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Ship, Sea & Sky: The Marine Art of James Edward Buttersworth.

By Richard B. Grassby.

New York, NY Rizzoli in associattion with South Street Seaport Museum, 1994. Hardcover First Edition (1994), so stated. First Edition (1994), so stated. Near Fine in Near Fine DJ: Both book and DJ show only minute indications of use. The Book shows the mildest bump at the top of the front hinge gutter; a superficial indentation to the top edge of the front panel; else flawless; the binding is square and secure; the text is clean. Free of creased or dog-eared pages in the text. Free of underlining, hi-lighting, notations, or marginalia. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome nearly-new copy, structurally sound and tightly bound, showing a couple of minor, unobtrusive flaws. Bright and clean. Corners sharp. Very close to 'As New'. The DJ shows just a hint of wear along the top edge of the front panel; unclipped. Very close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. Oblong 8vo. (9.3 x 10.3 x 0.7 inches). 128 pages. Profusely illustrated with color plates of the marine artwork of James Edward Buttersworth. Foreward by Peter Neill. Language: English. Weight: 31 ounces. Hardback with DJ.

$24.50

Susan Rothenberg.
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Susan Rothenberg .

By Joan Simon.

New York, NY Harry N Abrams, 1991. Hardcover First Edition (1991), unstated, but implied: no subsequent printings noted in accordance with Harry N. Abram's customary practice. First Edition (1991), unstated, but implied: no subsequent printings noted in accordance with Harry N. Abram's customary practice. Very Good to Very Good+ in a Very Good+ clear vinyl acetate DJ: The Book shows light shelving wear to the lower extremities; slight spine lean. The binding remains perfectly secure; the text is clean. Free of creased or dog-eared pages in the text. Free of underlining, hi-lighting, notations, or marginalia. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome copy, structurally sound and tightly bound, showing mild wear and minor flaws. Bright and Clean. Corners sharp. Not far from 'As New'. The DJ shows only mild rubbing to the panels. Close to "As New". NOT a Remainder, Book-Club, or Ex-Library. Squarish 4to. (11.3 x 10.3 x 1 inches). 205 pages. 161 illustrations, 87 Full-color plates. Language: English. Weight: 3 pounds, 13 ounces. Hardback with Clear Vinyl DJ. Rothenberg was a key figure in the revitalization of painting in the 1970s. A thorough monograph of her work. First Edition (1991), unstated, but implied: no subsequent printings noted in accordance with Harry N. Abram's customary practice. Hardback with DJ.

$63.70

Brodovitch.
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Brodovitch.

By Andy Grundberg.

New York, NY Harry N Abrams, 1989. Hardcover First Edition (1989), unstated, but implied: no subsequent printings noted in accordance with Harry N. Abram's customary practice. First Edition (1989), unstated, but implied: no subsequent printings noted in accordance with Harry N. Abram's customary practice. Very Near Fine in a Near Fine DJ: The Book shows a faint pencil price at the upper corner of the front free endpaper and a bit of sticker residue at the same spot (a sticker had been used to cover the price); else flawless; the binding is square and remains perfectly secure; the text is clean. Free of creased or dog-eared pages in the text. Free of underlining, hi-lighting, notations, or marginalia. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome, very nearly-new copy, structurally sound and tightly bound, showing a couple of unobtrusive cosmetic flaws. Bright and Clean. Corners sharp. Virtually 'As New'. The DJ shows only a faint toning to the white background field of the front hinge area; else flawless; unclipped; mylar-protected. Close to "As New". NOT a Remainder, Book-Club, or Ex-Library. Squarish 4to. (12.3 x 9.4 x 0.85 inches). 165 pages. 161 illustrations, 87 Full-color plates. Language: English. Masters of American Design Series. Weight: 2 pounds, 12 ounces. Hardback with DJ.

$43.12

Alexander King Presents Peter Altenberg's "Evocations of Love"

By Peter Altenberg.

