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The Expanding Discourse: Feminism And Art History
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The Expanding Discourse: Feminism And Art History Paperback - 1992

by Norma Broude; Mary Garrard


From the publisher

A sequel to the pioneering volume, Feminism and Art History: Questioning the Litany, published in 1982, The Expanding Discourse contains 29 essays on artists and issues from the Renaissance to the present, representing some of the best feminist art-historical writing of the past decade. Chronologically arranged, the essays demonstrate the abundance, diversity, and main conceptual trends in recent feminist scholarship.

First line

Some of the most puzzling historical images and the most difficult to interpret are those in which nude human bodies or nude parts of bodies play a central role in the visual communication.

Details

  • Title The Expanding Discourse: Feminism And Art History
  • Author Norma Broude; Mary Garrard
  • Binding Paperback
  • Edition [ Edition: First
  • Pages 532
  • Volumes 1
  • Language ENG
  • Publisher Routledge, Boulder, Colorado, U.S.A.
  • Date August 1992
  • ISBN 9780064302074 / 0064302075
  • Weight 1.61 lbs (0.73 kg)
  • Dimensions 9 x 6 x 1.19 in (22.86 x 15.24 x 3.02 cm)
  • Reading level 1580
  • Library of Congress subjects Feminism and art
  • Library of Congress Catalog Number 91058341
  • Dewey Decimal Code 704.042

About the author

Norma Broude and Mary D. Garrard are professors of art history at the American University in Washington, D.C., and are leading scholars in the field of feminist art history. Broude is the author of The Macchiaioli: Italian Painters of the Nineteenth Century (1987), Impressionism, A Feminist Reading: The Gendering of Art, Science, and Nature in the Nineteenth Century (1991), and Georges Seurat (1992). Garrard has written articles and reviews on feminism and art history, Jacopo Sansovino, Michelangelo and Raphael, and Renaissance sculpture. She is the author of Artemisia Gentileschi: The Image of the Female Hero in Italian Baroque Art (1989) and, with Broude, the coeditor of Feminism and Art History: Questioning the Litany (1982). Norma Broude and Mary D. Garrard are professors of art history at the American University in Washington, D.C., and are leading scholars in the field of feminist art history. Broude is the author of The Macchiaioli: Italian Painters of the Nineteenth Century (1987), Impressionism, A Feminist Reading: The Gendering of Art, Science, and Nature in the Nineteenth Century (1991), and Georges Seurat (1992). Garrard has written articles and reviews on feminism and art history, Jacopo Sansovino, Michelangelo and Raphael, and Renaissance sculpture. She is the author of Artemisia Gentileschi: The Image of the Female Hero in Italian Baroque Art (1989) and, with Broude, the coeditor of Feminism and Art History: Questioning the Litany (1982).
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