Search Results: Authors starting with K from RARE PAPER INC

Buenos Aires: Peremoha, 1949. Publisher's wrappers. 18.5 x 13.5 cm. 24 pages. Text in Ukrainian. With the unreadable stamp on the title page. Overall, the copy shows slight wear and chipping.

Munich: Vyd-vo Khvylovoho, 1946. Printed wrappers. The book measures 22 x 16 cm and comprises 110 and 220 pages respectively. The text is in Ukrainian. Accompanying the volumes is a pamphlet featuring military tactical schemes. With the censor's notes: "Permitted by UNRRA Team 1066" and "With Permission UNRRA Team 1066."The set is in very good condition overall, with some wear to the spine, toned wrappers, and a previous owner's inscription on the title page of the first volume. The second volume is also in very good condition, with a spine label, inscription on the front wrapper, and "M. Y. H." Ukrainian organization stamps on the title page.<br /> <br /> A second edition published in the displaced persons (DP) camps for Ukrainians in the aftermath of WWII. This comprehensive historical study delves into the Ukrainian military operations in Kyiv and Odesa during the pivotal year of 1919, shedding light on often overlooked facets of Ukrainian military… Read More

Lviv: Dilo, Chervona Kalyna, 1922. First edition. Publisher's wrappers. Book measures: 24 x 16.5 cm. Three volumes (Part 1, 2 and plans). Text in Ukrainian. The complete set is in fair condition, displaying wear, chipping, and minor tears throughout. However, the internal content remains in very good condition. <br /> <br /> The first edition of an in-depth historical analysis of the Ukrainian military deployments to Kyiv and Odesa in 1919, offering valuable insights into the lesser-known aspects of Ukrainian military history from 1917 to 1921.<br /> <br /> A recent sale of the second edition, published in the Displaced Persons camps, fetched $900.<br /> <br /> Mykola Kapustianskyi (1879-1969) was a prominent Ukrainian military and political figure, serving as a general in the Ukrainian People's Army. His military career included participation in the Russo-Japanese War of 1904-1905 and a role as Colonel in the General Staff of the Russian Army during World… Read More

Kalisz: Chornomor, 1923. Publisher's wrappers. This miniature book measures 14.5 x 8.5 cm, comprising 33 pages with original publisher's wrappers. The text is in Ukrainian, and it was published in the internment camp for the UNR Army soldiers in Kalisz, Poland.<br /> <br /> Scarce; as of January 2024, there are no institutional records of the book in the OCLC database.<br /> <br /> In late 1919, following the collapse of the Ukrainian front, the Ukrainian People's Republic (UNR) Army was initially interned in Poland in ŁaÅ„cut after organizing six Rifle divisions. After the UNR Army's defeat in late 1920 and its entry into Polish territory, approximately 20,000 soldiers were placed in several internment camps, including Kalisz. In mid-1921, the internees were moved from ŁaÅ„cut to StrzaÅ‚kowo, and by the end of 1921, from Aleksandrów to Szczypiorno, along with some being transferred to the… Read More

The Hague, Netherlands: Mouton, 1968. Original publisher's wrappers. 74 pages. Text in Russian. Good condition.

1927. Fair. Karpovsky, N.. Soviet Ukrainian poster; 25 000 copies; Scarce Ukrainian regional poster; Dimensions: 103 x 73 cm.<br /> <br /> Text [English]: Have You Already Bought A Bond of The Third Rural Loan? You may buy bonds in every Agricultural Society or in every saving bank where you will know all the benefits of this loan. The third peasant winning loan of 1927.

Paris: Special Committee chaired by Sylvester, Bishop of Messina, Metropolitan Vicar of the Russian Orthodox Churches of Western Europe and Exarch of the Ecumenical Patriarch, 1956. First edition. Publisher's wrappers. Book measures: 18 x 13 cm. 251, [5] pages. Text in Russian. A good copy with light wear and foxing.<br /> <br /> Anton Vladimirovich Kartashev (1875-1960) - philosopher-theologian, last prosecutor of the Holy Synod, and professor of the Holy Sergius Theological Academy in Paris. First Minister of Worship of the Provisional Government (1917). Since 1919 in exile.

Novosibirsk: Akademgorodok, 1978. Original publisher's wrappers. Falk, R. R. (illustrator). Book measures: 28 x 19 cm. 61 pages: illustrations. Text in Russian. Inscribed and signed by Robert Rafailovich Falk. Scarce - one of 300 copies.<br /> <br /> This illustrated monograph offers a captivating look at Robert Rafailovich Falk's avant-garde portraits, tracing his artistic evolution from the Jack of Diamonds group to his later individualistic approach. With a collection of his finest works, it documents Falk's mastery of color and form. The volume's essays provide a deeper understanding of his place in Russian art history, making it essential for avant-garde art aficionados.

