Autograph Letter Signed ‘L.Haghe’, to Henry Graves, the print seller, introducing “a distinguished painter of animals from Sweden” by HAGHE, Louis

Lyon: La Manufacture , 1985. Broché. Etat moyen. A l'italienne. Collection "Archives du Dauphiné". 94 pp. 24 vue lithographiées de Louis Haghe. Couverture frottée avec des pliures.

La Manufacture, 1985. Paperback. Good. Slight signs of wear on the cover. Edition 1985. Ammareal gives back up to 15% of this item's net price to charity organizations.

AN ORIGINAL MID 19th CENTURY LITHOGRAPH PRINTED ON GOOD QUALITY PAPER, TITLE OF THE PRINT IS THE ENTRANCE TO ST. PAUL, ANTWERP. PRINT MEASURES APPROX 15 X 11 INCHES, SIZE WITH MARGINS IS APPROX 21 x 14 INCHES. SOME STAINING TO BOTTOM MARGIN & RIGHT SIDE MARGIN [SEE IMAGE, THE STAINING WILL BE COVERED ONCE THE PRINT IS FRAMED WITH A CARD MOUNT] OVERALL THE PRINT IS IN VERY GOOD CONDITION WITH COLOURS BRIGHT & STRONG. THIS ITEM WILL BE SENT ROLLED IN A TUBE. A HIGH QUALITY ANTIQUE PRINT BY HAGHE & READY TO FRAME. EXTRA POSTAGE COSTS MAY APPLY TO OVERSEAS ORDERS.

Boston Architectural Club, 1914. First Edition Thus. Hardcover. 223 pages. Full-page black-and-white illustrations. First edition thus. A very good copy in cloth covers with bright gold lettering on front cover. No dust jacket.

1870. Lithograph. 175mm by 245mm (image) 295mm by 440mm (sheet). Published by M. Moss, Bookseller, Guernsey. Mount Orgueil Castle, Jersey, overlooks the harbour of Gorey. India-laid, supporting sheet toned.

London: F.G. Moon. 1842-9. c.28 x 34 cm. Original tinted lithograph with later hand colouring. Half page. Roberts was the first independent, professional British artist to travel so extensively in the Near East. His tour in 1838-9 produced 272 sketches, a panorama of Cairo and three full sketchbooks, enough material to "serve me for the rest of my life" (Roberts, eastern journal, 28 Jan 1839). Over the next decade he made "a series of intire new drawings" for the large coloured lithographs executed by Louis Haghe for The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia, which was originally published by subscription, 1842-9. No publication before this had presented so comprehensive a series of views of the monuments, landscape, and people of the Near East. "Robert's Holy Land was one of the most important and elaborate ventures of nineteenth-century publishing, and it was the apotheosis of the tinted lithograph" (Abbey, Travel). These lithographs were originally published in twenty parts, most… Read More

London: S. & J. Fuller, 1826.. 10.5 x 10.75 inches. Unbound sheet. Handcolored lithograph. Good with slight foxing and creases on sides. Lettered on bottom of print reads: “London Pub’d by S. & J. Fuller at the Temple of Fancy, 34 Rathbone Place, Nov. 8th, 1826. Printed by W. 59 Gt Queen St.” Print originally collected by Frederick Ruffner, founder of Gale research.

London: F.G. Moon. 1842-9. c. 28 x 34 cm. Original tinted lithograph with later hand colouring. Half page. Roberts was the first independent, professional British artist to travel so extensively in the Near East. His tour in 1838-9 produced 272 sketches, a panorama of Cairo and three full sketchbooks, enough material to "serve me for the rest of my life" (Roberts, eastern journal, 28 Jan 1839). Over the next decade he made "a series of intire new drawings" for the large coloured lithographs executed by Louis Haghe for The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia, which was originally published by subscription, 1842-9. No publication before this had presented so comprehensive a series of views of the monuments, landscape, and people of the Near East. "Robert's Holy Land was one of the most important and elaborate ventures of nineteenth-century publishing, and it was the apotheosis of the tinted lithograph" (Abbey, Travel). These lithographs were originally published in twenty parts, most… Read More

London: F.G. Moon. 1842-9. c.28 x 34 cm. Original tinted lithograph with later hand colouring. Half page. Roberts was the first independent, professional British artist to travel so extensively in the Near East. His tour in 1838-9 produced 272 sketches, a panorama of Cairo and three full sketchbooks, enough material to "serve me for the rest of my life" (Roberts, eastern journal, 28 Jan 1839). Over the next decade he made "a series of intire new drawings" for the large coloured lithographs executed by Louis Haghe for The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia, which was originally published by subscription, 1842-9. No publication before this had presented so comprehensive a series of views of the monuments, landscape, and people of the Near East. "Robert's Holy Land was one of the most important and elaborate ventures of nineteenth-century publishing, and it was the apotheosis of the tinted lithograph" (Abbey, Travel). These lithographs were originally published in twenty parts, most… Read More

London: F.G. Moon. 1842-9. c.28 x 34 cm. Original tinted lithograph with later hand colouring. Half page. Roberts was the first independent, professional British artist to travel so extensively in the Near East. His tour in 1838-9 produced 272 sketches, a panorama of Cairo and three full sketchbooks, enough material to "serve me for the rest of my life" (Roberts, eastern journal, 28 Jan 1839). Over the next decade he made "a series of intire new drawings" for the large coloured lithographs executed by Louis Haghe for The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia, which was originally published by subscription, 1842-9. No publication before this had presented so comprehensive a series of views of the monuments, landscape, and people of the Near East. "Robert's Holy Land was one of the most important and elaborate ventures of nineteenth-century publishing, and it was the apotheosis of the tinted lithograph" (Abbey, Travel). These lithographs were originally published in twenty parts, most… Read More