Search Results: Titles starting with V from St. Wulfstans Books

Philadelphia: P.W. Ziegler & Co., 1881. First edition. Loose_leaf. Very Good. 5 x 8 inches. Full page sepia toned engraving from Philip Schaff's The Revised Version of the New Testament. Printed on coated paper. Back: blank. Margins dampstained and a little ragged. A nice Victorian Biblical scene, suitable for framing.

Nürnburg: Johann Leonhard Schrag, 1890. Hardcover. Very Good. 6 x 8 3/4 inches. 248 pages. Pages bright and clean and free from marking, soiling and staining. Bound in marbled boards over black cloth spine and corners. White spine label. Very light wear to covers. A very good copy of this scarce work.

New York: United States Publishing Company, 1869. First edition. Loose_leaf. Very Good. 5 1/2 x 8 1/2 inches. Full page engraving. Lightly foxed and left (interior) edge ragged from binding. A very nice engraving depicting Andrew Johnson at his desk in the old Vice President's office (prior to the move to the U.S. Naval Observatory) before his ascension to the Presidency in 1869.

[c 1890s]. Other. Very Good. Handmade Prayer Book (or Bible) and Hymnal drawstring bag. Satin lined felt bag with white cross painted on front. Satin lining beginning to separate inside the bag.

Leipzig & Eisleben: Verlegt durch den christlichen Verein, 1872. Hardcover. Very Good. 4 x 5 3/4 inches. iv + 242 + [2] + 4 pages. Pages uniformly and lightly toned, else clean and free from marking, soiling or staining. Bound in publisher's dark green paper covered boards. Extremities rubbed with loss of color. A good clean copy.

[c. 1900]. Loose_leaf. Good. 2 11/16 x 4 1/2 inches. Lightly soiled and worn. Previously glued on reverse to album page, with remnants to verso. A scarce advertisement for the Tennessee manufacturer.

[c. 1940]. Loose_leaf. Very Good. 7 5/8 x 9 inches. Single chromolithographed leaf. Previously glued on reverse to album page, with remnants to verso. Edges lightly chipped. Likely early 1900s. A nicely preserved example of this striking label.

[c. 1900]. Loose_leaf. Good. 2 11/16 x 4 1/2 inches. Lightly soiled and worn and clipped at top. Small tear on right and small loss at bottom. Previously glued on reverse to album page, with remnants to verso. A scarce advertisement for the Tennessee manufacturer.

[c. 1900]. Loose_leaf. Good. 2 3/4 x 4 inches. Lightly soiled and worn. Previously glued on reverse to album page, with remnants to verso. A good Victorian advertisement card for the Scottish thread manufacturer with American operations based in Newark, New Jersey. The image is of a robin.

Milan: Cromo N.B., [20th Century]. Loose_leaf. Fine. 2 3/8 x 4 inches. Front: image, caption and printing information with traces of very thin gilt border. Back: blank. Series: FP 25. Cromo N.B. was founded in Milan in 1927 by Nino Basevi. In 1988, Cromo N.B. moved from its historical headquarters in Milan to Bareggio. Many significant (traditionally mostly Italian) artists have worked for Cromo N.B. All the designs published by Cromo N.B. are original.

Milan: Cromo N.B., [20th Century]. Loose_leaf. Fine. 2 3/8 x 4 inches. Front: image, caption and printing information with traces of very thin gilt border. Back: blank. Series: FP 4. Cromo N.B. was founded in Milan in 1927 by Nino Basevi. In 1988, Cromo N.B. moved from its historical headquarters in Milan to Bareggio. Many significant (traditionally mostly Italian) artists have worked for Cromo N.B. All the designs published by Cromo N.B. are original.

Milan: Cromo N.B., [20th Century]. Loose_leaf. Fine. 2 3/8 x 4 inches. Front: image, caption and printing information with traces of very thin gilt border. Back: blank. Series: FP 9. Cromo N.B. was founded in Milan in 1927 by Nino Basevi. In 1988, Cromo N.B. moved from its historical headquarters in Milan to Bareggio. Many significant (traditionally mostly Italian) artists have worked for Cromo N.B. All the designs published by Cromo N.B. are original.

