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Marking Time. Six Prints by Dieter Grund

Marking Time. Six Prints by Dieter Grund

by MacEwen, Gwendolyn

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Kennebunkport, Maine, United States
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Toronto: Lake Galleries, 1991. First Edition thus, one of 35 copies all on stonehenge paper, each copy signed on the portfolio by Grund, consisting of three sheets of accordion folds to make nine pages, hand-numbered on the colophon and hand numbered and signed by the artist on each of the three sheets. Page size: 20 inches x 17 inches , when folded. Bound: gray paper portfolio with title in gold and relief etching by Grund on front cover, fine. Dieter Grund is a well-known Canadian artist (born in Germany, educated in Canada and now residing there) whose work is in many important Canadian collections. He has chosen three poems by the well-known Canadian poet, Gwendolyn MacEwen. The three poems selected are from her 1982 publication, THE T. E. LAWRENCE POEMS. Grund has executed six mixed media relief prints which include stenciling and hand coloring. The Sabon type and relief prints were editioned by the artist at Presswork Editions. MacEwen's poetry is well served by Grund's imposing relief prints.
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Images de Paris. Pointes-seches de Ch. Samson. Three volumes: Volume I by MacOrlan, Volume II by...
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Images de Paris. Pointes-seches de Ch. Samson. Three volumes: Volume I by MacOrlan, Volume II by Salmon, Volume III by Vaudoyer

by MacOrlan, Pierre, Andre Salmon, Jean-Louis Vaudoyer

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Paris: Les Heures Claires, 1951. One of 100 numbered copies on white wove paper, from a total issue of 312. 8vo. Handsomely bound in 3/4 green morocco and paste-paper boards, spine paneled, title gilt, top edge gilt., original covers bound in. Titlepages letterpress variously in blue and black, black and red, with vignette of Centaur, Liberty, etc., fine. Each volume illustrated with 12 drypoints printed in black and colored by hand by Manuel Robbe after Charles Samson, with an extra suite of drypoints in black. These three volumes were published to celebrate the bi-millenaire of Paris, and were appropriately completed on "le jour de Sainte Genevieve", patron saint of Paris.
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$600.00
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Aux Lumieres de Paris

Aux Lumieres de Paris

by MacOrlan, Pierre

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Kennebunkport, Maine, United States
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Paris: Les Editions G. Cres et Cie, 1925. One of 1085 on velin blanc pur chiffon de Rives from a total issue of 1100; 8vo; handsomely rebound in 3/4 claret morocco and marbled paper boards, spine with gilt lettering, marbled endpapers, t.e.g., original wrappers and backstrip bound in. Occasional light foxing of text, original wrappers and backstrip foxed and browned, else fine. Illustrated with frontispiece and six plates hors-texte, of which three double-page, after watercolor drawings by Jules Pascin.
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Rue Saint-Vincent. Images italiennes et francaises. Chronique de la Vie sentimentale...

Rue Saint-Vincent. Images italiennes et francaises. Chronique de la Vie sentimentale contemporaine. Abecedaire. Etude d'Andre Billy [sur Pierre MacOrlan]

by MacOrlan, Pierre

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Paris: Editions du Capitole, 1928. One of 200 on papier velin de Rives, from a total issue of 3613; 8vo; handsomely rebound in3/4 claret morocco and marbled paper boards, spine with gilt lettering, marbled endpapers, t.e.g., original wrappers and backstrip bound in, near fine. Illustrated with an original print hors-texte, an author-portrait by G. Goor, which is also reproduced as the frontispiece; six photographs hors-texte of MacOrlan at various points in his life; and reproductions hors-texte of two watercolor drawings.
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O Paris. 15 aquarelles de Maryland

O Paris. 15 aquarelles de Maryland

by MacOrlan, Pierre

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Paris, 1948. One of 15 numbered copies on Velin d'Arches with original watercolor drawing tipped in the frontispiece, a preparatory study for illustration of La Rue Mouffetard., from a total edition of 350. Folio, 3/4 dark green morocco and paste-paper boards, spine paneled, title gilt, top edge gilt, original covers bound in, near fine. Illustrated with 15 color lithographs of views of Paris after watercolor drawings by Maryland.
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$600.00
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Surprenants Visages de Paris par Pierre MacOrlan de l'Academie Goncourt. Aquarelles de Gaston Barret

Surprenants Visages de Paris par Pierre MacOrlan de l'Academie Goncourt. Aquarelles de Gaston Barret

by MacOrlan, Pierre

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Paris: Editions Viatelay, 1952. One of 1150 copies all on Marais. Page size: 9 x 12 inches, 96pp; including colophon and list of illustrations. Handsomely bound in 3/4 green morocco and green pastepaper over boards, gilt fillets, spine paneled, author and title gilt, top edge gilt, original wrapper bound in, a b It of rubbing at extremities else fine. Printed letterpress by Priester Freres, images printed by Duval with E. Vairel editioning the colors for Vialetay. llustrated with 10 color hors texte illustrations that are charming views of Paris.
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$300.00
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La Vie Donnee

