Search Results: Titles starting with I from Derringer Books

Bruxelles: Galerie Le Zodiaque, 1968. First edition. Paperback. Fine. 4to. Exhibition catalog. Text in English and French. Scarce early work by Toche from a 1968 exhibition. Includes his Manifesto 2 For A Theater Of Human Destruction. With additional text by Ralph Ortiz and Nam June Paik. Unpaginated. A fine example. Toche was a Belgian artist who was deeply involved in the New York Destructive Art Movement, the Artist Workers Coalition and the Guerilla Art Action Group (with co-founder Jon Hendricks). I Accuse, the name of this exhibition, is among the earliest of the artist's major works. A tiny handful of copies in O.C.L.C.

San Francisco: Pneumatic Press and St. Adrian Company, 1995. First edition. Loose Sheets. Fine. Single sheet broadside poem by the late beat poet. Broadside in fine condition. Printed in thick paper stock. Measures 14 x 8 1/2" wide. This is number 200 of 200 hand-numbered copies (there were also 26 signed lettered copies).

New York: Corinth Books, 1971. First edition. Paperback. Good. 8vo. 94 pp. Translated & with an introduction by Talat Sait Halman. Review Copy with Review Slip from the publisher laid in. A good copy in pictorial bound wrappers. Dampstaining to inside front cover and front endpaper also affecting to a lesser extent the title page.

New York: Aperture, 2001. First edition. Hardcover. Fine/fine. Oblong hardbound quarto in dustwrapper. 95 pp. First edition of this photography monograph with texts by Michael Cunningham, Thurston Moore, Barbara Ess and Guy Armstrong. A fine, as-new copy still in publisher shrinkwrap. Heavy book.

Boston: Houghton Mifflin, 1972. First edition. Paperback. Very Good. Simple bound olive wrappers printed in black. This is the uncorrected bound galley of the poet's second major collection. Williams would go on to win most of the major literary awards for his poetry. This, a very good copy. Notable in that it has a few inked hand-corrections o the text (presumably by the author). Laid in to this copy is a brief typed note from Carolyn Amussen, publicity director for Houghton Mifflen, dated September 16, 1971 and addressed to fellow poet James Tate. The letter presents the galleys and asks for his views of the book.

Ann Arbor: Canarium Books, 2012. First edition. Paperback. Fine. Trade paperbound volume of poems. 116 pp. A fine copy in bound illustrated wrappers. This copy nicely INSCRIBED by the poet and dated in 2013.

Glover, VT: Bread & Puppet Press, 2004. Second printing. Paperback. Very Good +. 7" square stapled wrappers. Stated second printing of this slender unpaginated book that is part of the Press' Maple Sap Series of illustrated chapbooks. A few light spots to covers, else near fine. Uncommon.

Japan: Hideake Haga, 2001. First Edition. Paperback. Fine. Fine first edition in photographic bound wrappers. Fine obi present. Early book by the same author of Spider's Strategy and quite uncommon.

Barrytown: Printed Editions, 1980. First edition. Paperback. Near Fine. First edition. Uncommon work of poetry by Corner. A near fine copy in bound wrappers. This copy nicely INSCRIBED by Corner and dated in year of publication. Corner's signature is uncommon.

New York: Grove Press, 1976. First edition. Cloth. Very Good/very good. 8vo. 621 pp selection from Beckett's works edited by Richard W. Seaver. Stated first printing. Age spotting to top edge else a sound very good copy in brown cloth binding in sound very good price-intact dustwrapper. Includes a 48 pp introduction by Seaver.

New York: Alfred Knopf, 1997. First edition. Hardcover. Near Fine/near fine. First edition stated. A 79 pp poetry collection. Near fine in dustwrapper. This copy is both SIGNED and separately INSCRIBED by the poet.

No Place: Privately Printed, No Date. First edition. Loose Sheets. Very Good. 8 1/2 x 5 1/2" tall decorated card containing a single poem by Ciccarello. No publication info provided. This is copy 19 of only 35 copies printed. SIGNED by the poet. A very good example.

London: Tate Publishing Whitechapel Gallery, 2014. First edition. Paperback. Near Fine. Wide paperbound quarto. The largest survey of Tuttle's work ever held in the U.K. A near fine copy in thick bound illustrated wrappers with flap folds. 201 pp. With texts by the artist, Iwona Blazwick, Chris Dercon and others. A large and heavy volume.

London: William Heinemann LTD, 1947. Second edition. Hardcover. Very Good/very good. Second edition of Kersh's semi-autobiographical novel which was first published in 1939 by Michael Joseph, Ltd. This is the second edition from 1947 published by William Heinemann. Both editions are quite uncommon especially in dustwrapper. Inexpensive wartime paper has toned a bit from age, especially the endpapers, else a very clean unmarked copy in black boards printed in silver at spine. The unclipped dustwrapper is heavily faded at spine color, but is in otherwise very good condition with some light soiling. Uncommon Kersh book.

New York: Vantage Press, 1971. First edition. Hardcover. Very Good/very good. Hardbound octavo in dustwrapper. 230 pp. Stated first edition. The story of baseball told from the perspective of a deep fan of the game who also has an abiding hatred of the Bronx Bombers. A very good copy in soiled dustwrapper. INSCRIBED by the author on the front endpaper.

New York: Barnard College, 1973. First edition. Loose Sheets. Near Fine. Single sheet poetry reading announcement flyer for poet John Giorno (with Grapevine, a Women's Rock Group) at Barnard College on February 22, 1973. With photo of the poet and design of the flyer by Les Levine. Near Fine condition. Flyer measures 8 1/2 x 11" tall. Scarce Giorno ephemera.

Edinburgh: Ingleby Gallery, 2015. First edition. Cloth. Fine. Wide clothbound 8vo. A handsome artist book with "anagrammatic poem-clues for The Oaks, Wellesley". Photography by Stewart Clements and with an essay by Jeremy Millar. A fine copy. Issued without dustwrapper in an edition of 400 copies. Already uncommon.

Seattle: Wave Books, 2011. First edition. Hardcover. Fine/near fine. Hardbound 8vo in dustwrapper. 83 pp. A fine copy in lightly used dustwraper with heart-shaped cut-out on the front panel. One of only 100 special numbered and SIGNED copies.

No Place: Privately Printed, 2015. First edition. Paperback. Fine. Sold here together are three related volumes of photographs by Polish photographer and artist Ilona Szwarc. Other than titles, there is no text, just color photographs. According to WorldCat these were produced in an edition of 500 copies. Only three howvere located in WorldCat. From there description "Ina boook conceived as a triptych, Ilona Szwarc features 23 sequential portraits documenting the transformation of her doppelganger by herself. While she becomes both the subject and the maker of the series, she offers another variation around the theme of identity as a continuation of her previous works." As best that we can tell, this was Szwarc's first published book. Fine condition in slender bound photo-illustrated wrappers.

New York: I- Kon, 1968. First edition. Paperback. Very Good. Stapled 4to. 48 pp. The fifth issue of this magazine of the arts edited by Susan Sherman. Includes "Snows: A Happening" by Carolee Schneeman among other features. Stain to front cover. A very good example.