jackson Pollock, Robert Motherwell, Larry Rivers, Helen Frankenthaler, David Smith, Franz Kline, Philip Guston, Alex Katz, and many others.

$13.72

Italian Painting 1200-1600.

By Ernest T. DeWald.

New York, NY Holt, Rinehart & Winston , 1961. Hardcover First Edition (1961); Seventh Printing. Very Good: shows light wear to the extremities; mild rubbing to the panels; moderate spine lean; foxing to the top edge of the text block. The binding is secure; the text is clean. Free of creased or dog-eared pages in the text. Free of underlining, hi-lighting, notations, or marginalia. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A lightly used reading copy, structurally sound and tightly bound, showing moderate wear and unobtrusive cosmetic flaws. Cean, sturdy, and quite presentable. NOT a Remainder, Book-Club, or Ex-Library. 8vo. (9.5 x 6.75 x 1 inches). x, 613 pages. Profusely illustrated in black & white. Endpaper Maps. Language: English. Weight: 2 pounds, 7.5 ounces. First Edition (1961); Seventh Printing. Hardback: Lacks DJ.

$3.92

Toward a Psychology of Art: Collected Essays.

By Rudolf Arnheim.

Berkeley, CA University of California Press, 1966. Paperback First Edition [1966]; unstated, in accordance with UCP's customary practice at the time of publication. Shows scattered, sparse UNDERLINING AND MARGINALIA IN INK. Else, Good+: shows indications of moderate use: light shelving wear to the lower extremities; mild overall rubbing to the panels and the faintest soiling; several pages have been dog-eared; former owner's name, date, place at the front free endpaper; the binding leans slightly. but remains secure. A functional reading copy, structurally sound and tightly bound, showing moiderate wear and a few minor flaws - and of course the pen work. NOT a Remainder, Book-Club, or Ex-Library. 4to. (10.5 x 7 x .1.2 inches). viii, 369 pages. Frontispiece Color Plate by Picasso. Else illustrated in black & white. Language: English. Weight: 35.2 ounces. First Edition [1966]; unstated, in accordance with UCP's customary practice at the time of publication. Hardback: Lacks DJ.

$9.41

Color and Culture: Practice and Meaning from Antiquity to Abstraction.
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Color and Culture: Practice and Meaning from Antiquity to Abstraction.

By John Gage.

Berkeley, CA University of California Press, 1999. Paperback First Edition Thus (1999), First Printing indicated by a complete numerical sequence. First published in hardcover in 1993. First Edition Thus (1999), First Printing indicated by a complete numerical sequence. Very Good+ to Near Fine in Wraps: shows indications of very careful use: a dime-size coffee stain at the upper fore-edge; mild rubbing to the panels of the wrapper covers; the binding leans slightly, but remains perfectly secure; the text is clean. Free of creases to the panels. Free of creases to the backstrip. Free of creased or dog-eared pages in the text. Free of underlining, hi-lighting, notations, or marginalia. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome very nearly-new copy, structurally sound and tightly bound, showing unobtrusive cosmetic flaws. Bright and Clean. Corners sharp. Remains close to 'As New'. 4to. (11 x 10 x 1.15 inches). 335 pages. 222 Illustrations, many in color. Language: English. Weight: 4 pounds, 2.5 ounces. Heavy Pictorial Wraps with DJ-like flaps.

$24.50

Neo-Classicism.

By Hugh Honour, .

New York, NY Harper & Row, Publishers, 1977. Paperback First Edition (1968); Sevenrth Printing, with revisions incorporated in 1977. This printing (1983). Very Good+ in Wraps: shows indications of very careful use: very light wear to the extremities; a small stain at the bottom corner of the front panel and faint creases to the bottom corner tip of the rear panel; just a hint of rubbing to wrapper covers; the binding leans ever so slightly, but remains perfectly secure; the text is clean. Free of creases to the backstrip. Free of any creased or dog-eared pages in the text. Free of any underlining, hi-lighting or marginalia or marks in the text. Free of ownership names, dates, addresses, notations, inscriptions, stamps, or labels. A handsome copy, structurally sound and tightly bound, showing mild wear and minor, unobtrusive flaws. Bright and clean. Remains close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 8vo. (7.75 x 5.1 x 0.5 inches). 221 pages. Front panel depicts a detaill from "The Death of Marat" by David. Language: English. Weight: 9.5 ounces. Style and Civilization Series. First Edition (1968); Sevenrth Printing, with revisions incorporated in 1977. This printing (1983). Trade Paperback.

