12 Occupations by Jean De Bosschere - 1916

NY: Harper & Brothers, 1955. SIGNED first edition. Hard cover in original cloth and dust jacket. Published NY: Harper & Brothers, 1955, first printing. [Hanrahan A18]. 12mo., 5 3/8" x 6 3/4", unpaginated 24pp., color illustrations by Maurice Sendak. Sendak's first all-color illustrated book. Black cloth and pictorial paper covered boards, floral design decorative endpapers in color. Inscribed by Sendak to 5 year-old Sing-Si Schwartz on half-title. (Sing-Si later became a fine-arts photographer, and presumably photographed the laid in Sendak illustrations) : "Jul 70' , For Sing-Si, hello: Maurice Sendak" Laid in is a 1955 publication notice of the book in "The Villager", Greenwich Village, NY, Dec 15, 1955 featuring a photo of Sendak holding a dog. Three 4" x 6" duotone prints of Sendak's illustrations for the book laid in. Book is fine with no wear, dust jacket very good, $2 price on flap, mild age toning, darkening fade along the spine with… Read More

London: Faber and Faber, 1959. First Edition. Near Fine/Near Fine. First British edition, first printing. Signed by Robert Lowell and inscribed to a former owner on the front free endpaper. Bound in publisher's plum-colored cloth with gilt spine lettering. Near Fine with faint rubbing at the tips, in a Near Fine unclipped dust jacket with minor shelf wear. This edition preceded the much more common American edition; quite scarce signed.

NY: Thomas Y. Crowell & Co, 1910. Signed first edition, limited to 525 numbered copies in England and America, #137, signed by Pogany on limitation page. Full brown morocco with gilt cover design, gilt spine titles, top edge gilting, pictorial end papers, sewn in silk bookmark. Published NY: Thomas Y. Crowell & Co., 1910. Folio, 9 1/2" x 13", printed on Japan vellum, unpaginated, Illustrated by Pogany with 20 tipped-in color plates, calligraphic text, decorative borders plus illustrations in color and line throughout the text. A stunning work. Some scuffing, wear along the edges of boards, small, previous owner bookplate on front pastedown, internally near fine, pages clean, no foxing or markings, page block crisp, all plates present, binding tight. Rare.. Signed by Illustrator. 1st. Hard. Very Good. Illus. by Pogany, Will. Folio. Numbered, Limited Edition.

New York: The Limited Editions Club. Near Fine. 1995. Limited Edition. Hardcover. 1st Edition. Revelation was written at the height of Christians prosecution by the Romans and the book as inspired many past literary masterpieces by the likes of Dante and Milton. For this edition the great American artist Allan Rohan Crite was inspired to produce fifteen relief engravings for possibly the ultimate illustrated edition of the book of Revelations. Revelations passionately speak against the power of evil and encourage Christians to resist even at the cost of martyrdom. Many critics considers this to be Crite's finest religious work. One volume (16 x 22 inches) Relief engravings were printed on Japanese paper and mounted on heavy paper handmade in Pescia Italy. Volume is handbound in burgundy linen and the solander box covered in black Italian cotton. The inset is Nigerian goatskin and the title stamped in 22-karat gold. The book is in NF condition with a few slight marks visible on the… Read More

Chicago: The University of Chicago Press, 1976. 1st Edition . Hardcover. Fine/Very Good. Signed and inscribed second printing (in first edition jacket) of Maclean's collection of semi-autobiographical short fiction, a now-classic of Western literature and fly fishing, whose title novella formed the basis for the 1992 Robert Redford-directed film of the same name. Maclean's inscription, on the front endpaper, reads: "University of Chicago, / April 15, 1979. / To Bobby: / With deep affection and best wishes. / Norman". Although we can only guess at the identity of the inscribee--perhaps a former colleague at the University of Chicago, or a friend at the Press--Maclean's warm inscription and use of first name only suggests that the two were quite close. Octavo (5.75 x 8.75 in.); xiv, 217pp.; blue cloth boards, silver spine lettering. Second printing, as designated by number line and corrected ISBN on copyright page (but with the uncorrected misprinting of "always" as… Read More

The Roycroft Printing Shop. New York. 1896. First edition, pirated by Elbert Hubbard, founder of the Roycroft movement. 8vo. Inscribed by the author on the title page, "I repudiate all responsibility for this bowdlerised piracy. Elbert Hubbard, who perpetrated it, is dead. Why not bury it with him? G. Bernard Shaw. 27/5/22." Additionally inscribed by Hubbard on the front free endpaper, "To Leonard D. Abbott with all good wishes from his friend Elbert Hubbard." Original cloth-backed boards. Housed in a blue half morocco slipcase and chemise. A fine copy.

FLAME, 1962. B/W Photo of Her in White FUR Stole & Evening Dress on MAGAZINE Cvr, American singer and pianist, who has been cited as "the most popular black female recording artist of the '50s .MAGAZINE Signed on cover, Dinah, ORIGINAL Jan 1962, THE FLAMINGO FLAME MAGAZINES, FROM FLAMINGO CLUB, GOOD- Condition Light rub, wear scuff, EDGE CHIPS, & FEW SMALL HOLES. Signed by Author. 1st Edition. Printer Wrapper. Good/No Jacket.

London: J. M. Dent, 1893. First edition, limited to 1,500 copies. Volume One only (Includes Books 1-9 as published), in extremely rare dust jacket. Published London: J. M. Dent, 1893. 4to., 8 1/2" x 10", lxiv + 455 pages, illustrated with full page plates, vignettes, borders, in-text decorations and cover design by Aubrey Beardsley. Beardsley's first major commission and a landmark of great illustrated books. Beardsley juxtaposed various traditional and contemporary styles with his own, and laid them down, side-by-side throughout the book. From elaborate and formal William Morris design elements to shocking eroticism and striking decadence - as in the case of the frontispiece plate of Arthur. Cream linen cloth with elaborate gilt design and fancy titles. Top edge gilting, 3-color ribbon marker bound in. Slight foxing to the cloth, endpapers toned along the perimeters, some wrinkling to the tissue guard at frontis, else very good, attractive; binding square and tight in a rare dust… Read More

Hardcover Condition:Fine. Slipcase Condition: VG. Limited Edition (1 of 25 lettered copies signed by Monroe Wheeler). Twelve Fables of Aesop narrated by Glenway Wescott, illustrated with 18 linoleum blocks by Antonio Frasconi, designed and printed in three colors (black, gray, and red) on Rives mould-made paper by Joseph Blumenthal at the Spiral Press, New York, from hand-set Emerson type and from the artist's original blocks. The edition is limited to 975 numbered copies and 25 lettered review copies, all signed by Mr. Frasconi, Mr. Wescott, and Mr. Blumenthal. This copy is one of the 25 lettered copies (copy number "F"). In addition to the other three signatures, it is signed by Monroe Wheeler. In 1935 Wheeler was employed by New York's Museum of Modern Art (MOMA). He was on the Library Committee and in three years he was Director of Membership and the following year Director of Publications. In 1940 MOMA created the role of Director of Exhibitions and Wheeler was the first person to hold the post.… Read More

450 illustrations, by 50 graphic artists, including 5 original engravings. The original engravings are by: Alberto Beltran, Alfredo Zalce, Francisco Mora, Gabriel Fernandez Ledesma and Leopoldo Mendez. Each of the engravings is pencil signed. This is a spiral bound softcover book. The spine shows no sign of wear, all the corners are square, and the pages are clean and unmarked. A previous owners name is written in ink on the half title page; therefore, this is a near fine copy.