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Museum of the Bargello: Guide to the Collections.

By Bruna Tomasello.

Florence, Italy Editrice Giusti di Becocci and SCALA, 1991. Paperback First Edition (1991), unstated. Very Near Fine in Wraps: shows only the most minute indications of use: just a hint of wear to extremities; the very mildest rubbing to the panels; former owner's address label affixed to the upper corner of the inside of the front cover; the binding leans ever so slightly off square, but remains perfectly secure; the text is clean. Free of creases to the panels. Free of creases to the backstrip. Free of creased or dog-eared pages in the text. Free of any underlining, hi-lighting or marginalia or marks in the text. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome, nearly-new copy, structurally sound and tightly bound, showing very minor flaws only. Bright and Clean. Corners Sharp. Very close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 4to. (10.5 x 7.15 x 0.35 inches). 128 pages. Profusely illustrated with photographs in color. Introduction by Giovanna Gaeta Bertela, Director of the Museum. Translated by Anthony Brierley. Language: English. Weight: 19.1 ounces. First Edition (1991), unstated. Paperback: Pictorial Wraps.

$24.50

M : The Man Who Became Caravaggio.
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M : The Man Who Became Caravaggio.

By Peter Robb .

New York, NY Henry Holt: Picador USA, 2001. Paperback First Edition Thus (2001), First Printing indicated by a complete numerical sequence. First Edition Thus (2001), First Printing indicated by a complete numerical sequence. Very Near Fine in Wraps: shows only very slight tanning to pages; else flawless; the binding is square and remains perfectly secure; the text is clean. Free of creases to the panels. Free of creases to the backstrip. Free of creased or dog-eared pages in the text. Free of any underlining, hi-lighting or marginalia or marks in the text. Free of ownership names, dates, addresses, notations, inscriptions, stamps, or labels. A handsome, nearly--new copy, structurally sound and tightly bound, showing a single, unobtrusive flaw. Bright and Clean. Corners Sharp. Very close to 'As New'. NOT a Remainder. NOT a Book-Club Edition. NOT an Ex-Library copy. 8vo. (8.25 x 5.5 x 1.25 inches). 592 pages. Language: English. Weight: 1 pound, 3 ounces. Trade Paperback.

$10.00

German Expressionist Sculpture.

By Stephanie Barron (Curator).

Los Angeles, CA Los Angeles County Museum of Art, 1983. Paperback First Edition Thus (1983), not directly stated, but First Printing indicated by a complete numerical sequence. First Edition Thus (1983), not directly stated, but First Printing indicated by a complete numerical sequence. Very Good+ to Near Fine in Wraps: shows indications of very careful use: just a touch of wear to front corner tips and a faint crease near the upper front corner; mild rubbing to wrapper covers; faint sunning to the blue background field of the backstrip (the gilt titles thereon remain clearly legible); the binding leans ever so slightly, but remains perfectly secure; the text is clean. Free of creases to the backstrip. Free of creased or dog-eared pages in the text. Free of underlining, hi-lighting, notations, or marginalia. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome, close-to-new copy, structurally sound and tightly bound, showing very mild wear and a couple of unobtrusive cosmetic flaws. Bright and Clean. After twenty years, still has that pleasant "New Book' scent. Very close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 4to. (11.75 x 8.9 x 0.65 inches). 224 pages. Profusely illustrated, mostly in black & white, but a few color plates. Richly illustrated with colour plates, accompanied by scholarly texts and documentary sources. Includes: Alexander Archipenko, Ernst Barlach, Max Beckmann, Rudolf Belling, Conrad Felixmuller, Otto Freundlich, Herbert Garbe, Otto Gutfreund, Erich Heckel, Paul Rudolf Henning, Oswald Herzog, Bernhard Hoetger, Joachim Karsch, Ernst Ludwig Kirchner, Karl Knappe, George Kolbe, Kathe Kollwitz, Wilhelm Lehmbruck, Gerhard Marcks, George Minne, Albert Muller, Emil Nolde, Max Pechstein, Hermann Scherer, Egon Schiele, Karl Schmidt-Rottluff, Martel Schwichtenberg, Franz Seiwert, Renee Sintenis, Milly Steger, Christoph Voll, William Wauer, and Ossip Zadkine. Edited by Barbara Einzig, Lynn Dean, and Andrea P.A. Bellotti. Language: English. Weight: 2 pounds, 4 ounces. Paperback: Pictorial Wraps. Catalogue of an exhibit organized by the Los Angeles County Museum of Art and also held at the Hirshhorn Museum and Sculpture Garden and at Kunsthalle Köln.

