Description:
Paris (Éditions G.L.M.), 1938.. (36)pp. 4 line-drawn illus., by Sima, Masson and Tanguy. Text on salmon-colored stock. Self-wraps. Listings include bibliographical information about the various tirages of each, and their prices. Included are catalogues of the press’s various series and periodicals, among them “Cahiers G.L.M.,” “Acéphale,” “Répères,” and “Habitude de la Poésie.” Light wear.
Search Results: Authors starting with L from Ars Libri Ltd
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Catalogue général des éditions G.L.M.
by (G.L.M.)
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EGISTO FABBRI, 1866-1933.
by La Farge, Mabel.
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New Haven (Privately Printed), 1937.. vi, (4), 165pp., 1 plate. Sm. 4to. Cloth. Edition limited to 300 copies. Presentation copy, inscribed by the author.
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Reminiscences of the South Seas. With 48 illustrations from paintings and drawings made by the author in 1890-91.
by LA FARGE, JOHN.
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Garden City, N.Y. (Doubleday, Page & Co.), 1912.. 480pp., 48 plates (32 color). Stout 4to. Orig. dec. cloth (slightly rubbed).
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Scultura tardo-etrusca di Volterra. Catalogo a cura di Clelia Laviosa.
by Firenze. La Strozzina.
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Firenze, 1964.. 175, (33)pp. 163 illus. Lrg. 8vo. Wraps.
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Fables. Illustrées par J.J. Grandville. Nouvelle édition.
by La Fontaine, Jean de.
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Pars (H. Fournier Aîné), 1838.. 2 vols. xxviii, 292pp. 142 plates; (4), 312pp. 98 plates. 2 illus. title-pages. Sm. 4to. Full black leather, spine gilt. Second Fournier edition. The text has been reset and the fleurons and culs-de-lampes are not the same as in the first edition. Intermittent light foxing. Ex libris Nathan Appleton (1779-1861).
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Sculpture Arenas: Chris Burden, Kenneth Capps, Jill Giegerich, Mathieu Gregoire, Margaret Honda, Mark Lere. April-May 1987. Preface by Michael McManus.
by La Jolla. University of California, San Diego. Mandeville Gallery.
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La Jolla, 1987.. 20pp. 13 illus. 4to. Wraps.
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Sculpture Arenas: Chris Burden, Kenneth Capps, Jill Giegerich, Mathieu Gregoire, Margaret Honda, Mark Lere. April-May 1987. Preface by Michael McManus.
by La Jolla. University of California, San Diego. Mandeville Gallery.
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La Jolla, 1987.. 20pp. 13 illus. 4to. Wraps.
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BELLE BARANCEANU - A Retrospective. Essays by Bram Dijkstra and Anne Weaver. Nov.-Dec. 1985.
by La Jolla. University of California, San Diego. Mandeville Gallery.
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La Jolla, 1985.. 64pp. Prof. illus. 4to. Wraps.
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Sculpture Arenas: Chris Burden, Kenneth Capps, Jill Giegerich, Mathieu Gregoire, Margaret Honda, Mark Lere. April-May 1987. Preface by Michael McManus.
by La Jolla. University of California, San Diego. Mandeville Gallery.
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La Jolla, 1987.. 20pp. 13 illus. 4to. Wraps.
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1919: Le défilé de la victoire.
by LA NÉZIÈRE, R. DE.
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Paris (Hachette), [1919].. (12)pp. Prof. illus. Lrg. 4to. Dec. self-wraps. A picture book of the victory parade. Neatly split at spine.
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“Doctor, sieh mich an!” Der Basler Arzt Hermann Christ auf medizinischer Mission in der Osttürkei (1898-1903).
by La Roche, Emanuel.
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Zürich (Chronos), 2013.. 172, (4)pp. 59 illus. hors texte. Sm. 4to. Boards.
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Iperrealisti americani. Don Eddy, Richard Estes, Ralph Goings, Duane Hanson, Richard McLean, David Parrish, John Salt. Jan.-Feb. 1973.
by Roma. La Medusa.
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Roma, 1973.. (16)pp. 8 color plates. Lrg. 4to. Wraps.
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FRIEDRICH SCHRÖDER SONNENSTERN: Prima personale a Roma. (Notizie. No. 56.)
by Roma. La Medusa.
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Roma, 1966.. (12)pp. Text illus. Sm. 4to. Self-wraps. Parallel texts in Italian and English.
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Von der lustvollen Betrachtung der Bilder: Leidener Feinmaler in der Dresdener Gemäldegalerie. Mit einem gemäldetechnologischen Beitrag von Christoph Schölzel.
by Laabs, Annegret.
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Dresden (E.A. Seemann), 2000.. 127, (1)pp. Prof. illus. Sm. 4to. Wraps. D.j. Published in conjunction with an exhibition at the Staatliche Kunstsammlungen Dresden, Gemäldegalerie Alte Meister, Sept.-Dec. 2000.
