Description:
[North Vitzroy, Victoria, Australia]:: Gracia and Louise,, 2017.. Edition of 6 + 1 AP. 8 x 4.75"; 8 pages. Concertina structure. Inkjet print on Hahnemühle Photo Rag 308gsm. Covers mounted on gold-trimmed board. Housed in a printed slipcase on 225gsm Buffalo board. Covers and pages printed by Arten. Slipcase printed by Bambra Press. Bound by Louise Jennison. Numbered, dated, and initialed by artists. A Warmed pebble in My Hand" is book 5 in a series of five artists' books from 2017 by Gracia Haby and Louise Jennison. Each in the series are eight page concertinas in an edition of 6. Each book stands alone but together they weave a tale. Each book has a scene/a story printed on the exterior of the slipcase. The accordion book carries the imagery created for the written narrative. The text hints at intimacy and wilderness. The accordion then extends to bring us to statuary and stone. What world is this? The reader is given the opportunity to weave their own…
Read More Find your place by HABY, Gracia and JENNISON, Louise [Gracia & Louise]
by HABY, Gracia and JENNISON, Louise [Gracia & Louise]
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Find your place
by HABY, Gracia and JENNISON, Louise [Gracia & Louise]
- Used
[Melbourne] : the artists, 2007. Artist’s book, 110 mm tall, consisting of 22 page concertina offset lithograph by Gracia Haby, bound by Louise Jennison, initalled by Haby. Printed in an edition of 10 copies, this is the single Artist's Proof. Exhibited as part of A trapdoor in every room (2007), and later as part of the 2008 Libris Awards: Australian Artists' Book Prize, Artspace Mackay, Queensland. Editions of this book are in the collections of Artspace Mackay, Bibliotheca Librorum Apud Artificem, the State Library of Victoria, Melbourne University Library, Monash University Library, and the National Gallery of Australia (formally as part of the Ergas Collection). ‘We are besotted with paper for its adaptable, foldable, cut-able, concealable, revealing nature. In our artists’ books, prints, zines, drawings, and collages, we use an armoury of play, humour, and perhaps the poetic too, with intent to lure you closer. The animal is oft present and easily detectable, the centre of our paper stage. Hard to miss, over here and over there, the animal runs up hills, scales rooftops, and sometimes appears to take flight. Gliding through a scene it is too large to be contained within or perhaps too manmade to call home, that it has a tail or feathers or furred muzzle is not solely why its form appears. For us, the animal is there to question our very behaviour, those moral principles one governs the self by, and to explore our relationship with the natural world. The words of Gogol whisper in the ear, “the longer and more carefully we look at a funny story, the sadder it becomes.” And so, we leave our scenes open-ended, inviting you to ponder and perhaps find that things are not always as they first appear.’ – Artists’ statement The contemporary artists’ books of Gracia & Louise Our are represented in the collections of Artspace Mackay; Bibliotheca Librorum Apud Artificem; Deakin University Library; Melbourne Museum; Melbourne University Library; Monash University Library; Mornington Peninsula Regional Gallery; National Gallery of Australia; National Gallery of Victoria; National Library of Australia; RMIT University Library; State Library of New South Wales; State Library of Victoria; State Library of Queensland; Tate (UK); University of the West of England (UK).
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Independent bookstores
(AU)
- Book Condition Used
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