$14.70

Italian Painting 1200-1600.

By Ernest T. DeWald.

New York, NY Holt, Rinehart & Winston , 1961. Hardcover First Edition (1961); Seventh Printing. Very Good: shows light wear to the extremities; mild rubbing to the panels; moderate spine lean; foxing to the top edge of the text block. The binding is secure; the text is clean. Free of creased or dog-eared pages in the text. Free of underlining, hi-lighting, notations, or marginalia. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A lightly used reading copy, structurally sound and tightly bound, showing moderate wear and unobtrusive cosmetic flaws. Cean, sturdy, and quite presentable. NOT a Remainder, Book-Club, or Ex-Library. 8vo. (9.5 x 6.75 x 1 inches). x, 613 pages. Profusely illustrated in black & white. Endpaper Maps. Language: English. Weight: 2 pounds, 7.5 ounces. First Edition (1961); Seventh Printing. Hardback: Lacks DJ.

$3.92

Neo-Classicism.

By Hugh Honour, .

New York, NY Harper & Row, Publishers, 1977. Paperback First Edition (1968); Sevenrth Printing, with revisions incorporated in 1977. This printing (1983). Very Good+ in Wraps: shows indications of very careful use: very light wear to the extremities; a small stain at the bottom corner of the front panel and faint creases to the bottom corner tip of the rear panel; just a hint of rubbing to wrapper covers; the binding leans ever so slightly, but remains perfectly secure; the text is clean. Free of creases to the backstrip. Free of any creased or dog-eared pages in the text. Free of any underlining, hi-lighting or marginalia or marks in the text. Free of ownership names, dates, addresses, notations, inscriptions, stamps, or labels. A handsome copy, structurally sound and tightly bound, showing mild wear and minor, unobtrusive flaws. Bright and clean. Remains close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 8vo. (7.75 x 5.1 x 0.5 inches). 221 pages. Front panel depicts a detaill from "The Death of Marat" by David. Language: English. Weight: 9.5 ounces. Style and Civilization Series. First Edition (1968); Sevenrth Printing, with revisions incorporated in 1977. This printing (1983). Trade Paperback.

$7.64

The Mind of Leonardo da Vinci.

By Edward McCurdy.

New York, NY Dodd Mead & Company, 1940. Hardcover First Edition (1928); later printing (1940). Very Good: shows light wear to the extremities; mild rubbing; faint toning around the outside edges of the panels and to the backstrip; a couple faint soil spots; former owner's gift inscription at the front free endpaper; the binding is square and secure; the text is clean. Free of any creased or dog-eared pages in the text. Free of any underlining, hi-lighting or marginalia or marks in the text. A carefully used copy, structurally sound and tighly bound, showing mild wear and minor flaws. Clean, sturdy, presentable. NOT a Remainder, Book-Club, or Ex-Library. 8vo. (8.7 x 6.1 x 1.75 inches). 360 pages. Sixteen duotone illustrations, mostly of Leonardo's drawings from his Notebooks, scattered throughout the text. Language: English. Weight: 1 pound, 12.7 ounces. Deckle Fore-Edge. First Edition (1928); later printing (1940). Hardback: Lacks DJ.

$14.70

More Dialogues on Art.

By Edouardo Roditi.

Santa Barbara, CA Ross Erikson, 1984. Paperback First Edition Thus (1984); unstated. Good+ in Wraps: shows indications of moderate use: wear to the extremities; mild rubbing to the panels; faint soiling to the white background field of the rear panel the outside corners of which show faint creases; faint smudging and soiling to the outside edges of the text block; the binding is square and secure; the text is clean. Free of any underlining, hi-lighting or marginalia or marks in the text. Free of ownership names, dates, addresses, notations, inscriptions, stamps, or labels, though there is a phone number at the back of the front endpaper. A structurally sound, tightly bound reading copy with a clean text. NOT a Remainder, Book-Club, or Ex-Library. 8vo. (9 x 6 x 0.5 inches). 176 pages. Sparsely illustrated in black & white. Language: English. Weight: 10.5 ounces. First Edition Thus (1984); unstated. Trade Paperback.

$9.41

Painting and Experience in Fifteenth-Century Italy: A Primer in the Social History of Pictorial Style.
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Painting and Experience in Fifteenth-Century Italy: A Primer in the Social History of Pictorial Style.

