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Before the Poison
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Before the Poison Hardback - 2011

by Peter Robinson


From the publisher

Yorkshire-born Peter Robinson, a long-time Toronto resident, is one of the world's top writers of crime fiction and a winner of numerous awards, including the United States' Edgar Award; the British Dagger in the Library Award; France's prestigious Grand Prix de Littérature Policière; Denmark's Palle Rosenkrantz Award; and, in Canada, several Arthur Ellis Best Crime Novel Awards. In 2010, he was given the Crime Writers of Canada's Derrick Murdoch Award for his outstanding contribution to crime fiction, the Harbourfront Festival Prize for a body of work, and he was also awarded an honorary degree by the University of Windsor. His novels are published around the world and have been translated into nineteen languages.

Details

  • Title Before the Poison
  • Author Peter Robinson
  • Binding Hardback
  • Edition First Edition
  • Language EN
  • Publisher McClelland & Stewart, Toronto
  • Date 2011-10-04
  • ISBN 9780771076220

Excerpt

Famous Trials: Grace Elizabeth Fox, April 1953, by Sir Charles Hamilton Morley
 
Grace Elizabeth Fox rose from her bed and dressed with the aid of her young Attending Officer Mary Swann at 6.30 AM on the morning of 23rd April, 1953. She ate a light breakfast of toast, marmalade and tea, then she busied herself writing letters to her family and friends. After a small brandy to steady her nerves shortly before 8.00 AM, she spent the following hour alone with the Chaplain.
 
At thirty seconds before 9.00 AM, Mr. Albert Pierrepoint and his assistant entered Grace’s cell, and with his usual polite deference and dispatch, Mr. Pierrepoint tied her hands behind her back with a soft calfskin strap and escorted her the short distance to the Execution House directly above. It was a grey, rainy morning, and the stone steps were dark and slick with rain. The small party entered the House, where the Governor, the doctor and two witnesses were already waiting, at 9.00 AM precisely. According to later accounts, Grace comported herself with great dignity throughout, and she never faltered in her steps or uttered a sound, except for a brief shudder and audible inhalation of breath when she first saw the rope.
 
Once at the gallows, she was placed in position over the chalked ‘T’ on the trapdoor, and the assistant pinioned her ankles with a leather strap. Mr. Pierrepoint took from his pocket a white cotton hood, which he placed over Grace’s head, then he carefully and gently adjusted the leather-sheathed noose around her neck. When all was to his satisfaction, he stepped back, removed the safety pin and pushed the lever away from him in one sharp, swift motion. The trapdoor opened and Grace fell to her death. The whole business, from the cell to the eternal hereafter, took no longer than fifteen seconds.
 
After a brief examination by the prison doctor, Grace’s body was left hanging for the regulation hour, after which time it was removed and washed, then an autopsy was performed. The findings were that she died instantaneously of a ‘fracture-dislocation of the spine at C.2 with a 2 inch gap and transverse separation of the spinal cord at the same level’. The pathologist also found ‘fractures of both wings of the hyoid and the right wing of the thyroid cartilage’. Grace’s larynx was also fractured.
 
The following day, after Grace’s sister Felicity had formally identified the body, a coroner’s inquest reported her death: ‘Twenty-third April 1953 at H.M. Prison, Leeds: Grace Elizabeth Fox, Female, 40 years, Housewife of Kilnsgate House, Kilnsgarthdale, in the District of Richmond, Yorkshire (North Riding). Cause of Death: Injuries to the central nervous system consequent upon judicial hanging.’ The Governor entered in his daily log the simple words, ‘The sentence of death on Grace Elizabeth Fox was carried out by means of execution,’ and Grace’s body was buried within the prison grounds.
 
October 2010
I had promised myself that when I turned sixty I would go home. Laura thought it was a great idea, but when the day finally came, I was standing at her graveside in the New England rain, crying my eyes out. All the more reason to go, I thought.
 
 ‘In two hundred yards, bear right.’
 
I drove straight on.
 
‘In four hundred yards, bear right.’
 
I continued driving under the canopy of trees, leaves falling and swirling around me. The screen froze, then flickered and dissolved, reforming into new shapes that didn’t in the least resemble the landscape I was driving through.
 
‘Please turn around and turn left in three hundred yards.’
 
I didn’t think this could be true. I was sure that my turning lay still about half a mile ahead to the left. It was easy to miss, I had been told, especially if you have never made it before. Satnavs obviously behave strangely in Yorkshire. I decided to leave it on and find out what it said next.
 
I slowed to a crawl, kept my eyes open, and there it was, a gap in the drystone wall on my left, which resembled a neglected farm track more than anything else, though I could see by the tyre marks that someone else had been that way recently. There was no signpost, and an old wooden farm gate hung open at an angle, broken away from the rusty hinge at the top. The opening was just about wide enough for a small delivery van.
 
It had turned into a gorgeous day, I thought, as I guided the Volvo through the narrow entrance. The hidden dale opened up to me beyond the overhanging trees like some magical land never seen by human eye before. The car bumped over a cattle grid and splashed through a puddle. It was hard to believe the deluge that had almost washed me off the road between Ripon and Masham, but that’s Yorkshire weather for you. If you don’t like it, my father used to say, wait ten minutes or drive ten miles.
 