New York, NY Simon & Schuster, 1960. Hardcover First Edition (1960); First Printing, so stated. First Edition (1960); First Printing, so stated. Very Good+ in Very Good+ Slipcase: Both book and Slipcase show indications of very careful use. The Book shows just a touch of shelf-soil to the bottom corner of the rear panel; the quarter-cloth backstrip shows mild rubbing, but the gilt titles on the black titles band remain bright and clearly legible; the binding is square and secure; the text is clean. Free of creased or dog-eared pages in the text. Free of underlining, hi-lighting, notations, or marginalia. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome copy, structurally sound and tightly bound, showing very mild wear and a couple of unobtrusive cosmetic flaws. The slipcase shows only a touch of wear to the upper corner of the open end; the panels shows very mild rubbing; a small patch of very faint price-sticker shadow at the upper corner of the front panel. Clean and intact, showing very mild wear only. NOT a Remainder, Book-Club, or Ex-Library. 4to. (11.25 x 8.55 x 0.75 inches). 176 pages. Illustrated with line drawings by Alexander King. Pale yellow paper and henna cloth backstrip on boards with gold letters. The slipcase has an example of one of King's extraordinary paintings, and a line drawing on the front. Decorated Endpapers. Beautiful Viennese coffeehouse prose. - a collection of memories of the heart from another place and time in history - Translated from German and containing very attractive sketches by author and master surrealist painter Alexander King. Language: English. Weight: 33.5 ounces. Hardcover with Slipcase. Peter Altenberg (1859 – 1919) was a writer and poet from Vienna, Austria. He was key to the genesis of early modernism in the city.At the fin de siècle, when Vienna was a major crucible and center for modern arts and culture, Altenberg was a very influential part of a literary and artistic movement known as Jung-Wien (Young Vienna). Altenberg was a contemporary of Karl Kraus, Gustav Mahler, Arthur Schnitzler, Gustav Klimt, and Adolf Loos, with whom he had a very close relationship. He was somewhat older, in his early 30s, than the others. His oeuvre consists of short, poetic prose pieces that do not easily fit into usual formal categories. The inspiration for his trademark short prose he drew from the concise aesthetic of Charles Baudelaire's prose poems and the spatial limitations of the 'Correspondenzkarte,' the postcard, first launched and disseminated in his native Austria in 1869. He became well known throughout Vienna after the publication of a book of his fragmentary observations of women and children in everyday street activities. Because most of his literary work was written while he frequented various Viennese bars and coffeehouses, Altenberg is sometimes referred to as a cabaret or coffee house poet. His favorite coffeehouse was the Café Central, to which he even had his mail delivered.

$10.98

Hubert Kiecol (Stadtisches Kunstmuseum Bonn: 23 Marz - 24 April, 1988.

By Hubert Kiecol .

Bonn, Germany Stadtisches Kunstmuseum, 1988. Paperback Very Good in Wraps: shows indications of careful use: light wear to the extremities, but considerable wear along the outside edge of the front panel; moderate rubbing to wrapper covers; a small bit of sticker shadow at the upper corner of the front endpaper; the binding is square and secure; the text is clean. Free of creases to the panels. Free of creases to the backstrip. Free of creased or dog-eared pages in the text. Free of underlining, hi-lighting, notations, or marginalia. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome copy, structurally sound and tightly bound, showing moderate wear and an unobtrusive cosmetic flaw. Not far from 'As New'. NOT a Remainder, Book-Club, or Ex-Library. Folio (12 x 8.25 x 0.3 inches). 83 pages. Profusely illustrated with plates in black & white. Language: German. Weight: 18 ounces. Paperback: Heavy Pictorial Wraps with DJ-like flaps.

$11.96

Rembrandt: Life and Work.
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Rembrandt: Life and Work.

By Jakob Rosenberg.

