Sign In | Register


RECENT ARRIVALS


Next >

Ship, Sea & Sky: The Marine Art of James Edward Buttersworth.

By Richard B. Grassby.

New York, NY Rizzoli in associattion with South Street Seaport Museum, 1994. Hardcover First Edition (1994), so stated. First Edition (1994), so stated. Near Fine in Near Fine DJ: Both book and DJ show only minute indications of use. The Book shows the mildest bump at the top of the front hinge gutter; a superficial indentation to the top edge of the front panel; else flawless; the binding is square and secure; the text is clean. Free of creased or dog-eared pages in the text. Free of underlining, hi-lighting, notations, or marginalia. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome nearly-new copy, structurally sound and tightly bound, showing a couple of minor, unobtrusive flaws. Bright and clean. Corners sharp. Very close to 'As New'. The DJ shows just a hint of wear along the top edge of the front panel; unclipped. Very close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. Oblong 8vo. (9.3 x 10.3 x 0.7 inches). 128 pages. Profusely illustrated with color plates of the marine artwork of James Edward Buttersworth. Foreward by Peter Neill. Language: English. Weight: 31 ounces. Hardback with DJ.

$24.50

Susan Rothenberg.
stock photo

Susan Rothenberg .

By Joan Simon.

New York, NY Harry N Abrams, 1991. Hardcover First Edition (1991), unstated, but implied: no subsequent printings noted in accordance with Harry N. Abram's customary practice. First Edition (1991), unstated, but implied: no subsequent printings noted in accordance with Harry N. Abram's customary practice. Very Good to Very Good+ in a Very Good+ clear vinyl acetate DJ: The Book shows light shelving wear to the lower extremities; slight spine lean. The binding remains perfectly secure; the text is clean. Free of creased or dog-eared pages in the text. Free of underlining, hi-lighting, notations, or marginalia. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome copy, structurally sound and tightly bound, showing mild wear and minor flaws. Bright and Clean. Corners sharp. Not far from 'As New'. The DJ shows only mild rubbing to the panels. Close to "As New". NOT a Remainder, Book-Club, or Ex-Library. Squarish 4to. (11.3 x 10.3 x 1 inches). 205 pages. 161 illustrations, 87 Full-color plates. Language: English. Weight: 3 pounds, 13 ounces. Hardback with Clear Vinyl DJ. Rothenberg was a key figure in the revitalization of painting in the 1970s. A thorough monograph of her work. First Edition (1991), unstated, but implied: no subsequent printings noted in accordance with Harry N. Abram's customary practice. Hardback with DJ.

$63.70

Brodovitch.
stock photo

Brodovitch.

By Andy Grundberg.

New York, NY Harry N Abrams, 1989. Hardcover First Edition (1989), unstated, but implied: no subsequent printings noted in accordance with Harry N. Abram's customary practice. First Edition (1989), unstated, but implied: no subsequent printings noted in accordance with Harry N. Abram's customary practice. Very Near Fine in a Near Fine DJ: The Book shows a faint pencil price at the upper corner of the front free endpaper and a bit of sticker residue at the same spot (a sticker had been used to cover the price); else flawless; the binding is square and remains perfectly secure; the text is clean. Free of creased or dog-eared pages in the text. Free of underlining, hi-lighting, notations, or marginalia. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome, very nearly-new copy, structurally sound and tightly bound, showing a couple of unobtrusive cosmetic flaws. Bright and Clean. Corners sharp. Virtually 'As New'. The DJ shows only a faint toning to the white background field of the front hinge area; else flawless; unclipped; mylar-protected. Close to "As New". NOT a Remainder, Book-Club, or Ex-Library. Squarish 4to. (12.3 x 9.4 x 0.85 inches). 165 pages. 161 illustrations, 87 Full-color plates. Language: English. Masters of American Design Series. Weight: 2 pounds, 12 ounces. Hardback with DJ.

$43.12

Alexander King Presents Peter Altenberg's "Evocations of Love"

By Peter Altenberg.