By Michael Baxandall .

New York, NY Oxford University Press, 1988. Paperback Second Edition (1988). First published in 1972 and the first paperback editon was published in 1974. Very Near Fine in Wraps: shows only the faintest thumbing at the fore-edge; else flawless; the binding is square and secure; the text is clean. Free of creases to the covers. Free of creases to the backstrip. Free of creased or dog-eared pages in the text. Free of any underlining, hi-lighting or marginalia or marks in the text. Free of ownership names, dates, addresses, notations, inscriptions, stamps, or labels. A very nearly-new copy, structurally sound and tightly bound, showing a single unobtrusive flaw. Very close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 8vo. (8 x 5.35 x 0.45 inches). 183 pages. Liberally illustrated with duotone plates and drawings. A slick-paper production. Language: English. Weight: 9.6 ounces.Oxford Paperbacks Series. Second Edition (1988). First published in 1972 and the first paperback editon was published in 1974. Academic Press Paperback.

$9.41

The Symbolism of Paul Gauguin: Erotica, Exotica, and the Great Dilemmas of Humanity.
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The Symbolism of Paul Gauguin: Erotica, Exotica, and the Great Dilemmas of Humanity.

By Henri Dorra.

Berkeley, CA University of California Press;, 2007. Hardcover First Edition (2007), not directly stated, but First Printing indicated by a complete numerical sequence, according to UC Press's customary practice at the time of publication. Very Near Fine in Fine DJ: The Book shows only minute indications of use: a small, faint area of discoloration at the top edge of the rear panel; else flawless; the binding is square and secure; the text is clean. Free of creased or dog-eared pages in the text. Free of underlining, hi-lighting, notations, or marginalia. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome, very nearly-new copy, structurally sound and tightly bound, showing a single, unobtrusive cosmetic flaw. Virtually 'As New'. The DJ is flawless; unclipped; mylar-protected. Virtually 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 4to. (10.3 x 8.35 x 1.2 inches). xvii, 361 pages. Foreward by Richard R. Brettell and an Afterward by Gabriel P. Weisberg. Profusely illustrated in color and black & white. Language: English. Weight: 3 pounds, 1.4 ounces. First Edition (2007), not directly stated, but First Printing indicated by a complete numerical sequence, according to UC Press's customary practice at the time of publication.

$34.30

Lives of the Painters, Volume 1: Late Gothic to High Renaissance.

By John Canaday.

New York, NY W.W. Norton & Company, 1969. Hardcover First Edition (1969); First Printing indicated by a complete numerical sequence. First Edition (1969); First Printing indicated by a complete numerical sequence. Very Good+: shows very light wear to the extremities and the mildest rubbing; a faint patch of soiling at the lower front panel and a couple of soil spots on the front endpapers; faint sunning to the backstrip, reducing the brightness of the gilt titles thereon. The binding is square and secure; The text is clean. Free of underlining, hi-lighting, notations, or marginalia. Free of creased or dog-eared pages in the text. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome copy, structurally sound and tightly bound, showing minor flaws. Remains close to 'As New', with bright, clean text pages. NOT a Remainder, Book-Club, or Ex-Library. 8vo. (9.5 x 6.5 x 1.35 inches). xi, 352 pages. Aqua linen cloth over boards. Language: English. Weight: 1 pound, 13.8 ounces. Hardback: Lacks DJ.

$9.41

Ruskin's Modern Painters.

By John Ruskin.

London, UK George Bell & Sons, 1927. Hardcover First Edition (1927), unstated in accordance with Bell & Sons customary practice. First Edition (1927), unstated in accordance with Bell & Sons customary practice. Very Good in Good DJ: The Book shows just a touch of wear to the extremities; the slightest spine lean; a thin line of sunning to both the bottom and top of the the panels and backstrip. The binding remains perfectly secure; the text is clean. The DJ shows brittle chips at the extremities; the backstrip is sun-toned and the titles thereon are definitely muted, but are still legible; the price has been clipped; mylar-protected. Serviceable, but flawed. NOT a Remainder, Book-Club, or Ex-Library. 12mo. (7.3 x 5 x 1.35 inches). xxv, 344 pages. Abridged and Edited by A.J. Finberg. Profusely illustrated with duotone slick-paper prints. Language: English. Weight: 1 pound, 5 ounces. Hardback with DJ.

