Search Results: Authors starting with R from David Brass Rare Books, Inc.

London: George G. Harrap & Co., 1934. An Immaculate Copy Of The Signed Limited Edition [RACKHAM, Arthur, illustrator]. BROWNING, Robert. The Pied Piper of Hamelin. London: George G. Harrap & Co., [1934]. Limited to 410 copies, signed by Arthur Rackham, this being copy no. 45. Octavo (9 1/8 x 6 inches; 232 x 152 mm.). 44, [1], [3, blank] pp. Four color plates and fourteen drawings in black and white (including one double-page). Original full limp vellum lettered in gilt on front cover. Top edge gilt. In the original publisher's cardboard slipcase with matching limitation number on spine. A very fine copy in the publisher's original glassine wrapper (with a just a few small chips at edges). The Pied Piper of Hamelin was a magician in German folklore. According to legend, the town of Hamelin was plagued by rats. A mysterious stranger in varicolored clothes appeared and offered to rid the town of the destructive vermin for a specified sum of money. The leaders of the town agreed to the contract,… Read More

London: George Harrap & Co., 1932. One of 575 Copies Signed by Arthur Rackham [RACKHAM, Arthur, illustrator]. RUSKIN, John. The King of the Golden River. Illustrated by Arthur Rackham. London: George Harrap & Co., [1932]. One of 575 copies signed by Arthur Rackham, this being copy No. 472. Octavo (8 3/4 x 5 3/4 inches; 222 x 146 mm.). 47, [1] pp. Four color plates and fifteen drawings in black and white. Original limp vellum. Pictorial endpapers in green and white. Top edge gilt, others uncut. A few text leaves roughly opened, small inoffensive stains on endpapers. A very good copy. Housed in a green cloth clamshell case. John Ruskin (1819-1900), "English author and artist, whose The King of the Golden River might be regarded as the first English fairy story for children. Though it was not published until 1851, seven years after Francis Paget's The Hope of the Katzekopfs, it was in fact written in 1841 for 12-year-old Effie Gray, whom he later married. It is a story of the three brothers of… Read More

Philadelphia: David McKay Company, 1929. First American Deluxe Edition [RACKHAM, Arthur, illustrator]. GOLDSMITH, Oliver. The Vicar of Wakefield. Illustrated by Arthur Rackham. Philadelphia: David McKay Company, n.d. [1929]. First American edition, deluxe issue, limited to 775 copies (575 for England and 200 for the United States) signed by Arthur Rackham, this being copy no. 120. Quarto (10 5/16 x 7 3/4 in; 263 x 197 mm). Twelve full page color plates, twenty-two black and white line drawings. Publisher's white vellum with gilt-ruled borders and lettering. Pictorial endpapers. Top edge gilt, others untrimmed. Partially unopened. A fine copy. Chemised in a quarter green morocco clamshell case. "In the England of jazz and Noel Coward the whimsical and fantastic had grown increasingly out of fashion. With The Vicar of Wakefield of 1929... Rackham played it safe by turning to historical costume... in which he had long been supremely accomplished and successful" (Hudson, p. 126). "The Vicar of… Read More

London: George G. Harrap & Co., 1931. I Envy No Body But Him, And Him Only, That Catches More Fish Than I Do" [RACKHAM, Arthur, illustrator]. WALTON, Izaak. The Compleat Angler or The Contemplative Man's Recreation. Being a Discourse of Rivers, Fishponds, Fish and Fishing not unworthy the Perusal of most Anglers. Illustrated by Arthur Rackham. London: George G. Harrap & Co., [1931]. Limited to 775 numbered copies (this copy being No. 265), signed by the artist. Quarto (10 5/16 x 7 13/16 inches; 263 x 198 mm.). 223, [1] pp. Twelve color plates, with descriptive tissue guards, and twenty-five drawings in black and white. Title printed in green and black. Original full vellum over boards. Front cover lettered in gilt within a gilt triple-rule border, spine pictorially stamped and lettered in gilt with three gilt rules at top and bottom of spine. Top edge gilt, others uncut. Pictorial endpapers in reddish brown and white. In the original publisher's? white cardboard box. Spine very slightly creased… Read More

