Skip to content

Moby-Dick: Or, the Whale
Stock Photo: Cover May Be Different

Moby-Dick: Or, the Whale Paperback - 2002

by Herman Melville; Introduction by Andrew Delbanco; Commentaries by Tom Quirk

Written with wonderfully redemptive humor, "Moby-Dick" is the story of an eerily compelling madman pursuing an unholy war against a creature as vast and dangerous and unknowable as the sea itself.


About this book

Melville's classic was first published in England as three volumes titled The Whale in October 1851. Slow sales of Melville's previously books convinced Publisher L. Richard Bentley to reduce the printing to only 500 copies, and of that, only 300 sold in the first 4 months. The remaining unbound sheets were bound in a cheaper casing in 1852, and in 1853 there were still enough remaining sheets to again bind into an even cheaper edition.

Melville changed the title to Moby Dick a month later, November 1851, when the American Version was published in one volume by Harper & Brothers in NY. Of the 2,951 copies printed, 125 were review copies. About 1,500 sold in 11 days, but then sales slowed to less than 300 the next year. After two years copies of the first edition were still available, and almost 300 were destroyed in the 1853 fire of Harper's warehouse. Most of the first editions have orange end-papers, although there are 2 known volumes with rare white-endpapers.

Because of Nineteenth-century printing practices, and the time-lapse between when the first-editions were published and Melville became collectible, oxidized paper, bumped and chipped spines, and brittle wrappers are all common for even the most expensive and collectible of these books, which can sell from $35,000 to $100,000. Also, expect heavy wear and maybe even minor repair. Another collectible edition is the 1930 first edition illustrated by Rockwell Kent, a three-volume set published by the Lakeside Press with acetate dust jackets in an aluminum slipcase. These range in value from $9,000 to $11,000.

A total of 3,215 copies of Moby-Dick were sold during Melville's life (he died in 1891). Today, Moby-Dick is considered one of the greatest American novels.
-

Summary


Over a century and a half after its publication, Moby-Dick still stands as an indisputable literary classic. It is the story of an eerily compelling madman pursuing an unholy war against a creature as vast and dangerous and unknowable as the sea itself. But more than just a novel of adventure, more than an encyclopedia of whaling lore and legend, Moby-Dick is a haunting, mesmerizing, and important social commentary populated with several of the most unforgettable and enduring characters in literature. Written with wonderfully redemptive humor, Moby-Dick is a profound and timeless inquiry into character, faith, and the nature of perception.


@greatwhitetale Call me Ishmael. You could call me something else if you want, but since that’s my name, it would make sense to call me Ishmael.

Captain obsessed with finding a whale called Moby Dick. Sounds like the meanest VD ever, if you ask me. Sorry. Old joke. Couldn’t resist.

From Twitterature: The World's Greatest Books in Twenty Tweets or Less

From the publisher

Herman Melville's masterpiece, one of the greatest works of imagination in literary history. Nominated as one of America's best-loved novels by PBS's The Great American Read Over a century and a half after its publication, Moby-Dick still stands as an indisputable literary classic. It is the story of an eerily compelling madman pursuing an unholy war against a creature as vast and dangerous and unknowable as the sea itself. But more than just a novel of adventure, more than an encyclopedia of whaling lore and legend, Moby-Dick is a haunting, mesmerizing, and important social commentary populated with several of the most unforgettable and enduring characters in literature. Never losing its cultural prescence, Melville's nautical epic has inspired many films over the years, including the film adaptation of Nathanael Philbrick's In the Heart of the Sea, starring Chris Hemsworth, Cillian Murphy, Ben Wishaw, and Brendan Gleeson, and directed by Ron Howard. Written with wonderfully redemptive humor, Moby-Dick is a profound and timeless inquiry into character, faith, and the nature of perception. This Penguin Classics edition, featuring an introduction by Andrew Delbanco and notes by Tom Quirk, prints the Northwestern-Newberry edition of Melville's text, approved by the Center for Scholarly Editions and the Center for Editions of American Authors of the MLA. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

First Edition Identification

Melville's classic was first published by L. Richard Bentley in England in 1851 as a three-volume set entitled The Whale. Only 500 copies were printed. 

The US version, published a month later in November 1851 by Harper & Brothers, titled Moby Dick had 2,951 in the first printing. The U.S. version contained substantial textual differences even aside from the prominent change of title, including 35 passages that were wholly deleted from the English version. 

