Description:
Boston, 1953. Mixed media on paper. Mounted circular label lower right of the Motor Vehicle Research Company. Drawn for A. J White's Motor Vehicle Research Company, which is said to have been a Boston based car designer of exotic cars in the 1950's, this handsome prototype embodies several features that were realized later, especially in recent racing cars. The gleaming prototype is extremely well drawn and seems to be happily flying through the air.
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Sports Car prototype
by A. J. WHITE MOTOR VEHICLE RESEARCH COMPANY
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[Black Cheak]
by [ABBOT, John (1751-1840)]
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[London, 1791. Watercolour and graphite, on laid paper, numbered 56 in graphite in Abbot's hand in the lower margin corresponding to his manuscript Catalogue of Georgia Birds with Notes. An original watercolour of an American Redstart by an important naturalist in early America. John Abbot was one of the most important and prolific of the early American natural history artists. Born in London in 1751, Abbot developed his interest in natural history and drawing as a child. His curiosity about the natural world was encouraged by his parents who were relatively wealthy (at one time the family library included copies of Mark Catesby's Natural History of Carolina, Florida and the Bahama Islands as well as George Edwards' Natural History of Uncommon Birds and Gleanings of Natural History). Having received sponsorship from the Royal Society of London and the collectors Thomas Martyn and Dru Drury, Abbot sailed for Virginia in July 1773, with orders for both actual specimens and drawings of the local…
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A relation of Mr. R.M.'s voyage to Buenos-Ayres: and then by land to Potosi. Dedicated to the honourable the court of the South-Sea Company
by [ACARETE DU BISCAY]
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London: John Darby, 1716. 8vo. v, 3-117, [2]pp. Folding engraved map by H. Moll. (Minor soiling and foxing.). Modern speckled calf, spine gilt with leather label Illustrated with a folding map by Moll. "A reprint of the translation printed in 1698 of the Voyage of Sieur Accarrete to Buenos Aires, from Thevenot's Collection, without any acknowledgement of the source from whence it was taken" - JCB. The original was supposedly Relation des Voyages dans la Riviere de la Plata (Paris, 1632), although European Americana says this edition is "very possibly a ghost". The handsome folding map by Moll is "A New Map of Part of the Great River de la Plata, of Tucuman." The dedication in this edition by Darby is addressed to the directors of the South Sea Company. In it Darby points to a profitable future in the South American trade: "I don't doubt but by your wise Direction, under the Patronage of your August Governour, our Wealth and Commerce will be vastly increas'd: this Way being evidently the easiest and…
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Ceiling of the Music Room
by ADAM, After Robert (1728-1792) and James ADAM (d.1794)
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London, 1777. Copper engraving. Engraved by T. Morris. In excellent condition with the exception of a small area of foxing in the sheet. An elegant engraving of the elaborate ceiling in the music room of Sir Watkin Williams Wynn's celebrated house in St. James' Square, London. Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in…
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Contains some of the Parts at large of the Finishing and Furniture of the Earl of Derby's House
by ADAM, After Robert (1728-1792) and James ADAM (d.1794)
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London, 1777. Copper engraving with lovely early colour. Engraved by B. Pastorini. In excellent condition. An elegant engraving depicting a collection of ornate furniture in the Earl of Derby's celebrated house in Grosvenor Square, London. Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a…
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Section of Two Sides of the Porter's Hall
by ADAM, After Robert (1728-1792) and James ADAM (d.1794)
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London, 1778. Copper engraving. Engraved by P. Mazell. In excellent condition. An elegant engraving the Porter's Lodge at Shelburne House in Berkeley Square, in London. Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished…
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Two Chimney-pieces in the First and Second Withdrawing-rooms, with Glass Frames over them
by ADAM, After Robert (1728-1792) and James ADAM (d.1794)
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London, 1775. Engraving by Joshua Record. In excellent condition. An elegant engraving showing the two chimneys in Lord Derby's house in Grosvenor Square, London. Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings,…
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Section of the Chimneyside of the Antichamber in the Principal Story
by ADAM, After Robert (1728-1792) and James ADAM (d.1794)
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London, 1775. Engraving by Joshua Record. In excellent condition. An elegant engraving showing the chimney in the anteroom of Lord Derby's house in Grosvenor Square, London. Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished…
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Chimneypiece and Table in the Hall of Shelburne House
by ADAM, After Robert (1728-1792) and James ADAM (d.1794)
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London, 1778. Copper engraving. Engraved by Caldwell. In excellent condition with the exception of a waterstain in middle of sheet. Left margin is trimmed just outside platemark. An elegant engraving of a fireplace and table at Shelburne House in Berkeley Square, in London. Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in…
