Rare books from Antiquariat Banzhaf

Extracted from Nouvelles Archives de Musée d'Histoire Naturelle. 1895, 3. série, tome. VII. pp. (83)-114 with four text woodcuts and two chromolithographed plates by A. Millot (Lit. Lemercier) showing Max and Maurice.Contemporary calf backed marbled boards, spine ruled and lettered in gilt. An extra-illustrated volume with 22 engravings, lithographs, half-tones and especially important 9 mounted original photographs by an unknown photographer showing the two orangoutans (living and as stuffed animals) with their zookeeper, their taxidermist (?) and with an exotic looking young male. It must have been a fascinating entertainment for the Parisian public and it is said that they attracted more than 100.000 visitors in 1893. They were imported from Borneo and travelled throughout Europe, public viewing was possible in Antwerp, Bruxelles and Paris. Within a year they died from stress and pneumonia. Ernst Pinkert from the Leipzig Zoological Gardens eventually bought them to nurse them back to health… Read More

Album with 52 photographs – each ca 220 x 280 mm – on black cardboard mounts showing clocks, mantelpieces, wall appliques, lanterns, chandeliers, bronzes and candelstands cast by the atelier of Henri Vian in Paris. Each photograph with numbers and dimensions of objects in the negativ. A number of plates with pencilled annotations on back of mounts, with numbering and sometimes dimensions of objects. Cont. calf, with an all over decoration of floral elements. Spine on five raised bands. Covers framed by double gilt fillets. Foot of spine stamped H. Vian / Paris. Folio (460 x 370 mm). Slightly rubbed, extremeties worn. Henri Vian (1860-1905), a bronze-caster active in the second half of the 19th century, was specialized in the production of bronzes, light fittings, chandeliers, chimney mantelpieces, ormolu and patinated-mounted vases always of very fine quality. The business, located at 5 rue de Thorigny in Paris (the Salé Mansion, now the Picasso Museum), was continued by Madame Vian after her… Read More

Calligraphed title, verso with manuscript inked faked printer's sign "the Shingle-syde Press" within double rules, 16 architectural plates (15 on thick drawing paper, one on tracing paper) with pencil and watercolour drawings of elevations, plans and sections of his house. Loosely contained in later cloth portfolio, with gilt morocco label to front cover. Folio (700 x 470 mm). A charming set of large hand-drawn and delicately coloured architectural delineations for the home and studio of Connecticut illustrator, poet, and architect, William Walworth Stilson, (1874-1962), a Connecticut artist born in New Milford and a resident of Bridgeport and Shelton. He illustrated several books, including Willard Nelson Clute, Our Ferns in Their Haunts (1901); William Cullen Bryant, Thanatopsis (1909); and Hamilton Wright Mabie, The Writers of Knickerbocker New York (1912). The house was completed in 1902. His papers are housed at the Yale Collection of American Literature, Beinecke Rare Book and Manuscript… Read More

(7) leaves letterpress text, 1 leaf half-title (première section) 111 numbered leaves (recte 109) ; plates numbered 10 through 111 are printed on recto only, with plate numbers 40, 63 and 92 omitted according to a printed note at the end of the index, but including an extra plate 35bis) ; 1 leaf half-title (cinquième section annexe), (8) leaves numbered I-XVII (omitting numbers XV/XVI) with text and illustrations on both sides. The plates with numerous printed black and white labels, mounted chromolithographed labels and colourful chromolithographed labels on white glazed paper. Publisher's red cloth, gilt title to spine and front cover. Oblong folio (456 x 320 mm). Extremeties worn, front cover spotted. A fine example showing the wealth of French industrial and agricultural products displayed in black and white facsimiles and color mounted product labels and renderings of trademarks of producers and manufacturers. The most important part is the third section of this catalog showing agricultural… Read More

3 leaves letterpress text and index, 48 collotype plates. Publisher's green cloth with gilt title on front board. All edges gilt, endpapers lined with multiple coloured snail marbled paper on combed marbled patterns. Oblong folio (455 x 335 mm). Spine-ends minimally frayed. The personal copy of Monsieur François Philippe Voisin (1821-1918) (= Voisin Bey), his name stamped in gilt on front cover, a French engineer and from 1861 to 1870, the chief engineer of the Suez Canal Company during the construction of the Suez Canal, together with its director Ferdinand de Lesseps. The 48 plates show 76 collotypes (numbered 1 through 74 and 2 unnumbered collotypes), they depict views, portraits, seascapes, and the inauguration itself and showing on the other hand the canal (and its surroundings) on its entire length. One plate with small loss to lower outer corner (far away from image) else fine. It seems that the whole seemingly small print-run of this inauguration publication was given as a gift to an… Read More