Details

  • Title Moby-Dick: Or, the Whale
  • Author Herman Melville; Introduction by Andrew Delbanco; Commentaries by Tom Quirk
  • Binding Paperback
  • Edition [ Edition: Repri
  • Pages 720
  • Volumes 1
  • Language ENG
  • Publisher Penguin Group, New York
  • Date 2002-12-31
  • Illustrated Yes
  • ISBN 9780142437247 / 0142437247
  • Weight 1.1 lbs (0.50 kg)
  • Dimensions 7.7 x 5 x 1.15 in (19.56 x 12.70 x 2.92 cm)
  • Ages 18 to UP years
  • Grade levels 13 - UP
  • Reading level 730
  • Themes
    • Theometrics: Secular
  • Library of Congress subjects Sea stories, Psychological fiction
  • Library of Congress Catalog Number 2003272426
  • Dewey Decimal Code FIC

Excerpt

Call me Ishmael. Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen, and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off—then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.

There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs—commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme down-town is the Battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there.

Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?—are wedded for ever.

But here is an artist. He desires to paint you the dreamiest, shadiest, quietest, most enchanting bit of romantic landscape in all the valley of the Saco. What is the chief element he employs? There stand his trees, each with a hollow trunk, as if a hermit and a crucifix were within; and here sleeps his meadow, and there sleep his cattle; and up from yonder cottage goes a sleepy smoke. Deep into distant woodlands winds a mazy way, reaching to overlapping spurs of mountains bathed in their hill-side blue. But though the picture lies thus tranced, and though this pine-tree shakes down its sighs like leaves upon this shepherd's head, yet all were vain, unless the shepherd's eye were fixed upon the magic stream before him. Go visit the Prairies in June, when for scores on scores of miles you wade knee-deep among Tiger-lilies—what is the one charm wanting?—Water—there is not a drop of water there! Were Niagara but a cataract of sand, would you travel your thousand miles to see it? Why did the poor poet of Tennessee, upon suddenly receiving two handfuls of silver, deliberate whether to buy him a coat, which he sadly needed, or invest his money in a pedestrian trip to Rockaway Beach? Why is almost every robust healthy boy with a robust healthy soul in him, at some time or other crazy to go to sea? Why upon your first voyage as a passenger, did you yourself feel such a mystical vibration, when first told that you and your ship were now out of sight of land? Why did the old Persians hold the sea holy? Why did the Greeks give it a separate deity, and make him the own brother of Jove? Surely all this is not without meaning. And still deeper the meaning of that story of Narcissus , who because he could not grasp the tormenting, mild image he saw in the fountain, plunged into it and was drowned. But that same image, we ourselves see in all rivers and oceans. It is the image of the ungraspable phantom of life; and this is the key to it all.

Now, when I say that I am in the habit of going to sea whenever I begin to grow hazy about the eyes, and begin to be over conscious of my lungs, I do not mean to have it inferred that I ever go to sea as a passenger. For to go as a passenger you must needs have a purse, and a purse is but a rag unless you have something in it. Besides, passengers get sea-sick—grow quarrelsome—don't sleep of nights—do not enjoy themselves much, as a general thing—no, I never go as a passenger; nor, though I am something of a salt, do I ever to go to sea as a Commodore, or a Captain, or a Cook. I abandon the glory and distinction of such offices to those who like them. For my part, I abominate all honorable respectable toils, trials, and tribulations of every kind whatsoever. It is quite as much as I can do to take care of myself, without taking care of ships, barques, brigs, schooners, and what not. And as for going as cook,—though I confess there is considerable glory in that, a cook being a sort of officer on ship-board—yet, somehow, I never fancied broiling fowls—though once broiled, judiciously buttered, and judgmatically salted and peppered, there is no one who will speak more respectfully, not to say reverentially, of a broiled fowl than I will. It is out of the idolatrous dotings of the old Egyptians upon broiled ibis and roasted river horse, that you see the mummies of those creatures in their huge bake-houses the pyramids.

N o, when I go to sea, I go as a simple sailor, right before the mast, plumb down into the forecastle, aloft there to the royal masthead. True, they rather order me about some, and make me jump from spar to spar, like a grasshopper in a May meadow. And at first, this sort of thing is unpleasant enough. It touches one's sense of honor, particularly if you come of an old established family in the land, the Van Rensselaers, or Randolphs, or Hardicanutes. And more than all, if just previous to putting your hand into the tarpot, you have been lording it as a country schoolmaster, making the tallest boys stand in awe of you. The transition is a keen one, I assure you, from a schoolmaster to a sailor, and requires a strong decoction of Seneca and the Stoics to enable you to grin and bear it. But even this wears off in time.

