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    Apraksin Blues - No. 14 - "Another Game" (2007) [RUSSIAN-LANGUAGE ARTS JOURNAL] by Tatyana Apraksina, John Dotson, Olga Meerson, Marina Unksova, Albert Einstein, James Mantieth, Pablo Tisdeia, N. Serov, Alexander Markovich, and Franz Kamin, contributors

    Arroyo Seco, California: Apraksin Blues, 1995. A remarkable Russian-language arts journal, founded in September 1995 and edited by poet-painter Tatyana Apraksina. CONTENTS: Another Game (mondo blues) [Apraksina]; Connected Disconnectedness [Dotson]; Heart of Stone? What Is It? [Meerson]; Nonconformism and Modernity [Unksova]; Religion and Science: Irreconcilable? [Einstein]; Civilized Garden [Mantieth]; Blues Unloving the Blues [Tisdeya]; Ritual Palette of Red Girls [Serov]; West-Eastern Cross [Apraksina]; Trinity Evolution in Three Revelations of Art [Markovich]; Like Alexander [Scriabin]'s Son [Kamin]; Other People [Apraksina]; Letters. 74 pages. CONDITION: a bright, tight, unmarked, uncreased Fine Minus copy with negligible shelf-wear, a small bend at the bottom-right corner of its page-block. This handsome copy is now in a clear, protective polypropylene bag with archival backing board.. Side-Stapled Wraps. Near Fine. Illus. by Tatiana Apraksina. 8.5" x 11". Journal.


    AUD $450.00

    Chine by CLAUDEL, Paul

    (Geneva): Skira, 1946. Hoppenot, Helene (photographer). First edition, printed in Geneva, on the press of master printer, Albert Kundig. Ten page introduction by Claudel followed by 80 full page photographic plates, heliograves "par roto-sadag". Beautiful French photobook. Rare. Folio; ivory stiff wrappers, mildly chipped, a near fine copy.



    Historia de las ideas estéticas en España desarrollo de las doctrinas estéticas durante el siglo XIX by Menéndez Pelayo, Marcelino

    Mexico, D. F.: Editorial Porrua, 1985. 629p., softcover, wraps lightly shelfworn, pages evenly toned.


    AUD $175.00

    An Attempt to Discriminate the Styles of Architecture in England From the Conquest to the Reformation by RICKMAN, Thomas

    London, 1835. Contains a wealth of information regarding practical and decorative details in the Roman, Norman and Medieval architecture of England. Fourth edition. Octavo, original half black calf, marbled boards, edges and endpapers, 340 pages + appendix and errata leaves, frontispiece, numerous engraved illustrations and diagrams throughout.



    Athens of the West / Pasadena Style by Antonucci, Dulcey, editor

    San Diego CA: TrizecHahn Development Corporation / City of Pasadena, 2000. Hardcover. 67p., profuse captioned color photography on high-gloss paperstock with scattered blocks of text; hardbound, a deliberately handsome production in 9.5 inch-square "debossed" linen boards and dust jacket (f.y.i., "debossing" googles, appears to mean crushing openweave texture to apply titling inks). Not quite finepress but pretty nice, one of only 300 copies. Dust jacket is badly torn and creased, casing is sound and clean except for a bookseller's pencillings on the glossy titlepage; in general, very good condition. Civic boosterism with an intellectual veneer: "As the 'Athens of the West', Pasadena is a city where philosophy combines with art and architecture to create an artisan utopia.. emigrants brought with them a desire to begin a settlement idealistically separate from the industrial cities of the time


    AUD $100.00

    The Sonnets of Michael Angelo Buonarroti by MICHELANGELO

    Maine: Thomas B. Mosher, 1909. Translated by Renaissance scholar, John Addington Symonds, Michelangelo's sonnets possess their original vigour: IX THANKS FOR A GIFT Al zucchero, alla mula The sugar, candles, and the saddled mule, Together with your cask of malvoisie, So far exceed all my necessity That Michael and not I my debt must rule. In such a glassy calm the breezes fool My sinking sails, so that amid the sea My bark hath missed her way, and seems to be A wisp of straw whirled on a weltering pool. To yield thee gift for gift and grace for grace, For food and drink and carriage to and fro, For all my need in every time and place, O my dear Lord, matched with the much I owe, All that I am were no real recompense : Paying a debt is not munificence. Fourth edition of 925 copies. Tall duodecimo, contemporary handsome polished gilt calf, marbled emdpapers ; bookplate and signature of Roy McWilliams, a little rubbed but essentially a fine copy.