Ithaca, NY Cornell University Press: Phaidon Books, 1980. Paperback Reprint Edition (1980), of the Second Edition, Revised, published by Phaidon in 1964. First published by Harvard University Press in 1948. . Near Fine in Wraps: shows only the most minute indications of use: just a hint of wear to the corner tips of the front panel; some faint toning to the white background field of the covers; the faintest foxing to the top edge and fore-edge; the binding is square and secure; the text is clean. Free of creases to the panels. Free of creases to the backstrip. Free of creased or dog-eared pages in the text. Free of any underlining, hi-lighting or marginalia or marks in the text. Free of ownership names, dates, addresses, notations, inscriptions, stamps, or labels. A handsome copy, structurally sound and tightly bound, showing several unobtrusive flaws. Bright and Clean. Corners Sharp. Very close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 12mo. (8.2 x 5.75 x 0.85 inches). ix, 386 pages. Profusely illustrated in black & white. Language: English. Weight: 5 ounces. Landmarks in Art History Series. Reprint Edition (1980), of the Second Edition, Revised, published by Phaidon in 1964. First published by Harvard University Press in 1948. Trade Paperback.

$14.70

Kuntz: A Retrospective Exhibition.

By (Roger) Kuntz.

Laguna Beach, CA Laguna Beach Museum of Art, 1977. Paperback Very Good+ in Wraps: shows indications of very careful use: former owner's name printed at the upper front panel in ink; the faintest stress creases at the corner tips of the front panel; very mild rubbing to wrapper covers; the stapled binding secure; text clean. Free of underlining, hi-lighting, notations, or marginalia. Free of creased or dog-eared pages in the text. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A lightly used copy, structurally sound and tightly bound, showing unobtrusive cosmetic flaws. Bright and Clean. Remains close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. Oblong 32mo. (5.6 x 8.65 x 0.05 inches). 10 pages. Illustrated with 4 full-page color plates and 8 black & white reproductions of the artist's work. Introduction by Tom Enman; Guest Curator: Richard B. Challis. Catalogue produced by Challis Galleries. Commentaries by Jack Zajac and Millard Sheets. Color plate at front panel; black & white reproduction at rear panel. Language: English. Weight: 1.5 ounces. Retrospective Exhibition April 6 to May 2, 1977. Paperback: Pictorial Wraps.

$19.60

Grandma Moses: The Artist Behind the Myth.

By Jane Kallir .

Secaucus, NJ Wellfleet Press, 1989. Hardcover Reprint Edition (1989). Near Fine in Very Good+ to Near Fine DJ: The Book shows only minute indications of use; a hint of shelving wear to the lower extremities; a faint toning to the upper front panel; the binding leans ever so slightly, while remaining perfectly secure; the text is clean. Free of creased or dog-eared pages in the text. Free of underlining, hi-lighting, notations, or marginalia. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome copy, structurally sound and tightly bound, showing mild wear and minor, unobtrusive flaws only. Bright and Clean. Corners sharp. Close to "As New". The DJ shows light wear to the upper extremities; mild rubbing to the panels; the price is unclipped; mylar-protected. No longer 'As New', but remains close to it. Folio (12.45 x 10.45 x 1 inches). 160 pages. Language: English. Weight: 3 pounds, 3.1 ounces. Reprint Edition (1989). Hardback with DJ.

$24.50

Willem de Kooning: Paintings.

By David Sylvester and Richard Shiff (Essays).

Washington DC National Gallery of Art / Yale University Press, 1994. Paperback First Edition Thus (1994); unstated. Fine in Wraps: flawless; the binding is square and secure; the text is clean. Free of creases to the panels. Free of creases to the backstrip. Free of creased or dog-eared pages in the text. Free of underlining, hi-lighting, notations, or marginalia. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome like-new copy, structurally sound and tightly bound, showing no flaws. Bright and Clean. Corners sharp. Virtually 'As New'. NOT a Remainder, Book-Club, or Ex-Library. Folio (12 x 9.8 x 0.65 inches). 230 pages. 84 color plates and numerous black & white phtotographs and depictions of the author's work. Language: English. Weight: 2 pounds, 11.5 ounces. First Edition Thus (1994); unstated. Paperback: Pictorial Wraps.