La Vie Donnee

by Maritain, Raissa

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Kennebunkport, Maine, United States
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Paris: Labergerie, 1935. First Edition, one of 200 on papier d'Annam from a total issue of 270, handsomely rebound in 3/4 royal blue morocco and marbled paper boards, spine with gilt lettering, marbled endpapers, t.e.g., original wrappers bound in, lower edges of boards nicked, else fine.
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$300.00
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La Conscience morale et l'Etat de Nature

La Conscience morale et l'Etat de Nature

by Maritain, Raissa

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New York: Editions de la Maison Francase, Inc, 1942. First Edition, one of 1500 on papier Midwood Offset; handsomely rebound in 3/4 dark green morocco and marbled paper boards, spine with gilt lettering, marbled endpapers, original wrappers bound in, near fine.
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$300.00
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Vieille France. Neuchatel, Ides et Clanedes. Cover Design by Matisse

Vieille France. Neuchatel, Ides et Clanedes. Cover Design by Matisse

by Martin du Gard, Roger

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Paris: Ides et Calendes, 1946. One of 1500 on verge blanc, from a total issue of 1566. 8vo, handsomely rebound in 3/4 purple morocco and marbled paper boards, spine with gilt lettering, marbled endpapers, t.e.g. Original wrappers (front wrapper adorned with a vignette designed by Henri Matisse) and backstrip bound in, stain at head of foreedges, else fine. With a frontispiece reproducing a map of part of Paris, original hand-drawn in pencil by the author.
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$300.00
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Alain

Alain

by Maurois, Andre

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Paris: Collection "Au Voilier," Domat, 1950. First Edition, one of 150 on pur fil Johannot from a total issue of 1000. 4to; handsomely rebound in 3/4 navy blue morocco and marbled paper boards, spine with gilt lettering, marbled endpapers, t.e.g., original wrappers and backstrip bound in, fine.
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$300.00
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Pour Psyche

Pour Psyche

by Maurras, Charles

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Kennebunkport, Maine, United States
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Paris: a la Belle Edition, 1919. One of 500 on verge d'Arches, from a total issue of 550; 4to; handsomely rebound in 3/4 navy blue morocco and marbled paper boards, spine with gilt lettering, marbled endpapers, t.e.g., original wrappers bound in, wrappers somewhat soiled, else near fine.
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$300.00
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Oarsbread Realization

Oarsbread Realization

by McCallion, Barry

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$3,000.00
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Unique artist's book, hand-written and hand-painted by the artist / author, Barry McCallion on cream Rives BFK a Barry McCallion continues his exploration of the narrative of his created world (or is it his observations of this world?) through chance word and particular image. His creation of the Oarsman - a sailor / traveler who rows (backward of course) towards his mythical destination - is intriguing. His voyages may be autobiographical or completely haphazard. He hoists his sails or locks his oars and is off - and we follow, observing from the sidelines, to places we otherwise would not go.
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Colomba. Illustrations de Charles Picart le Doux. Gravees sur bois en camaieu par Gerard Angiolini

Colomba. Illustrations de Charles Picart le Doux. Gravees sur bois en camaieu par Gerard Angiolini

by Merimee, Prosper

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Nice: L'Image Litteraire, 1946. One of 70 numbered copies on Marais white wove paper from a total edition of 450. 8vo. Handsomely bound in 3/4 blue morocco and paste-paper boards, spine paneled, gilt decorated with maroon rosette morocco inlays, title gil top edge gilt, original covers bound in, a bit of rubbing else fine. Illustrated by Charles Picart le Doux with nine pictorial illustrations hors-texte and 21 headpieces in chiaroscuro style, wood engravings with stipple effect with generous use of the roulette. Picart le Doux was a decorator and like Lurcat was engaged in the modern revival of tapestry design. These pictorial illstrations are like blurred sketches for the theatre or ballet with figures in romantic gestures or attitudinized silhouettes.
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$350.00
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Dans les Brisements

