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Nouveau Traité des Oeillets. La façon la plus utile & facile de les bien cultiver, leurs noms, leurs couleurs, & leur beauté. Avec la Liste des plus nouveaux. Par L. C. B. M. by CARNATIONS - - 1676

by CARNATIONS -

Nouveau Traité des Oeillets. La façon la plus utile & facile de les bien cultiver, leurs noms, leurs couleurs, & leur beauté. Avec la Liste des plus nouveaux. Par L. C. B. M. by CARNATIONS - - 1676

Nouveau Traité des Oeillets. La façon la plus utile & facile de les bien cultiver, leurs noms, leurs couleurs, & leur beauté. Avec la Liste des plus nouveaux. Par L. C. B. M.

by CARNATIONS -

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  • Hardcover
Paris: Charles de Sercy, 1676. 12mo (148 x 85 mm). [4], 162, [2] pp. Publisher's woodcut device on title, woodcut head- and tailpiece and opening initial. Contemporary parchment over flexible pasteboards. Front pastedown unglued showing liners of printed waste. Dampstain to first few leaves, foxing and softening, corners creased, binding soiled and stiffened. Provenance: from the library of the English Benedictines in Paris (St. Edmund's Priory), late 17th or 18th-century inscription on title, Benedictorum anglorum S[anc]ti Edmundi Parisiis. *** first edition of a guide to carnations and pinks, evidently by a gardener or nurseryman (whether a gentleman or a professional gardener is not known); the book, which went into several editions, helped spread the vogue for the flower in France, and is still respected. In the preface, the anonymous author claims that he intends his book for other fleuristes, with no commercial interests but purely in order to share the beauty of the flower. Testifying to the breadth of his experience, the first part is a detailed technical guide to cultivation, with much precise advice on layering (marcottage), cultivation in a pot versus a greenhouse, required watering and sun exposure, flowering, and protection from blights and insects (especially earwigs and ants). The second part, starting with chapter XVII on p. 89, is a more properly aesthetic guide to the flower, with a general assessment of its lovely qualities, and a detailed list of well over 200 different carnation varieties, organized alphabetically under each color: violet, red, crimson, pink, white, and multicolored. An entire paragraph is devoted to each type. The work, which was apparently erroneously ascribed by Barbier to one Goube of Valenciennes, met a need and was reprinted at least three times before 1700. This copy was owned by the Benedictine community of St. Edmund in Paris, founded in 1615 by the English Benedictine Dom Gabriel Gifford, later Archbishop of Reims and primate of France. Following its expulsion from Paris during the Revolution, the community took over the vacant buildings of the community of St. Gregory's in Douai in 1818. OCLC locates copies in the US at the libraries at Oak Spring, NY Botanical Garden and Chicago Botanic Garden. Musset-Pathay, Bibliographie agronomique 1379; cf. Barbier III: 522.
  • Bookseller Musinsky Rare Books, Inc. US (US)
  • Book Condition Used
  • Quantity Available 1
  • Binding Hardcover
  • Publisher Charles de Sercy
  • Place of Publication Paris
  • Date Published 1676
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Just A Girl Who Loves Carnations: Cute Carnation Journal Notebook, Carnation Lovers Blank Lined Notebook to Writing & Journaling, Journal Notebook

by Edition, Carnations

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Independently published, 2021-08-20. Paperback. Used: Good.
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Just A Girl Who Loves Carnations: Cute Carnation Journal Notebook, Carnation Lovers Blank Lined Notebook to Writing & Journaling, Journal Notebook

by Edition, Carnations

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  • Paperback
Condition
Used:Good
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Paperback
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1
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HOUSTON, Texas, United States
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Independently published, 2021-08-20. Paperback. Used:Good.
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Carelli, Anthony
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Carelli, Anthony

by Carnations: Poems

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  • Paperback
  • first
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Used
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Paperback
ISBN 13
9780691149455
ISBN 10
0691149453
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San Francisco, California, United States
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Princeton. 2011. Princeton University Press. 1st American Edition. Very Good in Wrappers. 9780691149455. 59 pages. paperback. Cover art: Pieter Bruegel the Elder, ‘Christ Carrying the Cross’ (1564). keywords: Poetry Literature America . FROM THE PUBLISHER - In Anthony Carelli's remarkable debut, CARNATIONS, the poems attempt to reanimate dead metaphors as blossoms: wild and lovely but also fleeting, mortal, and averse to the touch. Here, the poems are carnations, not only flowers, but also body-making words. Nodding to influences as varied as George Herbert, Francis Ponge, Fernando Pessoa, and D. H. Lawrence, Carelli asserts that the poet's materials--words, objects, phenomena--are sacred, wilting in the moment, yet perennially renewed. Often taking titles from a biblical vocabulary, CARNATIONS reminds us that unremarkable places and events--a game of Frisbee in a winter park, workers stacking panes in a glass factory, or the daily opening of a cafE--can, in a blink, be new. A short… Read More
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Singles 1969

Singles 1969

by The Carnations

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Used - Very Good
ISBN 13
0075021360129
ISBN 10
0075021360126
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Coslada, Madrid, Spain
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DILF's vol. 01: Adult coloring book

by Green Carnations Publishing

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Condition
New
Binding
Paperback
ISBN 13
9798864681954
ISBN 10
9798864681959
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10
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Southport, Merseyside, United Kingdom
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Paperback / softback. New.
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Yesterday Once More

Yesterday Once More

by The Carnations

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Condition
Used - Very Good
ISBN 13
0075021660120
ISBN 10
0075021660128
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Coslada, Madrid, Spain
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Very Good.
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Carelli, Anthony
Stock Photo: Cover May Be Different

Carelli, Anthony

by Carnations: Poems

  • Used
  • Hardcover
Condition
Used
Binding
Hardcover
ISBN 13
9780691149448
ISBN 10
0691149445
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1
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San Francisco, California, United States
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Princeton. 2011. Princeton University Press. 1st Edition. Slightly Tarnished Boards, Otherwise Very Good. No Dustjacket. 9780691149448. 59 pages. hardcover. keywords: Poetry America Literature. FROM THE PUBLISHER - In Anthony Carelli's remarkable debut, Carnations, the poems attempt to reanimate dead metaphors as blossoms: wild and lovely but also fleeting, mortal, and averse to the touch. Here, the poems are carnations, not only flowers, but also body-making words. Nodding to influences as varied as George Herbert, Frances Ponge, Fernando Pessoa, and D. H. Lawrence, Carelli asserts that the poet's materials - words, objects, phenomena - are sacred, wilting in the moment, yet perennially renewed. Often taking titles from a biblical vocabulary, Carnations reminds us that unremarkable places and events - a game of Frisbee in a winter park, workers stacking panes in a glass factory, or the daily opening of a cafE - can, in a blink, be new. A short walk home is briefly transformed into a… Read More
Item Price
$35.00