$7.64

Early Renaissance.

By Michael Levey.

Harmondsworth, Middlesex, UK Penguin Books: Pelican , 1967. Paperback First Edition Thus (1967), Fourth Printing (1979). Very Good in Wraps: shows indications of very careful use, but this volume has passed through the hands of a college textbook store and has a "used" label at the lower backstrip and a bookstore stamp at the front endpaper and a price has been carelessly blacked out at the upper rear panel; else only mild rubbing to the wrapper covers; tiny, very faint creases at two of the corner tips; a former owner's name neatly penned at the upper corner of the front endpaper; two pages have been dog-eared at the upper corner; the binding is square and perfectly secure (the binding is sewn); the text is clean. Free of creases to the backstrip. Free of any underlining, hi-lighting or marginalia or marks in the text. A handsome copy, structurally sound and tightly bound, showing mild wear and minor, unobtrusive flaws - and of course the textbook company's marks. Bright and clean. Corners sharp. Close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 8vo. (7.8 x 5.15 x 0.45 inches). 224 pages. 111 duotone illustrations. Cover illustration shows a detail from Donatello's "Cupid Atys". Language: English. Weight: 9.7 ounces. A Pelican Original. Style and Civilization Series. First Edition Thus (1967), Fourth Printing (1979). Trade Paperback.

$7.64

Greek Sculpture: The Archaic Period.
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Greek Sculpture: The Archaic Period.

By John Boardman.

New York, NY Thames & Hudson, 1985. Paperback Second Edition (1991), Revised. Second printing thus 2002). First published in 1985. Fine in Wraps: flawless; the binding is square and secure; the text is clean. Virtually 'As New'. The binding is square and perfectly secure; the text is clean. Free of any creases to the covers. Free of creases to the backstrip. Free of any creased or dog-eared pages in the text. Free of any underlining, hi-lighting or marginalia or marks in the text. Free of ownership names, dates, addresses, notations, inscriptions, stamps, or labels. A handsome like-new copy, structurally sound and tightly bound, showing no flaws. Bright and clean. Corners sharp. Appears unread. Virtually "As New". NOT a Remainder, Book-Club, or Ex-Library. 8vo. (8.25 x 5.95 x 0.65 inches). 252 pages. 413 illustrations in black & white. Language: English. Weight: 17.6 ounces. World of Art Series. Second Edition (1991), Revised. Second printing thus 2002). First published in 1985. Trade Paperback.

$19.60

The Mind of Leonardo da Vinci.

By Edward McCurdy.

New York, NY Dodd Mead & Company, 1940. Hardcover First Edition (1928); later printing (1940). Very Good: shows light wear to the extremities; mild rubbing; faint toning around the outside edges of the panels and to the backstrip; a couple faint soil spots; former owner's gift inscription at the front free endpaper; the binding is square and secure; the text is clean. Free of any creased or dog-eared pages in the text. Free of any underlining, hi-lighting or marginalia or marks in the text. A carefully used copy, structurally sound and tighly bound, showing mild wear and minor flaws. Clean, sturdy, presentable. NOT a Remainder, Book-Club, or Ex-Library. 8vo. (8.7 x 6.1 x 1.75 inches). 360 pages. Sixteen duotone illustrations, mostly of Leonardo's drawings from his Notebooks, scattered throughout the text. Language: English. Weight: 1 pound, 12.7 ounces. Deckle Fore-Edge. First Edition (1928); later printing (1940). Hardback: Lacks DJ.

$14.70

More Dialogues on Art.

By Edouardo Roditi.