New York, NY Simon & Schuster, 1960. Hardcover First Edition (1960); First Printing, so stated. First Edition (1960); First Printing, so stated. Very Good+ in Very Good+ Slipcase: Both book and Slipcase show indications of very careful use. The Book shows just a touch of shelf-soil to the bottom corner of the rear panel; the quarter-cloth backstrip shows mild rubbing, but the gilt titles on the black titles band remain bright and clearly legible; the binding is square and secure; the text is clean. Free of creased or dog-eared pages in the text. Free of underlining, hi-lighting, notations, or marginalia. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome copy, structurally sound and tightly bound, showing very mild wear and a couple of unobtrusive cosmetic flaws. The slipcase shows only a touch of wear to the upper corner of the open end; the panels shows very mild rubbing; a small patch of very faint price-sticker shadow at the upper corner of the front panel. Clean and intact, showing very mild wear only. NOT a Remainder, Book-Club, or Ex-Library. 4to. (11.25 x 8.55 x 0.75 inches). 176 pages. Illustrated with line drawings by Alexander King. Pale yellow paper and henna cloth backstrip on boards with gold letters. The slipcase has an example of one of King's extraordinary paintings, and a line drawing on the front. Decorated Endpapers. Beautiful Viennese coffeehouse prose. - a collection of memories of the heart from another place and time in history - Translated from German and containing very attractive sketches by author and master surrealist painter Alexander King. Language: English. Weight: 33.5 ounces. Hardcover with Slipcase. Peter Altenberg (1859 – 1919) was a writer and poet from Vienna, Austria. He was key to the genesis of early modernism in the city.At the fin de siècle, when Vienna was a major crucible and center for modern arts and culture, Altenberg was a very influential part of a literary and artistic movement known as Jung-Wien (Young Vienna). Altenberg was a contemporary of Karl Kraus, Gustav Mahler, Arthur Schnitzler, Gustav Klimt, and Adolf Loos, with whom he had a very close relationship. He was somewhat older, in his early 30s, than the others. His oeuvre consists of short, poetic prose pieces that do not easily fit into usual formal categories. The inspiration for his trademark short prose he drew from the concise aesthetic of Charles Baudelaire's prose poems and the spatial limitations of the 'Correspondenzkarte,' the postcard, first launched and disseminated in his native Austria in 1869. He became well known throughout Vienna after the publication of a book of his fragmentary observations of women and children in everyday street activities. Because most of his literary work was written while he frequented various Viennese bars and coffeehouses, Altenberg is sometimes referred to as a cabaret or coffee house poet. His favorite coffeehouse was the Café Central, to which he even had his mail delivered.

$10.98

Hubert Kiecol (Stadtisches Kunstmuseum Bonn: 23 Marz - 24 April, 1988.

By Hubert Kiecol .

Bonn, Germany Stadtisches Kunstmuseum, 1988. Paperback Very Good in Wraps: shows indications of careful use: light wear to the extremities, but considerable wear along the outside edge of the front panel; moderate rubbing to wrapper covers; a small bit of sticker shadow at the upper corner of the front endpaper; the binding is square and secure; the text is clean. Free of creases to the panels. Free of creases to the backstrip. Free of creased or dog-eared pages in the text. Free of underlining, hi-lighting, notations, or marginalia. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome copy, structurally sound and tightly bound, showing moderate wear and an unobtrusive cosmetic flaw. Not far from 'As New'. NOT a Remainder, Book-Club, or Ex-Library. Folio (12 x 8.25 x 0.3 inches). 83 pages. Profusely illustrated with plates in black & white. Language: German. Weight: 18 ounces. Paperback: Heavy Pictorial Wraps with DJ-like flaps.

$11.96

Kuntz: A Retrospective Exhibition.

By (Roger) Kuntz.

