Le Bleu des Fonds by Mansour, Joyce – Pierre Alechinsky - 1968

Tuscaloosa, Alabama:: Down Home Girl Studio,, 2013.. Edition of 75. 8.75 x 8.25"; 24 pages. Letterpress printed on handmade paper of cotton and abaca fibers. Text and images were printed using photopolymer plates and reduction linoleum blocks. Fonts are Optima Bold and Gill Sans Light. Handbound in quarter-cloth with cover paper of handmade walnut dyed flax. 3.5 x 3.5" illustration inset of quilted papers, which were designed with the artist's mother. Suzanne Sawyer: "The legacy of quilting is ubiquitous in American history, so much so that it has lost some of the meaning it once held. But its history is rich and perhaps best typified in African American culture such as with the quilters of Gee's Bend. The quilters, descendants of former slaves living in rural Alabama, developed a unique, improvisational style of quilting using just remnants of clothing. Their quilts have become world renowned for their simple geometric patterns and have been compared to the work of modern… Read More

Léon Arnoult: La Variabilité du Gout dans les Arts. Les phases ornamentales de la mode (The variability of taste in the arts. The ornamental phases of fashion). Printed and published by Devambez "À l'enseigne du masque d'Or". Paris, 1921. ARNOULT Léon - William ABLETT (1877-1937 illustrator). Preowned, Signed. A l'Enseigne du Masque d'Or, chez Devambez, 1921, in-4°, 87 pp + 7 plate illustrations, printed in 303 numbered copies. Sewn, original printed stiff wrapper over blind wrapper. Printed wrapper, interior fine, uncut and unopened copy. Two of the illustrations are mixed technique plates by William Ablett, one is signed in pencil by the artist: a circular engraving with a lithographic image printed on it and heightened with gold. Editorial paperback, Jacket with title to the framed flat, beautiful allegorical friezes, endpapers, eyelet, cover page with the same frieze (antique collection stamp). The quantity of circulation - 303 copies justified, and numbering - â„–120, a preface paper,… Read More

Venice: Canal and Stamperia Editorial, 1997. Trade wrappers with French flaps. Published Venice: Canal and Stamperia Editorial, 1997. 8vo., 7" x 9 1/4", 211pp., illustrated throughout with plates. Fine, as new. . Soft Cover. Fine/No Jacket, As Issued. 8vo.

Constable & Co. Ltd., 1913. 1st Edition. Hardcover. VG+. ROBINSON, W Heath. 1st Heath Robinson Illustrated Edition 18.8 x 25.5cm red cloth with a white panel to the centre of the front board and gilt stamped titles and decoration to the front and spine. Top edge red, xii 288 (2) with 16 tipped in coloured plates with captioned tissue guards and 88 black and white illustrations. The boards are clean and bright with some fading to the spine and a little pushing to the spine tips. Internally, there is a gift inscription dated 1916 to the front free endpaper, a small 1 cm bruise to the bottom edge of p176 not affecting the image and with no loss and occasional very light marking. All in all a very nice copy. Rainford & Parris Books welcomes enquiries, so please do not hesitate to ask if you require further images or have any questions. All books are packaged with great care.

Berkely and Los Angeles: University of California Press, 1968. Two volume set. First editions. Hard covers in original cloth and dust jackets. Published Berkely and Los Angeles: University of California Press, 1968, first printings. Folio, 10" x 13", Volume One - Catalog: xi+477pp; Volume Two - Plates: unpaginated, illustrated with 1,244 plates. Teal cloth with gilt titles. Roethlisberger's monumental work bringing together the entire corpus of authentic Lorrain' drawings, three-quarters of which are reproduced for the first time. A fine, set, clean, bright, unmarked in very good dust jackets with some edgewear, light soiling. . 1st. Hard. Fine/Very Good. Folio.

Tuscaloosa, Alabama:: Down Home Girl Studio,, 2013.. Edition of 75. 8.75 x 8.25"; 24 pages. Letterpress printed on handmade paper of cotton and abaca fibers. Text and images were printed using photopolymer plates and reduction linoleum blocks. Fonts are Optima Bold and Gill Sans Light. Handbound in quarter-cloth with cover paper of handmade walnut dyed flax. 3.5 x 3.5" illustration inset of quilted papers, which were designed with the artist's mother. Suzanne Sawyer: "The legacy of quilting is ubiquitous in American history, so much so that it has lost some of the meaning it once held. But its history is rich and perhaps best typified in African American culture such as with the quilters of Gee's Bend. The quilters, descendants of former slaves living in rural Alabama, developed a unique, improvisational style of quilting using just remnants of clothing. Their quilts have become world renowned for their simple geometric patterns and have been compared to the work of modern… Read More

Léon Arnoult: La Variabilité du Gout dans les Arts. Les phases ornamentales de la mode (The variability of taste in the arts. The ornamental phases of fashion). Printed and published by Devambez "À l'enseigne du masque d'Or". Paris, 1921. ARNOULT Léon - William ABLETT (1877-1937 illustrator). Preowned, Signed. A l'Enseigne du Masque d'Or, chez Devambez, 1921, in-4°, 87 pp + 7 plate illustrations, printed in 303 numbered copies. Sewn, original printed stiff wrapper over blind wrapper. Printed wrapper, interior fine, uncut and unopened copy. Two of the illustrations are mixed technique plates by William Ablett, one is signed in pencil by the artist: a circular engraving with a lithographic image printed on it and heightened with gold. Editorial paperback, Jacket with title to the framed flat, beautiful allegorical friezes, endpapers, eyelet, cover page with the same frieze (antique collection stamp). The quantity of circulation - 303 copies justified, and numbering - â„–120, a preface paper,… Read More

Venice: Canal and Stamperia Editorial, 1997. Trade wrappers with French flaps. Published Venice: Canal and Stamperia Editorial, 1997. 8vo., 7" x 9 1/4", 211pp., illustrated throughout with plates. Fine, as new. . Soft Cover. Fine/No Jacket, As Issued. 8vo.

Constable & Co. Ltd., 1913. 1st Edition. Hardcover. VG+. ROBINSON, W Heath. 1st Heath Robinson Illustrated Edition 18.8 x 25.5cm red cloth with a white panel to the centre of the front board and gilt stamped titles and decoration to the front and spine. Top edge red, xii 288 (2) with 16 tipped in coloured plates with captioned tissue guards and 88 black and white illustrations. The boards are clean and bright with some fading to the spine and a little pushing to the spine tips. Internally, there is a gift inscription dated 1916 to the front free endpaper, a small 1 cm bruise to the bottom edge of p176 not affecting the image and with no loss and occasional very light marking. All in all a very nice copy. Rainford & Parris Books welcomes enquiries, so please do not hesitate to ask if you require further images or have any questions. All books are packaged with great care.

Berkely and Los Angeles: University of California Press, 1968. Two volume set. First editions. Hard covers in original cloth and dust jackets. Published Berkely and Los Angeles: University of California Press, 1968, first printings. Folio, 10" x 13", Volume One - Catalog: xi+477pp; Volume Two - Plates: unpaginated, illustrated with 1,244 plates. Teal cloth with gilt titles. Roethlisberger's monumental work bringing together the entire corpus of authentic Lorrain' drawings, three-quarters of which are reproduced for the first time. A fine, set, clean, bright, unmarked in very good dust jackets with some edgewear, light soiling. . 1st. Hard. Fine/Very Good. Folio.