1te. - (4te.) Lieferung. 4 instalments (= all published). Basel und Genf, H. Georg's Buch- und Kunsthandlung (1864 ?). 20 original photographs (albumen – various sizes ca 110 x 180 mm to 225 x 280 mm) mounted onto white cardboards. Loosely contained in publisher's lithographed wrappers, with calligraphed title on front cover and contents on back cover. Folio (450 x 310 mm). Spine of fourth instalment restored, wrappers lightly dust-soiled and with a few short tears in margins. Cf. ADB XL, 460-465 (for Wackernagel) ; not in Heidtmann. Bibliographie der Photographie. Jakob Hoeflinger (1819-1892), was a native from the Black Forest region who emigrated to Swiss and became a photographer around 1853. He established his very successful business in Bale in 1857. His son Albert (1855-1936) took over the company in 1885. In 1896 he sold it to his cousin August Höflinger (1867-1939), who had joined the management the same year as he. From then on, August himself devoted himself to portrait painting. Until… Read More

Two hand coloured lithographed broadsides by Lemercier after Victor Adam (1801-1866) and Louis Stanislas Marin-Lavigne (1797-1860) heightened with gum Arabic, each with a large central image showing Napoléon on horseback one dated 1800 the other 1815, each framed by 20 further images which relate important steps in his military and political career giving a full account of his reign closing with a view of his tomb on the island of St. Helena. Large folio (660 x 500 mm). Mounted and framed within modern white cardboard passepartouts. Light foxing, in margins else fine. Two spectacular large size lithographs in beautiful contemporary hand colouring, celebrating Napoleon's life and accomplishments. Many of the small images depict battle scenes others with important political events. Lower margins of each sheet with variant hand coloured allegorical vignette, one showing a heraldic eagle the other the Code Napoléon. Well margined copies.

Engraved title-vignette, 5 unnumb. leaves, 71, (3), 361, (3) pages ; engraved title vignette, 2 unnumb. leaves, 284 (2) pages. Cont. green half morocco, flat spine richly gilt with gilt stamped title. Covers lined with shell marbled paper, endpapers lined with an unusual pattern of multiple coloured shell marbled paper. All edges yellow. 4to (290 x 210 mm). Extremeties rubbed. Brooks, 361 ; Weiss 101. "Edizione sorvegliata da Bodoni e ben lo scorge chi ne esamina i pregi tipografici" (De Lama II, p. 53). A fine copy broadmargined and fresh inside.

Lithogr. title within decorative Art noveau frame, 3 unnumb. ll. introduction and dedication, 66 collotype plates with horses mostly against a landscape or architectural backdrop, after paintings and photographs, each with printed captions in French, Russian, English and German, printed on thick glazed paper sheets, 30 unnumb. ll. with letterpress text on verso of thin tissue guard-like sheets in four languages. One errata leaf printed on red paper stock bound in. Cont. dark green morocco, gilt stamped Russian title to front cover, all edges gilt. Endpapers lined with white glazed paper with a moiree pattern. Oblong folio (495 x 400 mm). Extremeties worn and rubbed, front cover discoloured, spine evenly sunned and spine-ends bumped. Rare large-format work with magnificent depictions of horses with KVK and OCKC showing only four copies (ÖNB, Madrid, NYPL, and Chicago) with 31 plates only (?). A number of the thin letterpress leaves with short tears else fine. The author was a master of the guard.

Engraved front. by I. G. Beck, (18), 524 pages (pages 361-368 numbered twice ; jump in pagination from 480 to 489) ; 256, (32) pages. Cont. vellum, yapp edges, gilt stamped title to spine. Red sprinkled edges. 4to (215 x 162 mm). Front fly-leaf with manuscript ownership entry Joh. Conradi Gosweileri. Lipsiae 1712. Economisch-Historische Bibl. Amst. 743 and 350 ; Humpert 5758 ; Kress p. 2447; VD18 11244275 ; not in Masui and Stammhammer ; not in Catalog of Historical Accounting Literature. First edition. "Eines der Hauptwerke zur Entstehung der deutschen Betriebswirtschaft sowie zur Geschichte des deutschen Handelsrechts überhaupt. Ohne Zweifel mit das seltenste Werk der sogenannten deutschen Handelswissenschaft im 17. und 18. Jhdt." (Sauer. Cat. V, 1385). A fine and broadmargined copy.