Laguna Beach, CA Laguna Beach Museum of Art, 1977. Paperback Very Good+ in Wraps: shows indications of very careful use: former owner's name printed at the upper front panel in ink; the faintest stress creases at the corner tips of the front panel; very mild rubbing to wrapper covers; the stapled binding secure; text clean. Free of underlining, hi-lighting, notations, or marginalia. Free of creased or dog-eared pages in the text. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A lightly used copy, structurally sound and tightly bound, showing unobtrusive cosmetic flaws. Bright and Clean. Remains close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. Oblong 32mo. (5.6 x 8.65 x 0.05 inches). 10 pages. Illustrated with 4 full-page color plates and 8 black & white reproductions of the artist's work. Introduction by Tom Enman; Guest Curator: Richard B. Challis. Catalogue produced by Challis Galleries. Commentaries by Jack Zajac and Millard Sheets. Color plate at front panel; black & white reproduction at rear panel. Language: English. Weight: 1.5 ounces. Retrospective Exhibition April 6 to May 2, 1977. Paperback: Pictorial Wraps.

$19.60

Grandma Moses: The Artist Behind the Myth.

By Jane Kallir .

Secaucus, NJ Wellfleet Press, 1989. Hardcover Reprint Edition (1989). Near Fine in Very Good+ to Near Fine DJ: The Book shows only minute indications of use; a hint of shelving wear to the lower extremities; a faint toning to the upper front panel; the binding leans ever so slightly, while remaining perfectly secure; the text is clean. Free of creased or dog-eared pages in the text. Free of underlining, hi-lighting, notations, or marginalia. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome copy, structurally sound and tightly bound, showing mild wear and minor, unobtrusive flaws only. Bright and Clean. Corners sharp. Close to "As New". The DJ shows light wear to the upper extremities; mild rubbing to the panels; the price is unclipped; mylar-protected. No longer 'As New', but remains close to it. Folio (12.45 x 10.45 x 1 inches). 160 pages. Language: English. Weight: 3 pounds, 3.1 ounces. Reprint Edition (1989). Hardback with DJ.

$24.50

Willem de Kooning: Paintings.

By David Sylvester and Richard Shiff (Essays).

Washington DC National Gallery of Art / Yale University Press, 1994. Paperback First Edition Thus (1994); unstated. Fine in Wraps: flawless; the binding is square and secure; the text is clean. Free of creases to the panels. Free of creases to the backstrip. Free of creased or dog-eared pages in the text. Free of underlining, hi-lighting, notations, or marginalia. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome like-new copy, structurally sound and tightly bound, showing no flaws. Bright and Clean. Corners sharp. Virtually 'As New'. NOT a Remainder, Book-Club, or Ex-Library. Folio (12 x 9.8 x 0.65 inches). 230 pages. 84 color plates and numerous black & white phtotographs and depictions of the author's work. Language: English. Weight: 2 pounds, 11.5 ounces. First Edition Thus (1994); unstated. Paperback: Pictorial Wraps.

$19.60

Fritz Eichenberg: Werkkatalog der illustrierten Bücher 1922-1987/Catalogue Raisonné of the Illustrated Books 1922-1987 (Artists Monographs Volume 6): Bilingual German-English Edition.

By Curt Visel, (Edirtor).

Memmingen, Germany Edition Curt Visel, 1987. Hardcover Limited Edition, Number 198 of 1000. Limited Edition, Number 198 of 1000. Very Good+ to Near Fine: shows very light shelving wear to the lower extremities and the mildest rubbing to the rear panel; very superficial bumping to the lower corner tips; a couple of tiny spots to the top edge of the text block; a short, faint line of soiling or perhaps a scrape at the upper front panel; the binding leans very slightly, but remains perfectly secure; the text is clean. Free of creased or dog-eared pages in the text. Free of any underlining, hi-lighting or marginalia or marks in the text. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome copy, structurally sound and tightly bound, showing the mildest wear and minor, unobtrusive flaws. Bright and Clean. Close to "As New". NOT a Remainder, Book-Club, or Ex-Library. Squarish 8vo. (8.8 x 7.85 x 0.7 inches). Edited by Curt Visel. Foreward by Ronald N. Clarke. Bibliographie von David Maslyn und Hildergard Nägele. Language: English and German. Kunstler Monographien Band 6. Hardcover: Illustrated Paper over Boards.

