Art and Objecthood

Chicago, Illinois: University of Chicago Press, 1998. Softcover. VG (light edge-wear. rubbing to corners. spine creased, yet, fairly tighly bound). blue illustrated wraps w/ white & red printing. 333 pgs w/ bw illustrations. This volume contains twenty-seven pieces, including the influential introduction to the catalog for Three American Painters, the text of his book Morris Louis, and the… Read more about this item

Chicago, IL: Univ of Chicago Pr, 1998. 1st Edition . Trade Paperback. Fine/No Jacket. 8vo - over 7¾ - 9¾" tall. Michael Fried's art criticism comprises some of the central texts of high modernism. This volume contains twenty-seven pieces, including the ambitious introduction to the catalog for the exhibition 'Three American Painters', the text of his book 'Morris… Read more about this item

Univ of Chicago Pr, 1997. paperback. Very Good. 8x6x0. Text is clean and unmarked. Very minor shelf and perusal wear. Pages are tightly bound. Pictures upon request.

University Of Chicago Press, 2000. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:9780226263199

University of Chicago Press. Used - Very Good. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Paperback / softback. New. Contains 27 essays and reviews defining the contours of late modernism in the visual arts. Ranging from brief reviews to extended essays, the writings establish a set of basic terms for understanding key issues in high modernism. An extended introductory essay by the author clarifies his views.

University Of Chicago Press, 1998-04-18. Paperback. Good.

paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.