(4), 108, (8) pages with woodcut heraldic vignette on title and woodcut head- and tail-piece; 8 pages.Cont. calf on five raised bands, red gilt morocco label to second compartment, all others richly gilt. Sprinkled edges. 4to (255 x 188 mm). Extremeties rubbed. I. Barbier, II, 30. First edition, published a year after the promulgation, of the royal edict of August 1686. This edict, despite its title, applies to the entire kingdom. "Within a very difficult context as far as the book trade in the provinces was concerned - since the latter was being stifled by the stringent economic policies of Jean-Baptiste Colbert, the famous Superintendent of Finances under Louis XIV, which also extended to control of the press and were biased in favour of the major Parisian publishers whose privileges kept on being renewed - the regulations of 1686, structured into sixty-nine articles under various headings, were the last major set of book trade regulations to be promulgated in France in the seventeenth century.… Read More

A collection of original drawings on 13 thick folio paper sheets (c. 525 x 350 mm) with watermark J. Whatman Turkey Mill 1834, of which 9 water colour and 4 pen and ink drawings. All of them with calligraphed Russian captions or headings. No place (Moscow or St. Petersburg) 1835. Loosely contained in a cont. Russian green morocco portfolio. Both covers with a broad gold frame of roll tooled floral stamps, with an inner rectangle ruled in gold with floral corner pieces. Paste-downs and inner flaps lined with red silk. Inner spine lined with green morocco richly gilt. Library paper label with manuscript numbering to upper left corner of front cover. Oblong folio (538 x 360 mm). Extremeties worn, covers rubbed. An exquisitely hand coloured and precisely rendered collection of drawings related to technical aspects of the Russian artillery in 1835. Three sheets with drawings all of them delicately hand coloured include members of the Russian armed forces handling military equipment e. g. the rolling of a… Read More

Large engraved and folded broadsheet (585 x 468 mm) with a beautifull interior view of a billiard hall with a lavishly decorated billiard table with 6 male billiard players, ca 224 x 470 mm, in the upper half of the sheet, designed and engraved by Daniel, graveur du roi. Lower part of the sheet with text in 6 columns, centre fold marked by a billiard cue, adorned with four richly decorated medals in the corners of the text. - Bound with: Chéreau, Charles. Nouvelles règles du jeu de billard, ... Paris, chez l'auteur ca 1844. Large engraved and folded broadsheet ((585 x 468 mm) with an ornate calligraphic drop-title framed by emblematic vignettes, with rules of variant billiard games in six columns, centre fold marked by a billiard cue, and with two oval ornate medals in lower corners of the text. - Bound with: Chéreau, Charles. Nouvelles règles du jeu de billard, ... A Paris, chez l'auteur ca 1844. Large engraved and folded broadsheet ((585 x 468 mm) with an ornate calligraphic drop-title framed by… Read More

Engraved portrait front. of Cornelis Ploos van Amstel signed R Winkeles sculp. 1799 - J. Buys pinx. 1766. XXIV, (2), 319 pages; 227 (1), 82 pages. Priced throughout in a contemporary hand, including two manuscript total values at the end of each volume. Cont. Dutch red half vellum bindings, with gilt black morocco labels. First volume with printed original front wrapper with title mounted onto front cover. Lower spine end of volume I minimally frayed. (222 x 138 mm). Covers rubbed. Nagler, Neues allgemeines Künstler-Lexikon, XIII, p. 28 and Wurzbach, Niederländisches Künstler-Lexikon, II, p. 333. Nieuw Nederlandsch biografisch woordenboek VI, pp. 1139-1140. First and only edition of this sale catalogue of a remarkable collection of prints, drawings and paintings, illustrated books, Kunstkammer pieces, and optical and mathematical instruments and including a major collection of Rembrandt prints brought together by Cornelis Ploos van Amstel (1726 - 1798), a painter, engraver, printer and publisher… Read More

40 original drawings by Marie Baudet, ink brush with various washes and water colour heightening, all of them signed by the artist, some dated and with manuscript title, mostly ca 380 x 530 mm a few ca 220 x 290 mm pasted onto white paper mounts (565 x 515 mm). Each original drawing bound in facing the collotype plate of the published suite with 5 unnumbered leaves letterpress text, 40 collotype plates with a tinted background (315 x 225 mm or smaller – reduced in size compared to the original drawings), title and numbering printed on narrow paper labels pasted onto lower margin of plates. Cont. brown half calf on six raised bands with gilt title in second compartment. Fancy endpapers. Folio (575 x 430 mm). Extremeties worn, covers rubbed and slightly spotted. Bénézit (1976), I, p. 515. The book was published in 250 copies and "les planches de cet album ont été tirées par les procédés spéciaux de Fortier & Marotte" according to the imprint. Marie Ludivine Antoinette Dupuit known as Marie… Read More