$88.20

Paul Perlmutter: A Century of His Art .

By Laurie Perlmutter Corn.

Privately Printed, 2004. Paperback First Edition (2004), unstated. Very Near Fine in Wraps: shows only the most minute indications of use: just a small, grease stain at the lower front panel; else flawless. The binding is square and secure; the text is clean. Free of any creases to the covers. Free of underlining, hi-lighting, notations, or marginalia. Free of creased or dog-eared pages in the text. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome very nearly-new copy, structurally sound and tightly bound, showing a single, minor, unobtrusive flaw. Virtually 'As New'. NOT a Remainder, Book-Club, or Ex-Library. Folio (12 x 9.1 x 0.5 inches). 140 pages. Profusely illustrated, mostly with plates of Perlmutter's work and almost all of these are in color. A handful of duotone vintage photographs are included in the short biographical section early in the text. Language: English. Weight: 1 pound, 11.5 ounces. First Edition (2004), unstated. Paperback: Pictorial Wraps.

$196.00

R. Crumb Sketchbook, Vol. 1: 1964 to mid-1965.
stock photo

R. Crumb Sketchbook, Vol. 1: 1964 to mid-1965.

By R. Crumb.

Seattle, WA Fantagraphics Books, 1992. Paperback First Edition Thus (1992), First Printing indicated by a complete numerical sequence. First Edition Thus (1992), First Printing indicated by a complete numerical sequence. Fine in Wraps: flawless; the binding is square and secure; the text is clean. Free of any creases to the covers. Free of underlining, hi-lighting, notations, or marginalia. Free of creased or dog-eared pages in the text. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome like-new copy, structurally sound and tightly bound, showing no flaws. Bright and Clean. Virtually 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 4to. (11 x 8.5 x 0.65 inches). 176 pages. Language: English. Weight: 1 pound, 8 ounces. Paperback: Pictorial Wraps. This is a large book. Domestic Priority customers should expect a request for additional shipping charges which will reflect the actual shipping cost to ship this book to your destination. We will be fair with you; we will charge actual cost plus the usual few cents to cover packaging costs. International customers will not be asked to pay more than the quoted shipping charge.

$49.00

Isamu Noguchi: Space of Akari and Stone.
stock photo

Isamu Noguchi: Space of Akari and Stone.

By Isamu Noguchi.

San Francisco, CA Chronicle Books, 1986. Paperback First Edition USA (1986), First Printing indicated by a complete numerical sequence. First Edition USA (1986), First Printing indicated by a complete numerical sequence. Very Near Fine in Wraps: shows only the most minute indications of use: just a hint of wear to the extremities; the very mildest rubbing to the panels. The binding leans very slightly off square, while remaining perfectly secure. Free of any creases to the covers. Free of underlining, hi-lighting, notations, or marginalia. Free of creased or dog-eared pages in the text. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome copy, structurally sound and tightly bound, showing the mildest wear and a single unobtrusive flaw. Bright and Clean. Very close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. Folio (13.4 x 10.2 x 0.45 inches). 103 pages, including an essay by Isozaki and "The Meaning of Akari" by Noguchi. Catalogue of the exhibition held at the Seibu Museum of Art, February 9-20, 1985. Additional essays by Takahiko Okada and Arata Isozaki; list of works and biographical chronology. Originally published in Japan in 1985 (under title: Isamu Noguchi Ten, Akari to Ishi no Kukan). Profusely illustrated, many in full color. Originally published in Japan by the Seibu Museum of Art. Paperback: Heavy Pictorial Wraps with DJ-like flaps. Offers a fresh look at one of the most creative and influential artists of the postwar era. This handsomely designed volume presents: A thorough survey of the artist's life and work.

$39.20

Dwight Davidson: Sculptures Ceramiques (Bilingual English-French Edition).

By Francois Bruneau.