New York: The Heritage Press, 1940. The First Trade Edition of The Wind In The Willows with Illustrations by Arthur Rackham [RACKHAM, Arthur, illustrator]. GRAHAME, Kenneth. The Wind in the Willows. Illustrations by Arthur Rackham. Introduction by A.A. Milne. New York: The Heritage Press [1940]. First trade edition with the first appearance of the fifteen (one repeated) line drawings in the text, which were not included in the 1940 limited edition designed by Bruce Rogers. Octavo ( 9 1/4 x 6 1/8 inches; 235 x 155 mm.). xiv, 190 pp. Pictorial half-title and title-page. Twelve full page color plates, twelve black & white chapter headings and three other line-drawings (one repeated). Publishers red buckram over blue cloth boards, front cover pictorially stamped in yellow, spine lettered in yellow, all edges stained red. Neat ink signature at top of free endpaper. A very fine copy in the original pictorial dust jacket and very slightly worn color pictorial slip-case. "The Wind in the Willows was… Read More

New York: The Limited Editions Club, 1939. The Final Book Published During Rackham's Lifetime [RACKHAM, Arthur, illustrator]. SHAKESPEARE, William. A Midsummer-Night's Dream. The Text of the First Folio, with Quarto Insertions, Edited and Amended Where Obscure by Herbert Farjeon. Illustrated from Water-colors by Arthur Rackham. New York: The Limited Editions Club, 1939. Deluxe edition limited to 1,950 copies of which this is no. 1306. Folio (12 7/8 x 8 3/4 inches; 328 x 223 mm.). Six color lithographed plates. With LEC Subscriber's Letter for this volume laid-in at front. Designed by Bruce Rogers. Publishers quarter tan buckram over decorative paper boards. Top edge gilt, others untrimmed. A near fine copy. "The illustrations for this play were made by one of the world's most famous illustrators, that Englishman Mr. Arthur Rackham. He has been for years one of the most prolific of the world's illustrators, and one of the most admired. He is now seventy-two years old, having being born in… Read More

London: George G. Harrap & Co., 1934. The Signed Limited Edition [RACKHAM, Arthur, illustrator]. BROWNING, Robert. The Pied Piper of Hamelin. London: George G. Harrap & Co., [1934]. Limited to 410 copies, signed by Arthur Rackham, this being copy no. 30. Octavo (9 1/8 x 6 inches; 232 x 152 mm.). 44, [1], [3, blank] pp. Four color plates and fourteen drawings in black and white (including one double-page). Publisher's full limp vellum lettered in gilt on front cover. Top edge gilt. In the original publisher's cardboard slipcase with matching limitation number on spine. A very fine copy in the publisher's very slightly rubbed cardboard slip-case. The Pied Piper of Hamelin was a magician in German folklore. According to legend, the town of Hamelin was plagued by rats. A mysterious stranger in varicolored clothes appeared and offered to rid the town of the destructive vermin for a specified sum of money. The leaders of the town agreed to the contract, and the stranger began to play his pipe. The… Read More

London: Chapman and Hall, 1904. Tell it to the Marines" A Near Fine Copy in the Original Pictorial Dust Jacket With Eight Half-Tone Plates by Arthur Rackham [RACKHAM, Arthur]. DRURY, Major W.P. The Peradventures of Private Pagett. With Eight Illustrations by Arthur Rackham. London: Chapman and Hall, 1904. First edition. Octavo. (7 5/16 x 4 13/16 inches; 185 x 122 mm). [12], 242, [2] pp. Eight half-tone plates by Rackham. Publisher's orange-red cloth pictorially stamped and lettered in black on front cover and spine. Minimal rubbing to extremities, light marginal foxing throughout. Complete with the very scarce publisher's light gray pictorial dust jacket. A near fine copy - the first in dust jacket that we have ever seen. "There is nothing serious about the stories of Mr. Pagett, ex-private of Marines, and some of them are very amusing. The most entertaining in the book is the account of "The Lower-Deck Tantum Club," (pp. 97-127) which spread confusion through the whole of Malta by driving a "… Read More

