Search Results: Titles starting with W from Jeff Hirsch Books, ABAA

New York: Columbia University Press, 1966. First edition. Softcover. 48 pages. A near fine copy in stapled wrappers.

Utica, IL: LaSalle County Historical Society, 1979. First edition. Softcover. Exhibition catalog for a show that ran June 17 through August 16, 1979. Features text by Jensen. Includes numerous images. A clean very fine copy in spiral wrappers. As new and still in the publisher's shrinkwrap.

Los Angeles, CA: Stephen White Gallery of Photography, 1988. First edition. Softcover. A catalogue for a traveling exhibition that started at Stephen White Gallery and then traveled to four other galleries. Introduction by Stephen White. A collection of black and white image by Smith divided into four sections: Spanish Village 1951, Pittsburgh 1955/56, Portraits, Dr. Schweitzer, and Selections. A near fine copy in spiral bound wrappers with some very light wear.

Tucson, AZ: University of Arizona & Center for Creative Photography, 1980. First edition. Softcover. 142 pages. One of the better issues in the series. Incudes 99 Smith images as well as Part 1 of a Chronological Bibliography of Smith's work. A clean near fine copy in photo-illustrated wrappers.

Madrid: La Fabrica, 2008. First edition. Hardcover. 237 pages. Text in Spanish by Enrica Vigano and Britt Salvesen. A collection of images by W. Eugene Smith drawn from 6 of his best known bodies of work: Country Doctor, Spanish Village, Nurse Midwife, A Man of Mercy (about Dr. Albert Schweitzer), Pittsburgh, and Minamata. A clean very near fine copy in a very near fine dust jacket. A nicely printed book that is seemingly fairly uncommon.

Tucson, AZ: Center For Creative Photography, University of Arizona, 1984. First edition. Softcover. Illustrated essay by William S. Johnson. Includes numerous black and white images by Smith taken from several different bodies of his works: Pittsburgh, Haiti, Hitachi/Japan, and others as well. A very near fine copy in wrappers.

Carmel, CA: Friends of Photography, 1967. First edition. Exhibition brochure for a show that ran August 4 through September 4, 1967. Includes information about both photographers as well as one black and white image. Single sheet folded twice to create 4 pages. Measures 11.75" wide and 4.875" high when open. A very good copy with some minor wear. Scarce ephemera.

Petaluma, CA: Barry Singer Gallery, 2000. First edition. Softcover. 29 pages. Exhibition catalog for a show that ran May 13 through July 25, 2000. Features an essay by Ben Lifson. Includes, with the covers, 32 images and a chronology. A near fine copy in wrappers with some very minor wear. A nicely printed book with many of which are some of Smith's most iconic photographs.

New York: Aperture and The Museum of Modern Art, 1969. First edition. Softcover. The first real retrospective monograph on Smith with a look at his important body of photographs along with excerpts from his notes. Includes an afterword by Lincoln Kirstein, a brief note by Peter Bunnell and an extensive bibliography. A very near fine copy in photo-illustrated wrappers. A very fresh copy.

Tucson, AZ: University of Arizona - Center For Creative Photography, 1981. First edition. Softcover. A then comprehensive look at this important 20th century American photographer. A very good plus copy in wrappers with some minor wear.

Muncie, IN: Ball State, 1970. First edition. Softcover. 40 pages. A critical examination of the writings of Auden. A very good copy in stapled wrappers with some minor wear.

Monaco: The Lyrebird Press, 1949. First edition. Softcover 68 pages. A relatively early critical examination of Auden. A very good copy in wrappers with some bumping to the top of the spine and some other minor wear as well.

New York: Macmillan Publishing, 1975. First U.S. edition. Hardcover. First printing. Introduction by Spender. Includes contributeions by Sir John Betjeman, Cyril Connolly, Christopher Isherwood, Lincoln Kirstein, Hannah Arendt, Dr. Oliver Sacks, John Hollander, Joseph Brodsky and numerous others. A clean near fine copy in a very good plus price clipped dust jacket with some minor edge wear and tears.

Charlottesville, VA: University Press of Virginia / Bibliographical Society of the University of Virginia, 1972. Second edition Hardcover. 420 pages. A clean and tight very near fine copy. No dust jacket as issued.

London: Hanover Gallery, 1963. First edition. Softcover. Exhibition catalog for a show that ran January 17 through February 16, 1963. Text by Robert Melville. Includes with the covers 8 black and white illustrations. An about good copy in stapled wrappers with creasing and some minor wear.

Urbana and Chicago, IL: University of Illinois Press, 1987. First edition and first printing. Hardcover. 405 pages. A collection of Merwin's essays edited by Cary Nelson and Ed Folsom. A near fine copy in cloth boards with some minor wear and in a near fine dust jacket.

New York: Alfred A. Knopf, 1980. First edition and first printing. Hardcover. 76 pages. Macdonald's third collection of poems. A near fine copy in cloth boards with a small remainder mark to the bottom edge of the pages and in a near fine dust jacket.

New York: Alfred A. Knopf, 1980. First U.S. edition. Hardcover. First printing. 76 pages. Macdonald's third collection of poems. A near fine copy in a near fine dust jacket with some minor wear and a tear to the top of the rear panel. Signed by Macdonald on the title page and additionally very warmly inscribed by MacDonald to fellow poet Marie Ponsot on the half title page in the year of publication.. A nice association copy.

Warka: Muzeum im. Kazimierza Pulaskiego, 2009. First edition. Softcover. 20 pages. Text in Polish. Includes numerous color illustrations. A very near fine copy in stapled wrappers. Scarce with only 2 copy listed in OCLC.

Cambridge, MA: Harvard College Library, Department of Printing and Graphic Arts, 1940. First edition. Softcover. [12 pages.] A nicely printed book. A clean very near fine copy in wrappers with an integral dust jacket and in an about very good slipcase that has a small chip to the bottom edge and some other light wear.