‘Please turn back now,’ the satnav said. I switched it off and continued along the lane.
 
The grass was lush green after the heavy summer rains, the pale blue sky dotted with fluffy white clouds, the trees resplendent in their muted autumn colours of gold, lemon and russet. They might not be as dramatic as the fall leaves in Vermont, but they have a beauty all of their own, nonetheless. My window was open a few inches, and I could hear the birdsong and smell the wet grass.
 
I was driving west along the valley bottom, just to the right of Kilnsgarthdale Beck, which was running high, almost busting its banks. The whole dale was probably no more than half a mile wide and two miles long, its bottom a flat swathe of about two hundred yards, along which the beck and the lane ran side by side. Grassy slopes rose gently to a height of about fifty feet or so on either side, a silvery stream trickling down here and there to join the beck, and treelines ran along the top of each side. A few cattle grazed on the slope to my right, which I guessed was attached to a farm out of sight, over the hill. Kilnsgarthdale is a small, secluded dale flanked by woods and drystone walls. You won’t see it on any but the most detailed of maps.
 
I passed a ruined stone barn and the remnants of a drystone wall, which had once marked the boundary of a field on the opposite hillside, but there were no other signs of human habitation until I neared Kilnsgate House.
 
The house was set about twenty yards back from the lane, on my right, beyond a low drystone garden wall with a green wooden gate in need of painting. I paused and looked through the car window. It was hard to see much more than the chimneys, slate roof and the tops of a couple of upper windows from the lane, because the rest was obscured by trees, and the sloping garden was quite overgrown. I had a curious sensation that the shy, half-hidden house was waiting for me, that it had been waiting for some time. I gave a little shudder, then I turned off the engine and sat for a moment, breathing in the sweet air and luxuriating in the silence. So this was it, I thought, my journey’s end. Or its beginning.
 
I know it sounds odd, but I had seen Kilnsgate House only in photographs up to this point. During the entire purchase process, I had been involved in a massive work project back in Los Angeles, and I simply hadn’t had the time to jump on a plane and fly over for a viewing. The whole business had been handled by the estate agent, Heather Barlow, and a solicitor, transacted via emails, couriers, phone calls and wire transfers.
 
Kilnsgate House was by far the best of many I had viewed on the Internet, and the price was right. A bargain, in fact. It had been used as a rental property for some years, and there was no present occupant. The owner lived abroad and showed no interest in the place, which was held in trust for him, or her, by a solicitor in Northallerton. There would be no problems with onward chains and gazumping, and all those other odd practices the English go in for when buying and selling houses. I could move in, Mrs Barlow had assured me, as soon as I wanted.
 
She had brought up the issue of isolation, and I saw now exactly what she meant. This had posed a problem, along with the size of the house, when it came to renting the place to tourists. I would be cut off from the world here, she had said. The nearest neighbours lived more than a mile away on a farm, over the other side of the hill, beyond the treeline, and the nearest town, Richmond, was two miles away. I told her that was fine with me.
 
I got out of the car, walked through the creaky gate, then turned and stood by the wall to admire the view of the opposite daleside. About halfway up stood a stone ruin, framed by the trees, half buried in the hill. I thought it was perhaps a folly of some kind.
 
The only other thing that Mrs Barlow had been particularly concerned about was my attitude towards the grand piano. It would be possible to move it out, she said in one of our many telephone conversations, but difficult. There would be no extra charge for it, of course, should I decide to keep it, though she would quite understand if I did want rid of it. I couldn’t believe my luck. I had been about to order an upright piano, or perhaps even a small digital model. Now I had a grand. All I would need, Mrs Barlow went on, surprised and pleased at my acceptance and excitement, was a piano tuner.
 
Although I was unaware of it at this point, Kilnsgate House also had a history, which would soon come to interest me, perhaps even to obsess me, some might argue. A good estate agent, and Heather Barlow was good, clearly becomes adept in the art of omission.

Media reviews

Praise for Peter Robinson:

"Robinson, actually seems to grow in front of our eyes, delivering books of greater complexity each time." 
— Otto Penzler

"Robinson is incapable of writing a dull sentence." 
— People Magazine

"Robinson quietly and methodically stretches the boundries of crime fiction." 
— National Post

"Robinson, of course, is among the upper elite of crime writers...."
— Hamilton Spectator

About the author

Yorkshire-born Peter Robinson, a long-time Toronto resident, is one of the world's top writers of crime fiction and a winner of numerous awards, including the United States' Edgar Award; the British Dagger in the Library Award; France's prestigious Grand Prix de Litterature Policiere; Denmark's Palle Rosenkrantz Award; and, in Canada, several Arthur Ellis Best Crime Novel Awards. In 2010, he was given the Crime Writers of Canada's Derrick Murdoch Award for his outstanding contribution to crime fiction, the Harbourfront Festival Prize for a body of work, and he was also awarded an honorary degree by the University of Windsor. His novels are published around the world and have been translated into nineteen languages."
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