Paris, France Francois Bruneau: Galerie Epona , 1997. Paperback Fine in Wraps: flawless; the binding is square and secure; the text is clean. Free of any creases. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome, like-new copy, showing no flaws. Bright and Clean. Virtually 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 8vo. (8.3 x 8.3 x 0.1 inches). 12 pages. Language: English & French. Weight: 3.3 ounces. Paperback: Staple-bound Wraps.

$24.50

Jean Dubuffet (Modern Masters of the Twentieth Century).

By Michelle Bryan and Anne Chapman.

Aspen, CO Galerie Maximillian, 2006. Paperback First Edition (2006), unstated. Very Near Fine in Wraps: shows only a hint of wear to the bottom edge of the rear panel; else flawless; the binding is square and secure; the text is clean. Free of any creases. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome, nearly-new copy, showing only the very mildest wear at one spot. Bright and Clean. Virtually 'As New'. NOT a Remainder, Book-Club, or Ex-Library. Oblong 8vo. (8.5 x 11 x 0.4 inches). 94 pages. Profusely illustrated with Color Photography by Brent Bingham. Language; English. Weight: 17.6 ounces.Paperback: Pictorial Wraps.

$14.70

Amado Maurilio Pena, Jr.

By Howard L. Anderson and Robert S. Young .

Albuquerque, NM Robert Stephan Young, 1981. Hardcover First Edition (1981), so stated. SIGNED AND DATED BY THE ARTIST IN BOULDER, COLORADO IN 1983. First Edition (1981), so stated. Very Good+ to Near Fine in Good DJ: The Book shows indications of very careful use; just a touch of shelf soiling to the white buckram over boards at the bottom edge of the front panel; a mild bump to the outside edge of the same; else flawless; the binding is square and secure; the text is clean. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome, lightly used copy, structurally sound and tighly bound, showing a couple of minor flaws. The DJ shows moderate wear to the extremities, with a 10" closed tear across the front panel (which has been repaired with cellophane 'magic' tape from verso) and several short, closed tears; considerable rubbing to the panels; unclipped. Overall, remains whole, with the help of the tape, but is not much more than functional at this point. NOT a Remainder, Book-Club, or Ex-Library. Squarish 4to. (11.35 x 11.5 x 1 inches). ix, 215 pages. Language: English. Weight: 3 pounds, 7.5 ounces. Hardback with DJ. Amado Peña is recognized as an Artisan of the Pascua Yaqui Tribe of Arizona. This is a particularly high honor and one that he cherishes. He is dedicated to furthering the public's knowledge and interest in the Tribe, its art, its history, and its culture. His art celebrates the strength of a people who meet the harsh realities of life in an uncompromising land and his work is a tribute to the Native Americans who survive by living in harmony with an adversarial, untamed environment. His artwork is inspired by places such as Canyon de Chelly, Spider Rock, Monument Valley, Enchanted Mesa, Acoma, and Black Mesa. These sites are part of an enduring landscape that speaks of the ancient heritage of a region that is now known as Arizona and New Mexico. Amado's artwork is defined by its bold color and form and dynamic composition. Through his art, he communicates his vision of a land, its people and their art. SIGNED AND DATED BY THE ARTIST IN BOULDER, COLORADO IN 1983.

$24.50

Simon Michael: The Man, The Artist, The Teacher.

By Dorothy Cosper Kucera.

Rockport, TX Simon Michael School & Gallery of Fine Art , 1988. Hardcover First Edition [1988], so stated. First Edition [1988], so stated. Very Good+ in Very Good+ DJ: The Book shows only minute indications of use: some faint dampstaining to the outside portion of both panels (no other signs of exposure to moisture and no mildew odor present); the binding leans very slightly, but remains perfectly secure; the text is clean. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome copy, structurally sound and tighly bound, showing only a couple of minor flaws. Close to 'As New'. The DJ shows light wear to the extremities; very mild rubbing; closed tears, with attendant creases near the top and bottom of the front hinge; unclipped; mylar-protected. No longer 'As New', but remains close to it. NOT a Remainder, Book-Club, or Ex-Library. Large Format 4to (11.3 x 8.65 x 0.5 inches). 79 pages. Eleven Full-page Full-Color plates, a photographic portrait of the artist in color, and numerous black & white plates. Language: English. Weight: 1 pound, 8.5 ounces. Hardback with DJ.

