Search Results: Titles starting with I from Books Again, Inc.

New York: Dial Books , 1994. First Edition. Hardcover. Fine/fine. First printing, hardcover. A fine copy in fine dust jacket which is now protected in mylar.

Dublin: Dedalus Press, 1987. First Edition. Hardcover. Fine/very good. Hardcover, 68 pages. A fine tight copy in a very good dust jacket (light sunning to spine, minor edge wear). Protected in mylar.

New York: William Morrow & Company, Inc., 1972. First Edition. Hardcover. Near fine/near fine. First printing, hardcover, 160 pp. Owner name, date and addres inked on half title page, minor wear to bottom board edges, slight bump to head of spine, still a tight lightly used near fine copy with clean text in a near fine price clipped dust jacket which is now protected in an archival cover.

Franklin: J.C. Adams, ND. Presumed first edition.. Hardcover. Very good/good. SIGNED by the author on the front endpaper. Non authorial gift inscription on verso of front endpaper. A very good copy with clean text and tight binding in a good dust jacket (large chip at bottom of front panel, edge worn with shallow chips and closed tears).

Boston: Houghton Mifflin, 1981. First Edition. Hardcover. Near fine/near fine. First printing, hardcover. Warmly INSCRIBED and signed by the author and dated in the year of publication on the title page. Owner name on front endpaper, tiny stain to bottom page edges, else a tight near fine copy with clean text in a near fine dust jacket (just minor edge wear). Now protected in an archival cover.

Lone Wolfe Press, nd. First Edition. Hardcover. Near fine/fine. Hardcover, illustrated with b/w photos, CD in plastic pocket inside rear cover. SIGNED by Zabel on a tipped in page. A lightly used near fine copy with clean text and tight binding in a fine dust jacket.

Cambridge: The MIT Press, 1981. First Edition. Hardcover. Near fine/good. Hardcover, illustrated with b/w and color photos, 276 pp. A lightly used near fine copy with clean text and tight binding in a good dust jacket (abrasion and rubbing to front and rear panels, edge worn with several closed tears. Now protected in an archival cover.

New York: Henry Holt, 1992. First Edition. Hardcover. Fine/fine. First printing, hardcover. SIGNED by Grafton on the title page. A trace of wear to the board edges, fore edges are dinged, else a tight fine copy with no remainder marks in a fine unflawed dust jacket which is now protected in an archival cover.

New York: Walker and Company, 1997. Uncorrected Proof. Paperback. Near fine. Bump to bottom of spine, still a lightly used and tight near fine copy with clean text. Lavender printed wrappers.

Ketchum: West Bound Books, 1995. First Edition. Paperback. Fine. First printing, paperback, 224 pp, illustrated. SIGNED by Steve Mitchell and Clark Heglar ("Oldest Man in Idaho Series" creator). A fine copy with tight binding and clean contents.

London: Severn House, 1985. Later U.K. Edition. Hardcover. Fine/near fine. Hardcover.A fine tight and clean copy in a near fine dust jacket which is now protected in an archival cover (just some minor creases to bottom of rear panel). No remainder marks.

New York: Henry Holt, 1947. First Edition. Hardcover. Very good/good +. First printing, hardcover. Owner name inside front cover under dj flap, some shelf wear to the bottom board edges, still a very good copy with clean text and sound binding in a good plus dust jacket (spine tanned, chip at head of spine, light edge wear). Now protected in an archival cover.

Norwalk: The Easton Press, 1992. Limited Edition. Hardcover. Fine. #924 of 5,000 copies printed and SIGNED by the artist Mort Kunstler on the limitation page. A fine copy in blue pictorial leather with gilt stamping. No dust jacket as issued.

New York: Doubleday, 1992. First Edition. Hardcover. Fine/fine. First Printing, hardcover. A fine tight copy in a fine unflawed dust jacket which is now protected in an archival cover. No remainder mark.

Atlanta: The Architecture Society of Atlanta / Nexus Press, ND. Presumed first edition,. Hardcover. fine. Folding boards with two phamplets tipped in that are titled "The Drafting Knife and Pen" and "Gardens of Architecture". INSCRIBED and signed by what looks to be Rob Miller and also by what I think is one of the other contributors (the inscriptions ae against a black background and are hard to decipher). A fine copy in a very good slipcase (rubbed and light wear).

London: Robert Hale Limited, 1957. First Edition. Hardcover. Very good/very good-. Hardcover, illustrated with b/w photos by Everard, 36 pages of text plus 31 photographs. Some offsetting to the endpapers, light wear to the spinal extremities, still a very good copy with clean text and tight binding in a very good minus dust jacket (price clipped, spine darkened, shallow chipping to spine eneds, edge worn with closed tears and minor rubbing). Now protected in a mylar cover.

Springfield: Samuel Hart, Clifton Johnson, 1898. First Edition. Hardcover. Very good. Hardcover, illustrated with b/w photos. Light fraying to the spine ends and the corners, hinges a bit tender but sound, else a very good copy with clean contents. Bound in blue cloth, gilt stamped lettering. No dust jacket.

Chapel Hill: Algonquin, 1992. First Edition. Hardcover. Fine/fine. First printnig, SIGNED by Edgerton on the title page. A fine tight copy with no remainder marks in a fine unflawed dust jacket which is now protected in an archival cover. Appears unused.

Dayton: The Dayton Art Institute, 1999. First Edition. Hardcover. Fine/fine. Limited, 1/250 numbered copies SIGNED by Nyerges (this copy is number 129). A fine copy in a fine unflawed dust jacket with a fine publisher's slipcase. Looks like an unused copy.

St. Michaels: Tiller Publishing, 2006. First Edition. Hardcover. Fine/fine. First printing, hardcover, 352 pp. SIGNED by the author on the title page. A fine tight copy in a fine unflawed dust jacket which is now protected in an archival cover.