    Becoming the Dance - Flamenco Spirit - Third Edition, Revised and Expanded by Teodoro "Teo" Morca

    Taos, New Mexico: Teodoro Morca, 2008. An authoritative, inspiring, and informative celebration of the art of flamenco, by one of its acknowledged masters. CONTENTS: The Roots of Teodoro Morca, The Roots of Flamenco, The Way, The Therapy and Essence of Flamenco, Flamenco Spirit - A Golden Thread, Zen and the Art of Flamenco, In Respect of Tradition, The Creative Process, Timeless Ongoing, Keeping Up with the Times; Technique, Craft and Art; Search for Individuality, In Search of Art, Are You a 'Flamingo' Dancer? Flamenco Anatomy, Anatomy of Flamenco Dance, Exercise - An Aesthetic Point of View, For the Dancer - Flamenco and Your Body, Flamenco for Non-Flamenco Dancers, Dancing with Control, Dancing and Age, Dance and Diet, Back to the Basics - The Inner and Outer of Flamenco, Becoming the Dance - Duende, Some Thoughts on the Dance, Learning Flamenco Outside of Spain, The Flamenco Workshop, The Morca Method of Flamenco and Spanish Dance, Beyond Compas, Seguiriyas - the Healer and Ultimate Exorcist, Alegrias - Joyous Concerto of Flamenco Dance, Bulerias - Viva Tu! Sevillanas - Arte, Aire y Gracia; Soleares - Arte Grande, La Farruca de Verdad - Inspiration of Earth and Sky, Listening to Flamenco, Interpreting the Cante in Flamenco Dance, Contra-Tiempo - Rhythm's Life Force, The Power of Subtlety, Footwork - from Noise to Art: "When you speak, say something." The Art of Jaleo, Castanets, Costumes and the Dance, Wood that Laughs - Strings that Cry: the Flamenco Guitar, Choreography, From an Audience Point of View, Flamenco in Concert, Fusion and Confusion, Touring Flamenco, Pilar Lopez, Touring Spain and Fine Experiences, Dancing in the Caves of Nerja, Flamenco Can Happen When You Least Expect It, Cafe Chinitas - An Experience in Spain, Shoemakers Are Artists Too, Becoming Professional - Being Professional, Inspiration - Carmen Amaya, Then and Now, The Many Other Faces of Spanish Dance, Exploring Another Dance Style, Creation of a Style, Flamenco Glossary, About the Author, Other Books by Teo Morca. CONDITION: a pristine, uncompromised new copy - now in a clear, protective polypropylene bag. Third Edition, Revised and Expanded. Large Softcover. New (Very Fine). 8.5" x 11".


    AUD $250.00

    Hardy Wilson and his Old Colonial Architecture by [WILSON, Hardy] PEARL, Cyril

    Melbourne: Thomas Nelson, 1970. Many of the plates in this book originally featured in Wilson's "Old Colonial Architecture in New South Wales and Tasmania", a legendary work in Australian architectural history, now a rare and desirable volume. Folio, 47 full-page plates; cream boards, previous owner's inscription on front endpaper and dust-jacket thumbed, else a fine copy in the original quarter cloth.



    Apraksin Blues - Greatest Hits in Translation: The Twentieth Century, Volume One (1995-96) [ARTS JOURNAL] by Tatyana Apraksina, James Mantieth, Julian Kachalin, Liu Zhenxao, Alan Tavitkian, Gabriella Komleva, Irina Yelcheva, Fiegl Miegl, and Paulina Krilova, contributors

    Seaside, California: Apraksin Blues, 2002. A remarkable Russian-language arts journal, founded in September 1995 and edited by poet-painter Tatyana Apraksina. This issue reprints previously-issued material in excellent English translations by James Weslet mantieth CONTENTS: See accompanying scan image of the Table of Contents __ pages. CONDITION: a bright, tight, unmarked, uncreased copy with minimal shelf-wear - now in a clear, protective polypropylene bag with archival backing board.. Stapled Wraps. Fine. Illus. by Tatiana Apraksina. 8.5" x 11". Journal.