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Atlas pour servir à la Relation du voyage à la recherche de La Pérouse, fait par ordre de l’Assemblée Constituante, Pendant les années 1791, 1792, et pendant la 1.ere et 2.eme année de la République Française. Par le C.en Labillardière, Correspondant de la ci-devant Académie des Sciences de Paris, membre de la Société d’histoire naturelle et l’un des naturalistes del’expédition.
by Labillardière, Jacques Julien Houton de.
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Paris (H.J. Jansen, Imprimeur-Libraire), An VIII de la République [1799/1800].. Engraved title-page, double-page map, 43 engraved plates (numbered 2-44). Lrg. folio. Contemporary marbled boards, 3/4 calf (slightly rubbed). Minor, occasional marginal foxing. A very good copy of the First Edition of the Atlas of plates only, without the two text volumes.
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Types de l’armée americaine en France. Suite de dix images taillées sur bois par S.E.L. [sic]. Texte de A.S.C.
by [LABOUREUR, JEAN-ÉMILE.]
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Paris (A La Belle Édition), 1918.. (24)pp. 10 woodcut illus. (including front cover image), printed in black on colored backgrounds. New marbled boards. Orig. dec. wraps. bound in. One of 1000 numbered copies on vélin d’Arches, from the limited edition of 1052, printed by François Bernouard. The artist’s initials are misstated on the title-page, but corrected on the front cover. The text is by Laboureur himself, who, as author, appropriates the initials A.S.C. from his address at the Army Service Corps.
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![Types de l’armée americaine en France. Suite de dix images taillées sur bois par S.E.L. [sic]....](https://d3525k1ryd2155.cloudfront.net/h/777/048/1275048777.0.m.jpg)
Types de l’armée americaine en France. Suite de dix images taillées sur bois par S.E.L. [sic]. Texte de A.S.C.
by [LABOUREUR, JEAN-ÉMILE.]
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Paris (A La Belle Édition), 1918.. (24)pp. 10 woodcut illus. (including front cover image), printed in black on colored backgrounds. Dec. wraps. Fitted cloth clamshell case. Édition de tête: one of 25 numbered copies on papier Japon, with irregular large margins, from the limited edition of 1052, printed by François Bernouard. The artist’s initials are misstated on the title-page, but corrected on the front cover. The text is by Laboureur himself, who, as author, appropriates the initials A.S.C. from his address at the Army Service Corps. Cover somewhat soiled; textblock neatly detached within; small stains. Presentation copy, inscribed on the title-page “à A. Johnson/ cordialement/ J.E. Laboureur 1919.”
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Ten Etchings from Pittsburgh. A collection of ten original etchings.
by LABOUREUR, J. E.
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N.p. (The Artist), 1905.. (4)pp., 10 original etchings, each signed and numbered in pencil in the margins. Dec. vignette on title-page, printed in red. All contents loose, as issued. Sm. folio. PublisherÂ’s brown chemise, printed in black and red. New fitted cloth clamshell case. One of 50 hand-numbered copies on Holland paper, from the limited edition of 60.
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Types de l’armée americaine en France. Suite de dix images taillées sur bois par S.E.L. [sic]. Texte de A.S.C.
by [LABOUREUR, JEAN-ÉMILE.]
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Paris (A La Belle Édition), 1918.. (24)pp. 10 woodcut illus. (including front cover image), printed in black on colored backgrounds. Marbled boards, 3/4 morocco gilt. Orig. dec. wraps. bound in (somewhat rubbed). Édition de tête: one of 25 numbered copies on papier Japon, with irregular large margins, from the limited edition of 1052, printed by François Bernouard. The artist’s initials are misstated on the title-page, but corrected on the front cover. The text is by Laboureur himself, who, as author, appropriates the initials A.S.C. from his address at the Army Service Corps. An exceptionally large copy, dramatically bigger than other copies we have seen of the same large-paper édition de tête. From the library of Francis Kettaneh, with his gilt morocco ex-libris.
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Petites images de la guerre sur le front britannique. Neuf gravures au burin. Précédées d’une lettre sur les spectacles de la guerre, de Roger Allard.
by LABOUREUR, JEAN-ÉMILE.
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Paris (Imprimerie d’A. Vernant), 1917.. xi, (7)pp., 9 original copperplate etchings, each numbered in pencil, printed on titled folded sheets. All contents loose, as issued. 4to. Publisher’s portfolio (marbled boards with supralibros label, ties; light wear) and chemise. New fitted cloth clamshell case. One of 120 copies of the “état définitif,” signed and numbered in ink by Laboureur in the justification, apart from proofs of various states, the etchings printed by A. Vernant, the text by Franzier-Soye. Presentation copy, inscribed “à André Mare au bon/ témoignage de guerre/ Laboureur,” with a little sketch of two crossed flags.
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