Milan: Cromo N.B., [20th Century]. Loose_leaf. Fine. 2 3/8 x 4 inches. Front: image, caption and printing information with traces of very thin gilt border. Back: blank. Series: FP 2. Cromo N.B. was founded in Milan in 1927 by Nino Basevi. In 1988, Cromo N.B. moved from its historical headquarters in Milan to Bareggio. Many significant (traditionally mostly Italian) artists have worked for Cromo N.B. All the designs published by Cromo N.B. are original.

Lugduni [Lyon]: Coimpressa Sumptibus honorat. vir. Jacobi. q. Francisci de Giunta Florentini, 4 May 1536. Leather Bound. Very Good +. 6 x 8 1/4 inches. Begins at t(cross)ii, otherwise collates as complete compared with Registrum on last page. First page with large woodcut and printed in red and black. Some light dampstains to lower margins and last four to five lines of text. Printed in two column black letter. With numerous decorated initial capitals and miniatures. Occasional old ink in margins. Title and author in ink to foreedge. Two brands to top edge (an "S" and an "F" with a small circle on to horizontal line of the "F"). Bound in old brown calf over wooden boards, with darkened geometrical designs possibly made with heated instruments. Brass catches, clasps and corners, with brass clasps renewed. Professionally rebacked to style with four large raised bands. Provenance: Convent in Arequipa, Peru, title page excised during the 1884 war with Chile. Although… Read More

Coloniae Agrippinae [Cologne]: Sumptibus Joannis Kreps & Hermanni Mylii, 1618. 3/4 leather. Very Good. 10 1/2 x 15 inches. Folio. 2 ffep + * (6 leaf quire) + ** (4 leaf quire) + A - Aaa (6 leaf quires) + Bbb1 + 1 rfep. Unobtrusive library plates of Bibl. Prov. Germ. Inferioris. and library stamp of Bibliotheca Con. SS Red. Mar. Hamicolt. Old repair to margin of ffep and engraved title page. Engraved frontispiece of author and engraved title. Dampstaining and age toning and a few small wormholes diminishing from front. A very few marginal notes in contemporary ink, and notes in old ink to ffep. Bound in 19th Century 3/4 calf with marbled boards. Front interior hinge reinforced with Japanese tissue. A very good clean copy of this Carthusian Lives of the Saints for January.

New York: The Church Hymnal Corporation, 1993. First edition. Original Cloth. Fine/near fine. 6 1/2 x 8 1/2 inches. 269 pages. Pages bright and clean and free from marking, soiling or staining. Bound in publisher's blue cloth. Dust jacket present and in near fine condition. An interesting examination of the work of Hamon L'Estrange who (in 1659) was the first author to combine a history of the Prayer Book with a commentary in what has become the standard approach to Anglican liturgical study. L'Estrange also defended Joseph Hall's advocacy of a "primitive" episcopate generations before one was seen in Scotland and more than a century before Samuel Seabury brought it to America.

Evanston, IL: Marquette University, April 1975. First edition. Cardboard Covers. Very Good +. 6 x 9 inches. Contains pages 131-268. Pages are clean, bright and clean free of marking, soiling or staining. Bound in green and white cardstock with a little light wear and soiling. Significant due to the first appearance of the influential article by Leo Malania, who was Co-ordinator for Prayer Book Revision with the Standing Liturgical Commission, entitled "The New Rites: The Place of the Bishop." This is a nice copy this article in its first and original state. This article was one of the key elements of the discussion that preceded the proposed Prayer Book revisions which were presented in 1976 (and approved in 1979).

Ludwigsburg: Balmer und Riehm, 1866. Hardcover. Very Good. 5 3/4 x 8 3/8 inches. xx + 382 + [2] pages. Pages bright and clean and free from marking, soiling and staining. Bound in black boards with black cloth spine, now lacking. Spine now lacking. Otherwise light wear to covers. A very good clean copy.

Gütersloh: C. Bertelsmann, 1882. Hardcover. Very Good. 5 x 7 1/4 inches. viii + 428 pages. A couple pages with pencil notes. Otherwise, pages bright and clean and free from marking, soiling and staining. Bound in contemporary red cloth with elaborate decoration to front board and spine in black and gilt. Covers very lightly worn and spine lightly sunbleached. A very nicely bound copy.

Gütersloh: C. Bertelsmann, 1882. Hardcover. Very Good. 5 x 7 1/4 inches. 476 pages. Pages bright and clean and free from marking, soiling and staining. Bound in contemporary red cloth with elaborate decoration to front board and spine in black and gilt. Covers very lightly worn and spine lightly sunbleached. A very nicely bound copy.