    AUD $35.00

    The Most Noble Art of them All. The Selected Writings of Laurie Thomas by THOMAS, Laurie

    St. Lucia: University of Queensland Press, 1976. First Edition. Introduction by Charles Blackman and John Olsen. Essays on art and its role in Australian society. Small quarto, original purple papered boards, nice clean copy with the dust-jacket, near fine.



    Principes de l'Architecture, de la Sculpture, de la Peinture, et des autres Arts qui en Dependent. Avec un Dictionnaire des Termes propres à chacun de ces Arts by FÉLIBIEN (André):

    Paris: Chez Jean-Baptiste Coignard..., 1676. FIRST EDITION. 4to, pp. [xxiv], 795 [796 blank], 65 full-page engraved plates, 3 engraved head-pieces, p. 295 mis-numbered as 695, clean tear in pp. 3M3 (pp. 461 - 462), occasional annotation in pencil, handsomely rebound in full 17th century style panelled calf, raised bands within gilt rules across spines, title blocked in gilt, marbled end-papers; margins a little age-darkened, but generally a fine copy. Félibien (1619 - 1695) was one of the most important French architects and aestheticians in 17th century France. He had earlier published Entretiens sur Les Vies et sur Les Ouvrages des plus excellentes Peintres Ancien et Modernes (1666 - 1668), as well as Conferences de l'Academie Royale de Peinture et de Sculpture (translated into English in 1740) and Origine de la Peinture (1660). The first part of the book, consisting of three chapters of unequal length, cover the principles of architecture, sculpture, and painting, while the second part is a dictionary of the correct terms to be used in those subjects, as well as other arts which depend on them.


    AUD $1,750.00


    Paris: Editions Surréalistes, 1937. Signed and dated by the artist 'Salvador Dali 1958'. Dali completed his now famous oil painting 'The Metamorphosis of Narcissus' in 1937 after a long period working and touring in the United States. This is the poem that Dali composed while working on this iconic image, here published in a limited edition of 550 copies. The paper wrappers feature a photographic portrait by Cecil Beaton that further plays upon the theme self-reflection. The classical myth of Narcissus, wherein a thespian youth is unable to escape the beauty of his own reflection, held enduring appeal for Dali. For the surrealists, the myth was not merely a cautionary tale of vanity run riot but expressed a deeper metaphysical conundrum concerning the core of human consciousness. The paradox of the myth is that Narcissus was an innocent, unaware that he was staring at his own reflection. As a trope for consciousness creating itself from itself, the myth became a source of endless fascination for Dali, and this cyclical creative process forms the subject of his poem. Limited edition of 550 copies. Slim quarto, with one tipped colour plate and two in black & white; a little flaking of the spine, overall good condition.


    AUD $685.00

    La Philosophie de la Nature dans L'Art d'Extrême-Orient by PETRUCCI, Raphael

    Paris: Henri Laurens, 1910. Folio, full-page plates including four woodblocks in colour; contemporary cloth a little foxed. 'C'est sans doute par un effet de la mentalité particulière des Extrême-Orientaux que ~ le monde leur est apparu, non point comme un élément incomplet, soumis à leur orgueil par un créateur absolu, mais comme un ensemble frémissant dont la vie s'écoulait, avec ses subtilités, ses beautés et ses douleurs, dans une activité géante ~ mais nulle part cette idée n'a reçu d'expression plus magnifique, plus puissante, plus claire aussi et mieux ordonnée, que dans le bouddhisme.'.



    Apraksin Blues - Signal Edition # 10/18 "Inversion" (2002) [ARTS JOURNAL - ENGLISH EDITION] by Tatyana Apraksina, A.A Kurbanovsky, David K. Hugus, Michael Bogan, Margot Grych, and James Wesley Mantieth, contributors

    Monterey, California: Apraksin Blues, 2003. A remarkable Russian-language arts journal, founded in September 1995 and edited by poet-painter Tatyana Apraksina, this issue consisting of English translations from the June 2002 Russian edition by James Wesley Mantieth. CONTENTS: See accompanying scan image of the Table of Contents. 60 pages. CONDITION: a bright, tight, unmarked copy with negligible shelf-wear (creased only on the straight scored line adjacent to the binding staples). This handsome copy is now in a clear, protective polypropylene bag with archival backing board.. Side-Stapled Wraps. Fine. Illus. by Tatiana Apraksina. 8.5" x 11". Journal.