$19.60

Fritz Eichenberg: Werkkatalog der illustrierten Bücher 1922-1987/Catalogue Raisonné of the Illustrated Books 1922-1987 (Artists Monographs Volume 6): Bilingual German-English Edition.

By Curt Visel, (Edirtor).

Memmingen, Germany Edition Curt Visel, 1987. Hardcover Limited Edition, Number 198 of 1000. Limited Edition, Number 198 of 1000. Very Good+ to Near Fine: shows very light shelving wear to the lower extremities and the mildest rubbing to the rear panel; very superficial bumping to the lower corner tips; a couple of tiny spots to the top edge of the text block; a short, faint line of soiling or perhaps a scrape at the upper front panel; the binding leans very slightly, but remains perfectly secure; the text is clean. Free of creased or dog-eared pages in the text. Free of any underlining, hi-lighting or marginalia or marks in the text. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome copy, structurally sound and tightly bound, showing the mildest wear and minor, unobtrusive flaws. Bright and Clean. Close to "As New". NOT a Remainder, Book-Club, or Ex-Library. Squarish 8vo. (8.8 x 7.85 x 0.7 inches). Edited by Curt Visel. Foreward by Ronald N. Clarke. Bibliographie von David Maslyn und Hildergard Nägele. Language: English and German. Kunstler Monographien Band 6. Hardcover: Illustrated Paper over Boards.

$88.20

Goya.

By Henri Dumont.

New York, NY Hyperion Press, 1948. Hardcover First Edition (1948), unstated, but implied: no subsequent printings noted, according to Hyperion's customary practice. First Edition (1948), unstated, but implied: no subsequent printings noted, in accordance with Hyperion's customary practice. Good: shows light wear to the extremities of the boards, with exposure of the underlying board right at the upper rear corner tip; severe chipping to the red paper backstrip; mild rubbing and very faint soiling overall; the binding is secure; the text is clean. Free of any creased or dog-eared pages in the text. Free of any underlining, hi-lighting or marginalia or marks in the text. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A flawed copy, but one which shows only moderate wear and s single serious flaw. NOT a Remainder, Book-Club, or Ex-Library. 12mo. (6.75 x 5.25 x 0.25 inches). 48 pages. 8 Color Plates; 34 Halftone Reproductions. Language: English. Weight: 4.8 ounces. Hyperion Miniatures Series. Masters in Art. Hardback: Pictorial Quarter Paper Boards.

$4.70

Rembrandt.

By Henri Dumont.

New York, NY Hyperion Press, 1948. Hardcover First Edition (1948), unstated, but implied: no subsequent printings noted, according to Hyperion's customary practice. First Edition (1948), unstated, but implied: no subsequent printings noted, according to Hyperion's customary practice. Very Good: shows light wear to the extremities, with a mild bump to the upper corner tip; a tiny chip at the heel of the backstrip, and some rubbing to tne lower front corner tip; mild rubbing and very faint soiling overall; the binding is secure; the text is clean. Free of any creased or dog-eared pages in the text. Free of any underlining, hi-lighting or marginalia or marks in the text. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A very good copy, structurally sound and tightly bound, showing only mild wear and minor, unobtrusive flaws. NOT a Remainder, Book-Club, or Ex-Library. 12mo. (6.75 x 5.25 x 0.25 inches). 48 pages. 8 Color Plates; 40 Halftone Reproductions. Language: English. Weight: 5 ounces. Hyperion Miniatures Series. Masters in Art. Hardback: Pictorial Quarter Cloth Boards.

$9.41

Botticelli.

By Andre Leclerc.

New York, NY Hyperion Press, 1948. Hardcover First Edition (1948), unstated, but implied: no subsequent printings noted, according to Hyperion's customary practice. First Edition (1948), unstated, but implied: no subsequent printings noted, according to Hyperion's customary practice. Very Good: shows light wear to the extremities, with exposure of the underlying board at the lower front corner tip, due to a chip; some chipping to the backstrip; mild rubbing and very faint soiling overall; the binding is secure; the text is clean. Free of any creased or dog-eared pages in the text. Free of any underlining, hi-lighting or marginalia or marks in the text. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A flawed copy, but one which shows only moderate wear and minor, unobtrusive flaws. NOT a Remainder, Book-Club, or Ex-Library. 12mo. (6.75 x 5.25 x 0.25 inches). 48 pages. 8 Color Plates; 33 Halftone Reproductions. Language: English. Weight: 5 ounces. Hyperion Miniatures Series. Masters in Art. Hardback: Pictorial Quarter Cloth Boards.