Santa Barbara, CA Ross Erikson, 1984. Paperback First Edition Thus (1984); unstated. Good+ in Wraps: shows indications of moderate use: wear to the extremities; mild rubbing to the panels; faint soiling to the white background field of the rear panel the outside corners of which show faint creases; faint smudging and soiling to the outside edges of the text block; the binding is square and secure; the text is clean. Free of any underlining, hi-lighting or marginalia or marks in the text. Free of ownership names, dates, addresses, notations, inscriptions, stamps, or labels, though there is a phone number at the back of the front endpaper. A structurally sound, tightly bound reading copy with a clean text. NOT a Remainder, Book-Club, or Ex-Library. 8vo. (9 x 6 x 0.5 inches). 176 pages. Sparsely illustrated in black & white. Language: English. Weight: 10.5 ounces. First Edition Thus (1984); unstated. Trade Paperback.

$9.41

Treasures of Yugoslavia: An Encyclopedic Touring Guide.

By Kosta Rakic (Editor) .

Belgrade, Yugoslavia Yugoslaviapublic Beograd, 1980. Hardcover First Edition (1980), so stated. First Edition (1980), so stated. Very Good+ to Near Fine in Fine DJ: The Book shows indications of very careful use: the binding leans slightly off square; while remaining perfectly secure; else flawless; the text is clean. Free of creased or dog-eared pages in the text. Free of any underlining, hi-lighting or marginalia or marks in the text. Free of ownership names, dates, addresses, notations, inscriptions, stamps, or labels. A very nearly-new copy, structurally sound and tightly bound, showing a single unobtrusive flaw only. The DJ is flawless; unclipped; mylar-protected. Like New. NOT a Remainder, Book-Club, or Ex-Library. 4to. (11.35 x 7.1 x 1.5 inches). 616 pages. Profusely illustrated with Photographs in Color. Large Color section of Maps at the rear. Decorated Endpapers. Two silk ribbon markers sewn in. Language: English. Weight: 3 pounds, 14.6 ounces. Hardback with DJ.

$16.27

Chinese Art in Detail.
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Chinese Art in Detail.

By Carol Michaelson and Jane Portal .

Cambridge, MA Harvard University Press, 2006. Hardcover Very Good+ to Near Fine: shows very light shelving wear to the lower extremitie; the boards are ever so slightly bowed; the binding leans very slightly off square, but remains perfectly secure; else flawless; the text is clean. Free of creased or dog-eared pages in the text. Free of any underlining, hi-lighting or marginalia or marks in the text. Free of ownership names, dates, addresses, notations, inscriptions, stamps, or labels. A very nearly-new copy, structurally sound and tightly bound, showing the mildest wear and minor, unobtrusive flaws. Very close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. Square 8vo. (8.75 x 8.75 x 0.6 inches). 144 pages. Profusely illustrated with photographs and plates in color. Language: English. Weight: 1 pound, 8.3 ounces. Art in Detail Series. Blue boards with gilt titles at the backstrip. Hardback: Lacks DJ.

$11.96

Painting and Experience in Fifteenth-Century Italy: A Primer in the Social History of Pictorial Style.
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Painting and Experience in Fifteenth-Century Italy: A Primer in the Social History of Pictorial Style.

By Michael Baxandall .

New York, NY Oxford University Press, 1988. Paperback Second Edition (1988). First published in 1972 and the first paperback editon was published in 1974. Very Near Fine in Wraps: shows only the faintest thumbing at the fore-edge; else flawless; the binding is square and secure; the text is clean. Free of creases to the covers. Free of creases to the backstrip. Free of creased or dog-eared pages in the text. Free of any underlining, hi-lighting or marginalia or marks in the text. Free of ownership names, dates, addresses, notations, inscriptions, stamps, or labels. A very nearly-new copy, structurally sound and tightly bound, showing a single unobtrusive flaw. Very close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 8vo. (8 x 5.35 x 0.45 inches). 183 pages. Liberally illustrated with duotone plates and drawings. A slick-paper production. Language: English. Weight: 9.6 ounces.Oxford Paperbacks Series. Second Edition (1988). First published in 1972 and the first paperback editon was published in 1974. Academic Press Paperback.