What of it, if some old hunks of a sea-captain orders me to get a broom and sweep down the decks? What does that indignity amount to, weighed, I mean, in the scale of the New Testament? Do you think the archangel Gabriel thinks anything the less of me, because I promptly and respectfully obey that old hunks in that particular instance? Who aint a slave? Tell me that. Well, then, however the old sea-captains may order me about—however they may thump and punch me about, I have the satisfaction of knowing that it is all right; that everybody else is one way or other served in much the same way—either in a physical or metaphysical point of view, that is; and so the universal thump is passed round, and all hands should rub each other's shoulder-blades, and be content.

Again, I always go to sea as a sailor, because they make a point of paying me for my trouble, whereas they never pay passengers a single penny that I ever heard of. On the contrary, passengers themselves must pay. And there is all the difference in the world between paying and being paid. The act of paying is perhaps the most uncomfortable infliction that the two orchard thieves entailed upon us. But being paid,—what will compare with it? The urbane activity with which a man receives money is really marvellous, considering that we so earnestly believe money to be the root of all earthly ills, and that on no account can a monied man enter heaven. Ah! how cheerfully we consign ourselves to perdition!

Finally, I always go to sea as a sailor, because of the wholesome exercise and pure air of the forecastle deck. For as in this world, head winds are far more prevalent than winds from astern (that is, if you never violate the Pythagorean maxim), so for the most part the Commodore on the quarter-deck gets his atmosphere at second hand from the sailors on the forecastle. He thinks he breathes it first; but not so. In much the same way do the commonalty lead their leaders in many other things, at the same time that the leaders little suspect it. But wherefore it was that after having repeatedly smelt the sea as a merchant sailor, I should now take it into my head to go on a whaling voyage; this the invisible police officer of the Fates, who has the constant surveillance of me, and secretly dogs me, and influences me in some unaccountable way—he can better answer than any one else. And, doubtless, my going on this whaling voyage, formed part of the grand programme of Providence that was drawn up a long time ago. It came in as a sort of brief interlude and solo between more extensive performances. I t ake it that this part of the bill must have run something like this:

Grand Contested Election for the

Presidency of the United States.

WHALING VOYAGE BY ONE ISHMAEL.

BLOODY BATTLE IN AFFGHANISTAN.

Though I cannot tell why it was exactly that those stage managers, the Fates, put me down for this shabby part of a whaling voyage, when others were set down for magnificent parts in high tragedies, and short and easy parts in genteel comedies, and jolly parts in farces—though I cannot tell why this was exactly; yet, now that I recall all the circumstances, I think I can see a little into the springs and motives which being cunningly presented to me under various disguises, induced me to set about performing the part I did, besides cajoling me into the delusion that it was a choice resulting from my own unbiased freewill and discriminating judgment.

Chief among these motives was the overwhelming idea of the great whale himself. Such a portentous and mysterious monster roused all my curiosity. Then the wild and distant seas where he rolled his island bulk; the undeliverable, nameless perils of the whale; these, with all the attending marvels of a thousand Patagonian sights and sounds, helped to sway me to my wish. With other men, perhaps, such things would not have been inducements; but as for me, I am tormented with an everlasting itch for things remote. I love to sail forbidden seas, and land on barbarous coasts. Not ignoring what is good, I am quick to perceive a horror, and could still be social with it—would they let me—since it is but well to be on friendly terms with all the inmates of the place one lodges in.

By reason of these things, then, the whaling voyage was we lcome; the great flood-gates of the wonder-world swung open, and in the wild conceits that swayed me to my purpose, two and two there floated into my inmost soul, endless processions of the whale, and, midmost of them all, one grand hooded phantom, like a snow hill in the air.

About the author

Herman Melville was born in August 1, 1819, in New York City, the son of a merchant. Only twelve when his father died bankrupt, young Herman tried work as a bank clerk, as a cabin-boy on a trip to Liverpool, and as an elementary schoolteacher, before shipping in January 1841 on the whaler Acushnet, bound for the Pacific. Deserting ship the following year in the Marquesas, he made his way to Tahiti and Honolulu, returning as ordinary seaman on the frigate United States to Boston, where he was discharged in October 1844. Books based on these adventures won him immediate success. By 1850 he was married, had acquired a farm near Pittsfield, Massachussetts (where he was the impetuous friend and neighbor of Nathaniel Hawthorne), and was hard at work on his masterpiece Moby-Dick.