$4.70

Paul Perlmutter: A Century of His Art .

By Laurie Perlmutter Corn.

Privately Printed, 2004. Paperback First Edition (2004), unstated. Very Near Fine in Wraps: shows only the most minute indications of use: just a small, grease stain at the lower front panel; else flawless. The binding is square and secure; the text is clean. Free of any creases to the covers. Free of underlining, hi-lighting, notations, or marginalia. Free of creased or dog-eared pages in the text. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome very nearly-new copy, structurally sound and tightly bound, showing a single, minor, unobtrusive flaw. Virtually 'As New'. NOT a Remainder, Book-Club, or Ex-Library. Folio (12 x 9.1 x 0.5 inches). 140 pages. Profusely illustrated, mostly with plates of Perlmutter's work and almost all of these are in color. A handful of duotone vintage photographs are included in the short biographical section early in the text. Language: English. Weight: 1 pound, 11.5 ounces. First Edition (2004), unstated. Paperback: Pictorial Wraps.

$196.00

R. Crumb Sketchbook, Vol. 1: 1964 to mid-1965.
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R. Crumb Sketchbook, Vol. 1: 1964 to mid-1965.

By R. Crumb.

Seattle, WA Fantagraphics Books, 1992. Paperback First Edition Thus (1992), First Printing indicated by a complete numerical sequence. First Edition Thus (1992), First Printing indicated by a complete numerical sequence. Fine in Wraps: flawless; the binding is square and secure; the text is clean. Free of any creases to the covers. Free of underlining, hi-lighting, notations, or marginalia. Free of creased or dog-eared pages in the text. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome like-new copy, structurally sound and tightly bound, showing no flaws. Bright and Clean. Virtually 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 4to. (11 x 8.5 x 0.65 inches). 176 pages. Language: English. Weight: 1 pound, 8 ounces. Paperback: Pictorial Wraps. This is a large book. Domestic Priority customers should expect a request for additional shipping charges which will reflect the actual shipping cost to ship this book to your destination. We will be fair with you; we will charge actual cost plus the usual few cents to cover packaging costs. International customers will not be asked to pay more than the quoted shipping charge.

$49.00

Cranach L'Ancien 1472-1553 (Trilingual French - English - German Edition).

By Gabriel Rouches.

Paris, France Les Editions Braun & Co., 1951. Paperback First Edition (1951), unstated. Very Good in Wraps: shows very light wear to the extremities; mild rubbing and faint soiling to the wrapper covers; the binding is square and secure; the text is clean. Free of creases to the covers. Free of underlining, hi-lighting, notations, or marginalia. Free of creased or dog-eared pages in the text. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome copy, structurally sound and tightly bound, showing mild wear and minor flaws. NOT a Remainder, Book-Club, or Ex-Library. 16mo. (6.35 x 4.8 x 0.2 inches). 12 pages of written text; 60 black & white plates. Language: French, English, German. "Les Maitres" Series. First Edition (1951), unstated. Paperback: Heavy Pictorial Card Wraps. Includes biography of Cranach (1472-1553) and reproductions of 60 of his paintings.

$8.82

Isamu Noguchi: Space of Akari and Stone.
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Isamu Noguchi: Space of Akari and Stone.

By Isamu Noguchi.

