FORTY (40) NEGRO SPIRITUALS COMPILED & ARRANGED FOR SOLO VOICE WITH PIANOFORTE ACCOMPANIMENT by White, Clarence Cameron - 1927-01-01

Theodore Presser Co. HARDCOVER. VG. Binding solid, pages lightly toned but crisp and clean, no markings found. Dust jacket lightly toned with a few small nicks, light scuffs. Extremities lightly bumped with minimal tip wear. No expedited or international shipping, oversize.

Bryn Mawr PA: Theodore Presser Co, 1927. Hardcover. Near Fine in Very Good+ dust jacket. 40 Negro spirituals compiled and arranged for Solo Voice with Pianoforte accompaniment." DJ reads F 411-40028, 129 pages. Green cloth covers with cabin pictured on front, black ink mark-out 1/8 x 1/2" on free front endpage, faint vertical crease mark on front cover. DJ foot has 1/2" split, creases and 1/4" chip (in mylar sleeve); 9 1/4 x 12

Philadelphia: Theodore Presser Co., 1927 IN NEAR FINE CONDITION, with a Dust Jacket in Very Good + Condition, protected in a mylar cover. 129pp, with musical notation, bound in original green cloth, with an embossed log cabin on the cover. BINDING AND HINGES TIGHT. NO LABELS, INSCRIPTIONS, NOR MARKINGS.

Philadelphia: Theodore Presser, 1927. First Printing. Hardcover. Fine. Preface by the author. Score accompaniments for piano. Original green cloth with black and blue log cabin design and blue titles. An important, scholarly work published at the beginning of the reservation movement in Negro Spirituals. A superb copy, clean and unmarked. Scarce Black Americana.

Philadelphia: Theodore Presser, 1927. First edition. 1 vols. 4to. Cloth. Fine in fine dust jacket. First edition. 1 vols. 4to. The compiler-arranger did his work at West Virginia Collegiate Institute.

Philadelphia: Theodore Presser Co, 1927. Softcover. Good. First edition. Folio. Flexible illustrated green cloth over thin card. Housed in quarter morocco and marbled paper over board clamshell case. Some erosion of the cloth and the cloth is puckered upper right front corner, thin card on front cover displays a modest crack, a good only but presentable copy with the front and back panels of the dust jacket laid in. This copy Inscribed by White: "To Will Marion Cook from his old friend and one time pupil Clarence Cameron White. P.O. Box 271 Charleston, W.Va." Additionally Inscribed by Cook at a later date: "From Will Marion to Isabel". At the time of publication African-American composer and violinist White was teaching at West Virginia State College. He would soon go on to head the music department at Hampton Institute. Cook was himself a Black composer and violinist and student of Dvorak's perhaps best known for his long running musical show *In Dahomey*. An excellent association connecting two… Read More