Search Results: Titles starting with Q from James & Mary Laurie Booksellers (A.B.A.A.)

New York: Norton, 1985. 1st. Hardcover. Book fine, Dust jacket fine..

New York: Putnam, 2002. 1st. Hardcover. Fine/fine. Bound in publisher's original grey quarter cloth and grey boards, spine and cover stamped in gilt. Signed and dated by the author on the title page.

Mills College, Oakland, California: Eucalyptus Press. 1st. Hardcover. Near fine condition. One of 300 copies. Bound in publisher's original pink boards with the front cover stamped in black. Minor wear to the extremities.

New York: Arbor House, 1985. 1st. Hardcover. Fine/fine. Bound in the publisher's orginal dark blue quarter cloth and grey boards, spine stamped in gilt. Author's signed presentation on the ffep.

New York, Atlantic Monthly, [1991].. First edition. Dust jacket. Fine condition. Six short stories. First book of the author printed in America. Winner of the 1993 Geoffrey Faber Memorial Prize and short-listed for the 1992 John Llewellyn Rhys Pize.

New York. Pageant Book Company. 1956.. Signed with note by author of introduction, Homer Croy. Reprint of earlier 1909 edition. Spine sunned, one corner bumped, still a very good copy.

New York: Viking, 1997. 1st. Hardcover. Fine condition / Fine condition dust jacket. Publisher's original hardcover with spine stamped in gold.

Verona: Elizabeth Press, 1978. Hardcover. Fine. With an original etching by Eugene G. Canade. One of 200 copies designed by Martino Mardersteig and printed by the Officina Bodoni and the Stamperia Valdonega. Presentation to the former owner signed by the poet in pencil on the colophon page. Protected by a simple cardboard slipcase.

New York: Grove Press, Black Cat, 2005. Advanced Reading Copy. paperback. Fine Condition. Uncorrected proof bound in publisher's original wrappers.

New York, Oxford University Press, 1964.. 1st edition, signed by the author. Cloth, dust jacket. Minor chipping at the head of spine, else very good.

Chicago: Rand McNally, 1963. 1st. Hardcover. Book fine, Dust jacket fine.. The dust jacket has chips and closed tear and rubbing wear to the extremities. Previous owner's name stamped in ink on the front free endpaper.

New York: Limited Editions Club, 1959. Hardcover. Fine. Introduction by Robert L. Dothard. New York, Limited Editions Club, 1959. Designed by Robert L. Dothard. Illustrated with facsimile reproductions of illustrations and pages from the Club's publications and photographs of the bindings. One of 2,250 numbered copies bound in half black morocco with gold stamped red leather label, and red cloth boards with black embossed LEC device in a black cloth. Some wear to slipcase, otherwise fine condition. LEC 294.

London: Phaidon, [1995]. 1st. Hardcover. Near fine condition / Fine condition dust jacket. Illustrated throughout in black-and-white and color. Bound in the publisher's original black cloth with the cover and spine stamped in blind. The top fore edge corner of the rear cover is bumped.

London: Collins, 1985. Hardcover. Fine condition / Near fine condition dust jacket. The dust jacket has wear to the bottom edge of the back cover.

New York: Simon & Schuster, 1986. 1st. Hardcover. Book fine, Dust jacket fine.. Review Copy with publisher's release notice and public relations department photograph of author laid-in.

Princeton: Princeton University Press, 2000. 1st. Hardcover. Fine/fine.

New York: Harper & Brothers, 1952. 1st. Hardcover. Near fine. Bound in the publisher's original quarter cloth and paper covered boards. Spine stamped in green.With seven illustrations following p. 20, 1st state opp p. 21. Previous owners bookplate.

New York: Macmillan, 1977. 1st. Hardcover. Fine condition / Fine condition dust jacket. 52 color and over 250 black-and-white plates. Bound in publisher's original cloth.

Garden City, NY: Doubleday, 1977. 1st. Hardcover. Fine condition / Near fine condition dust jacket. The spine of the dust jacket is lightly sunned.

Edinburgh / London: Printed for Archibald Constable and Hurst, Robinson, 1823. 1st. Hardcover. Very good. Bound in half leather over marbled boards with the spines stamped in gilt. Lightly rubbed at the edges and extremities, sunned at the spines. Top edges gilt, marbled endpapers. With frontispieces and half-title pages.