San Francisco, CA Chronicle Books, 1986. Paperback First Edition USA (1986), First Printing indicated by a complete numerical sequence. First Edition USA (1986), First Printing indicated by a complete numerical sequence. Very Near Fine in Wraps: shows only the most minute indications of use: just a hint of wear to the extremities; the very mildest rubbing to the panels. The binding leans very slightly off square, while remaining perfectly secure. Free of any creases to the covers. Free of underlining, hi-lighting, notations, or marginalia. Free of creased or dog-eared pages in the text. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome copy, structurally sound and tightly bound, showing the mildest wear and a single unobtrusive flaw. Bright and Clean. Very close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. Folio (13.4 x 10.2 x 0.45 inches). 103 pages, including an essay by Isozaki and "The Meaning of Akari" by Noguchi. Catalogue of the exhibition held at the Seibu Museum of Art, February 9-20, 1985. Additional essays by Takahiko Okada and Arata Isozaki; list of works and biographical chronology. Originally published in Japan in 1985 (under title: Isamu Noguchi Ten, Akari to Ishi no Kukan). Profusely illustrated, many in full color. Originally published in Japan by the Seibu Museum of Art. Paperback: Heavy Pictorial Wraps with DJ-like flaps. Offers a fresh look at one of the most creative and influential artists of the postwar era. This handsomely designed volume presents: A thorough survey of the artist's life and work.

$39.20

Piero Della Francesca: Tradition And Innovation In Form And Idiom In Renaissance Art .
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Piero Della Francesca: Tradition And Innovation In Form And Idiom In Renaissance Art .

By Bruce Cole.

New York, NY HarperCollins: Icon Editions, 1991. Paperback First Edition Thus, so stated (1991); First Printing indicated by a complete numerical sequence. First Edition Thus, so stated (1991); First Printing indicated by a complete numerical sequence. Fine in Wraps: flawless; the binding is square and secure; the text is clean. Free of creased or dog-eared pages in the text. Free of any creases to the covers. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome, like-new copy, showing no flaws. Bright and Clean. Virtually 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 8vo. (9 x 6 x 0.55 inches). xii, 162 pages. 90 duotone illustrations and 8 color plates. Language: English. Weight: 13 ounces. Trade Paperback.

$34.30

Kalev Mark Kostabi: The Early Years.
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Kalev Mark Kostabi: The Early Years.

By Mark Kostabi.

New York, NY Vanity Press, 1990. Hardcover First Edition (1990); First Printing, so stated. SIGNED BY THE AUTHOR. First Edition (1990); First Printing, so stated. A Kostabi print, "Inaccessible People Aren't Worth It Anyway" by Mark Kostabi, and written also on the reverse side "Art Artist K", dated September 17, 1989 in a protective mylar sleeve laid in is in excellent condition. Very Near Fine in Very Near Fine DJ: Both book and DJ show only minute indications of use. The Book shows a mild bump to the lower corner of the rear panel and the front corner, while not bumped, is a little 'soft'; else flawless; the binding is square and secure; the text is clean. Free of creased or dog-eared pages. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome, nearly-new copy, showing the mildest wear and a single, unobtrusive flaw. Bright and Clean. Virtually 'As New'. The DJ shows a hint of wear to the heel of the backstrip; faint creases at the lower corner tips; mild rubbing to the panels; unclipped. Overall, very close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. Jumbo Folio (14.8 x 11 x 2.35 inches). 524 pages. Foreward by Sir Basil Chattington. Essays by Mavis Grace Hallowell, Jean Baptiste de Finesse, Theodophilus N. Tort, and Dr. Meyers N. Jacoby. Profusely illustrated, many in color. Language: English. Weight: 12.2 pounds. Hardback with DJ. SIGNED BY THE AUTHOR.

$161.70

Dwight Davidson: Sculptures Ceramiques (Bilingual English-French Edition).

By Francois Bruneau.

Paris, France Francois Bruneau: Galerie Epona , 1997. Paperback Fine in Wraps: flawless; the binding is square and secure; the text is clean. Free of any creases. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome, like-new copy, showing no flaws. Bright and Clean. Virtually 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 8vo. (8.3 x 8.3 x 0.1 inches). 12 pages. Language: English & French. Weight: 3.3 ounces. Paperback: Staple-bound Wraps.

$24.50

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