$34.30

Rodin's Thinker and the Dilemmas of Modern Public Sculpture.

By Albert Edward Elsen.

New Haven, CT Yale Univ Press, 1985. Paperback First Edition Thus (1985); First Printing indicated by a complete numerical sequence. First Edition Thus (1985); First Printing indicated by a complete numerical sequence. Very Good+ in Wraps: shows indications of very careful use: just a hint of wear to the extremities; mild rubbing to the wrapper covers; a very faint crease just below the top of the front panel; the binding leans very slightly off square, but remains perfectly secure; the text is clean. Free of creased or dog-eared pages in the text. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome copy, structurally sound and tightly bound, showing only mild wear, and possessing a couple of minor, unobtrusive flaws. Bright and Clean. Remains close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 8vo. (8.15 x 7.2 x 0.5 inches). xiv, 175 pages. Liberally illustrated with duotone photographs. Language: English. Weight: 14.3 ounces. University Press Paperback.

$7.06

Vincent Van Gogh on England: From His Letters.

By V.W. Van Gogh, M.E. (Editor).

Amsterdam, Netherlands N.V.'t Lanthuys, 1968. Paperback First Edition (1968), unstated. Very Good+ to Near Fine in Wraps: shows indications of very careful use: just a touch of wear to the extremities; mild rubbing to wrapper covers; a couple of tiny soil spots; the binding is square and secure; the text is clean. Free of creases. Former owner's short, neat gift inscription at the front flyleaf. A handsome copy, showing only the mildest wear and a single flaw. Very close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 4to. (10.15 x 8.35 x 0.7 inches). 129 pages. Liberally illustrated with artwork (only a few by Vincent), photographs, portraits, etc. Language: English. Weight: 1 pound, 7 ounces. Paperback: Pictorial Wraps.

$10.98

The Rene Von Schleinitz Collection of the Milwaukee Art Center: Major Schools of German Nineteenth-Century Popular Painting.

By Rudolf M. Bisanz .

Milwaukee and Madison, WI Milwaukee Art Museum / The University of Wisconsin Press, 1980. Hardcover First Edition [1980]; First Printing, so stated. First Edition [1980]; First Printing, so stated. Very Near Fine in Very Good+ DJ: The Book shows only minute indications of use: the binding leans very slightly (common in elongated books like this one), but remains perfectly secure; a couple of tiny, very faint spots to the ourside edges of the text block; else flawless; the text is clean. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. The DJ shows light wear to extremities, with several small to tiny nicks and tears; mild rubbing; faint soiling; sparse foxing to the upper corner of the front panel; unclipped. No longer 'As New', but remains close to it in a mildly worn DJ. NOT a Remainder, Book-Club, or Ex-Library. Oblong 8vo. (8.75 x 11.4 x 1.1 inches). 293 pages. Weight: 3 pound, 11 ounces. The Text is in English. Hardback with DJ.

$24.50

The Italian Painters of the Renaissance.

By Bernard Berenson.

New York, NY Meridian Books, 1957. Paperback First Edition Thus [1957], Fifth Printing [1960]. Good+ in Wraps: shows indications of moderate use: considerable spine lean; very light wear to the extremities; mild rubbing to the wrapper covers; faint sunning and a very light dampstain to the backstrip (the author's name is severely blanched, but the black titles thereon remain unaffected: bold and clearly legible). The binding remains secure; text ext is clean. Free of ownership names, dates, addresses, notations, inscriptions, stamps, or labels. A clean, sturdy, presentable copy, showing some use, but still with plenty of life left. NOT a Remainder, Book-Club, or Ex-Library. 12mo. (7.1 x 4.25 x 0.75 inches). viii + 340 p. + [2] p. publisher's catalogue; 16 full-page duotone plates. Weight: 10.5 ounces. First Edition Thus [1957], Fifth Printing [1960]. Original Wraps. Mass Market Paperback. A Collection of essays originally published in four separate volumes: The Venetian Painters (1894); The Florentine Painters (1896); The Central Italian Painters (1897); and The North Italian Painters and The Decline of Art (1907). Includes Berenson's preface to the first edition of Venetian Painters.

$10.00

David Teniers the Younger.

By Jane P Davidson .