    Contemporary Dance in the Former Soviet Union [TEXT IN RUSSIAN ONLY] by Ekaterina Vasenina, Svetlana Ulanovskaya, Flyura Musina and Gulnara Saitova, Inta Balode, Vita Mozuraite and Elena Medina, Nazokat Klicheva, Lilia Cevastyanova, Vadim Gaevsky, Liubov Avdeyeva, Aleksandr Manshylin, and Kheili Einasto, contributors

    Moscow, Russia: Journal "Ballet" & Studio "Motion Design", 2013. One of a Limited Edition of 1,000 copies. This is an outstanding, revelatory overview of contemporary dance activity in the former Soviet republics: Azerbaijan, Armenia, Belarus, Georgia, Kazakstan, Kyrgyzstan, Latvia, Lithuania, Moldova, Tajikistan, Uzbekistan, Ukraine, and Estonia - edited by Ekaterina Vasenina. CONTENTS: See accompanying scan image (in Russian) of the Table of Contents. 324 pages, generously illustrated with black-and-white photos. CONDITION: a bright, tight, square, unmarked, likely unread copy with negligible shelf-wear. This handsome copy, hard to find outside Eastern Europe, is now in a clear, protective polypropylene bag.. First Edition. Decorative Hard Cover. As New (Fine)/No Jacket (as issued). 8vo - over 7¾" - 9¾" tall. Limited Edition.



    Fulcrum - Number Five - an Annual of Poetry and Aesthetics - 2006 by Sean O'Riordan, Charles Baudelaire, Guillaume Apollinaire, Carlos Drummond, Arthur Rimbaud, Gerard Malanga, Marjorie Perloff, Pierre Joris, Renee Ashley, John Brooks Wheelwright, Malcolm Cowley, R.P. Blackmur, Dudley Fitts, and many other Contributors

    Cambridge, Massachusetts, USA: Fulcrum, 2006. "A unique annual of literary and intellectual substance." Signed and Inscribed by Editor Philip Nikolayev. CONTENTS: See the three accompanying scan images of the Table of Contents. 544 pages. CONDITION: a bright, solid, square, unmarked, possibly unread Fine Minus copy with minimal shelf-wear and a small, ultra-faint back cover corner crease - its interior pristine. This beautiful copy is now in a clear, protective polypropylene bag.. Large Softcover. Fine Minus. Illus. by e.e.cummings, Esther Pullman. 8vo - over 7¾" - 9¾" tall. Journal.



    Decorative Arts of the USSR [1989 Russian-Language Journal] - Issue 375 by Yuri Kurbatov, Mikhail Kupovich, Natalia Semenova, Viktor Berezkin, Mikhail Trofimenkov, Vladimir Shinkarev, Lyubov Gurevich, Alexei Tarkhanov, Yulia Solovieva, Olga Kostina, Selena Andreeva, Ilya Lekhava, Alexander Kantsedikas, Lyubov Savelieva, More