$63.70

Beryl Cook's New York.

By Beryl Cook .

London, UK John Murray Publishers, 1985. Hardcover First Edition (1985), so stated. First Edition (1985), so stated. Very Good+ in Very Good+ to Near Fine DJ: Book shows indications of careful use: a tiny nick at the bottom edge of the front panel; minimal shelving wear along the bottom edge of the boards; the binding leans ever so slightly, while remaining perfectly secure; the text is clean. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome, nearly-new copy, structurally sound and tightly bound, showing some minor flaws. The DJ shows only the mildest rubbing and very faint soiling to the rear panel, and the price has been clipped; mylar-protected. NOT a Remainder, Book-Club, or Ex-Library. 4to. (10.35 x 7.9 x 0.55 inches). 56 pages. Language: English. Weight: 1 pounds. 0.7 ounces. Hardback with DJ.

$7.64

Ivo Vojvodic.

By Vinko Zlamalik.

Zagreb, Croatia Society of Croatian Art Historians, 1991. Hardcover Very Near Fine in Near Fine DJ: The Book shows just a touch of shelving wear to the lower extremities; else flawless; the binding is square and secure; the text is clean. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome, nearly-new copy, showing a single unobtrusive flaw. The DJ shows only the mildest rubbing to the panels; else flawless. Virtually 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 4to. (11.3 x 9 x 0.75 inches). 195 pages. 52 Color plates and 97 black & white reproductions, as well as numerous photographs from the artist's life. Language: Croatian. Weight: 2 pounds, 9 ounces. Society of Croatian Art Historians, Book LII. Hardback with DJ.

$63.70

Pebble Beachscapes.

By Van Megert .

Lahaina, Maui, Hawaii Limited Editions Press: A Coast Publishing Book, 1999. Hardcover SIGNED BY THE AUTHOR/ARTIST VAN MEGERT. Very Near Fine in Very Near Fine DJ: The Book has a blue sewn-in silk place marker, which shows a little fraying at the tip; else flawless; the binding is square and secure; the text is clean. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome, nearly-new copy, showing a single, very minor flaw. Very close to 'As New'. The DJ shows only the mildest rubbing and a hint of soiling to the white background field of the panels; else flawless; unclipped. Virtually 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 4to. (10.5 x 11.7 x 0.65 inches). Reproductions of 24 paintings in full color. Errata sheet laid in. Language: English. Weight: 2 pounds, 2 ounces. Hardback with DJ. Paintings and commentary of the renowned golf resort, Pebble Beach, California, by one of California's most celebrated landscape painters. SIGNED BY THE AUTHOR.

$39.20

The Art of Pamela Kay.
stock photo

The Art of Pamela Kay.

By Michael Spender.

Newton Abbot, Devon, UK David & Charles, 1993. Hardcover First Edition [1993], so stated. First Edition [1993], so stated. Fine in Fine DJ: The Book is flawless; the binding is square and secure; the text is clean. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. Pristine: Virtually 'As New'. The DJ is also flawless; the price is unclipped; mylar-protected. As New. NOT a Remainder, Book-Club, or Ex-Library. Oblong 4to. (9.75 x 10.85 x 0.65 inches). 128 pages. Profusely illustrated, almost entirely with plates in color and with a smattering of black & white drawings. Decorated Endpapers. Weight: 2 pounds, 0.5 ounces. Hardback with DJ. Pamela Kay is known for her regular appearances in national painting magazines and the Royal Academy's Summer Exhibitions. She first exhibited at the Royal Academy at the age of 19, and her popular appeal is such that, in the years when a prize was awarded by the Royal Watercolour Society to the artist whose painting was voted best by the public, she won every year. This celebration of Pamela Kay's life and work includes more than 100 of her paintings, covering still life, gardens, flowers and interiors.

$44.10

Next >