Literary success soon faded; his complexity increasingly alienated readers. After a visit to the Holy Land in January 1857, he turned from writing prose fiction to poetry. In 1863, during the Civil War, he moved back to New York City, where from 1866-1885 he was a deputy inspector in the Custom House, and where, in 1891, he died. A draft of a final prose work, Billy Budd, Sailor, was left unfinished and uncollated, packed tidily away by his widow, where it remained until its rediscovery and publication in 1924. Andrew Delbanco was born in 1952. Educated at Harvard, he has lectured extensively throughout the United States and abroad. He writes frequently on American culture for many national journals and papers, and has co-directed a number of seminars for high school and college teachers at the National Endowment for the Humanities Center and under the sponsorship of the National Endowment for the Humanities. Among his previous works are The Death of Satan, Required Reading, A New England Anthology, and The Puritan Ordeal, which received the 1990 Lionel Trilling Award at Columbia University, where he is Julian Clarence Levi Professor in the Humanities. Mr. Delbanco lives in New York City with his wife and two children. Tom Quirk is the Catherine Paine Middlebush Professor of English at the University of Missouri-Columbia. He is the editor of the Penguin Classics editions of Mark Twain's Tales, Speeches, Essays, and Sketches (1994) and Ambrose Bierce's Tales of Soldiers and Civilians and Other Stories (2000) and co-editor of The Portable American Realism Reader (1997). His other books include Coming to Grips with Huckleberry Finn (1993), Mark Twain: A Study of the Short Fiction (1997) and Nothing Abstract: Investigations in the American Literary Imagination (2001).
Back to Top

More Copies for Sale

Moby-Dick: or, The Whale (Penguin Classics)

Moby-Dick: or, The Whale (Penguin Classics)

by Melville, Herman

  • Used
  • good
  • Paperback
Condition
Used - Good
Binding
Paperback
ISBN 10 / ISBN 13
9780142437247 / 0142437247
Quantity Available
3
Seller
GORING BY SEA, West Sussex, United Kingdom
Seller rating:
This seller has earned a 2 of 5 Stars rating from Biblio customers.
Item Price
$1.94
$10.86 shipping to USA

Show Details

Description:
Paperback. Good.
Item Price
$1.94
$10.86 shipping to USA
Moby-Dick: or, The Whale (Penguin Classics)

Moby-Dick: or, The Whale (Penguin Classics)

by Melville, Herman

  • Used
  • very good
  • Paperback
Condition
Used - Very Good
Binding
Paperback
ISBN 10 / ISBN 13
9780142437247 / 0142437247
Quantity Available
22
Seller
GORING BY SEA, West Sussex, United Kingdom
Seller rating:
This seller has earned a 2 of 5 Stars rating from Biblio customers.
Item Price
$1.94
$10.86 shipping to USA

Show Details

Description:
Paperback. Very Good.
Item Price
$1.94
$10.86 shipping to USA
Moby-Dick: or, The Whale (Penguin Classics)

Moby-Dick: or, The Whale (Penguin Classics)

by Melville, Herman

  • Used
  • Acceptable
  • Paperback
Condition
Used - Acceptable
Binding
Paperback
ISBN 10 / ISBN 13
9780142437247 / 0142437247
Quantity Available
7
Seller
GORING BY SEA, West Sussex, United Kingdom
Seller rating:
This seller has earned a 2 of 5 Stars rating from Biblio customers.
Item Price
$1.94
$10.86 shipping to USA

Show Details

Description:
Paperback. Acceptable.
Item Price
$1.94
$10.86 shipping to USA
Moby-Dick or, The Whale (Penguin Classics)
Stock Photo: Cover May Be Different

Moby-Dick or, The Whale (Penguin Classics)

by Add Melville, Herman

  • Used
Condition
UsedAcceptable
ISBN 10 / ISBN 13
9780142437247 / 0142437247
Quantity Available
1
Seller
Phoenix, Arizona, United States
Seller rating:
This seller has earned a 4 of 5 Stars rating from Biblio customers.
Item Price
$1.62
$3.99 shipping to USA