    Moscow: Soviet Artist, 1989. No.2 (Issue 375). An outstanding journal, established in 1957 by the just-created Union of Artists of the USSR - SIGNED by one of the contributors. The highlight of this particular large-format issue is an extended illustrated article about the Mitki group (signed and inscribed by one of the Mitki members, with whom I met in 1989). The Mitki - or Mitky - movement originally emerged from Vladimir Shinkarev’s literary work Mitki, which consists of eight chapters. The first five chapters were written between 1984 and 1985, though the book was not finished until four years later. The complete version was officially published in 1990. It encompasses a collection of ironic and absurd essays, anecdotes, conversations and opinions on different cultural subjects, which extend artistic sensibility and development into a comprehensive and cohesive life philosophy that even includes a specifically developed language. Although Mitki is fictional it draws on the characteristics of real people, combining these to create Mityok, the archetypal member of the Mitki group who acts on the instructions provided by the Mitki script. The Mitki group consisted of a number of St. Petersburg friends and artists of which were the main members Vladimir Shinkarev, Alexander Florensky and Dmitri Shagin. Shinkarev's eponymous book supplied the group with the manifesto for their emergent movement. // The first collective exhibition of Mitki paintings in 1984 ended peacefully, but the second in St. Petersburg was raided by police. After Glasnost the group's work became accepted and was soon shown beyond St. Petersburg. Mitki, written before and after Mikhail Gorbachev’s Perestroika in 1987, expresses the transitions and associated anxieties of its time. Shinkarev and Florensky both left the Mitki group to develop their own work in the new Russia. // The Mitki do not promote specific artistic principles, being instead united by a certain collective spirit: an optimistic and straightforward world-view, representation of the wide breadth of the Russian soul, respect for art, humour and freedom. [I've included a couple scans of their art-work.] Their official slogan is "The Mitki don't want to defeat anybody, which is why they will conquer the world." CONTENTS: See accompanying scan of the Table of Contents. 52 pages. [Additional contributors: Fidail Ibragimov and Mara Shashkina.] CONDITION: a bright, unmarked, uncreased copy with light shelf-wear plus some discoloration on the back cover - its center page detached from the staples. This nevertheless quite attractive copy is now in a clear, protective polypropylene bag with archival backing board.. Signed by Artist. Stapled Wraps. Very Good. Illus. by Mitki Artists. 9" x 13". Journal - Magazine.



    Mystical Symbolism: The Salon de la Rose+croix in Paris, 1892-1897 by Greene, Vivien; Jumeau-Lafond, Jean-David; Silver, Kenneth; Barotto, Ylinka; Guignard, Caroline; Hokanson, Alison; Lauricella, Natalia; Stevenson, Glynnis

    New York: Guggenheim Museum Publications, 2017. Bound in red velvet with gold-stamped lettering to conjure the evocative atmosphere of the Salons, the catalog features essays about the history, themes and often spiritual aims of the Rose+Croix (Vivien Greene), its reception by the press and the public in the 1890s (Jean-David Jumeau-Lafond) and the importance of spiritualism to early 20th-century abstraction (Kenneth E. Silver). This richly illustrated volume also contains 46 color plates, entries on each exhibited artist and a bibliography of contemporary sources on Symbolist art. Among the salon participants were artists Pierre Amédée Marcel-Béronneau, Jean Delville, Fernand Khnopff, Charles Maurin, Armand Point, Alexandre Séon and Félix Vallotton. 112 pages. CONDITION: A bright, tight, square, unmarked copy with negligible shelf-wear and a pristine interior - now in a clear, protective polypropylene bag. To be securely packed and promptly shipped.. First Edition - First Printing. Hard Cover - Cloth Spine. As New (Very Fine)/No Jacket (as issued). 4to - over 9¾" - 12" tall. Deluxe Exhibition Catalogue.



    Apraksin Blues - Signal Edition No. 11 "Without and Within" (2003) [ARTS JOURNAL - ENGLISH EDITION] by Tatyana Apraksina, James Wesley Mantieth, M.V. Sukhorukova, Steven Fernandez, Carol Kobus, Shirley Jaster, Nicholas Lee, Vasily Lopata, Irina Kerner, Alek and Irina Rapoport, Israel Kremen, David Weinberg, and Yevgeny Torchinov, contributors

    Seaside, California: Apraksin Blues, 2003. A remarkable Russian-language arts journal, founded in September 1995 and edited by poet-painter Tatyana Apraksina, this issue consisting of English translations from the 2003 Russian edition by James Wesley Mantieth. CONTENTS: See accompanying scan image of the Table of Contents. 76 pages. CONDITION: a bright, tight, unmarked copy with negligible shelf-wear (creased only on the straight scored line adjacent to the binding staples). This handsome copy is now in a clear, protective polypropylene bag with archival backing board.. Side-Stapled Wraps. Fine. Illus. by Tatiana Apraksina & Morley Baer. 8.5" x 11". Journal.