Boulder, CO Westview Press, 1979. Hardcover First Edition [1979], unstated in accordance with Westview's customary practice. First Edition [1979], unstated in accordance with Westview's customary practice. Near Fine in Good only DJ: The Book shows only mild shelving wear along the bottom edge of the rust-toned cloth over boards; a bit of faint dusting to the upper corners of the front panel; the binding is square and secure; the text is clean. Free of ownership names, dates, addresses, notations, inscriptions, stamps, or labels. The DJ shows some loss to large chips at the upper corners of the front panel; a closed (repaired from the back side with cellophane tape); moderate rubbing to the panels and outside edges; unclipped. Lovely book in a well-worn DJ. NOT a Remainder, Book-Club, or Ex-Library. 4to. (10.25 x 7.35 x 0.7 inches). xiii, 142 pages. Illustrated with 48 plates, six in color. Dark maroon boards with bright gilt spine lettering. Weight: 1 pound, 6.8 ounces. Hardback with DJ.

$29.40

Progress in Art.

By Suki Gablik .

New York, NY Rizzoli International Publications, 1979. Hardcover First Edition Thus in USA [1979]; unstated. The copyright date is 1976; the Rizzoli hardcover editon appeared in 1977. Very Good in Wraps: shows indications of careful use: slight spine lean; light wear to extremities; mild rubbing to the wrapper covers; faint overall soiling to the white background field of the wrapper covers; the binding is secure; the text is clean. Free of ownership names, dates, addresses, notations, inscriptions, stamps, or labels. No longer 'As New', but remains clean, sturdy, presentable. NOT a Remainder, Book-Club, or Ex-Library. 8vo. (9.45 x 6.25 x 0.6 inches). 192 pages. Weight: 16.7 ounces. First Edition Thus in USA [1979]; unstated. The copyright date is 1976; the Rizzoli hardcover editon appeared in 1977. Trade Paperback.

$8.23

Enjoying Paintings.

By David Piper, (Editor) .

Baltimore, MD Penguin Books: Pelican , 1964. Paperback First Edition Pelican Original [1964], so stated. First Edition Pelican Original [1964], so stated. Near Fine in Wraps: shows only the most minute indications of use: just a hint of wear to the extremities; toning - or dust dulling - at the backstrip (the titles thereon remain bold and clearly legible. The binding is ever so slightly cocked, but remains secure; the text is clean. Free of ownership names, dates, addresses, notations, inscriptions, stamps, or labels. Very close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 8vo. (7.75 x 5.1 x 0.6 inches). 243 pages. Introduction by the Editor. Profusely illustrated in black & white. Shipping Weight: 11 ounces. Trade Paperback.

$9.41

Transformations in Late Eighteenth Century Art.
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Transformations in Late Eighteenth Century Art.

By Robert Rosenblum .

Princeton, NJ Princeton University Press, 1974. Paperback First Edition Thus [1967], Third Printing [1974]. Near Fine in Wraps: shows only the most minute indications of use: just a hint of rubbing; a former bookseller price sticker at the upper corner of the front endpaper; the price has been neatly blocked out at the upper corner of the front panel; else flawless. The binding is square and secure; the text is clean. Free of ownership names, dates, addresses, notations, inscriptions, stamps, or labels. No longer absolutely pristine, but remains very close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 8vo. (9.25 x 6 x 0.75 inches). 344 pages. First Edition Thus [1967], Third Printing [1974]. Shipping Weight: 1 pound, 4 ounces. University Press Paperback.

$8.23

Beyond Modernism: Essays on Art from the 70s and 80s.
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Beyond Modernism: Essays on Art from the 70s and 80s.

By Kim Levin .

Cambridge, UK Harper & Row: Icon Editions, 1988. Hardcover First Edition [1988]; First Printing indicated by a complete number line. First Edition [1988]; First Printing indicated by a complete number line. Very Near Fine in Very Near Fine DJ: Both book and DJ show only minute indications of use: The book shows just a hint of spine lean, a couple of barely discernible smudges at the outside edges of the text pages; the binding remains perfectly secure; the text is clean. Free of ownership names, dates, addresses, notations, inscriptions, stamps, or labels. The DJ shows only very mild rubbing; the price is unclipped; mylar-protected. Overall, very close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 8vo. (9.3 x 6.25 x 1.2 inches). xiv, 258 pages. 44 black & white illustrations. Notes. 29 essays. 1 pound, 5 ounces. Hardback with DJ. Topics include Duchamp, the Spiral Jetty, Eva Hesse, Laurie Anderson, Jonathan Borofsky, Video Art, Julian Schnabel, Warhol, and more.

$11.96

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