Search Results: Titles starting with G from Goodbar Books

Tight, square spine has some heavy wear to the exterior, which does not affect the readability/operability of the book. Clean, unmarked interior. Moderate to heavy wear to the wraps, including areas of soiling and heavy edge-wear. Beautiful B&W reproductions printed on high-quality paper. Art.

Signed by Rhode and Potter to the first leaf. Tight, square spine. Clean, unmarked interior. Former seller label to the back cover. Some light shelf-wear to the wraps. Includes lots of B&W plates and illustrations. 160 pp. Oversized.

Saddle-stitched binding is sound. Interior is clean and unmarked. There is some fading and minor edge-wear to the cover. Former owner label to the inside front cover. Includes table: Geographic Distribution of Deposits of Principal Gem Stones. Natural History.

Binding remains sound and square. Clean, unmarked interior. A small area of heavy rubbing to the first blank leaf, most likely from a removed label. Some light wear to covers. Includes map and facsimile of example claims. 159 pp. History.

Volume II. Tight, square spine has some very subtle, cosmetic creasing. Some toning and a few small areas of foxing to the wraps and interior, as well as some gentle shelf-wear, but in great shape overall. 592 pp. Scholarly.

Clean, unmarked interior. Tight, square spine. There is some minor shelf-wear and gentle fading to the case. Jacket is a bit rubbed, but in decent shape overall. Jacket design by Mike Stromberg. Author photo by Steamboat. Book design by Carl Weiss. Includes a variety of B&W photos of the Beats. 128 pp. Literary Biography..

Tight, square, uncreased spine. Clean, unmarked interior. Corners are fairly sharp. Only very light shelf-wear. 61 pp. Spirituality/Esoterica.

Clean, unmarked interior. Spiral binding is still sound. There is some minor edge-wear and fading to the covers, and a small former owner label to the inside front cover. Includes B&W maps, tables, and illustrations, as well as a bibliography. 76 pp. Natural History.

Interior is unmarked. Spine is square and uncreased. There is water damage causing cosmetic warpage to the entire book at the fore-edge. Small former owner label to the inside front cover. Includes, photos, maps, and tables, as well as a bibliography. 232 pp. Natural History.

Wraps have been reinforced with clear lamination and a label stating the book's title has been added to the spine. Spine is square and tight. Former owner name to the first page of the foreword. Interior is else clean and unmarked. 152 pp. History.

Interior is unmarked. Spine is square and uncreased. There is minor water damage cosmetically affecting the book at the fore-edge. Small former owner label to the inside front cover. Lovely design to the cover, evoking Dante's Inferno. Includes B&W photos, tables, illustrations, as well as a foldout map and a bibliography. 47 pp. Natural History.

Inscribed by Florin to the half-title. Book is in lovely shape: tight, square spine; clean, unmarked interior; stamping to spine and front board remains bright. Former owner bookplate to front paste-down. Jacket has some light wear. As with all Western Ghost Town Series books, lovely mid-century design with illustrated end-papers and lots of fascinating monochrome plates. 192 pp. History.

Clean, unmarked interior. End-sheets and front matter are toned. Spine has come away from the side-stapled text block, but book remains readable and sound over all. Moderate wear to the boards, including a few small areas of soiling and cosmetic creasing, Features charming B&W clip-art illustrations throughout. 153 pp. Esoterica.

Saddle-stitched binding remains sound. Clean, unmarked interior. Some light sunning to areas of the wraps, as well as some lightly bumped corners, but very little wear overall. Cover silkscreened by Joe Ujic. Design by Sol Columbus. Poetry.

Tight, square spine. Clean, unmarked interior. Light to moderate wear to the cover, including areas of toning, subtle dampstaining, and bumped corners. Includes B&W illustrations by Gibson. 108 pp. Miscellaneous.

Spine is tight, but has a slight lean. Clean, unmarked interior. Pages are toned. Light to moderate shelf-wear to the covers. 'First Dell printing—February, 1964'. 224 pp. Mass-Market Paperbacks.

Jacket design by Matthews Communications Design. Jacket photograph by Mike Cassese/Canada Wide. Author photograph by Andreas Trauttmansdorff. Includes a variety of B&W plates. Tight spine, unmarked pages. Jacket has only very minor edge-wear. 275 pp. Biography.

Text in French. Tight, square, uncreased spine. Clean, unmarked interior. Former owner label to inside front cover. Moderate to heavy sunning to covers, as well as areas of creasing and light soiling. Revision of the 1972 ed. published under title: Glossaire de la critique contemporaine. Cover design by Pierre Fleury. 223 pp. Foreign Language.

Inscribed by Oda to the half-title, along with a hanko stamp: 'To Sandy/much strength and energy for you/Jan 1982/Mayumi'. Tight, square spine. Clean, unmarked interior except for a former owner inscription to the half-title. Only very minor wear to the book and jacket. 78 pp. Art.

Tight, square spine. Clean, unmarked interior. No notable wear to the book. Only very light shelf-wear to the jacket. First published as Züruck zu den Sternen in 1968 in Berlin by Econ-Verlag. Translated by Michael Heron. After serving time for fraud following an Egyptian jewelry deal, von Däniken took up work as a night manager at a Davos hotel, where he labored over Chariots of the Gods? while the guests slept, putting the manuscript through a rigorous editing—some say rewriting—process with former Nazi propagandist Utz Uterman before its publication and subsequent success. This followup, Gods from Outer Space, was written while von Däniken was in prison for embezzling money from that same hotel; this sentence was commuted after one year, ending his one last tangle with the law before he was released and richly rewarded for his work in promulgating the now ubiquitous alien gods ideology. Generously illustrated and featuring a typo-maximalist book jacket collaboration between Judith Leeds,… Read More