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MENDEZ: 25 Prints. Introducción: Carl O. Schniewind.

by Cabada, Juan de la.

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México (La Estampa Mexicana), 1943.. 20 original engravings by Leopoldo Méndez, each signed in pencil, loose in portfolio, as issued, including a larger leaf with the author and title of the Cabada work, and 19 of 24 smaller leaves. Portfolio. Sm. folio. Orig. dec. cloth. “The 25 engravings in this album are a selection from the 40 which illustrate the book ‘Incidentes Melódicos del Mundo Irracional’, by Juan de la Cabada. They are printed by hand on China paper by the artist himself. The edition is limited to 25 copies.” Parallel texts in Spanish and English on the inside of the front and rear covers.
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Dialogues with MARCEL DUCHAMP. Translated by Ron Padgett.

by Cabanne, Pierre.

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New York (Da Capo), [1987].. 146pp. Illus. Lrg. 8vo. Wraps.
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Prose d’Algérie. Suivie de “La nuit,” et de quelques poèmes.

by CABY, ROBERT.

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Paris (Librairie José Corti), 1930.. 31, (1)pp. 3 line-drawn illus. Dec. wraps. Edition of 1000 copies on papier vergé.
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Deux années de l’histoire d’Orient, 1839-1840. Faisant suite à l’histoire de la guerre de Méhémed-Ali en Syrie et en Asie-Mineure, 1832-1833.

by Cadalvène, E. de & Barrault, É.

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Paris (Delloye), 1840.. 2 vols. viii, 391pp., 1 folding map; 399pp. Marbled boards, 1/4 leather, spine richly gilt.
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ARCANGELO “Anfore.” June-July 1999. (Temporanea. Le realtà possibili del Caffè Florian. 6.)

by Venezia. Caffè Florian.

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Venezia, 1999.. 68, (2)pp. Prof. illus. Sm. sq. 4to. Wraps. Texts by Daniela Gaddo Vedaldi, Roberto Nardi and Stefano Stipitivich, Maurizio Ferraris.
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Diary: How to Improve the World (You Will Only Make Matters Worse) Continued. Part Three (1967). (A Great Bear Pamphlet.)

by CAGE, JOHN.

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New York (Something Else Press), 1967.. 14, (2)pp. Lrg. 8vo. Self-wraps.
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Silence: Lectures and Writings.

by CAGE, JOHN.

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Middletown, Connecticut (Wesleyan University Press), 1976.. xii, 276pp. Sm. sq. 4to. Wraps. Third printing.
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A Year From Monday: New Lectures and Writings.

by CAGE, JOHN.

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Middletown, Connecticut (Wesleyan University Press), 1985.. x, 167, (3)pp. Sm. sq. 4to. Wraps. Fifth printing.
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Lustred Tiles from Samarra in Ashmolean Museum Oxford.

by Caghta’i, Muhammad ‘Abdullah.

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Lahore (Chabuk Sawaran), 1933.. 6pp., 1 plate. 4to. Wraps. Presentation copy, inscribed by the author.
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Manuel d’archéologie romaine. Tome premier: Les monuments. Décoration des monuments. Sculpture.

by Cagnat, R. & Chapot, Victor.

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Charlestown, Massachusetts
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Paris (Auguste Picard), 1916.. xxvi, 735pp. 371 figs. Stout 8vo. New cloth.
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Art in America: A Complete Survey.

by Cahill, Holger & Barr, Alfred H., Jr. (editors).

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New York (Halcyon House), 1939.. viii, 162pp., 17 color plates. Over 300 illus. Lrg. 4to. Cloth.
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The Compelling Image: Nature and Style in Seventeenth-Century Chinese Painting. (The Charles Eliot Norton Lectures. 1979.)

by Cahill, James.

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Cambridge/London (Harvard University Press), 1982.. (10), 250pp. Prof. illus. Lrg. 4to. Wraps.
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Waffen und Zaumzeug. (Antikenmuseum Basel und Sammlung Ludwig.)

by Cahn, David.

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Basel (Antikenmuseum Basel + Sammlung Ludwig), 1989.. 107pp. 10 plates, 185 illus. Sm. sq. 4to. Wraps.
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Waffen und Zaumzeug. (Antikenmuseum Basel und Sammlung Ludwig.)

by Cahn, David.

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Basel (Antikenmuseum Basel + Sammlung Ludwig), 1989.. 107pp. 10 plates, 185 illus. Sm. sq. 4to. Wraps.
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Waffen und Zaumzeug. (Antikenmuseum Basel und Sammlung Ludwig.)

by Cahn, David.

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Basel (Antikenmuseum Basel + Sammlung Ludwig), 1989.. 107pp. 10 plates, 185 illus. Sm. sq. 4to. Wraps.
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GAUGUIN et le mythe du sauvage.

by Cahn, Isabelle.

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Charlestown, Massachusetts
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Paris (Flammarion/ Arthaud), 1988.. 127, (1)pp. Prof. illus. (numerous color). 4to. Cloth. D.j.
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What Looks at Me: Surroundings. Translated from [the] German by Claire Bonney.

by CAHN, MIRIAM.

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Darmstadt (Verlag Jürgen Häusser), 1996.. 47, (1)pp. Lrg. 8vo. Wraps.
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GARY SIMMONS. Oct.-Nov. 2002. Text by Malik Gaines.

by Seoul. CAIS Gallery.

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Seoul, 2002.. 47pp. Prof. illus. Sq. 4to. Stiff wraps. Parallel texts in Korean and English.
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ALECHINSKY au pays de l’encre. Collection du Centre Georges Pompidou, Musée national d’art moderne. Sept.-Nov. 1998. Texts by Agnès de la Beaumelle and Claire Stoullig.

by Cajarc, Lot. Maison des Arts Georges Pompidou, Centre d’art contemporain.

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Cajarc, 1998.. 95, (1)pp. Prof. illus. Sm. 4to. Boards.
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PER KIRKEBY: Peintures 1992-1996. Commissaire de l’exposition: Jonas Storsve. June-Sept. 1996.

by Cajarc. Maison des Arts Georges Pompidou, Centre d’art contemporain.

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Cajarc, 1996.. 75pp. Prof. illus. Sm. 4to. Wraps. D.j. Parallel texts in French and English. Signed and dated by the artist Bremen 13-4-97 and with a drawing in green on the front flyleaf.
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