Search Results: Titles starting with D from J & J Lubrano Music Antiquarians LLC

Wien: C.A. Spina [PN 17,707], 1863. Folio. Stiff wrappers with small green paper label titled in manuscript to upper inner margin. 14; 11; 10; 10 pp. Engraved. Small circular ownership handstamp to upper outer margin of first leaf to each part. Wrappers worn; splitting at spine. Minor to moderate foxing throughout; first leaf of first violin part trimmed with paper reinforcement to lower margin; green paper tape to spines of remaining parts. First Edition. Deutsch 112. Hirsch IV, 645. Hoboken 14, 547.

Wien: Ant. Diabelli und Comp. [PN D. et C. No. 5848], 1836. Folio. Unbound. 15; 7 pp. Engraved. Minor to moderate foxing and soiling; marginal tears; title separated at spine and taped. First Edition. Deutsch 384. Hirsch IV, 615. Hoboken 14, 499.

Wien: Ant. Diabelli und Comp. [D. & C. No. 5848.], 1836. Folio. Disbound. Pianoforte: [i] (title), 2-15, [i] (blank) pp.; Violino: [i] (blank), 2-7, [i] (blank) pp. Engraved. Former early owner's signature "Marie Bödeker" to lower right corner of title. Caption title of Violino part corrected in pencil from "No. 1" to "No. 2." Spine of Pianoforte part reinforced with paper tape but frayed; some creases to lower outer corners. Outer bifolium of Violino part partially detached. Both parts moderately foxed and soiled, with edges browned and frayed; impression occasionally light. First Edition. Deutsch, p. 232. Hoboken 14, 499. Hirsch IV, 615. The Pianoforte part includes the Violino part on a third, cue-sized staff.

Wien: Ant. Diabelli und Comp. [D. & C. No. 5849], 1836. Folio. Disbound. Pianoforte: [i] (title), 2-23, [i] (blank) pp.; Violino: [i] (blank), 2, 7, [i] (blank) pp. Engraved. Fingering in pencil to first two measures of Violino part. Slightly worn and soiled; minor dampstaining to title of Pianoforte part; Violino part lacking pp. 3-6. First Edition. Deutsch, p. 233. Hoboken 14, 500. Hirsch IV, 615. The Pianoforte part includes the Violino part on a third, cue-sized staff.

Wien: Ant. Diabelli und Comp. [D. & C. No. 5850], 1836. Folio. Disbound. Pianoforte: [i] (title), 2-15, [i] (blank) pp.; Violino: [i] (blank), 2-7, [i] (blank) pp. Engraved. Handstamps to title: "Musikhaus W. E. Fuchs Leihexemplar Seiten gezählt vollständig [blank]" to upper left corner and "Musikalienhandlung W. E. Fuchs (16) Frankfurt a.M. Bleichstrasse 66a" and "C.A. André Musikalien-Handlung Zeil D70" ["Frankfurt a.M"] to foot; manuscript annotation in pencil to first blank page of Violino part: "Schubert, 137 #3 Sonatine Violinstimme." Fingering, bowing, and articulation in pencil to first two movements of Violino part; indication in same hand to play second movement in 4/8 meter (instead of 2/4). Slightly soiled and foxed; occasional dampstaining; spine of Pianoforte part reinforced with lower plain paper wrapper added; André handstamp slightly cropped. First Edition. Deutsch, p. 244. Hoboken 14, 501. Hirsch IV, 615. The Pianoforte part includes the Violino part on a third, cue-sized staff.

Wien: Joseph Czerný [PN J. Cz. No. 334], 1830. Small oblong folio. Full modern red cloth. [1] (title), 2-11, [i] (blank) pp. Engraved. Faded signature, "Richard Paul," to lower right corner of title. Slightly foxed; tear to pp. 7-8 professionally repaired; additional repairs to final leaf. First Edition, second issue, distinguished by the absence of a watermark. Raab, p. 368k, A-2. Deutsch, p. 345. Hoboken 14, 434. WorldCat (11 copies, of which 3 are in the U.S., at the Morgan Library, Harvard, and Brigham Young). Text by Friedrich Schiller (1759-1806).