$9.41

The Symbolism of Paul Gauguin: Erotica, Exotica, and the Great Dilemmas of Humanity.
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The Symbolism of Paul Gauguin: Erotica, Exotica, and the Great Dilemmas of Humanity.

By Henri Dorra.

Berkeley, CA University of California Press;, 2007. Hardcover First Edition (2007), not directly stated, but First Printing indicated by a complete numerical sequence, according to UC Press's customary practice at the time of publication. Very Near Fine in Fine DJ: The Book shows only minute indications of use: a small, faint area of discoloration at the top edge of the rear panel; else flawless; the binding is square and secure; the text is clean. Free of creased or dog-eared pages in the text. Free of underlining, hi-lighting, notations, or marginalia. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome, very nearly-new copy, structurally sound and tightly bound, showing a single, unobtrusive cosmetic flaw. Virtually 'As New'. The DJ is flawless; unclipped; mylar-protected. Virtually 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 4to. (10.3 x 8.35 x 1.2 inches). xvii, 361 pages. Foreward by Richard R. Brettell and an Afterward by Gabriel P. Weisberg. Profusely illustrated in color and black & white. Language: English. Weight: 3 pounds, 1.4 ounces. First Edition (2007), not directly stated, but First Printing indicated by a complete numerical sequence, according to UC Press's customary practice at the time of publication.

$34.30

Sanamu: Adventures in Search of African Art.

By Robert Dick-Read.

London, UK Rupert Hart-Davis, 1964. Hardcover First Edition (1964), unstated in accordance with Rupert H-D's customary practice at the time of publication. First Edition (1964), unstated in accordance with Rupert H-D's customary practice at the time of publication. Very Good in Good+ DJ: Book shows indications of very light use: just a touch of wear to the extremities; the upper corner tips are slightly nudged; the former owner's name & date at front free endpaper; the binding is square and secure; the text is clean. Free of underlining, hi-lighting, notations, or marginalia. Free of creased or dog-eared pages in the text. A handsome copy, structurally sound and tightly bound, showing mild wear and minor cosmetic flaws. The DJ shows moderate wear to extremities, with just a touch of loss due to rubbing at corner tips; considerable rubbing to rear panel; faint soiling to the white background field of the backstrip; the price is unclipped; mylar-protected. Shows moderate wear, but remains serviceable and intact. REMAINDER, showing a small mark at the bottom edge. NOT a Book-Club or Ex-Library. 8vo. (8.75 x 5.75 x 1 inches). 271 pages. 32 duotone plates and numerous black & white text figures. Language: English. Weight: 18.2 ounces. Hardback with DJ.

$4.70

Wall Painting in Northern Moldavia.

By Virgil Vatasianu.

Bucharest, Romania Meridiane Publishing House, 1974. Hardback with DJ. First Edition (1974), unstated. First Edition (1974), unstated. Very Good in Near Fine DJ in a moderately worn Slip-Case: Both book and DJ show only minor indications of use. The Book shows very little wear at all to the buckram over cloth boards, but the binding shows slight lean and is a little cocked, while remaining secure; the text is clean. Free of underlining, hi-lighting, notations, or marginalia. Free of creased or dog-eared pages in the text. A handsome copy, structurally sound and tightly bound, showing light wear and minor, unobtrusive flaws. The DJ shows only the mildest rubbing; the price is unclipped; mylar-protected. Close to "As New". The Slip Case shows light wear to the extremities, moderate rubbing, and faint soiling and smudging (about Very Good). NOT a Remainder, Book-Club, or Ex-Library. Folio. (12.25 x 10 x 1.2 inches). 110 Full-Page Color Prints. Some Fold-out pages. 41 Page Introduction + Bibliographical Summary. Sewn-in Silk Place marker. Translated from the Romanian by Caterina Augusta Grundbock. Language: English. Weight: 3 pounds, 2 ounces. Hardback with DJ.

$21.76

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