Dans les Brisements

by Michaux, Henri

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Kennebunkport, Maine, United States
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Paris: Flinker, 1959. One of 1140 numbered copies on papier Robertsau wove, from a total edition of 1190. Page size: 10-3/8 x 7-3/8 inches Handsomely bound in3/4 green morocco and pastepaper boards; spine paneled, title gilt; top edge gilt, original Covers bound in, fine. 12 pages of abstract designs after delicate pen drawings by Karl Flinker, who serves here as both artist and publisher. The colophon reads: "Realise par Karl Flinker, cet ouvrage a ete acheve d'imprimer en mail mil neuf cent cinquante neuf sur les presses de l'imprimerie Baguenier Desormeaux a Paris sous la direction technique de G. Chassery". Henri Michaux, French poet of Belgian origin, supplied the pretext for Flinker's designs with this poetry called "Paix dans les brisements", the recitation of his dreams and hallucinations.
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$300.00
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Rimbaud. Translated by F. Roger-Cornaz

Rimbaud. Translated by F. Roger-Cornaz

by Miller, Henry

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Kennebunkport, Maine, United States
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$2,000.00
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Aigle, France: Mermod, 1952. First French edition, preceding English language edition, one of 3000 copies. No. 5 in the series La Grenade. 8vo; handsomely rebound in 3/4 bordeaux morocco with pastepaper over boards, spine paneled, author and title in gilt on spine; marbled endpapers, original wrappers bound in, top edge gilt, text a bit browned else fine.
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$2,000.00
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Le Fichier Parisien. Photographies de Joublin

Le Fichier Parisien. Photographies de Joublin

by Montherland, Henri de

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Kennebunkport, Maine, United States
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Paris: La Palatine, 1952. First Edition, one of 2750 on velin blanc. This is Montherlant`s hommage to Paris illustrated with six tipped-in illustrations after photographs of Joublin. 12mo; handsomely bound in 3/4 bordeaux morocco and pastepaper over boards, spine panelled, author and title gilt, top edge gilt, original wrapper bound in, near fine.
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$300.00
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Eight Poems. With Drawings by Robert Andrew Parker Hand-colored by the Artist

Eight Poems. With Drawings by Robert Andrew Parker Hand-colored by the Artist

by Moore, Marianne

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Kennebunkport, Maine, United States
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$1,500.00
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New York: Museum of Modern Art, 1962. One of 195 copies all on Brentwood vellum paper, each numbered and signed by the author and artist on the colophon page. 8vo, [34pp;] 10 illustrations by Robert Parker, each hand colored, with Addendum laid in as well as announcement of publication from the Museum of Modern Art. Brown paper and cloth over boards, author, artist, and title in gilt on spine, matching publisher's slipcase with white label printed in grey, fine with the usual wrinkling to paper where watercolored. Published under the director of Monroe Wheeler, this is the third in a series of limited editions published by The Museum of Modern Art. Printed by Edward Katz at the Crafton Graphic Company it is set in Michelangelo and Palatino by Hermann Zapf. The text reproduces Miss Moore's handwriting. A handsome publication and one of the noted poet's scarcer books.
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$1,500.00
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Le Peuple des etoiles filantes

Le Peuple des etoiles filantes

by Morand, Paul

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Kennebunkport, Maine, United States
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Liege: A la Lampe d'Aladdin, 1928. First Edition, one of 905 on velin blanc paper, signed by the author in brown ink on the front wrapper, from a total issue of 999. 8vo; handsomely bound in 3/4brown morocco and marbled paste-paper boards, spine with gilt lettering, marbled endpapers, t.e.g., untrimmed, original printed wrappers and backstrip bound in, wrappers lightly soiled and several pages lightly foxed, else very good. Frontispiece author portrait by Becan.
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$300.00
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Snakes Are Not Nice

Snakes Are Not Nice

by Morrison, Lois

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Kennebunkport, Maine, United States
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$250.00
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Leonia, NJ, 2005. One of 25copies, each signed and numbered by the artist, Lois Morrison, printed on oriental paper from Staedtler's master carve, hand-lettered onto Nideggen paper, grommeted, and bound in sharkskin over board forming 12-piece "snake" that is highlighted with colored threads glued down on images, several pieces to each piece, with images and text on one side and sharkskin on the reverse, housed in maroon "snake-catching" bag tied with green cord, fine. The pieces were laser cut by Julie Chen. The title is hand lettered and on the sharkskin-side of the snake's head - which also has stamped eyes. Yes, SNAKES ARE NOT NICE but this book is!
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$250.00
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L'Oeuvre Poetique

L'Oeuvre Poetique

by Muselli, Vincent

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Kennebunkport, Maine, United States
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$150.00
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Paris: Points & Contrepoints, 1957. First Edition, one an unspecified number of the ordinary issue on Bouffant superieur paper. Handsomely rebound 3/4 green morocco with pastepaper over boards, gilt fillets, spine panelled with author and title in gilt, teg, marbled endpapers, original wrappers bound in, near fine except for some rubbing to edges. This anthology contains LES TRAVAUX ET LES JEUX, the poet's first and best-known work.
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$150.00
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