Vienne: Ant. Diabelli et Comp. [PN D. et C. No. 3537], 1832. Oblong folio. Disbound. [i] (title), 2-31, [i] (blank) pp. Engraved. Edges colored in green. Foliation in manuscript in red crayon to upper right corners of rectos from "52" (title) to "66." Staining to inner portions of each leaf; some minor foxing and soiling. A later edition. Not in Deutsch. Hoboken 13, 162. The first edition was published as "Grande Sonate" by Sauer & Leidesdorf in Vienna in 1823. "Schubert's most original contribution to the keyboard repertory is arguably his music for piano duet. Although familiar from the 18th century, keyboard music for four hands was largely restricted to ephemeral pieces or utilitarian arrangements of orchestral works. Mozart invested the genre with more ambition but, as with the lied, it was Schubert who took a marginal genre and made it central. His earliest works for piano duet were three fantasies (D1, 9, 48), while a modest rondo (D608) from January 1818 and four polonaises (D599) and… Read More

Wien: Ant: Diabelli und Comp: [PN D. & C. No. 4014], 1844. Oblong folio. Unbound. 1f. (decorative series title printed in sepia: "Franz Schubert's nachgelassene musikalische Dichtungen für Gesang und Pianoforte. [14]te Lieferung"), [i] (title), [i] (catalogue of series, listing vols. 1-40 with note, "Werden fortgesetzt"), 3-11, [i] (blank) pp. Engraved. Slightly worn and soiled. First Edition, later issue. Deutsch, pp. 422 and 266. Not in Deutsch: Schuberts Goethe-Lieder. Hoboken 14, 572. Hirsch IV, 650. Heck 201. The first issue of the present edition was published in 1832. The present edition is the fourteenth of fifty installments in the series, publication of which was not completed until 1850. Schubert notated the vocal part of D716 in the bass (F) clef, but despite its low range, Diabelli changed it to the violin (G) clef and added some variants at the upper octave to make it performable for higher voices. D. 450 exists in two versions; the present edition includes the second. The first… Read More

Wien: Ant. Diabelli und Comp. [PN D. et C. No. 2486], 1827. Oblong folio. Sewn. [i] (title), 2-7, [i] (blank) pp. Engraved. Some soiling and foxing; title slightly stained. An uncut copy. First separate edition. Deutsch p. 463. Hoboken 13, 300 (with watermark). Hirsch IV, 549. Heck 111 (or 113?). The first edition, without opus number, was published as a supplement to the Wiener Zeitschrift für Kunst, Theater und Mode, March 25, 1823. With text by Karl Gottfried von Leitner (1800-1890).

Vienne: Ant. Diabelli u. Comp. [PN C. et C. No. 3539-3540], 1830. 2 volumes. Oblong folio. 1f. (title), [1] (blank), 2-21; [1] (title), 2-25 pp. Engraved. Slightly browned; some minor foxing; early tape to spines; pencilled fingering; contemporary ownership inscription to corner of Cahier 2; small oval handstamp of Scharfenberg & Luis in New York to foot of titles to both parts, slightly trimmed to Cahier 1. Third edition. Deutsch 819/1-6. Hoboken 13, 203 and 204. "Schubert's most original contribution to the keyboard repertory is arguably his music for piano duet... [His] unusual interest in the march scarcely stemmed from any enthusiasm for war but rather from the great range of stylistic possibilities it afforded, from funeral march to evocations of toy soldiers. The best of these marches (which include the six Grandes marches of 1824) exploit the full range of four hands while preserving a sense of intimate conversation." Maurice J.E. Brown, Eric Sams, and Robert Winter in Grove Music Online.

Wien: Ant. Diabelli & Comp. [PN D. et C. No. 4105], 1832. Oblong folio. Disbound, with remnants of sewing. 1f. (title), 3-7, [i] (blank) pp. Engraved. Slightly soiled and foxed; spine reinforced with paper tape. A later edition. Formerly D. 868. Not in Deutsch. Hoboken 14, 486. The first edition was published by Thaddäus Weigl in Vienna in 1830. The poem is by Ignaz Franz Castelli (1781-1862).

New York: Wm. Hall & Son [PN 4592], 1860. Folio. 1[1] (title printed within decorative border), 2-11, [i] (blank) pp. Engraved. With price of "12/-1/2" [cents] printed within a star. Oval handstamp of musicseller Schuberth in New York to blank foot of title. Disbound. First Edition. Doyle pp. 306-077 . Offergeld RO 184, p. 25.