Show Details

Description:
UsedAcceptable. The item is fairly worn but still readable. The book may have some cosmetic wear (i.e. creased spine/cover, scratches, curled corners, folded pages, sunburn, stains, water damage, bent, torn, damaged binding, dent). - The dust jacket if present, may be marked, and have considerable heavy wear. – The book might be ex-library copy, and may have the markings and stickers associated from the library - The book may have considerable highlights/notes/underlined pages but the text is legible - Accessories such as CD, codes, toys, may not be included - Safe and Secure Mailer - No Hassle Return
Item Price
$1.62
$3.99 shipping to USA
Moby-Dick or, The Whale (Penguin Classics)
Stock Photo: Cover May Be Different

Moby-Dick or, The Whale (Penguin Classics)

by Melville, Herman

  • Used
Condition
UsedGood
ISBN 10 / ISBN 13
9780142437247 / 0142437247
Quantity Available
1
Seller
Spokane, Washington, United States
Seller rating:
This seller has earned a 5 of 5 Stars rating from Biblio customers.
Item Price
$4.88
$3.99 shipping to USA

Show Details

Description:
UsedGood. Condition Good: Book is used and in good condition with some wear from use. This may include stickers on cover, wear to dustcover/missing dustcover, inside cover, spine, slight curled corners, stains, and wear to the fore edge. All orders ship via UPS Mail Innovations. Shipping can take up to 14 business days from first scan to be delivered.
Item Price
$4.88
$3.99 shipping to USA
Moby-Dick or, The Whale (Penguin Classics)

Moby-Dick or, The Whale (Penguin Classics)

by Melville, Herman

  • Used
  • Acceptable
  • Paperback
Condition
Used - Acceptable
Binding
Paperback
ISBN 10 / ISBN 13
9780142437247 / 0142437247
Quantity Available
1
Seller
Seattle, Washington, United States
Seller rating:
This seller has earned a 4 of 5 Stars rating from Biblio customers.
Item Price
$6.13
FREE shipping to USA

Show Details

Description:
Penguin Classics, 2002. Paperback. Acceptable. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.
Item Price
$6.13
FREE shipping to USA
Moby-Dick or, The Whale (Penguin Classics)

Moby-Dick or, The Whale (Penguin Classics)

by Melville, Herman

  • Used
  • Acceptable
  • Paperback
Condition
Used - Acceptable
Binding
Paperback
ISBN 10 / ISBN 13
9780142437247 / 0142437247
Quantity Available
7
Seller
Seattle, Washington, United States
Seller rating:
This seller has earned a 4 of 5 Stars rating from Biblio customers.
Item Price
$6.14
FREE shipping to USA

Show Details

Description:
Penguin Classics, 2002. Paperback. Acceptable. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.
Item Price
$6.14
FREE shipping to USA
Moby-Dick or, The Whale (Penguin Classics)

Moby-Dick or, The Whale (Penguin Classics)

by Melville, Herman

  • Used
  • good
  • Paperback
Condition
Used - Good
Binding
Paperback
ISBN 10 / ISBN 13
9780142437247 / 0142437247
Quantity Available
10
Seller
Seattle, Washington, United States
Seller rating:
This seller has earned a 4 of 5 Stars rating from Biblio customers.
Item Price
$6.14
FREE shipping to USA

Show Details

Description:
Penguin Classics, 2002. Paperback. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.
Item Price
$6.14
FREE shipping to USA
Moby-Dick or, The Whale (Penguin Classics)
Stock Photo: Cover May Be Different

Moby-Dick or, The Whale (Penguin Classics)

by Melville, Herman

  • New
Condition
New
ISBN 10 / ISBN 13
9780142437247 / 0142437247
Quantity Available
40
Seller
Benton Harbor, Michigan, United States
Seller rating:
This seller has earned a 5 of 5 Stars rating from Biblio customers.
Item Price
$9.78
$3.99 shipping to USA

Show Details

Description:
Penguin Classics. New. BRAND NEW, GIFT QUALITY! NOT OVERSTOCKS OR MARKED UP REMAINDERS! DIRECT FROM THE PUBLISHER!
Item Price
$9.78
$3.99 shipping to USA
Moby-Dick : Or, the Whale
Stock Photo: Cover May Be Different

Moby-Dick : Or, the Whale

by Melville, Herman

  • Used
Condition
Used - Very Good
ISBN 10 / ISBN 13
9780142437247 / 0142437247
Quantity Available
1
Seller
Reno, Nevada, United States
Seller rating:
This seller has earned a 5 of 5 Stars rating from Biblio customers.
Item Price
$10.66
FREE shipping to USA

Show Details

Description:
Penguin Publishing Group. Used - Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.
Item Price
$10.66
FREE shipping to USA