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Design of a Chimney Piece executed in the Great Saloon of the Queens House / A Chimney Piece Designed for one of the Rooms in St. James's Palace
by ADAM, After Robert (1728-1792)
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London, 1775. Engraving by D. Cunego. In excellent condition with the exception of being trimmed just outside the platemark on left margin. Some paper discolouration on left margin and 1" loss lower left corner. A fine engraving of the fireplaces at St. James's Palace and the Queen's House in London. Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the…
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Elevation of the North End of Suton Park House / Elevation of the South End of Suton Park House
by ADAM, After Robert (1728-1792) and James ADAM (d.1794)
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London, 1775. Engraving by T. Vivares. In excellent condition. An elegant elevation of the north and southe sides of Sutton Park, in North Yorkshire, the seat of the Earl of Bute. Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most…
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Section of one end of the Library or great Room, at Kenwood... Design of the Chimney for the Library or great Room, at Kenwood
by ADAM, After Robert (1728-1792)
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London, 1774. Engraving, by J. Roberts. (Expert repairs to lower left corner). A fine architectural engraving of the interior of Kenwood House, in Hampstead, London, re-modelled in 1761-1773, and now home to the Iveagh Bequest picture collection. Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a…
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Elevation of the North Front of Kenwood, towards the Court... Elevation of the South Front of Kenwood, towards the Gardens
by ADAM, After Robert (1728-1792) & James (d.1794)
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London, 1774. Engraving, by T. Miller (expert repairs to old fold touching image area). A fine architectural engraving of Kenwood House, in Hampstead, London, re-modelled in 1761-1773, and now home to the Iveagh Bequest picture collection. Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a…
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Design for furnishings
by ADAM, After Robert (1728-1792)
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London, 1775. Engraving by P. Begbie. In excellent condition with the exception of two tears on right margin. A fine architectural engraving of ornate mirrors and tables from Robert Adam's seminal work on British architecture. Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at…
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Design of a Sedan Chair as executed for Her Majesty
by ADAM, After Robert (1728-1792)
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London, 1775. Engraving by P. Begbie. In excellent condition with the exception of some paper discolouration on the upper margin. A fine engraving of the sedan chair designed for Queen Charlotte. Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of…
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Designs for the Chimney Piece and Curtain Cornice at Sutton Park
by ADAM, After Robert (1728-1792) and James ADAM (d.1794)
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London, 1775. Engraving by B. Pastorini. In excellent condition. An elegant engraving showing the decorations of the chimney piece and curtain cornices at Sutton Park House, in North Yorkshire. Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of…
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Two Chimney-pieces in the Great Withdrawing-room and the Countess of Derby's Dressing-room
by ADAM, After Robert (1728-1792) and James ADAM (d.1794)
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London, 1777. Engraving by J. Zucchi. In excellent condition. An elegant engraving depicting two chimneys in Lord Derby's celebrated house in Grosvenor Square, London. Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished…
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Section of One end and One Side of the Second Withdrawing-room
by ADAM, After Robert (1728-1792) and James ADAM (d.1794)
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London, 1775. Engraving by Joshua Record. In excellent condition with the exception of some minor foxing across the sheet and some waterstaining along the upper margin. A decorative engraving by the celebrated architect Robert Adam, depicting an elegant room in Lord Derby's house in Grosvenor Square, London. Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi…
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Section of one of the sides of the Great Room, or Library at Kenwood
by ADAM, After Robert (1728-1792)
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London, 1774. Engraving, by J. Zucchi. A fine architectural engraving of the interior of Kenwood House, in Hampstead, London, re-modelled in 1761-1773, and now home to the Iveagh Bequest picture collection. Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included…
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Design of the Ceiling of the Library or Great Room at Kenwood
by ADAM, After Robert (1728-1792)
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London, 1774. Engraving, coloured by hand, by B. Pastorini (old dampstain to upper left margin). A fine engraving, with contemporary hand colouring, of a painted plaster and stucco ceiling from the interior at Kenwood House, in Hampstead, London, re-modelled in 1761-1773, and now home to the Iveagh Bequest picture collection. Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by…
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