[Saint Petersburg]: Self-published, 1990. Paper, etching (aquatint). Signed by the artist. Dimensions of the sheet: 33 x 36 cm. The artwork is part of a limited series, being the 31st print out of 36 total. Below the image, there is an inscription that reads: "K voprosu i p'ianstve, 31/36; Kazimova, 90." With the artist's stamp on the back.<br /> <br /> Nina Ivanovna Kazimova (born 1952-?) is a prominent artist-etcher affiliated with the St. Petersburg Union of Artists. She holds a full membership at the Russian Academy of Folk Art and is a corresponding member of the Petrovsky Academy of Sciences and Arts. Kazimova is also part of the Moscow Union of Artists and the National Society of Bookplate and Graphic Art Enthusiasts. Her significant contributions to the art world include the creation of over 280 bookplates and numerous self-published limited-edition books featuring her engravings. Additionally, she is recognized as a distinguished collector in her field.

Bridgeport, CT: Carpato-Russian Literary Association, 1976. Second edition. Original publisher's hardcover. Book measure: 22 x 14.5 cm. [5], V, 351 pages. Text in Russian. Reproduction of the 1868 edition. Very good copy.<br /> <br /> In the form of travel letters from Western Rus', the memoirs of Vasily Ivanovich Kelsiev offer insights into the lifestyle of inhabitants of those lands. The book was published with the support of Peter Semenovich Gardogo, an American entrepreneur philanthropist who championed Galician-Russian, Lemko, and Orthodox organizations in the USA and Poland. Gardogo's contribution ensured that the book stood out among other emigrant publications, with a high level of printing performance.

Munich: Nakladom Ukrayins'koi Vydavnychoi Spilky, 1947. Illustrated wrappers. 47 pages: illustrations ; 20 cm. Text in Ukrainian. OCLC Number / Unique Identifier: 945214196. A copy with the chipped wrappers.<br /> <br /> A compilation of cartoons by Ukrainian writer Ivan Kernytskyi, released in a German displaced persons (DP) camp post-WWII, featuring illustrations by Ukrainian artist Edvard Kozak.<br /> <br /> Ivan Stepanovych Kernytskyi (1913-1984) is known by various literary pseudonyms and cryptonyms: Iker, Gzims Ivan, and Papai. He was a prolific Ukrainian writer, playwright, columnist, journalist, and humorist. Kernytskyi was actively involved in the Association of Ukrainian Writers "Slovo," serving on its Presidium and spearheading the establishment of an aid fund. He also contributed to various publications under the Tiktor press in Lviv and abroad.

Krakow: Ukrains'ke vydavnytsvo, 1943. Pictorial publisher's wrappers. Domanyk, Bohdan (illustrator). Book measures: 21 x 15 cm. 38 pages. Text in Ukrainian. The book is in good condition with minor wear and two handwritten numbers on the front wrapper and title page.<br /> <br /> The play is adapted from Ivan Franko's short story collection "Little Myron." <br /> <br /> As of January 2024, OCLC lists six institutional holdings of the book.

Tbilisi: Ganatleba, 1971. Accordion-fold brochure. Book measures: 22.5 x 15.5 cm. [7] pages: Illustrations. Text in Russian. Signed by the artist on the front page. One of 2,000 copies.<br /> <br /> This short monograph details the life and work of Kamil Khanlarov, a prominent Soviet-Azerbaijani artist. Known for his historical themes and portraits, especially during the World War II era. He was distinguished with titles such as Honored Artist of the Azerbaijan SSR in 1964 and People's Artist of Azerbaijan in 1992.<br /> <br /> Khanlarov's artistic journey includes a focus on historical figures and events, as seen in works like "Mazdak Before Execution" and "The Peasant Uprising in Tovuz." He also excelled in portraiture, capturing figures such as Nizami Ganjavi and Imadaddin Nasimi.<br /> <br /> In his later years, Khanlarov shifted towards landscape painting, beautifully rendering various Azerbaijani locales such as Nakhchivan and… Read More

Philadelphia: Prolog, 1952. Publisher's cloth with gilt ornament to spine and lettering to front cover. Very good. Khasevych, Nil (illustrator). Title: Hrafika v bunkrakh UPA: Albom derevorytiv vykonanych v Ukraini v rokakh 1947-1950 mystsia ukrainskoho pidpillia Nila Chasevycha - "Bei-Zota" ta ioho uchniv. [Ukrainian underground art: Album of the woodcuts made in Ukraine, in 1947-1950 by artist of the Ukrainian underground Nil Khasevych - "Bey-Zot" and his disciples]<br /> <br /> Quarto (23.7 x 31.5 cm). 69 pages: illustrations; Text in Ukrainian and English. Bahlay, D., Mehyk, P., Shankowsky, L. (editors); Andrusiw, Peter (cover and publisher's mark designer). One of 1500 copies; NOT FOR SALE copy. Statement to printer's imprint and copyright page "First copies of the woodcuts are kept in the archives of the foreign delegation of the Supreme Ukrainian Liberation Council (UHVR)" The book comes with the brown paper dust jacket with the… Read More

Moscow: V. Khlebnikov, 1926. First edition. Publisher's wrappers. 21.5 × 18.5 cm. 39 pages. Text in Russian. Worn copy with tears to edges.<br /> <br /> In this first edition of Khlebnikov's late work "The Present," readers can find posthumous verses by the poet and poems by Al'vek (S. Izrailovich Pinkus-Iosif). Furthermore, the volume includes the first bibliography of Khlebnikov's published works and contributions from Sillov between 1908 and 1925.