London: Methuen & Co., 1951. The "One Hundredth Edition" of "Wind in the Willows" [RACKHAM, Arthur, illustrator]. GRAHAME, Kenneth. The Wind in the Willows. Introduction by A.A. Milne. London: Methuen & Co., [1951]. "One hundredth edition." Limited to 500 numbered copies (of which this is number 361), printed on handmade paper. Large quarto (11 3/4 x 9 1/4 inches; 298 x 235 mm.). [2, blank], xii, 178 pp. Twelve mounted color plates (including frontispiece), twelve black and white vignette chapter headings, and three other black and white drawings. Internally fine and fresh. Publisher's full white calf, smooth spine lettered in gilt. Small repaired split at foot of spine, neat ink inscription dated 1952 on front free end-paper. A very good copy. "This book was first issued on October 8th, 1908, since when it has been reprinted in a variety of editions, illustrated and unillustrated, 99 times. This one hundredth edition, published in 1951, is printed on handmade paper and is limited to 500… Read More

London: George G. Harrap & Co., 1931. I Envy No Body But Him, And Him Only, That Catches More Fish Than I Do" [RACKHAM, Arthur, illustrator]. WALTON, Izaak. The Compleat Angler or The Contemplative Man's Recreation. Being a Discourse of Rivers, Fishponds, Fish and Fishing not unworthy the Perusal of most Anglers. Illustrated by Arthur Rackham. London: George G. Harrap & Co., [1931]. Limited to 775 numbered copies (this copy being No. 408), signed by the artist. Quarto (10 5/16 x 7 13/16 inches; 263 x 198 mm.). 223, [1] pp. Twelve color plates, with descriptive tissue guards, and twenty-five drawings in black and white. Title printed in green and black. Original full vellum over boards. Front cover lettered in gilt within a gilt triple-rule border, spine pictorially stamped and lettered in gilt with three gilt rules at top and bottom of spine. Top edge gilt, others uncut. Pictorial endpapers in reddish brown and white. Small light stain at top of spine, light tape marks on free end-papers,… Read More

London: William Heinemann, 1908. An Almost Perfect Setting for Rackham's Devic Imagination" Edition de Luxe Signed by Arthur Rackham [RACKHAM, Arthur, illustrator]. SHAKESPEARE, William. A Midsummer-Night's Dream. With Illustrations by Arthur Rackham. London: William Heinemann, 1908. Edition de Luxe, limited to 1,000 numbered copies signed by the artist, this being copy No. 926. Large quarto (11 1/2 x 9 1/16 inches; 292 x 231 mm.). [6], 134, [1, blank], [1, printer's slug] pp. Forty color plates mounted on brown art paper, with descriptive tissue guards. Original vellum over boards pictorially stamped and lettered in gilt. Top edge gilt, others untrimmed. Later silk ties. Bookplate of Agnes Marion Armitage. A bit of mild toning to vellum at edges. Spine a little 'mottled'. Still an excellent copy. "Within twelve months appeared Shakespeare's A Midsummer-Night's Dream, De la Motte Fouqué's Undine, and the Grimm brothers' Fairy Tales, all very different in quality and feeling, as demanded by the… Read More

London / New York: William Heinemann / Doubleday, Page & Co., , 1909. A Masterpiece of Sympathetic Understanding" Edition de Luxe Signed by the Artist [RACKHAM, Arthur, illustrator]. FOUQUE, De La Motte. Undine. Adapted from the German by W.L. Courtney and Illustrated by Arthur Rackham. London / New York: William Heinemann / Doubleday, Page & Co., 1909. Edition de Luxe, limited to 1000 large-paper copies signed by the artist, this being copy no. 226. Quarto. Fifteen color plates mounted on brown art paper, with captioned tissue guards. Head- tailpieces. Handsomely rebound ca. 1960 by Bayntun (Rivière) in full blue crushed levant morocco. Covers decoratively bordered in gilt, spine with five raised bands, decoratively tooled and lettered in gilt in compartments, gilt board edges and turn-ins, cockerel end-papers, top edge gilt, others uncut. There is a very slight 2 1/2 inch crack on the upper joint (but still sound), otherwise a very fine copy. Housed in a fleece-lined, light blue cloth… Read More