New York: Wm. Hall & Son [PN 5963], 1864. Folio. 1f. (recto title, verso blank), 3-7, [i] (blank) pp. Engraved. With price of "6" [cents] printed within a star. Disbound. Occasional light foxing; some offsetting. First complete edition (an abridged version was published Havana, 1860). Doyle p. 307. Offergeld RO 185, p. 26.

New York: Wm. Hall & Son [PN 6618], 1872. Folio. [1] (decorative title engraved by Wakelam), 2-7, [i] (blank) pp. Engraved. With "Sung by Adolph Randolfi" printed at head of title and price of "5" [cents] printed within a star. Previous owner's name ("C. Dell Sawyer") in ink to upper outer corner of title; oval handstamp of musicseller M. Steinert to foot. Disbound. Somewhat worn; spine reinforced with paper tape; soiled; minor foxing; some leaves detached; edges browned. First Edition, later issue, with copyright assigned to Gottschalk's heirs. Doyle p. 307. Offergeld RO 181, p. 25.

Paris: Alphonse Leduc [PN A.L. 1107], 1875. Folio. 1f. (recto title, verso blank), 5, [i] (blank) pp. Engraved. With printed dedication to head of title: "à Mr. Camille Pleyel" and "3e Edition" to title, "2e. Édition" to first page of music. From the collection of American pianist Mario Feninger (1923-2016), with his handstamp to head of title and first page of music. Publisher's and distributor's handstamps to lower outer corner of title. Dampstaining to lower corners throughout. Re-issue of the 1853 edition. Doyle p. 308. Offergeld RO 187, p. 26.

Paris: Léon Escudier [PN L.E. 3128], 1870. Folio. [1] (title), 2-9, [i] (blank) pp. With printed dedication to head of title: "à Madame Renée Oliver." Handstamps of A. Klein & Cie. in Rouen and facsimile signature handstamp of Escudier to foot of title. Disbound. Slightly worn and foxed; occasional staining. First French edition, published in the same year as the Hall edition. Doyle pp. 309-10. Offergeld RO 189, p. 26.

New York: Wm. Hall & Son [PN 6007], 1865. Folio. 1f. (recto decorative title engraved by Wakelam, verso blank), 3-15, [i] (blank) pp. Engraved. Text in English. With printed dedication at head of title: "To Mrs. Varian Hoffman" and price of "10" [cents] printed within a star. Previous owner's name and date ("Ann [?]McCormack 1866" in pencil to upper outer corner of title, with handstamp of Scharfenberg & Luis in New York to foot. Disbound. Slightly worn, browned, and foxed; outer margin dampstained; minor offsetting and showthrough. First Edition. Doyle p. 311. Offergeld RO 191, p. 26.

New York: Wm. Hall & Son [PN 4578], 1860. Folio. 1f. (recto title, verso blank), 3-15, [i] (blank) pp. With printed dedication to head of title: "à Mon Ami Isidore Van Montenacken (d'Anvers)" and price of "15" [cents] printed within a star; San Francisco musicseller's stamp to blank foot of title. From the collection of American pianist Mario Feninger (1923-2016), with his stylized manuscript ownership mark to head of title. Disbound. Slightly worn. First Edition. Doyle p. 315. Offergeld RO 214, p. 27.

Paris: Alphonse Leduc [PN B.C. 1123], 1870. Folio. [1] (title), 2-9, [i] (blank) pp. Engraved. From the collection of American pianist Mario Feninger (1923-2016), with his handstamp to thead itle and first page of music. Publisher's and distributor's handstamps to lower outer corner of title. Slightly worn; dampstain to lower portion; outer leaves partially split; small tears to blank outer margins. Second edition, a revision of the 1849 Escudier (Bureau Central de la Musique)edition. Doyle p. 319. Offergeld RO 232, p. 28.

New York: Schuberth & Co, 1880. Folio. 1f. (recto title, verso blank) 3-6 pp., 1f. (blank). Engraved. With common title page listing a total of 14 total works. Small decorative handstamp, with "4" in manuscript over handstamped price "3." Disbound. Somewhat browned and foxed. A later edition. Doyle p. 265. Offergeld RO 21, p. 15.