Munich: Suchasna Ukraina, 1952. Publisher's wrappers. Book measures: 18.2 × 12.3 cm. 31 pages. Text in Ukrainian. Series: "Mala literaturna biblioteka", ch. 3. The book bears the "Prolog Assoc Library No." stamps on several pages, including the title page. There are remnants from a torn spine label on the covers. Nevertheless, despite these minor imperfections, the book remains in good condition.<br /> <br /> Dima, also recognized as Diamara Oleksiivna Khodymchuk, was born in 1925 and embarked on a remarkable life journey that profoundly influenced her literary works. As the daughter of acclaimed actors associated with the renowned Berezil Theatre in Kharkiv, she traversed a path filled with adversity during World War II, eventually leading to her deportation to Germany as an Ostarbeiter. Following the war's conclusion, she chose Paris as her initial place of residence, later establishing her home in New York. Diamara Khodymchuk exhibited a… Read More

Moscow: Sovetskii Khudozhnik, 1954. Hardcover. Simagin, N. N., book design. A hardcover edition with a lithograph attached to the front cover and embossed lettering. It spans 90 pages and contains illustrations, including both color and black-and-white plates, as well as a portrait. The text is in Russian, and this edition is one of 5000 copies. This copy has a slightly worn cover, but its internal condition is very good.<br /> <br /> An illustrated artist monograph of Mykhailo Hordiiovych Derehus (1904-1997), a distinguished Soviet Ukrainian graphic artist, painter, and educator. In recognition of his exceptional contributions to the arts, he received the prestigious Shevchenko National Prize in 1969. His notable artworks are part of the esteemed collection at the Kuindzhi Art Museum in Mariupol, Ukraine. Derehus' expressive lithographs, characterized by their expressionist style, graced the pages of the 1936 edition of Ivan Kotliarevsky's "Eneida." Additionally, he… Read More

St. Petersburg: Izd-vo, 1918. Publisher's wrappers. 20 x 15 cm. 8 pages. Text in Russian. Scarce in trade. <br /> <br /> Viktor Romanovich Khovin (1891 - late 1940s) was a multifaceted figure in the literary world, serving as a critic, publisher, journalist, and bookseller. He was also the director and proprietor of the Ocharovannyi Strannik [The Enchanted Wanderer] publishing house and the Book Corner bookstore. His work "To This Day" is a stirring pamphlet that serves as a manifesto for the "authentic" futurists, vehemently criticizing Proletkult and the government's efforts to dictate new "rules of the game" for artistic expression.

Zahrava, 1946. Illustrated wrappers. 14.5 x 10.5 cm. 102 pages: illustrations. Text in Ukrainian. Edited by V. Slavko. Cover design by Vadim Volodymyrovych Dobrolizh (1913-1973) - a Ukrainian-Canadian artist known for his work as a painter and decorator. A slightly worn copy.<br /> <br /> This collection features stories from three prominent Ukrainian post-Soviet writers. Written during the 1930s, the early years of Bolshevik rule in Ukraine, these stories reflect the distinctive styles and themes of each author.<br /> <br /> After the end of the so-called war communism, the beginning of the NEP (new economic policy) in Ukraine witnessed a rapid development in Ukrainian culture, particularly in literature. During this period, numerous talented novelists and poets emerged on the literary scene, showcasing the immense talent of the Ukrainian people through their prolific works. Among the notable writers of this era were Mykola Khvylovy, Hryhorii Kosynka, Mykhailo… Read More

Space Sisters Press, 2018. Hardcover. SCARCE! THERE ARE NO OTHER COPIES AVAILABLE ON THE MARKET!<br /> <br /> Author: Emily Devoe, Eugene Kilik, Gretchen Kraus. Editor: Jon Kilik. <br /> <br /> The book contains an introduction written by Emily Devoe, focusing on an artist named Margaret Kilik. Margaret rented an apartment at 130 Greene Street in the late 1970s, which she used as both a residence and a gallery called The Key Gallery. Her focus was primarily on collage, which is described as her preferred medium. The gallery had a dynamic schedule, featuring new exhibitions approximately every three weeks within an 1,800 square feet space that was in constant change, reflecting Margaret's bright and focused personality. She is portrayed as someone who was passionate about activating her living space and reclaiming it as both a studio and a place of business.