London: George G. Harrap & Co., 1931. Bound By Birdsall "I Envy No Body But Him, and Him Only, That Catches More Fish Than I Do" [RACKHAM, Arthur, illustrator]. Walton, Izaak. [BIRDSALL of Northampton, Bindery]. The Compleat Angler or The Contemplative Man's Recreation. Being a Discourse of Rivers, Fishponds, Fish and Fishing not unworthy the Perusal of most Anglers. Illustrated by Arthur Rackham. London: George G. Harrap & Co., [1931]. First trade edition. Octavo (9 3/4 x 7 1/2 in; 247 x 190 mm). 223, (1) pp. Twelve color plates, and twenty-five black and white illustrations. Title printed in green and black. Bound c. 1931 by Birdsall of Northhampton for Charles Scribner's Sons in full forest green morocco with triples fillets border and central varicolored portrait onlay of Izaak Walton. Gilt framed and ornamented compartments. Top edge gilt, others untrimmed. Broad turn-ins with gilt rolls. Original endpapers preserved. A fine copy. In the binder's green cloth dust jacket, lettered in gilt on… Read More

London: George Harrap & Co., 1932. The First English Fairy Story for Children" The First Trade Edition Illustrated by Arthur Rackham [RACKHAM, Arthur, illustrator]. RUSKIN, John. The King of the Golden River. Illustrated by Arthur Rackham. London: George Harrap & Co., [1932]. First trade edition. Octavo (8 3/4 x 5 3/4 inches; 222 x 146 mm.). 47, [1] pp. Four color plates and fifteen drawings in black and white. Original color pictorial wrappers. Pictorial endpapers in green and white. Covers a little bit foxed. A very good copy. In the original color pictorial dust jacket with spine mildly soiled. John Ruskin (1819-1900), "English author and artist, whose The King of the Golden River might be regarded as the first English fairy story for children. Though it was not published until 1851, seven years after Francis Paget's The Hope of the Katzekopfs, it was in fact written in 1841 for 12-year-old Effie Gray, whom he later married. It is a story of the three brothers of tradition, two bad, the… Read More

London: George G. Harrap & Co. Ltd., 1936. In the Troll scenes, or in Peer's moorland Encounter with the Threadballs, Rackhamerie abounds" [RACKHAM, Arthur, illustrator]. IBSEN, Henrik. Peer Gynt. London: George G. Harrap & Co. Ltd., 1936. Limited to 460 numbered copies (this copy being No. 349), signed by Arthur Rackham. Quarto (10 7/16 x 7 3/4 inches; 264 x 198 mm.). 255, [1] pp. Twelve color plates with captioned tissue guards and numerous black and white text illustrations in the text. Publisher's vellum over boards, front cover pictorially stamped and lettered in gilt, spine lettered in gilt, pictorial endpapers printed in tan and white, top edge gilt, others uncut. A very fine copy, partially uncut, complete with the original glassine wrapper. Housed in the original publishers cardboard slipcase with matching limitation number. "In the troll scenes, or in Peer's moorland encounter with the threadballs, Rackhamerie abounds...". (Gettings, Arthur Rackham. P. 165).

London: William Heinemann, 1913. With Forty-Four Mounted Color Plates Including 'Cupid's Alley' RACKHAM, Arthur. Arthur Rackham's Book of Pictures. With an Introduction by Sir Arthur Quiller-Couch. London: William Heinemann. n.d. [1913]. Edition de Luxe. Limited to 1,130 numbered copies, signed by the artist (this copy being no. 165). Large quarto (11 1/2 x 9 inches; 292 x 232 mm). 43, [1] pp. Forty-four color plates (including frontispiece) mounted on tan paper, with descriptive tissue guards, and ten drawings in black and white. Publisher's pictorial white buckram. Front cover pictorially stamped and lettered in gilt, spine lettered in gilt, decorative end-papers, top edge gilt, others uncut. Spine darkened and gilt somewhat dull, a few small marks on upper cover, some very slight wear at top of spine, still a very good copy. "Arthur Rackham's Book of Pictures brings together a number of drawings unrelated in theme. Most of them, it is true, are drawings of the supernatural, of goblins,… Read More