    Robert Kostka: "Between Paradigms" and "A Sense of Wonder" [TWO ILLUSTRATED EXHIBITION BROCHURES] by Robert Kostka and Robert Emory Johnson

    Medford, Oregon: Mustard Press, 1992. The first catalogue documents a touring exhibition featuring two Oregon artists, Kostka and Johnson. CONTENTS: Introduction; Kostka Statement and Biographical Notes; Johnson Statement and Biographical Notes; 43 illustrations, many in full color. 28 pages. The second catalogue records the 2006 exhibition opening Memorial tribute to Robert Kostka (1928-2005), held at the Meridian Gallery in San Francisco. CONTENTS: Robert Kostka (Peter Selz); Art and Nature (Richard H.W. Brauer); The Dreams of a Drawing (Kostka); Dragon Line Series; Solar Barge and Oracle Series; Musical Vision (Richard Cameron-Wolfe); Kostka Chronology; 28 illustrations, many in full color. 18 pages. CONDITION: Both are solid, unmarked and uncreased, with negligible shelf-wear (though "Paradigms" has light rubbing on its back cover). These beautiful documents are now in a clear, protective polypropylene bag with archival backing board.. Stapled Wraps. Fine. 6" x 9". Exhibition Catalogues.



    Xin mei xue by Cai Yi

    Shanghai: Qunyi chubanshe, 1948. 285p., paperback, evenly toned, closed tear on spine panel, otherwise very good. On aesthetics.



    Art and Life by Roerich [Rerikh], Svetoslav

    Moscow: International Centre of the Roerichs, 2004. A glorious volume [purple-maroon cloth with gilt lettering], written in English by the painter-philosopher son of Nicholas Roerich - with 131 illustrations, 113 in color, edited by Irina Neich. CONTENTS: Introduction (Neich); four books of writings on art, beauty, spiritual evolution, and mastery of life, dated 1951-1953 (117 pages); Paintings (131 pages); Painting List; Supplement: essays and tributes; e.g., The Religious Art of Svetoslav Roerich [H. Goetz], Western Artist after the Eastern Ideal [G. Venkatachalam]; and contributions by Frances R. Grant, R. Sarajuddin, Helen Rubissow, S. Sanjiva Dev, Jawaharlal Nehru, P.V. Rajamannar, K.G. Saiyidain, and A.K. Brohi. 285+ pages. CONDITION: a virtually pristine copy - bright, tight, square, unmarked, uncreased, with no apparent shelf-wear. The gilt on its cover and spine is NOT faded (as my imperfect scanner might suggest). This glorious copy is now in a clear, protective polypropylene bag and will be ultra-securely packed for shipping.. First Edition. Decorative Cloth Hardcover. As New [Very Fine]/No Jacket, as Issued. Illus. by Svetoslav Roerich. 8vo - over 7¾" - 9¾" tall. Art Book.



    Meditations on a Hobby Horse, and Other Essays on the Theory of Art. by E. H. Gombrich

    New York, NY Phaidon Publishers, Inc. , 1971. Paperback Second Edition. Second Edition. Very Good in Wraps: shows indications of very light use; price has been blocked; upper rear corner shows a small chip, which has been carefully reinforced with clear tape; mild rubbing; head of backstrip has been lightly bumped; binding slightly cocked, but remains perfectly secure; text clean. A clean, sturdy, presentable copy. NOT a Remainder. NOT a Book-Club Edition. NOT an Ex-Library copy. 4to. 252pp. Trade Paperback.



    Michael Torlen: Narratives - Recent Works on Paper [EXHIBITION CATALOGUE] by Carl Little

    Port Chester, New York: Miranda Fine Arts, 2005. Documentation booklet for Michael Torlen's October 15 - November 12, 2005 exhibition at the Miranda Fine Arts gallery. CONTENTS: Michael Torlen - Seamarks (essay; by Carl Little), color reproductions of 11 paintings, and a brief biography of the artist. 16 pages. CONDITION: a bright, tight, square, unmarked, uncreased copy with light shelf-wear (some slight bending) - now in a clear, protective polypropylene bag with archival backing board.. Stapled Wraps. Near Fine. Illus. by Michael Torlen. 5.5" x 8.5". Exhibition Catalogue.



    Philosophy of Administration by Jun, Jong S

    Seoul: Daeyoung Moonhwa International, 1994. Hardcover. xiv, 301p., 9x6 inch hardbound in laminated boards and a ditto dust jacket, a place-keep ribbon is bound in. Nice clean copy; the jacket is a little edgeworn, the book itself both inside and out is pristine.

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