London & New York: Hodder & Stoughton, 1921. Amongst "Rackham's Best Book Illustrations" [RACKHAM, Arthur, illustrator]. PHILLPOTTS, Eden. A Dish of Apples. With Illustrations by Arthur Rackham. London & New York: Hodder & Stoughton, [1921]. Edition de Luxe. Limited to 500 copies (this copy being No. 398), numbered and signed by the artist. Small quarto (10 x 7 5/8 in; 254 x 193 mm). 75, (3) pp. Illustrated with three full-page mounted illustrations in color with tissue guards and twenty-three drawings in black and white. Publisher's cream cloth pictorially stamped in gilt. Pictorial end papers. Engraved bookplate on front paste-down. A fine copy housed in blue cloth clamshell case. In his chapter "Rackham's Best Book Illustrations 2," Getttings discusses work found within this book as reflective of the artist's maturity and confidence, Rackham's pictures "tending to be less coloured drawings...[and] gradually becoming more and more like paintings" (Gettings, Arthur Rackham, p.139). "The… Read More

London & New York: Hodder & Stoughton, 1921. Amongst "Rackham's Best Book Illustrations" In the Scarce Dust Jacket [RACKHAM, Arthur, illustrator]. PHILLPOTTS, Eden. A Dish of Apples. With Illustrations by Arthur Rackham. London & New York: Hodder & Stoughton, [1921]. First trade edition. Octavo (6 1/2 x 8 1/4 in; 205 x 170 mm). 75, (3) pp. Illustrated with three full-page mounted illustrations in color with tissue guards and twenty-three drawings in black and white. Publisher's original rose-gray cloth pictorially stamped in brown. Gray pictorial end papers. Former owners bookplate on front paste-down. A very good copy. Original pictorial dust jacket reproducing in three colors the design on the front cover. Top of spine and small piece chipped away from top panel of jacket with loss of the "A" and the "D" in A Dish of Apples. In his chapter "Rackham's Best Book Illustrations 2," Getttings discusses work found within this book as reflective of the artist's maturity and confidence, Rackham's… Read More

Philadephia: David McKay Company, 1929. First American Trade Edition in The Original Pictorial Dust Jacket [RACKHAM, Arthur, illustrator]. GOLDSMITH, Oliver. The Vicar of Wakefield. Philadelphia: David McKay Company [1929]. First American trade edition. Quarto (9 1/2 x 7 1/8 inches; 242 x 182 mm.). 231, [1] pp. Twelve full page color plates, twenty-two black and white line drawings. Publishers dark blue ribbed cloth over boards, front cover and spine decoratively stamped in gilt. Pictorial endpapers, top edge gilt. Tiny and inconsequential split on lower edge of spine, otherwise a very fine copy with the original color pictorial dust jacket with a 'titled' version of the color plate "A Favourite Song of Dryden's" (facing p.36) on the front panel. Small piece missing from lower spine of jacket, a few small closed tears, otherwise excellent. "In the England of jazz and Noel Coward the whimsical and fantastic had grown increasingly out of fashion. With The Vicar of Wakefield of 1929 ... Rackham… Read More

London: William Heinemann Ltd., 1960. The Most Beautifully Produced of all the Rackham Bibliographies [RACKHAM, Arthur]. HUDSON, Derek. Arthur Rackham. His Life and Work. London: William Heinemann Ltd., [1960]. First edition. Large quarto (11 x 8 1/2 inches; 280 x 216 mm.). [1]-181, [3 blank] pp. Seventy illustrations including 41 mounted plates, the majority in full color. Publisher's maroon buckram, front cover decoratively stamped in black, spine with black label lettered in gilt decorative endpapers, top edge stained blue. A near fine copy in a very good pictorial dust jacket with a couple of closed tears. "For more than half a century Arthur Rackham's illustrations have cast their spell on adults and children alike. They possess qualities which make a work live: faultless draughtsmanship allied to an imagination which may be delicate or grotesque, but is always original and illuminating. Derek Hudson introduces us to the man behind the work and comments on his technique and achievements,… Read More